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Journal articles on the topic 'Bakhtin Chronotope'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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1

Cloran, Carmel. "Rhetorical unit analysis and Bakhtin’s chronotype." Functions of Language 17, no. 1 (2010): 29–70. http://dx.doi.org/10.1075/fol.17.1.02clo.

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Bakhtin introduced the concept of chronotope (chronos = time; topos = space) to facilitate his exploration of the ways in which space-time intersections occur in literary texts. However, he also suggests that chronotopes characterise non-literary texts — indeed, that “every entry into the sphere of meaning is accomplished only through the gates of the chronotope” (1981: 258) — this historical, biographical and social time-space configuration. This formulation immediately suggests that these categories should be accessible via the categories of language and indeed, in English, they are most gen
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2

Burlina, E. Ya. "URBAN CHRONOTOPE – URBAN SEMIOTICS. FLORENCE AND SAINT PETERSBURG." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 74 (2020): 77–84. http://dx.doi.org/10.37313/2413-9645-2020-22-74-77-84.

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In this paper author presents an interdisciplinary interaction betweeen semiotics and chronotopy. The paper refers to the great cities of Renaissance and the Russian cities like Saint Petersburg. As M. M. Bakhtin formulated, "genre is cultural memory". According to the author, the structural and spatiotemporal memory lies in the core not only of artistic works, but of urban structurestoo.As an instruments of structural and semiotic analysis of city, the terms of chronotope and chronotopy were coined. The followers of M. M. Bakhtin, the structuralists and the semeiologists of the Yu. M. Lotman
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Stone, Jonathan. "Polyphony and the Atomic Age: Bakhtin's Assimilation of an Einsteinian Universe." PMLA/Publications of the Modern Language Association of America 123, no. 2 (2008): 405–21. http://dx.doi.org/10.1632/pmla.2008.123.2.405.

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Mikhail Bakhtin described a novelistic world bound to the reader's point of view and perception of reality. Albert Einstein's theory of relativity justified Bakhtin's elevation of the reader to a central position in his theory of the novel. This essay examines Bakhtin's engagement with Einsteinian relativity in the context of two of his most influential contributions to critical discourse—polyphony and the chronotope. Originating in the 1920s, Bakhtin's notion of polyphony was initially an expression of his Kantian mind-set. When Bakhtin reworked his formulation of polyphony in 1963 (having al
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4

Marievskaya, Natalia Yevgenyevna. "On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze." Journal of Flm Arts and Film Studies 5, no. 4 (2013): 52–64. http://dx.doi.org/10.17816/vgik5452-64.

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The article surveys the experience of borrowing the concept of “Chrono-tope” from Relativistic Mechanics, defines the boundaries of chronotopic analysis in lit erature and cinema studies and suggests the possible ways of eliminating the difficulties in the chronotope theories of H. Bergson and G. Deleuze.
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Buda, Agata. "The idyllic chronotope in Far from the Madding Crowd by Thomas Hardy." Ars Aeterna 12, no. 1 (2020): 1–9. http://dx.doi.org/10.2478/aa-2020-0001.

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AbstractThe paper presents the idea of the chronotope in the novel Far from the Madding Crowd by Thomas Hardy, with special attention paid to idyllic time and space. The research is mainly based on the theory of chronotopes according to Mikhail Bakhtin, who distinguishes various types and motifs within this notion. The author presents here the features of an idyllic chronotope, among them vast descriptions of nature and its connection with human life, as well as the destruction of an idyll, unhappy love and the motif of a road or path, which seems to be one of the most significant motifs in th
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Voronina, N. I. "DAYS OF M.M. BAKHTIN IN SARANSK (TO THE 125TH ANNIVERSARY OF THE THINKER'S BIRTH)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23 (2021): 5–9. http://dx.doi.org/10.37313/2413-9645-2021-23-76-5-9.

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Subject of the article: review of the Bakhtin days in Saransk (to the 125th anniversary of the thinker's birth)". The object of the article: twenty-first century, "dialogue with a thinker" on the day of birth. Project goal: to update information about the development of Bakhtin studies in the modern world for the scientific and educational world. Methodology of work: the phenomenon of Bakhtin is unique, unique and significant. This context of studying his scientific work became possible using comparative historical, cultural-philosophical approaches, as well as the biographical method of analy
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Cenedese, Marta-Laura. "Home and Exile in Irène Némirovsky’s Novella Les Mouches d’automne (1931)." Open Philosophy 4, no. 1 (2021): 211–23. http://dx.doi.org/10.1515/opphil-2020-0172.

