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Books on the topic 'Baroque literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Ulčinaitė, E. Baroque literature in Lithuania. [Vilnius?]: Baltos Lankos, 1996.

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2

Timothy, Hampton, ed. Baroque topographies: Literature, history, philosophy. New Haven, Conn: Yale University Press, 1991.

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3

Chédozeau, Bernard. Le baroque. [Paris]: Nathan, 1989.

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4

Weber, Alexander. Günter Grass's use of baroque literature. Leeds, United Kingdom: W. S. Maney for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London, 1995.

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5

Weber, Alexander. Günter Grass's use of baroque literature. London, United Kingdom: W.S.Maney & Son for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London, 1995.

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6

Petráš, Martin. Baroque en Bohème. Villeneuve-d'Ascq: Université Charles de Gaulle-Lille III, 2009.

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7

Lambert, Gregg. On the (new) Baroque. Aurora, Colo., USA: Davies Group, 2008.

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8

Fitzpatrick, Anne. The Baroque period: Odysseys. Mankato, MN: Creative Education and Creative Paperbacks, 2016.

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9

Souiller, Didier. La littérature baroque en Europe. Paris: Presses universitaires de France, 1988.

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10

Buci-Glucksmann, Christine. Baroque reason: The aesthetics of modernity. London: Sage Publications, 1994.

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11

N, Hardin James, ed. German Baroque writers, 1580-1660. Detroit: Gale Research, 1996.

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12

Maria, Delaperrière, and Institut national des langues et civilisations orientales., eds. Le Baroque en Pologne et Europe. Paris: Publications Langues'O, 1990.

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13

Didier, Souiller, ed. Le baroque en question(s). Paris: H. Champion, 1999.

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14

Díaz, Emilio Orozco. Temas del barroco: De poesía y pintura. Granada: Universidad de Granada, Servicio de Publicaciones, 1989.

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15

Isabel, Torres, ed. Rewriting classical mythology in the Hispanic Baroque. Woodbridge, UK: Tamesis, 2007.

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16

Kębłowska-Ławniczak, Ewa. Shakespeare and the controversy over Baroque. Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 1994.

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17

Triadó, Juan-Ramón. The key to baroque art. Minneapolis: Lerner Publications Co., 1990.

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18

Steadman, John M. Redefining a period style: "Renaissance," "Mannerist," and "Baroque" in literature. Pittsburgh, Pa: Duquesne University Press, 1990.

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19

Steadman, John M. Redefining a period style: "Renaissance," "Mannerism," and "Baroque" in literature. Pittsburgh, Pa: Duquesne University Press, 1990.

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20

Jean-Marie, Paul, ed. Images modernes et contemporaines de l'homme baroque. Nancy: Centre de recherches germaniques et scandinaves de l'Université de Nancy II, 1997.

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21

Parkinson, Zamora Lois, and Kaup Monika, eds. Baroque new worlds: Representation, transculturation, counterconquest. Durham, NC: Duke University Press, 2010.

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22

Boutoute, Eric. Sade et les figures du baroque. Paris: L'Harmattan, 1999.

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23

Jonathan, Clark, and Otto Karl F, eds. Bibliographia Kleschiana: The writings of a Baroque family. Columbia, SC: Camden House, 1996.

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24

Silva, Expedito Sebastião da. Ensaios para um concerto Barroco. Natal: UFRN, 2013.

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25

Tschižewskij, Dmitrij. Ukraïnsʹke literaturne baroko. Kyïv: Oberehy, 2003.

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26

André, Blanchard, ed. La Poésie baroque et précieuse, 1550-1650. Paris: Seghers, 1985.

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27

Sánchez, Luis Vives-Ferrándiz. Vanitas: Retórica visual de la mirada. Madrid: Encuentro, 2011.

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28

Posada, Adolfo R. Métricos pinceles: Literatura y artes plásticas en el Siglo de Oro. Madrid: Iberoamericana, 2022.

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29

Newman, Jane O. Benjamin's library: Modernity, nation, and the Baroque. Ithaca, N.Y: Cornell University Press, 2011.

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30

Pliszka, Marcin. Człowiek w literaturze polskiego baroku. Siedlce: Instytut Filologii Polskiej Akademii Podlaskiej, 2007.

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31

Reichelberg, Ruth. L' aventure baroque chez Claudel et Calderón. Paris: Diffusion Les Belles lettres, 1996.

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32

Díaz, Emilio Orozco. Introducción al barroco. [Granada]: Universidad de Granada, 1988.

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33

Fernando R. de la Flor. Barroco: Representación e ideología en el mundo hispánico, 1580-1680. Madrid: Cátedra, 2002.

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34

Faur, Curt Von Faber Du. German Baroque Literature. Oak Knoll Press, 1997.

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35

Theodicy in baroque literature. New York: Garland, 1985.

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36

Canfield, J. Douglas. Baroque in English Neoclassical Literature. University of Delaware Press, 2003.

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37

Le baroque. Paris: MA Editions, 1987.

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38

sais-je?, Que, and Anne-Laure Angoulvent. L'Esprit Baroque. Presses Universitaires de France - PUF, 1998.

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39

The baroque in English neoclassical literature. Newark: University of Delaware Press, 2003.

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40

Hispanic contemporary baroque. [Odessa, Tex: Monographic Review, University of Texas of the Permian Basin], 1994.

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41

Medina, Tony. Broke Baroque. 2Leaf Press, 2013.

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42

Baroque Lorca. Taylor & Francis Group, 2019.

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43

Baroque Latinity: Studies in the Neo-Latin Literature of the European Baroque. Bloomsbury Publishing Plc, 2023.

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44

Glomski, Jacqueline L. Baroque Latinity: Studies in the Neo-Latin Literature of the European Baroque. Bloomsbury Publishing Plc, 2023.

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45

L' esprit baroque. Paris: Presses universitaires de France, 1994.

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46

Takehana, Elise. Baroque Technotexts: Literature in a Digital Mediascape. Intellect Books, 2020.

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47

Polish Baroque and Enlightenment literature: An anthology. Colombus, Ohio: Slavica Publishers, 1996.

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48

Baroque Montesquieu. Geneve: Droz, 2004.

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49

Glomski, Jacqueline, Gesine Manuwald, and Andrew Taylor, eds. Baroque Latinity. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350323469.

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Abstract:

This volume addresses the idea of the Baroque in European literature in Latin. With contributions by scholars from various disciplines and countries, and by looking at a range of texts from across Europe, the volume offers case studies to deepen scholarly understanding of this important literary phenomenon and inspire future research. A key aim of the volume is to address the distinctiveness of these texts by interrogating the usefulness and specificity of the term ‘Baroque’, especially in relation to the classical rules it transgresses to produce effects of grandeur, richness, and exuberance in a range of secular and sacred arts (e.g. music, architecture, painting), as well as various forms of literature (e.g. prose, poetry, drama). The contributors consider how and why Latin writing mutated from earlier humanist paradigms, thus exploring how ideas of ‘early modern’ and ‘Baroque’ are related, and examine the interplay of the theory and practice of the ‘Baroque’, including its debts to and deviations from ancient models, and its limits and limitations. This volume offers an introduction and a series of case studies exploring the concept of ‘Baroque Latinity’, covering the entire period of the ‘long seventeenth century’ as well as material from a number of European countries. Altogether the chapters show that the term ‘Baroque’ applied to texts written in Latin in this period is a complex and fluid term that may be adduced to describe different aspects, while Latin writings of the seventeenth century can be shown to exhibit a distinctive identity.

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50

Literature and Identity in Italian Baroque Travel Writing. Taylor & Francis Group, 2016.

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