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Journal articles on the topic 'Beauty as concept'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Zulfiya, Marufova. "THE CONCEPT OF "BEAUTY" AND ITS LINGUISTOCULTURAL INTERPRETATION." Multidisciplinary Journal of Science and Technology 5, no. 4 (2025): 58–61. https://doi.org/10.5281/zenodo.15144276.

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Beauty is an aesthetic concept that creates feelings of joy, affection, pleasure and freedom in a person. There are a lot of theories, views, teachings about beauty. In them, various aspects of the concept of beauty are noted. The article discusses theoretical considerations about the concept of “beauty”, the relationship of the eastern and Western worlds to beauty. Also, the linvomadanian interpretation of aesthetic concepts is analyzed. The role of beauty in the system of cultural values is reflected on the criteria that verbalize the concept.

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Mehta, Mousam. "Indian concept of Beauty." RESEARCH REVIEW International Journal of Multidisciplinary 8, no. 11 (2023): 15–19. http://dx.doi.org/10.31305/rrijm.2023.v08.n11.003.

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In Indian aesthetics, an Art is the achievement of the goal of Dharma, Artha, Kama and Moksha and Artistic perfection and entertainment are the motive or purpose of life. Bliss is the highest motive of an art. Main arts are considered as Five: 1. Literature, 2. Music, 3. Painting, 4. Sculpture and 5. Architect. An art is a means to connect human hearts. The bliss of beauty is the bliss of love. The substratum as Female Deity (Devi) of Beauty is devoted to Truth (Satyam), Auspiciousness (Shivam) and Beauty (Sundaram). The Sadhana of Satyam, Shivam and Sundaram is the only life to be lived. The

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3

Kosenko, Anna. "FRAME REPRESENTATION OF THE CONCEPT beauty." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 6(74) (2019): 23–26. http://dx.doi.org/10.25264/2519-2558-2019-6(74)-23-26.

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4

Umirova, Dilfuza. "Theoretical Basis of The Concept of Beauty." European International Journal of Philological Sciences 5, no. 1 (2025): 27–29. https://doi.org/10.55640/eijps-05-01-06.

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This article presents theoretical information on the concept of a concept. Cognitive linguistics is a science that studies the nature of a certain concept in the linguistic representation of the world and its connection with world realities. The concept is one of the main categories of cognitive linguistics, an element that establishes a connection between culture and man. The term “concept” has been used in linguistics since the 90s of the 20th century. The concept of a concept still does not have a single general explanation or interpretation.

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5

Demuthova, Slavka, and Andrej Demuth. "Semantic Differential of the Concept of Beauty." Journal of Advanced Research in Social Sciences 6, no. 3 (2023): 66–75. http://dx.doi.org/10.33422/jarss.v6i3.1056.

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This study focuses on an exploration of the concept of beauty using the semantic differential method. 2,080 participants (53.46% were female) aged 18 to 89 (M = 41.36 years; SD = 16.48) were asked to evaluate the concept of beauty using twenty-one bipolar adjectives across three semantic differential dimensions – activity, evaluation, and potency. The results indicate that the most descriptive adjectives used to describe beauty are: pleasant, inviting, good, inspiring, pure, and kind, indicating that the concept of beauty is mostly associated with positive connotations. Furthermore, the majori

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Pali, Amba, Jayanti Endarini, Dipa Paramita Dewi, Widiyono, Tri Saputra Medhacitto, and Wasiman Dhammamitto. "The Concept of Beauty Implied in Nikāya." Jurnal Nyanadassana: Jurnal Penelitian Pendidikan, Sosial dan Keagamaan 2, no. 1 (2023): 13–24. http://dx.doi.org/10.59291/jnd.v2i1.29.