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Abstract Irène Némirovsky’s novella Les Mouches d’automne (1931. Snow in Autumn, 2007) paints an effective portrait of exile, of the longing for the lost home, and the disorientation that one feels when faced with a reality that is neither recognizable nor understandable. In this article, I analyse Némirovsky’s narrative strategies in relation to spatio-temporal phenomena. My analysis is based on the work of philosophers Mikhail Bakhtin and Gilles Deleuze: Bakhtin’s chronotope and Deleuze’s crystal-image illuminate how the novella’s dominant themes, exile and nostalgia for the home, are irredu
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Kawamoto, Marcia Tiemy Morita. "Subverting the chronotope: the Donnie Darko (2001) case." Fórum Linguístico 17, no. 4 (2020): 5238–46. http://dx.doi.org/10.5007/1984-8412.2020.e70764.

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This paper analyzes the film Donnie Darko (2001) by director and screenwriter Richard Kelly through the theoretical perspective of Mikhail Bakhtin’s (1981) chronotope. The latter defines it as an intermingling between temporal and spatial relations, artistically assimilated in literature (BAKHTIN, 1981), but in this study it is applied to film studies. Gilles Deleuze’s (1986, 1989) concepts of movement-image and time-image also contribute to the analysis. The film presents sequences of chronotope disruption, which are associated to the main’s characters mental state. Film techniques as paralle
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9

Mary Bratton. "Winterson, Bakhtin, and the Chronotope of a Lesbian Hero." Journal of Narrative Theory 32, no. 2 (2002): 207–26. http://dx.doi.org/10.1353/jnt.2011.0057.

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10

Zou, Hang. "On Linguistic Philosophy of Mikhail Bakhtin and Hallidayan Systemic Functional Linguistics." Journal of Language Teaching and Research 9, no. 2 (2018): 367. http://dx.doi.org/10.17507/jltr.0902.19.

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It is noteworthy that florid descriptions of interaction between linguistics and the philosophy of language are regularly inspired. In this paper, parallels have been drawn between Bakhtin’s philosophical perspectives and Hallidayan theoretical claims of Systemic Functional Linguistics (SFL). Through the analysis of Bakhtin’s theory of dialogism, heteroglossia, chronotope and metalinguistics, I argue that Hallidayan Systemic Functional Linguistic theory is compatible with Bakhtin’s philosophical perspectives to a great extent in terms of the close relations between speech genre and register, h
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11

Neill, Lindsay, Nigel Hemmington, and Luca Sturny. "We’d love to turn you on: Considering Bakhtin and the music of The Beatles, ‘A Day in the Life’." Journal of European Popular Culture 10, no. 2 (2019): 81–95. http://dx.doi.org/10.1386/jepc_00002_1.

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From the Sgt. Pepper’s Lonely Hearts Club Band album, this article re-reads The Beatles’ classic song ‘A Day in the Life’. Our re-reading uses Bakhtin’s chronotope. While ‘A Day in the Life’ was released in 1967, our chronotopic perspectives of it are timely. In using the chronotope to re-read this classic, we have developed an equation linking utterance to culture, time, history, the individual and interpretation. In those ways, our article not only reveals how texts are interpreted within socio-temporal constructs, but through our equation also shows how other texts may be understood and int
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Ilivitskaya, Larisa Gennad'evna. "Diagnostic model of the city: a chronotopic approach." Человек и культура, no. 1 (January 2021): 36–46. http://dx.doi.org/10.25136/2409-8744.2021.1.33303.

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The object of this research is the city viewed as a multilayered semantic phenomenon. The needs of transdisciplinary nature determine the vector of its analysis in light of the possibility of application of diagnostic approach, which incorporates the theoretical and practical aspects, cognitive and transformative sides. The goal consists in the development of diagnostic model of the city as a cultural phenomenon. The position is defended on the limitation of classical diagnostic search applicable to the so-called city. The prospects of its research correlate with the nonclassical interpretatio
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Martynets, A. M. "SPATIAL MOVEMENTS AS A PLOT CREATING ELEMENT OF DIANA JONES’ FAIRY NARRATIVE “HOWL’S MOVING CASTLE”." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 220–28. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-220-228.

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The article makes an attempt of the analysis of spatial movements represented in D. Jones’ fantasy work “Howl’s Moving Castle” on the level of text plot creating. The researches into the problems of the chronotope by M. Bakhtin, N. Kopystians’ka and S. Skwarczyńska are taken into consideration.
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Bubnova, Tatiana. "Bajtín y la hermenéutica." Interpretatio. Revista de Hermenéutica 5, no. 1 (2020): 49–68. http://dx.doi.org/10.19130/iifl.it.2020.5.1.0005.

