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1

Pathan, B. A. Gandhian concept of beauty. Ajanta Publications, 1989.

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2

Courtin-Clarins, Olivier. The Courtin concept: Six keys to great skin at any age. Addicus Books, 2007.

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3

Mauler, Judith S. Color concept: The image of you. J.S. Mauler, 1985.

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4

Wiess, Laura. Ordinary beauty. Gallery Books/MTV Books, 2011.

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5

Colin, G. B. The facial workout: A great body concept to firm and smooth the face for men and women. Mercury Book Pub., 1999.

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6

Cooke, Kaz. Real gorgeous: The truth about body and beauty. Allen & Unwin, 1994.

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7

Wolfe, David. Eating for beauty: For women and men : introducing a whole new concept of beauty : what it is, and how you can achieve it. 3rd ed. Sunfood Pub., 2007.

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8

translator, Kim Han-yŏng 1962, ed. Mi rŭl yokpoida: Mi ŭi yŏksa wa hyŏndae yesul ŭi ŭimi = The Abuse of beauty : aesthetics and the concept of art. Pada Ch'ulp'ansa, 2017.

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9

Levine, Gail Carson. Fairest. Scholastic, 2008.

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10

Levine, Gail Carson. Fairest. Scholastic, 2008.

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11

Bracewell, Michael. Divine concepts of physical beauty. Secker & Warburg, 1989.

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12

1943-, Ames-Lewis Francis, and Rogers Mary, eds. Concepts of beauty in Renaissance art. Ashgate, 1998.

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13

Bracewell, Michael. Divine concepts of physical beauty: A novel. Knopf, 1990.

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14

Zhivkova, Lyudmila. Lyudmila Zhivkova: Her many worlds, new culture & beauty, concepts & action. 2nd ed. Pergamon, 1986.

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15

Li͡udmila, Zhivkova, ed. Lyudmila Zhivkova: Her many worlds, new culture & beauty, concepts & action. 2nd ed. Pergamon Press, 1986.

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16

Frazier, Sundee Tucker. The other half of my heart. Yearling, 2011.

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17

Ausstellung Traummänner - 50 Starfotografen Zeigen Ihre Vision vom Ideal 2011 Hamburg, Haus der Photographie, and Ausstellung "Traummänner - 50 Starfotografen Zeigen Ihre Vision vom Ideal" (2011.03.11-05.22 Hamburg), eds. Traummänner: Starfotografen zeigen ihre Vision vom Ideal ; [Ausstellung "Traummänner - 50 Starfotografen Zeigen Ihre Vision vom Ideal" ; eine Kooperation vom Haus der Photographie/Deichtorhallen und Barthouse Culture Concepts, erste Station Haus der Photographie, Hamburg, 11. März bis 22. Mai 2011]. DuMont, 2011.

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18

Stace, W. T. The Concept Of Beauty. Kessinger Publishing, LLC, 2005.

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19

Bailey, Jonathan. The Beauty Of The Concept. CreateSpace Independent Publishing Platform, 2022.

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20

Concept of beauty through ayurveda. S. Godage & Brothers (Pvt) Ltd, 2018.

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21

Sebeyran, Jane. Forever Beautiful: The French Natural Beauty Concept. Alpha Publishing, 2000.

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22

The abuse of beauty: Aesthetics and the concept of art. Open Court, 2003.

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23

The abuse of beauty: Aesthetics and the concept of art. Open Court Publishing Company, 2003.

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24

Beauty on Display: Plato and the Concept of the Kalon. [publisher not identified], 2018.

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25

Courtin-Clarins, Olivier. Courtin Concept: Six Keys to Great Skin at Any Age. Addicus Books, 2007.

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26

Courtin-Clarins, Olivier. Courtin Concept: Six Keys to Great Skin at Any Age. Addicus Books, 2007.

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27

Analysis of Shakespeare's Sonnet 130. the Concept of Love and Beauty. GRIN Verlag GmbH, 2017.

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28

Zuo, Mila. Vulgar Beauty. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022718.

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In Vulgar Beauty Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chineseness. To illustrate this, Zuo uses the vulgar as an analytic to trace how racial, gendered, and cultural identity is imagined and produced through affect. She frames the vulgar as a characteristic that is experienced through the Chinese concept of weidao, or flavor, in which bitter, salty, pungent, sweet, and sour performances of beauty produce non-Western forms of sexualized and racialized femininity. Analyzi
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29

Danto, Arthur C. The Abuse of Beauty: Aesthetics and the Concept of Art (Paul Carus Lectures). Open Court Publishing Company, 2003.

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30

Kenny, Erin, and Elizabeth Gackstetter Nichols. Beauty around the World. ABC-CLIO, 2017. http://dx.doi.org/10.5040/9798400617164.

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Taking the concept of beauty seriously, this encyclopedia examines how humanity has sought and continues to seek what is ‘beautiful’ in a variety of cultural contexts, giving readers an understanding of how to look at beauty both intellectually and critically. Is beauty ever more than “skin deep”? Arguably yes, considering that the concept of beauty—and the pursuit of it—has shaped cultures worldwide, across every time period, and has even served to change the course of history. Studying beauty practices yields insight into social status, wealth, political ideology, religious doctrine, and gen
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31

Ethnic identity, the concept of female beauty and conflict in classical and African cultures. Programme on Ethnic and Federal Studies (PEFS), 2004.