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This Tipitaka study is motivated by the many perceptions of the notion and understanding of beauty, giving rise to various beauty standards that make people attached and compete to achieve the set beauty standards. The purpose of this study is to analyze how the concept of beauty in general is and how the concept of beauty is in the Buddhist Dhamma. implied in the nikāya. Analysis of beauty in the Buddha Dhamma is found in several suttas in the nikāya. The concept of beauty is not only limited to one meaning but rather to the breadth of the diversity of concepts and understandings. The researc

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Kumar, Pramod. "Concept of Beauty in India." International Journal of Cosmetic Surgery and Aesthetic Dermatology 4, no. 4 (2002): 261–64. http://dx.doi.org/10.1089/153082002763471902.

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8

Karpunina, Ekaterina Dmitrievna, and Natalya Mikhaylovna Mosina. "Verbalization of the concept of "beauty" in the phraseological units and proverbs of the Erzya and Finnish languages." Ethnic Culture 6, no. 4 (2024): 8–12. https://doi.org/10.31483/r-114147.

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The growing interest in concepts in cognitive linguistics highlights the relevance of studying the concepts of beauty in different cultures. The purpose of the article is to study the semantic features of the expression of this concept in the Erzya and Finnish languages based on a comparative analysis of phraseological units and paroemias. The concept of beauty is universal, and its perception and evaluation vary depending on cultural and social factors, which makes its analysis important for understanding the worldview of two distant peoples. The material for the study was phraseological unit

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9

Gukan, Kopalappillai. "The Concept of Beauty in Periyapuranam." Shanlax International Journal of Tamil Research 4, no. 4 (2020): 121–30. http://dx.doi.org/10.34293/tamil.v4i4.3165.

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Sekkizhar composed Periyapuranam to exhibit greatness of Saivism and guide the people and king who has eagerly immersed in the themes of aham (love affairs) expressed in the kavyam of Civakacintamani. Therefore, there is no theme of love affairs beautifying songs of the Periyapuranam as in the case of Cintamani. However, there is a humble beauty in the Periyapuranam and the beauty is nothing but portrayal of beautiful elements of physical appearances of Saiva saints.The Periyapuranam which speaks Saiva saints portrays beauty of the saints. Periyapuranam comprises of lives of saints who are une

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10

Abramzon, Tatiana E., Tatiana B. Zaytseva, and Svetlana V. Rudakova. "The Romantic Beauty Concept in the story «Beauty» by Chekhov." Journal of historical, philological and cultural studies 2, no. 52 (2016): 343–55. http://dx.doi.org/10.18503/1992-0431-2016-2-52-343-355.

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11

Сиухина, Валерия Алексеевна. "" "." Нацразвитие. Наука и образование, no. 8(11) (February 8, 2023): 43–47. http://dx.doi.org/10.37539/2782-3075.2022.11.8.006.

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Статья посвящена особенностям концепта «красота» в японской лингвокультуре на примере исследования коммерческой рекламы косметики. В статье анализируются лексические средства реализации концепта «красота» в текстах коммерческой рекламы, а именно особенности лексической сочетаемости слов «красивый» и «красота». Кроме того, в статье приводится исследование изменения стереотипов, связанных с красотой человека, описание взаимодействия концепта «красота» с другими концептами (здоровье, польза, успех). Цель данной статьи - описать, какое понимание концепта красота отражено в современной японской рек

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12

Pevec Rozman, Mateja, and Tadej Strehovec. "The Question of Beauty and the Aesthetic Value of the Image of the Mother of God in Pastoral Care and Catechesis." Religions 15, no. 1 (2024): 101. http://dx.doi.org/10.3390/rel15010101.

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Ancient philosophers attached great importance to the ideals of unity, truth, goodness, and beauty as the path to the greatest good. Beauty expressed through works of art can open the eyes of the mind and heart and direct the human spirit to transcendence. The beauty of art awakens inner emotionality, evokes elation in silence, and leads to “coming out of oneself”. The concept of beauty is inextricably linked to Catholic theology and preaching. Beautiful sacred images were a source of theological messages, intercession, and entry into the transcendental world. Medieval Gothic cathedrals had im

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Dr., Jyoti Gangwal, Sanjay Kholiya Dr., Vijay Jatoliya Dr., Sandeep M. Lahange Dr., and Vikash Bhatnagar Dr. "Concept of Beauty and Ayurveda Medicine." International Journal of Trend in Scientific Research and Development 4, no. 1 (2019): 652–54. https://doi.org/10.5281/zenodo.3606113.