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Bakhtinian hermeneutics did not develop as part of a specific “hermeneutic” discipline, but as an integral aspect of his philosophical anthropology based on communication. Texts,seen as the products of intentional or ethical acts, are conceived as statements that accompany parallel acts, or even constitute acts in themselves. This article aims at understanding the process through which Bakhtin developed a phenomenology of comprehension based on the interpretation of communicative acts embodied in the text, unlike traditional hermeneutics. Bakhtin’s dialogism is self-referred and oriented towar
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Malkina, Viktoria Ya. "VISUAL ASPECTS OF THE CHRONOTOPE: "THE ISLAND OF ISRAEL" AND "THE ROAD TO ISRAEL" BY A. GORODNITSKY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2020): 82–91. http://dx.doi.org/10.28995/2686-7249-2020-9-82-91.

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The paper analyzes two works by A. Gorodnitsky – the poem “The Island of Israel” (1993) and the song “The Road to Israel” (2007), from the point of view of spatial and temporal organization, as well as visual imagery, with the help of which the artistic world of works is depicted. Thus, the main purpose of the article is to analyze the visual features of the Israel chronotope in the two designated works. For this, firstly, the space, time and visual imagery in the poem and in the song are analyzed in detail. Then observations and conclusions are systematized and compared with the audiovisual r
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Creese, Angela, and Adrian Blackledge. "The ‘other woman’ in a mother and daughter relationship: The case of Mami Ji." Language in Society 46, no. 2 (2017): 185–206. http://dx.doi.org/10.1017/s0047404516000993.

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ABSTRACTThis article describes the range of discursive strategies in the socializing messages of a mother and daughter interaction. The analysis draws on the work of Bakhtin (1981) and Tannen (2007) to interrogate the role of a physically absent but discursively present sister-in-law, ‘Mami Ji’, across three speech events. Following Tannen, we show how the characterisation of the sister-in-law, Mami Ji, has chronotopic value that connects mother and daughter in the present and makes links across family histories. Through the discursive strategies of repetition, dialogue, detail, and translangu
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17

Ayers, Carolyn Jursa. "AN INTERPRETIVE DIALOGUE: Beckett's "First Love" and Bakhtin's Categories of Meaning." Samuel Beckett Today / Aujourd'hui 7, no. 1 (1998): 391–406. http://dx.doi.org/10.1163/18757405-90000109.

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From the very first sentence of "First Love", Beckett's narrator-protagonist engages the reader in an aggressive, one-sided dialogue. We might respond by bringing the voice of the narrator, and Beckett's narrative in general, into contact with the major theorizer of dialogue, Mikhail Bakhtin. Bakhtin's categories of genre suggest that Beckett's story may share strategic affinities with the menippea, while his concept of chronotope helps to clarify some of the contradictory details in the text. It is the idea of dialogue, however, with its implied surrender of power to the other that dominates
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Osovsky, Oleg, Svetlana Dubrovskaya, and Ekaterina Chernetsova. "Social education through the lens of Bakhtinian theory." Dialogic Pedagogy: An International Online Journal 9 (September 7, 2021): R7—R16. http://dx.doi.org/10.5195/dpj.2021.440.

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A review of Bakhtin in the Fullness of Time: Bakhtinian Theory and the Process of Social Education, Edited by Craig Brandist, Michael E. Gardiner, E. Jayne White and Carl Mika. L.: Routledge. 2020. 160 p.
 The review of the collection of articles Bakhtin in the Fullness of Time: Bakhtinian Theory and the Process of Social Education represents an analysis of the perspectives, main trends, and interpretations of key points, ideas, and concepts of M. M. Bakhtin in the contemporary theory and practice of Social Education.
 The book’s nine chapters are grouped within three problem areas,
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19

Terentowicz-Fotyga, Urszula. "Defining the dystopian chronotope: Space, time and genre in George Orwell’s 'Nineteen Eighty-Four'." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/3 (December 17, 2018): 9–39. http://dx.doi.org/10.26881/bp.2018.3.01.