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32

Wolfe, David. Eating for Beauty: For Women & Men : Introducing a Whole New Concept of Beauty What It Is, and How You Can Achieve It. Sunfood Nutrition, 2002.

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33

(Editor), Hania Sholkamy, and Farha Ghannam (Editor), eds. Health and Identity in Egypt: Shifting Frontiers. American University in Cairo Press, 2004.

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34

Bateye, Bolaji, Mahmoud Masaeli, Louise Müller, and Angela Roothaan, eds. Beauty in African Thought. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666985474.

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A 2023 Choice Reviews Outstanding Academic Title Beauty in African Thought: A Critique of the Western Idea of Development investigates how the concept of beauty in African philosophy and related qualitative social sciences may contribute to a richer intercultural exchange on the idea of development. While working within frameworks created in post-colonial and arguably neo-colonial times, African thinkers have reacted against the mainstream view that restricts the meaning and scope of good development to economic growth and western-style education. These thinkers have worked toward a critical s
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35

Surface imaginations: Cosmetic surgery, photography, and skin. 2015.

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36

Mothersill, Mary. Kant, Proust, and the Appeal of Beauty. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190633776.003.0004.

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In quite different ways Kant and Proust argue that beauty is no mere source of pleasure, and that to account for what is distinctive about its concept we must make sense of an idea of necessity or requirement that does not apply to ordinary pleasures. But they differ radically in how the normative aspect of the judgment of beauty is to be understood. Kant argues that judgment of beauty is expressed in what he calls a “universal voice” which demands the agreement of everyone. Proust’s view is hard to summarize but is exemplified in scenes where the beautiful object is experienced as making a ki
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37

Stern, Thomas. Hedda Gabler and the Uses of Beauty. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190467876.003.0004.

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Ibsen connects the character of Hedda Gabler with beauty in two ways. First, there is her attractiveness, both functional and transient, which is associated in the play with the concept of loveliness (as indicated by the term ‘lovely’, [dejlig]). Second is her ideal of beauty [skønhed] and, relatedly, of freedom—ostensibly a peculiar ideal in that it appears to be both free from any meaningful content and, more importantly, useless. The play also explores usefulness and uselessness in relation to the work of its two historians. This chapter offers a critical analysis of how various Marxist cri
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38

Riley, Kathleen. ‘All the terrible beauty of a Greek tragedy’. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789260.003.0011.

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This chapter focuses on Wilde’s special kinship with Euripides, whom he saw as ‘the great humanist of Hellas’. It argues that that kinship, nurtured in free and fertile soil at Oxford, declares itself most profoundly in Wilde’s ‘Epistola: In Carcere et Vinculis’, and particularly his provocative reinvention of Isaiah’s Man of Sorrows as the consummate Individualist and archetypal Artist. It further argues that Wilde’s notion of Christian autarkeia and self-fulfilment is founded in Euripidean humanism, and his exposition of Christ’s ‘dangerous idea’ (love for the sinner) is steeped in Euripides
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39

Nesher, Dan. On Beauty of Artworks as Aesthetic True Representations of Reality. The Rowman Littlefield Publishing Group, 2022. https://doi.org/10.5040/9780761875444.

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This book is aimed to explain the creation of artworks and their evaluation, and offers a new concept of aesthetics and beauty of artworks. Following and reconstructing Peircean realist epistemology, Aesthetics is one of the three normative sciences, along with Logic (Theoretic) and Ethics, which are the three different modes of representing reality. Aesthetics is the mode of artistic representation of reality, and the created artworks are judged beautiful when proven as an aesthetic true representation of reality. Artists aim to represent reality truly, and hence, beautifully, in order to enh
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40

Spiritual beauty: A discussion, in English and Greek, of the concept of spiritual beauty by reference to philosophic, religious, and literary writings that date from antiquity to the present = To pneumatikon kallos. Institute for Byzantine and Modern Greek Studies, 1996.

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41

Kharlamov, Vladimir. Beauty of the Unity and the Harmony of the Whole: The Concept of Theosis in the Theology of Pseudo-Dionysius the Areopagite. Wipf & Stock Publishers, 2009.

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42

Kharlamov, Vladimir. Beauty of the Unity and the Harmony of the Whole: The Concept of Theosis in the Theology of Pseudo-Dionysius the Areopagite. Wipf & Stock Publishers, 2009.

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43

Thompson, J. Kevin, Leslie J. Heinberg, Madeline Altabe, and Stacey Tantleff-Dunn. Exacting Beauty: Theory, Assessment, and Treatment of Body Image Disturbance. American Psychological Association (APA), 1999.

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44

Levine, Gail Carson. Fairest. Full Cast Audio, 2007.

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45

Levine, Gail Carson. Fairest. HarperCollins, 2006.

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46

Levine, Gail Carson. Fairest. Thorndike Press, 2007.

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47

Levine, Gail Carson. Fairest. HarperTrophy, 2008.

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48

Levine, Gail Carson. Fairest. HarperCollins, 2006.

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49

Levine, Gail Carson. Fairest. HarperCollins, 2006.

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50

Levine, Gail Carson. Fairest. Recorded Books, Inc. and Blackstone Publishing, 2016.

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