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Beauty of a person provides happiness or satisfaction. Beauty provides pride and confidence to some range and happiness also. Ayurveda has never isolated the connection of mental and spiritual health from the concept of beauty. Ayurveda decides the beauty by Sara Structural dominance , Prakriti Body constitution Sanhanana Body density , Pramana Measurement , Twaka Skin complexion , and Dirghayu Lakshana Signs of long life . Beauty care in Ayurveda starts from the mothers womb and also from Dinacharya Day routine , Ratricharya Night routine , Ritucharya Seasonal routine with the practice of med

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14

Yakhnin, E. "Evolutional Aspect of Concept of Beauty." Voprosy filosofii, no. 6 (June 2019): 97–107. http://dx.doi.org/10.31857/s004287440005344-3.

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15

Park, Yu-jeong. "On the ontological beauty - Heidegger’s beauty concept overcoming western thought tradition -." Institute of Humanities 41 (November 30, 2020): 109–24. http://dx.doi.org/10.46270/ssw.41.5.

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16

Shimizu, Shingo. "THE CONCEPT OF BEAUTY IN F. M. DOSTOEVSKY’S NOVEL “THE IDIOT." Проблемы исторической поэтики 22, no. 2 (2023): 123–34. http://dx.doi.org/10.15393/j9.art.2024.13784.

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The article examines the ambivalence of the beauty of Nastasia Filippovna Barashkova, the heroine of F. M. Dostoevsky’s novel “The Idiot” in the aesthetic and ethical dimensions. Compared with the previous interpretations of the image, there is great ambiguity in the writer’s ideas about the beauty of the heroine. Nastasia Filippovna possesses not only physical, but also inner beauty, which causes different reactions in the characters of the novel. When solving the question of what kind of beauty can “turn the world around,” it is proposed to take into account that this transformation can be e

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17

Insell, Celeste. "Defining an Aesthetic: African Canadian Playwrights in Vancouver." Canadian Theatre Review 83 (June 1995): 39–42. http://dx.doi.org/10.3138/ctr.83.010.

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Concepts of beauty for the African diaspora can be traced back to the aesthetic and spiritual beliefs of various ethnic groups in Africa which were amalgamated over the five hundred years in which the diaspora was scattered. Today, these cultural values remain rooted in the approach that people of African heritage take in the practice of various art forms. The concept of beauty united to the spirit is central to the aesthetics of West Africa – objects of beauty possess a spiritual as well as external beauty, with even the concept of beauty differing greatly from that of the European. The Yorub

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18

Candi, Kristi, Dwi Setiawan, and Bernadeth Febyola Linando. "Be Fearless with Fenty: A Campaign Exploring Fenty Beauty Inclusive Beauty Concept." k@ta kita 12, no. 2 (2024): 102–8. http://dx.doi.org/10.9744/katakita.12.2.102-108.

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This paper aims to explore what kind of campaign that can promote and how the campaign can represent inclusive beauty concepts. The issue of inclusivity has been important since society is still affected by the traditional beauty standards which result in the lack of darker foundation shades and higher sale of whitening products. This paper portrays Fenty Beauty’s inclusivity beauty concept which is applied in a social media campaign and a mockup website that is aligned with the brand's tone-of-voices and target audience while using brand awareness and content marketing strategies. The work is

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19

المعلة, جميل حليل, and دعاء راهي البو كلل. "The concept of divine beauty and adoration in Plotinus' moral philosophy." Kufa Journal of Arts 1, no. 33 (2017): 265–84. http://dx.doi.org/10.36317/kaj/2017/v1.i33.6026.