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The paper examines George Orwell’s Nineteen Eighty-Four as a canonical example of the dystopian novel in an attempt to define the principal features of the dystopian chronotope. Following Mikhail Bakhtin, it treats the chronotope as the structural pivot of the narrative, which integrates and determines other aspects of the text. Dystopia, the paper argues, is a particularly appropriate genre to consider the structural role of the chronotope for two reasons. Firstly, due to utopianism’s special relation with space and secondly, due to the structural importance of world-building in the expressio
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20

Petrulionytė, Justina. "The Chronotope of City of Love: The Image of Kaunas in Lithuanian Culture." Respectus Philologicus 28, no. 33 (2015): 41–50. http://dx.doi.org/10.15388/respectus.2015.28.33.4.

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This article discusses the image of Kaunas as a city of love, which is noticeable in different narratives: novels The Novel of Kaunas (1973) by Alfonsas Bieliauskas and Tūla (1993) by Jurgis Kunčinas, the social advertisement “Wherever I Am: Kaunas Is My Hometown” by Monika Vilčinskienė (2008) and the representative Kaunas video “Kaunas Is Sharing Love” by the Studio of Kaunas Cinema (2013). The concept of “narrative as a socially symbolic act” (Fredric Jameson) and the concept of “chronotope” (Mikhail Bakhtin) help to analyse emerging images of the city. The investigation reveals that all the
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SCHIFFRIN, DEBORAH. "Crossing boundaries: The nexus of time, space, person, and place in narrative." Language in Society 38, no. 4 (2009): 421–45. http://dx.doi.org/10.1017/s0047404509990212.

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ABSTRACTRecent research on narrative has widened the scope of analysis, suggesting the value of reexamining the canonical Labovian view of the structure and function of personal-experience narrative. This article suggests that narrative is not simply a way of evoking and shaping experience in time. Rather, narrative can evoke and shape cultural “chronotopes” (Bakhtin 1981) or nexuses of time, space, and identity. To illustrate this, I analyze a narrative from an oral history related in 1972 by a young woman whose volunteer work in the mid-1960s led to the rehabilitation of a small African Amer
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Beyad, Maryam Soltan, and Ehsan Kazemi. "Digging the Liminal Spaces: Chronotopic Representation of Liminality in Seamus Heaney’s North and Station Island." Anglia 138, no. 1 (2020): 62–79. http://dx.doi.org/10.1515/ang-2020-0003.

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AbstractChallenging the established poetic idea of Ireland as a unified whole, new Irish poetry encourages a perspective toward homeland alongside with a corresponding revision of Irish subjectivity as liminality. Introduced by Homi Bhabha as a postcolonial cultural term, the idea privileges hybrid cultures and challenges solid or authentic ones. Moreover, this liminal rationale entails a corresponding chronotopic rendition, as Bakhtin intends to theorize it, whereby the notion of spatio-temporality assists the poet in rethinking the Irish identity. An archeologist shrouded as a poet, Heaney’s
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Lawson, James. "Chronotope, Story, and Historical Geography: Mikhail Bakhtin and the Space-Time of Narratives." Antipode 43, no. 2 (2011): 384–412. http://dx.doi.org/10.1111/j.1467-8330.2010.00853.x.

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Kangro, Ilze. "Uves Telkampa romāns „Tornis” – stāsts par kādu nogrimušu valsti." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 267–73. http://dx.doi.org/10.37384/aplkp.2021.26-1.267.

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Uwe Tellkamp’s novel is “a tale from a lost country” (Tellkamp), which depicts a myriad of problems in different strata of the society (intellectuals, army, artists, teachers, and scientists) in Germany a short while before and after the fall of the Berlin Wall. Applying the terms introduced by Mikhail Bakhtin, “chronotope” and “micro-chronotope”, the author has tried to describe the complex time-space of Tellkamp’s novel “The Tower”, which reveals some of the last years before the total collapse of the German Democratic Republic. The novel presents a broad gallery of characters – there are mo
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Johnson, Erica L. "Hontologie: The Chronotope of Shame in Jean Rhys’s Good Morning, Midnight." Kronoscope 13, no. 1 (2013): 28–46. http://dx.doi.org/10.1163/15685241-12341257.

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Abstract Jean Rhys’s 1939 novel, Good Morning, Midnight, is a modernist masterpiece of temporal, spatial, and linguistic fragments and collisions. This analysis begins with an application of what Bakhtin established as the mutual enmeshment in the genre of the novel of space and time, or “chronotope,” to Rhys’s novel, and goes on to identify Sasha’s primal experience of shame as the cause of temporal collapse. The mere recall of a shameful moment can ignite a blush, make the body burn—in short, erase the temporal distance between the past and the present, and Sasha exists in a state of shame s
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Vigouroux, Cécile B. "Genre, heteroglossic performances, and new identity: Stand-up comedy in modern French society." Language in Society 44, no. 2 (2015): 243–72. http://dx.doi.org/10.1017/s0047404515000068.

