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Relevant bibliographies by topics / Bakhtin Chronotope

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Academic literature on the topic 'Bakhtin Chronotope'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Bakhtin Chronotope"

1

Cloran, Carmel. "Rhetorical unit analysis and Bakhtin’s chronotype." Functions of Language 17, no. 1 (2010): 29–70. http://dx.doi.org/10.1075/fol.17.1.02clo.

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Bakhtin introduced the concept of chronotope (chronos = time; topos = space) to facilitate his exploration of the ways in which space-time intersections occur in literary texts. However, he also suggests that chronotopes characterise non-literary texts — indeed, that “every entry into the sphere of meaning is accomplished only through the gates of the chronotope” (1981: 258) — this historical, biographical and social time-space configuration. This formulation immediately suggests that these categories should be accessible via the categories of language and indeed, in English, they are most gen

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2

Burlina, E. Ya. "URBAN CHRONOTOPE – URBAN SEMIOTICS. FLORENCE AND SAINT PETERSBURG." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 74 (2020): 77–84. http://dx.doi.org/10.37313/2413-9645-2020-22-74-77-84.

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In this paper author presents an interdisciplinary interaction betweeen semiotics and chronotopy. The paper refers to the great cities of Renaissance and the Russian cities like Saint Petersburg. As M. M. Bakhtin formulated, "genre is cultural memory". According to the author, the structural and spatiotemporal memory lies in the core not only of artistic works, but of urban structurestoo.As an instruments of structural and semiotic analysis of city, the terms of chronotope and chronotopy were coined. The followers of M. M. Bakhtin, the structuralists and the semeiologists of the Yu. M. Lotman

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Stone, Jonathan. "Polyphony and the Atomic Age: Bakhtin's Assimilation of an Einsteinian Universe." PMLA/Publications of the Modern Language Association of America 123, no. 2 (2008): 405–21. http://dx.doi.org/10.1632/pmla.2008.123.2.405.

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Mikhail Bakhtin described a novelistic world bound to the reader's point of view and perception of reality. Albert Einstein's theory of relativity justified Bakhtin's elevation of the reader to a central position in his theory of the novel. This essay examines Bakhtin's engagement with Einsteinian relativity in the context of two of his most influential contributions to critical discourse—polyphony and the chronotope. Originating in the 1920s, Bakhtin's notion of polyphony was initially an expression of his Kantian mind-set. When Bakhtin reworked his formulation of polyphony in 1963 (having al

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Marievskaya, Natalia Yevgenyevna. "On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze." Journal of Flm Arts and Film Studies 5, no. 4 (2013): 52–64. http://dx.doi.org/10.17816/vgik5452-64.

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The article surveys the experience of borrowing the concept of “Chrono-tope” from Relativistic Mechanics, defines the boundaries of chronotopic analysis in lit erature and cinema studies and suggests the possible ways of eliminating the difficulties in the chronotope theories of H. Bergson and G. Deleuze.

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Buda, Agata. "The idyllic chronotope in Far from the Madding Crowd by Thomas Hardy." Ars Aeterna 12, no. 1 (2020): 1–9. http://dx.doi.org/10.2478/aa-2020-0001.

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AbstractThe paper presents the idea of the chronotope in the novel Far from the Madding Crowd by Thomas Hardy, with special attention paid to idyllic time and space. The research is mainly based on the theory of chronotopes according to Mikhail Bakhtin, who distinguishes various types and motifs within this notion. The author presents here the features of an idyllic chronotope, among them vast descriptions of nature and its connection with human life, as well as the destruction of an idyll, unhappy love and the motif of a road or path, which seems to be one of the most significant motifs in th

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6

Voronina, N. I. "DAYS OF M.M. BAKHTIN IN SARANSK (TO THE 125TH ANNIVERSARY OF THE THINKER'S BIRTH)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23 (2021): 5–9. http://dx.doi.org/10.37313/2413-9645-2021-23-76-5-9.

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Subject of the article: review of the Bakhtin days in Saransk (to the 125th anniversary of the thinker's birth)". The object of the article: twenty-first century, "dialogue with a thinker" on the day of birth. Project goal: to update information about the development of Bakhtin studies in the modern world for the scientific and educational world. Methodology of work: the phenomenon of Bakhtin is unique, unique and significant. This context of studying his scientific work became possible using comparative historical, cultural-philosophical approaches, as well as the biographical method of analy

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7

Cenedese, Marta-Laura. "Home and Exile in Irène Némirovsky’s Novella Les Mouches d’automne (1931)." Open Philosophy 4, no. 1 (2021): 211–23. http://dx.doi.org/10.1515/opphil-2020-0172.

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Abstract Irène Némirovsky’s novella Les Mouches d’automne (1931. Snow in Autumn, 2007) paints an effective portrait of exile, of the longing for the lost home, and the disorientation that one feels when faced with a reality that is neither recognizable nor understandable. In this article, I analyse Némirovsky’s narrative strategies in relation to spatio-temporal phenomena. My analysis is based on the work of philosophers Mikhail Bakhtin and Gilles Deleuze: Bakhtin’s chronotope and Deleuze’s crystal-image illuminate how the novella’s dominant themes, exile and nostalgia for the home, are irredu

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8

Kawamoto, Marcia Tiemy Morita. "Subverting the chronotope: the Donnie Darko (2001) case." Fórum Linguístico 17, no. 4 (2020): 5238–46. http://dx.doi.org/10.5007/1984-8412.2020.e70764.

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This paper analyzes the film Donnie Darko (2001) by director and screenwriter Richard Kelly through the theoretical perspective of Mikhail Bakhtin’s (1981) chronotope. The latter defines it as an intermingling between temporal and spatial relations, artistically assimilated in literature (BAKHTIN, 1981), but in this study it is applied to film studies. Gilles Deleuze’s (1986, 1989) concepts of movement-image and time-image also contribute to the analysis. The film presents sequences of chronotope disruption, which are associated to the main’s characters mental state. Film techniques as paralle

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Mary Bratton. "Winterson, Bakhtin, and the Chronotope of a Lesbian Hero." Journal of Narrative Theory 32, no. 2 (2002): 207–26. http://dx.doi.org/10.1353/jnt.2011.0057.

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10

Zou, Hang. "On Linguistic Philosophy of Mikhail Bakhtin and Hallidayan Systemic Functional Linguistics." Journal of Language Teaching and Research 9, no. 2 (2018): 367. http://dx.doi.org/10.17507/jltr.0902.19.

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It is noteworthy that florid descriptions of interaction between linguistics and the philosophy of language are regularly inspired. In this paper, parallels have been drawn between Bakhtin’s philosophical perspectives and Hallidayan theoretical claims of Systemic Functional Linguistics (SFL). Through the analysis of Bakhtin’s theory of dialogism, heteroglossia, chronotope and metalinguistics, I argue that Hallidayan Systemic Functional Linguistic theory is compatible with Bakhtin’s philosophical perspectives to a great extent in terms of the close relations between speech genre and register, h

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