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Likewise, Plotinus saw that goodness is the highest degree of beauty, and that beauty is goodness, and it must be present in the one (the first), and it is issued directly to the mind, and from the mind to the soul. The ultimate goal for all people is to reach the highest degrees of beauty. Goodness and beauty are linked together and inseparable, as they are associated with religious rituals. Reaching religious purification is achieving goodness and beauty.

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20

Nosova, P. A. "The Perception of Beauty and the Concept “Beauty” in Russian-Speaking Students of Psychology." Reflexio 15, no. 2 (2023): 63–75. http://dx.doi.org/10.25205/2658-4506-2022-15-2-63-75.

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In positive psychology, seeing and experiencing beauty is one of the character strengths that indicates the presence of positive mental health and subjective well-being. The article presents the results of a study of the relationship between susceptibility to beauty and the concept of «beauty» among Russian-speaking psychology students, and also built a preliminary field structure of the concept “beauty”. The sample consisted of 62 subjects aged 18 to 54 years (15 men and 47 women). The study used the Method of Free Association and the Engagement with Beauty Scale. The positive relationship wa

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21

Lehene, Iulia-Adina. "A Reconsideration on the Theory of Beauty: Selected Definitions, Concepts and Views on the Topic (Part I)." Periodica Polytechnica Architecture 51, no. 2 (2020): 209–19. http://dx.doi.org/10.3311/ppar.12605.

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This paper is the first part of our work that aims to rethink the concept of beauty as close as possible to its essence, in the way it integrates the science of aesthetics with the field of construction. The study may be further used, within other theoretical and practical works, for physically reflecting the definition of beauty in areas such as architecture, civil engineering or urban planning, and to support professionals in designing and building beautiful objects and constructions.It is important to note at this point that the assumption is that there must be a particular original aspect

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22

Jeong, Ha Eun, and Mi Young Kim. "Concept of Beauty Tourism and Different Importance of Beauty Tourism Selection Properties." JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 23, no. 2 (2017): 623–34. http://dx.doi.org/10.18208/ksdc.2017.23.2.623.

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23

Dedyukhina, О. V. "Philosophical beauty concept in the Yury Buida’s story “Lilaya Fimochka”." Issues of National Literature, no. 4 (December 24, 2024): 11–19. https://doi.org/10.25587/2782-6635-2024-4-11-19.

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Under conditions of deformation, the attitude of a modern person to spiritual and moral values is of particular relevance to the axiological potential of the philosophical category of beauty and its interpretation in the works of the latest Russian literature. The purpose of this article is to study the author’s interpretation of the aesthetic imperative “beauty” in the story by Yury Buida “Lilaya Fimochka”, which is the quintessential author's understanding of this constant. The tasks were to identify the specifics of the concept of beauty through the analysis of plot and composition, a compl

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24

Zheenbekova, G. "The Heaven and Earth Concepts in Women Beauty Comparison Phraseological Expressions of Different Cultures." Bulletin of Science and Practice 7, no. 9 (2021): 636–42. http://dx.doi.org/10.33619/2414-2948/70/65.

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Research relevance in this article is the study of concepts Heaven and Earth, through phraseological units belonging to carriers of different-structured languages, which reflect female beauty, determine their universal and national-unique characteristics. Research purpose is to study and analyze the features of stable expressions about the beauty of women associated with the concept Heaven and Earth in different cultures. Research methods: we tried to understand and identify how the beauty of women is reflected in the stable expressions of different peoples, where the culture and assessment of

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25

Skillen, Anthony. "The Place of Beauty." Philosophy 77, no. 1 (2002): 23–38. http://dx.doi.org/10.1017/s0031819102000049.