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AbstractThis article analyses the ways in which stand-up comedy has been taken up by French comics of North and sub-Saharan African origins as a space of visibility and hearability. Following Bakhtin (1986), who argues that a genre reflects the social changes taking place in a society, I argue that such an appropriation should be considered as an important sociolinguistic fact that gives us privileged access to Hexagonal France's contemporary sociopolitical dynamics. I show that through their display of heteroglossic repertoires (viz. Maghrebi Arabic, several varieties of vernacular French, He
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Vyrschikov, Ye G. "Ancient Indian chronotope in Pali and Sanskrit sources." Orientalistica 3, no. 4 (2020): 1097–113. http://dx.doi.org/10.31696/2618-7043-2020-3-4-1097-1113.

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The author analyses the chronotope problem in the Ancient Indian texts written in Sanskrit (“Manu-Smriti”, “Arthashastra”, “Ramayana”, “Brihadaranyaka-Upanishad”) and Pali (“Simavisodhani”) languages. The “chronotope” is a category introduced by the Soviet scholar Mikhail Bakhtin (1895–1975). This category describes how configurations of time and space are represented in language and discourse. In particular, the author analyses the problem of the ideas of space regarding the “country” and “Kingdom” categories. The research has yielded two main results. In the first instance, the so-called “sa
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Ryabykh, Svitlana. "Idyllic Chronotope in Taras Prohasko’s Novel “The UnSimple”." Path of Science 7, no. 5 (2021): 3001–5. http://dx.doi.org/10.22178/pos.70-8.

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The article focuses on the standard features of different idyllic chronotope associated with the unity of the folklore period. Emphasis is placed on the inseparability of human life from a particular place where ancestors lived and where descendants will live. In Taras Prohasko’s novel “The UnSimple”, great importance is attached to family traditions, according to which children at the age of fifteen were shown places related to family history. M. Bakhtin calls this feature the unity of place. This feature unites generations, blurs the time boundaries between the individual life of each person
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Dombrauskene, Galina Nikolaevna, and Dmitrii Nikolaevich Bolotin. "Philosophical and astronomical image of space in E. Artemiev’s music for A. Tarkovsky’s “Solaris”." PHILHARMONICA. International Music Journal, no. 6 (June 2020): 20–44. http://dx.doi.org/10.7256/2453-613x.2020.6.33661.

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The authors attempt to reveal the internal interconnection of a traditional mythologem of space with the ideas of a modern astronomical reality in the music by E. Artemiev written for A. Tarkovsky’s movie “Solaris”. The mythologem of space gained its features back within the ancient worldview and formed a sort of a semiotic complex which can be considered as a combination of various symbols connected with basic natural forces, basic forms and numbers. This mythologem was embodied in various art forms, including the music of various historical epochs. Surprisingly,
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Everett, Justin, and Paul Halpern. "Spacetime as a Multicursal Labyrinth in Literature with Application to Philip K. Dick’s The Man in the High Castle." Kronoscope 13, no. 1 (2013): 47–66. http://dx.doi.org/10.1163/15685241-12341258.

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Abstract We examine the narrative structure of The Man in the High Castle by Philip K. Dick. We place the novel in the context of the alternate history genre of speculative fiction. Noting its complex plot with multiple timelines, we apply the theoretical ideas of Mikhail Bakhtin and Umberto Eco and show how its chronotope, or relationship between space and time, resembles that of a multicursal labyrinth. We connect this analysis with ideas in quantum physics, particularly the Many Worlds Interpretation, and show how it explains the ambiguity of the novel’s ending, and the failure of the chara
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Politov, A. V. "INFRA-LEVEL IN THE RELATIONSHIP OF PERSONAL AND SOCIAL CHRONOTOPOLOGY." Review of Omsk State Pedagogical University. Humanitarian research, no. 28 (2020): 40–44. http://dx.doi.org/10.36809/2309-9380-2020-28-40-44.

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The article examines the dialectics of personal and social forms of the spatiotemporal structure of human existence in the aspect of infra-level phenomena that accompany human existence. The theoretical basis of the work is the concept of the chronotope by A. A. Ukhtomsky and M. M. Bakhtin, the methodological basis is the semantic and hermeneutic analysis of works of Soviet and Russian fiction and journalism of the second half of the 20th century. In the study, human existence is revealed as a multilevel spatiotemporal configuration, the structural elements of which are, in particular, persona
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Markov, A. D. "PRODIGAL SON IN THE CITY: INTERPRETATIVE POTENTIAL OF THE IMAGE." Culture and Text, no. 43 (2020): 170–77. http://dx.doi.org/10.37386/2305-4077-2020-4-170-177.

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The transformations of the image of the prodigal son in Russian culture show a transition from the naive and idyllic atmosphere of poetry at the beginning of the XXth century to the novel detailing of the late XXh century. The image of the prodigal son as presented by S. S. Averintsev, who criticized any spontaneous fiction about the Gospel, was enriched with a number of details taken from urban imaginary in the XXth-century family novel and Pasternak’s poetry. This new form of religious fiction was justified by the approach to the novel, introduced by M. M. Bakhtin, who opposed the effects of
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Hassanzadeh Javanian, Mohammad Reza. "Looking for heteroglossia and chronotope in New York and London: Pacino and Loncraine’s adaptations of "Richard III"." English Studies at NBU 5, no. 1 (2019): 59–76. http://dx.doi.org/10.33919/esnbu.19.1.3.

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The relationship between a cinematic adaptation and its literary source has sparked scholarly debates in the field of adaptation studies. Developed by the Russian literary critic, Mikhail Bakhtin (1895-1975), dialogism can shed new light on the adaptation-source tie as it highlights the mutual interaction between the two sides. The present study argues that Al Pacino and Richard Loncraine’s versions of William Shakespeare’s Richard III (1593) stress such a dialogic aspect of the adaptation process. Within this dialogic framework, Pacino’s Looking for Richard (1996) establishes a heteroglossial
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Kenniff, Thomas-Bernard. "Dialogue, ambivalence, public space." Journal of Public Space 3, no. 1 (2018): 13–30. http://dx.doi.org/10.5204/jps.v3i1.316.

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Public space is neither a fixed thing, nor a stable concept. This paper applies the term ‘dialogue’ as a conceptual basis for the idea of public space as something that changes according to multiscalar and overlapping contexts, with use and discourse. The concept of dialogue is developed from the dialogism of Mikhail Bakhtin whose related notions of ambivalence, polyphony, heteroglossia, carnival and chronotope are used to support a dialogical understanding of public space. The paper develops this understanding by creating a parallel between Bakhtin’s dialogism and the Barking Town Square by m
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Karimzad, Farzad, and Lydia Catedral. "‘No, we don't mix languages’: Ideological power and the chronotopic organization of ethnolinguistic identities." Language in Society 47, no. 1 (2017): 89–113. http://dx.doi.org/10.1017/s0047404517000781.

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AbstractIn this study we address ethnolinguistic identity using Bakhtin's (1981) notion of chronotope. Taking an ethnographic approach to linguistic data from Azerbaijani and Uzbek communities, we trace the impact of various chronotopes on our participants’ acts of ethnolinguistic identification. Building on Blommaert & De Fina (2017), we illustrate how ethnolinguistic identification is an outcome of the interaction between multiple levels of large- and small-scale chronotopes. Furthermore, we argue that chronotopes differ in terms of their power, depending on the ideological force behind
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Rohozha, M. М. "PHILOSOPHER IN SPACE AND TIME OF CULTURE (CHRONOTOPE OF MAÎTRE À PENSER) PART I." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 47–51. http://dx.doi.org/10.17721/ucs.2017.1.10.

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The paper deals with the research of philosophic way of life as an invariant of the Western culture. The author tries to revealthe answers to the questions: What is the influence of the time and place of life on a thinking person? Is it possible to put a question in such away? The first part of the paper gives methodological explanation for such putting the questions. Two conceptual strategies of thinking in the contemporary history of philosophy are mentioned – compartmentalismand biographical method. The latter one allows to understand philosophizing through research of maître à penser. Such
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Rohozha, M. М. "PHILOSOPHER IN SPACE AND TIME OF CULTURE (CHRONOTOPE OF MAÎTRE À PENSER) PART II." UKRAINIAN CULTURAL STUDIES, no. 1 (2) (2018): 41–45. http://dx.doi.org/10.17721/ucs.2018.1(2).09.