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The article seeks to function as a cluster of reminders of the rich, robust and subtle place of ‘our’ concept of beauty—hence of its contrasts. It illustrates this through everyday life examples as well as through criticism of writings that, in apparent embarrassment about using the idea, seek to supplant it with something less suspect. The article seeks to show the concept of beauty at work not only in art but, as Plato urged, in human action and reaction at all levels, as well of course in nature. I try to sketch an epistemology of sensibility and a logic of beauty as a more-or-less topic ne

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Borisov, Yuri. "THE CONCEPT OF “HERO’S BRIDE” IN THE EARLY TEXTS OF THE YAKUT OLONKHO: A PHENOMENOLOGICAL ASPECT." Проблемы исторической поэтики 21, no. 2 (2023): 66–85. http://dx.doi.org/10.15393/j9.art.2023.12222.

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The article considers the concept of “hero’s bride” in the context of the phenomenological approach based on six early texts of the Yakut Olonkho. In these texts we identified 28 suggestive epic formulas that are the main means of representing the concept being studied. As a result of the study, it was found that the nominative density of the concept “hero’s bride” includes the concepts of “female beauty,” “portrait,” “body,” “youngest daughter,” “needlework,” “clothes,” “braid,” “skylark.” The analysis of these concepts allowed to reveal the aesthetic preferences of female beauty in the minds

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27

Ovcharenko, Artem. "The Divine Beauty concept in st. Basil the Great: semantic function and origin." St. Tikhons' University Review 105 (February 28, 2023): 26–45. http://dx.doi.org/10.15382/sturi2023105.26-45.

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At present, the place of beauty in Christian theology, in particular, in theology, is being actively discussed in Russia. At the moment, there is a lack of historical research devoted to the reconstruction of the moral and theological Beauty category in the Eastern Patristic. The article deals with the Divine Beauty concept in the works of St. Basil the Great. The issue has not yet been investigated. There are 15 fragments where Divine Beauty concept is used. In all cases it functions as part of the metaphor of the Divine Beauty optical perception and is merely one of its semantic components.

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Munajat, Hanna Puspita, Hamidah Nursiah, Intan Sapira, and Shelly Audita Andani. "Tameika Struggles To Face The Beauty Standard In Ashley Franklin’s Not Quite Snow White." Jurnal Ilmu Sosial, Humaniora dan Seni 2, no. 2 (2023): 58–62. https://doi.org/10.62379/jishs.v2i2.1276.

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This study aims to reveal the beauty construction issue depicted in the picture book Not Quite Snow White. The concept of beauty is a social construction aimed at women. This concept makes women obsessed with beauty which often makes discrimination against people who do not fit the beauty standards and makes special treatment for those who do. This particular treatment is called beauty privilege—the issue in the picture book story Not Quite Snow White is related to the author's background. Ashley Franklin is an African-American woman who does not fit the beauty standards established by society

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Bertato, Fábio Maia, and Gabriel San Martin. "Logical Analysis of the Concept of Beauty." Edukacja Filozoficzna 70 (March 1, 2021): 121–41. http://dx.doi.org/10.14394/edufil.2020.0019.

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José Aguiar, NOBRE, and RUFINO Chaybom Anttone. "The Concept of Beauty in Saint Augustine." Journal of Religion and Theology 5, no. 1 (2023): 9–14. http://dx.doi.org/10.22259/2637-5907.0501002.

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Barus, Pelita Hati. "Beauty Concept in Pond’s Advertisements: A Critical Discourse Analysis." LingPoet: Journal of Linguistics and Literary Research 2, no. 2 (2021): 75–85. http://dx.doi.org/10.32734/lingpoet.v2i2.6163.

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This research aimed at analyzing the beauty concept in Pond’s advertisements based on three-dimensional models of discourse in Fairclough’s Critical Discourse Analysis (CDA) framework. This research uses a qualitative method to analyze the beauty concept in Pond’s advertisements.The results of this study show that the language used in Pond’s advertisements appear very interesting in building image to the viewers and were successful in using the various discourse strategies to attract people’s attention to buy the product being advertised. For the social practices, the words found in the advert

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Ligariaty, Yosieana Institute, and Irwansyah Irwansyah. "NARASI PERSUASI SOCIAL MEDIA INFLUENCER DALAM MEMBANGUN KONSEP KECANTIKAN DAN KEPERCAYAAN DIRI." Jurnal Pustaka Komunikasi 4, no. 2 (2021): 173–86. http://dx.doi.org/10.32509/pustakom.v4i2.1495.

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The existence of social media allows the emergence of social media influencers where in turn they have an impact on social media users. This can happen by bringing up new messages or raising issues about a particular subject. One of them is the topic of the concept of beauty and its relation to self-confidence. Moreover, with the existence of social media influencers who carry out information dissemination activities by compiling and creating content related to the concept of beauty and its relation to self-confidence. By using persuasive narratives, social media influencers build different be

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Diana, Puspitasari, and Suryadi Yudi. "Color Identity in the Beauty of Indonesian Women Who Construct Beauty Product Labels in the Cultural Industry Era." International Journal of Arts and Social Science 4, no. 5 (2023): 249–60. https://doi.org/10.5281/zenodo.7745021.

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The development of the media that has accelerated the spread of new ideologies in the discourse of beauty has caused instability in the construction of beauty, especially for Indonesian women. Color is one of the most attractive beauty ideologies for women and has become the identity and measure of a women's beauty. This article discusses beauty construction represented through local brand cosmetic advertisements from the 1990s to the beginning of 2010. This study is descriptive qualitative research with a cultural studies approach. In the cultural industry, capitalism always makes reprodu

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Nagara, Muhamad Rizki Nugraha Darma, and Lestari Nurhajati. "The Construction and Adoption of Beauty Standard by Youth Female as the Consumer of K-Beauty Products in Indonesia." Jurnal Riset Komunikasi 5, no. 2 (2022): 258–77. http://dx.doi.org/10.38194/jurkom.v5i2.543.

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Every culture has its own definition of beauty. Culture is concerned with the process of how knowledge shapes individuals in constructing and interpreting their world. The two lines of thought in this thesis are the concept of culture and the amount of consumption of beauty products in Indonesia which focuses on the shift of local beauty products to Korean beauty products by Indonesian women of generation Z. The theory of social reality construction is used to analyze Generation Z female consumers regarding K-beauty products which depict their beauty standards. This research uses constructivis

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Ya.V., Levkina, and Piyukova S.S. "I-CONCEPT OF WOMEN USING AESTHETIC COSMETOLOGY." ИННОВАЦИОННЫЕ НАУЧНЫЕ ИССЛЕДОВАНИЯ 2023. 1-1(25) (January 22, 2023): 166–73. https://doi.org/10.5281/zenodo.7559130.

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In the world of aesthetic cosmetology, misconceptions can lead to irrational requests or results that patients do not appreciate. Beauticians must always listen and acknowledge the changing cultural identity, desires, attitudes, anxieties and insecurities of the patient. The field of aesthetic cosmetology and its practice reflect not only the personality of the person, but also the culture as a whole. When advising a person, one must recognize that even in groups that seem to have the same social or cultural standards; there are differences in expectations and in the perception of beauty, rein

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Nobre, Catalina Elena. "La Belleza Ética como Realización del Telos Interior en Kierkegaard." Revista Portuguesa de Filosofia 78, no. 4 (2023): 1767–90. http://dx.doi.org/10.17990/rpf/2022_78_4_1767.

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The focus on this article is to analyze the concept of beauty in Kierkegaard’s thought, starting from some questions that I try to answer in these pages: How does Kierkegaard understand beauty? What role does beauty play in the inner constitutive process? All this to argue that, as regards beauty, Kierkegaard recovers the Greek concept of kalokagathia to give it a modern interpretation; thus, distancing himself from the modern understanding of beauty as a mere object of study of aesthetics or the mere contemplation of an ideal; beauty is defined as the telos of the inner self and is related to

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Malik, Yusuf Idrus, Fatihatur Rahmi Azizah, Adinda Daffa Aprilian, and Nur Azizah. "Zozi’s Election as Miss Universe 2019: A Transformation of the Concept of Women’s Beauty and Leadership." International Journal of Multicultural and Multireligious Understanding 10, no. 11 (2023): 30. http://dx.doi.org/10.18415/ijmmu.v10i11.5138.