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The paper deals with the research of philosophic way of life as an invariant of the Western culture. The author tries to reveal the answers to the questions: What is the influence of the time and place of life on a thinking person? Is it possible to put a question in such a way? The second part of the paper givse methodological explanation for such putting the questions. Two conceptual strategies of thinking in the contemporary history of philosophy are mentioned – compartmentalism and biographical method. The latter one allows understanding of the philosophizing through research of maître à p
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Stamenković, Slađana S. "THE CITY, THE DESERT, THE ROAD: AMERICAN CHRONOTOPES IN DELILLO’S UNDERWORLD." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 8, no. 8 (2019): 97–108. http://dx.doi.org/10.19090/zjik.2018.8.97-108.

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In the contemporary discussion of the concept of space, there is a tendency to employ space to make a comment about the society that inhabits it. Regarding this and the prose of the contemporary American authors, the theory of Bakhtin’s chronotope may be one of the most legitimate ways to depict the society of contemporary America. In the fiction of Don DeLillo, one could discuss three typical American chronotopes: the city, the desert, and the road. The said chronotopes may be interpreted within the scopes of Bakhtin’s original chronotopes. They operate on both individual and mutually overlap
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Koltsova, Natalia Z., and Miaowen Liu. "Gogol’s traditions in V. Kaverin’s novel “The Troublemaker, or Evenings on Vasilyevsky Island”." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (2020): 434–46. http://dx.doi.org/10.22363/2312-9220-2020-25-3-434-446.

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The novel The Troublemaker, or Evenings on Vasilyevsky Island by V. Kaverin is one of the most representative manifestations of the Russian Hoffmanian of the 1920s, as evidenced by the grotesque imagery of the novel. The very understanding of the grotesque is not limited to the Bakhtin theory, but implies a reference to the works of V. Kaiser and V. Shklovsky. Besides, it is suggested that the Saint Petersburg theme, which is relevant to the writer, is being developed under the banner of the formalist concept of literary life, as well as other ideas and theories of Russian formalism (including
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40

STEVENS, BLAKE. "Transpositions of Spectacle and Time: The Entr'acte in theTragédie en musique." Eighteenth Century Music 11, no. 1 (2014): 11–29. http://dx.doi.org/10.1017/s1478570613000353.

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ABSTRACTThe entr'acte in thetragédie en musiqueis the site of compelling yet often overlooked musical and dramaturgical activity. The term refers to both spatial and musical categories: the space between acts in which rapid and potentially astonishing set changes occur and the instrumental music that accompanies these transformations. Practices in French classical tragedy established a precedent for opera; largely observing the ‘unity of place’ after 1640, spoken tragedy included brief instrumental interludes between acts while the stage remained unoccupied. These intervals punctuated the acti
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Marková, Ivana, and Adelina Novaes. "Chronotopes." Culture & Psychology 26, no. 1 (2019): 117–38. http://dx.doi.org/10.1177/1354067x19888189.

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Dialogical single case studies involve mutually interdependent relations between humans in their real locations and in real time (here-and-now). Mikhail Bakhtin explored such relations in terms of chronotopes, i.e. as indivisible units serving as analytical tools for the study of dynamic processes in literature. We argue that chronotopic thinking also serves as an epistemological and ethical organising principle of human activities in daily thinking, knowing, actions and communication. This article explores different types of chronotopic thinking in dialogical single case studies, such as rout
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Macmillan, Catherine. "The Witch(ES) of Aiaia: Gender, Immortality and the Chronotope in Madeline Miller’s Circe." Gender Studies 18, no. 1 (2019): 27–38. http://dx.doi.org/10.2478/genst-2020-0002.

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Abstract This article explores Madeline Miller’s Circe from the perspective of Bakhtin’s concept of the chronotope, the inseparability of space and time in fiction. The article focuses on the chronotopes of the road, the idyll and the threshold in the novel, and how these intersect with its themes of gender and immortality. The island of Aiaia acts as a threshold, transforming all who cross it. Circe’s life on the island, however, is a repetitive idyll; only at the end of the novel does she become a traveller on the road herself rather than just a stop on the way.
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Roberts, Graham. "Angels with Dirty Faces: Gosha Rubchinskiy and the Politics of Style." Journal of Extreme Anthropology 1, no. 3 (2017): 18–40. http://dx.doi.org/10.5617/jea.5564.

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In many ways, twenty-first century Russia is the land par excellence of extreme masculinity. President Putin himself regularly indulges in spectacular performances of extreme masculinity, whether it be pledging to ‘bump off’ Chechen terrorists in their ‘shithouses’, swimming in ice-cold Siberian lakes, or posing in the pilot’s seat of a supersonic strategic bomber. Men’s fashion and fashion imagery is one of the rare areas of Russian culture where the kind of masculinity embodied (in a literal sense) by Putin is still challenged, and indeed subverted. Perhaps the most interesting Russian men’s
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Perrino, Sabina. "Chronotopes of story and storytelling event in interviews." Language in Society 40, no. 1 (2011): 91–103. http://dx.doi.org/10.1017/s0047404510000916.

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AbstractNarratives in interviews involve the alignment of two chronotopes (Bakhtin's term, literally ‘time-space’) or what has traditionally been termed the narrated and narrating events. While narrators are expected to separate the there-and-then narrated-event chronotope from the here-and-now narrating-event chronotope, tropic forms of coeval alignment exist that erase or blur the line between the two events, as if they were occurring in the same time and place. In this article I argue for the need to map these shifting alignments in interviews. This article begins with, but then moves beyon
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ПАНЧЕНКО, Татьяна Фёдоровна. "Рассказ И. А. Бунина «Тёмные аллеи» и стихотворение Н. П. Огарёва «Обыкновенная повесть»: интертекстуальный диалог". Известия Восточного института 47, № 3 (2020): 31–40. http://dx.doi.org/10.24866/2542-1611/2020-3/31-40.

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Рассказ анализируется в контексте с прецедентным текстом – стихотворением Н. П. Огарёва «Обыкновенная повесть». Отмечены реминисценции на уровне названия, события встречи – расставания – воспоминания, отношения героев к двоякой природе образа «тёмных аллей». Проанализировано развитие диалектического сочетания любви и несчастья, быта и бытия. Выявлено художественное своеобразие рассказа Бунина: мотивное построение сюжета, бинарная оппозиция системы персонажей, особенность художественного времени и пространства. Доказано, что интертекстуальный диалог произведений разных литературных родов позвол
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Kim, Cheol-soo. "Reading “Araby” through Bakhtin’s Chronotope." James Joyce Journal 23, no. 1 (2017): 31–52. http://dx.doi.org/10.46258/jjj.2017.23-1.31.

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Azzari, Eliane Fernandes, and Rosineide de Melo. "Olhares sobre a linguagem em redes sociais e suas interfaces com a educação crítica e pluralista / Overlooking language in social networwoks and its connections with a plural and critical education." Texto Livre: Linguagem e Tecnologia 9, no. 2 (2016): 94–113. http://dx.doi.org/10.17851/1983-3652.9.2.94-113.

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RESUMO: A mobilidade tecnológico-digital tem possibilitado a ressignificação de práticas sociais que, deslocadas para tempos-espaços outros, trazem à tona uma diversidade de suportes e gêneros – geralmente híbridos em sua natureza. O objetivo deste artigo é analisar duas postagens de redes sociais públicas sustentadas pelo Facebook, a fim de estabelecer possíveis diálogos entre os conceitos de cronotopo e arquitetônica (como eixo articulador de enunciados). Adota-se como metodologia a análise dialógica de discursos com base nas teorizações propostas por Bakhtin (1981b; 1998[1975], 2006[1929]),
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Bielova, Yе D. "Romance «Blacked Night» by O. Tadeush based on Sappho’s poem: dialogue in “large time”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 104–23. http://dx.doi.org/10.34064/khnum1-53.07.

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Theoretical background. According to the concept of M. Bakhtin (1986, others), every from outstanding works enters to the “large time”, where it enriches with new meanings, senses, fully revealing the subtext embedded in it. A similar dialogue occurs directly in the process of composer’s interpretation of a literary text taken as the primary basis for a musical piece. Especially this is true for the archaic literary source, since the perception of it in the distant epoch don’t coincide with the way it is perceived by contemporaries of the composer. This phenomenon is due to a new cultural and
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Cave, Marianne. "Bakhtin and feminism: The chronotopic female imagination." Women's Studies 18, no. 2-3 (1990): 117–27. http://dx.doi.org/10.1080/00497878.1990.9978825.

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Jeusette, Julien. "Le chronotope de la « route moderne »." Études françaises 53, no. 3 (2017): 169–80. http://dx.doi.org/10.7202/1042290ar.

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Guidé par le concept de « chronotope », que Mikhaïl Bakhtine applique à l’analyse de la littérature européenne, cet article pose l’hypothèse selon laquelle l’espace-temps particulier qui se déploie dans le genre du road movie à la fin des années 1960 est déjà présent dans l’un des premiers textes à rendre compte d’un voyage en automobile, La 628-E8, récit d’Octave Mirbeau, en 1907.
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