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The election of Zozi as Miss Universe in 2019 raises a critical discourse on the concept of women's beauty and leadership. This article aims to show the transformation of the concept of beauty and leadership. The method used in this paper is Critical Discourse Analysis by collecting secondary data from the official Miss Universe website, journals, media and the internet, as well as Zozi's speeches and activities before and after being elected as Miss Universe 2019. The results of the research show that transformation of the concept of beauty is needed to create justice. The concept of beauty i

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PADURARU, Mirela. "BEAUTY COMMUNICATION; THE IMPORTANCE OF THE COMMUNICATION INTO THE BEAUTY FIELD." Social Sciences and Education Research Review 8, no. 2 (2021): 240–45. https://doi.org/10.5281/zenodo.5790089.

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The presented study is considered as a research, developed in order to be like a “radiography” of the <em>Beauty Communication concept</em>. Its method based on, is meta - analytical and the targeted purpose is to build the foundation of a beauty communication, qualified and specialised, also to highlight few of the components of the Beauty Communication concept. The main conclusion reached is that, into the current reality, there is a distinct communication language, with the main purpose to reach beauty objectives such as cosmetology, aesthetic consultancy, makeup, eyebrow design

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Loick, Daniel. "Towards an Abolitionist Concept of Beauty: The Aesthetics of Counter-Communities." Theory & Event 27, no. 3 (2024): 411–32. http://dx.doi.org/10.1353/tae.2024.a932016.

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Abstract: Many oppressed groups describe their forms of life in aesthetic categories. This article explores the implicit conception of beauty and the shared characteristics of counter-communal aesthetic practices. It reconstructs the hegemonic conception of beauty via a reading of Schiller and explores two exemplary discourses on the beauty of counter-communities: Peter Weiss' reflections on the aesthetics of resistance and Saidiya Hartman's description of Black fugitive aesthetics. What both examples share is that they locate beauty not in harmony, but in conflict and struggle. They lay the f

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Alanazi, Meshari S. "Challenging social standards." Linguistics and Culture Review 5, S2 (2021): 1594–604. http://dx.doi.org/10.21744/lingcure.v5ns2.2229.

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Prior to the evolution of the Black Arts Movement, the concept of “beauty” in the United States relied on specific standards, among which were being white and having blue eyes. However, this narrow definition changed over time as sociopolitical factors affected such concepts. Therefore, it is not surprising that the Black Arts Movement affected and changed the concept of beauty among Black Americans. African Americans stood not against white individuals but against everything that was unjust toward them in white American society. As a result, the literary works created by Black writers had to

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Demuthova, Slavka, and Andrej Demuth. "The Relative Stability of the Beauty Connotations across a Lifespan and its Gender Differences." Proceedings of The International Conference on Advanced Research in Social Sciences and Humanities 1, no. 1 (2024): 1–12. http://dx.doi.org/10.33422/icarsh.v1i1.347.

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The concept of beauty is multifaceted and subject to various influences that include the age and gender of the perceiver. This study aimed to explore the relationship between age and the connotations associated with the concept of beauty over a lifespan. A sample of 1,558 adults aged 19 to 89 years provided connotations of beauty through free production tasks with the objective to investigate changes in the occurrence of connotations associated with the concept of beauty in relation to the age of the evaluator. Occurrences of sixty-two connotations were analysed with respect to age using Spear

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Kurniawan, Yulius, Yosua Ade Putra, and Eka Fadilah. "REPRESENTATION OF INDONESIAN’S BEAUTY CONCEPT IN “CITRA” HAND & BODY LOTION ADVERTISEMENT USING ROLAND BARTHES’ SEMIOTICS APPROACH." ELite Journal : International Journal of Education, Language and Literature 4, no. 2 (2024): 61–70. https://doi.org/10.26740/elitejournal.v4n2.p61-70.

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This study explores the representation of beauty concept in Indonesian advertisements, with a focus on Citra's "Ragam Cantik Indonesia" advertisement, through the lens of Roland Barthes' semiotic theory. However, there is a gap in understanding how these beauty standards are constructed and communicated, particularly in the context of local brands like Citra. This research aims to fill this gap by analyzing the denotative, connotative, and myth to uncover the Indonesian beauty concept in Citra brand advertisement. The advertisement seeks to highlight the racial and cultural diversity of Indone

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Nurhapipah, Nurhapipah, Soudabeh Ghoroghi, Umme Ruman, Omar Osman, and Mouna Rabhi. "Inner Beauty Concept of Fatimah Az-Zahra as A Basis of Moral Education." Ri'ayatu Al-Qur'an 6, no. 2 (2024): 21–33. http://dx.doi.org/10.62990/riqu.v6i2.52.

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Fatimah Az-Zahra's concept of beauty towards moral education highlights the importance of understanding beauty in two dimensions, True beauty is not only limited to physical appearance, but also involves the goodness of the heart, morals, and attitudes. physical appearance, but also involves the goodness of the heart, morals, and attitudes of a person. a person. There is also a research method used in this This research is a literature study with a character study approach, and data analysis using the content analysis method. data analysis using the content analysis method. With an understandi

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Calovic, Dragan. "Mono no aware concept in Japanese aesthetics." Theoria, Beograd 65, no. 3 (2022): 121–31. http://dx.doi.org/10.2298/theo2203121c.

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Although, until the nineteenth century, we could not find in Japanese thought an approach that would be considered a counterpart to Western aesthetics, in art and cultural practice, nuanced interpretations of aesthetic experiences have been developed, such as wabi sabi, mono no aware and ma. The term mono no aware refers to impermanent, that is, transient beauty, ie. her experience that does not arise on the basis of current sensory experience. This concept should be understood as an aesthetic experience that accepts the beauty of transience, although transience itself cannot be considered bea

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Lehene, Iulia-Adina. "A Reconsideration on the Theory of Beauty: Previous Views and a New Approach Following Maslow's Theory (Part II)." Periodica Polytechnica Architecture 52, no. 1 (2021): 112–19. http://dx.doi.org/10.3311/ppar.12581.

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This paper is the second part of a work that aims to rethink the concept of beauty as close as possible to its essence and in a way that integrates the science of aesthetics with the field of construction. Within other theoretical and practical works, this study may be further used to physically reflect the definition of beauty in areas such as architecture, civil engineering or urban planning and support professionals in designing and building beautiful objects and constructions. However, it has to be added that the assumption that there must be a particular original aspect related to beauty

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Heinrich, Falk. "(Big) Data, Diagram Aesthetics and the Question concerning Beauty." MedieKultur: Journal of media and communication research 31, no. 59 (2016): 20. http://dx.doi.org/10.7146/mediekultur.v31i59.20084.

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<p class="falk1">The article investigates whether and in which way artistic artefacts deploying big data can be experienced as beautiful. The question is relevant, because the sentiment of beauty indicates besides an immediate sensory valuation also changes in cultural values and epistemic frameworks. The article focuses on artistic data visualisations. It applies concepts of philosophical aesthetics in order to trace an altered notion of beauty and its artistic and cultural implications.</p><p class="falk1">The article’s introductory part presents some examples of data visua

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Pingping, Yang. "The concept of beauty in painting by Qi Baishi." LAPLAGE EM REVISTA 7, Extra-A (2021): 265–73. http://dx.doi.org/10.24115/s2446-622020217extra-a801p.265-273.

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The purpose of the study is to identify the foundations of the beauty concept in the works by Qi Baishi from the point of view of modern interpretations. The objectives of the article are: to provide a historical overview of the activities by Qi Baishi; to identify the main components of the beauty concept in the artist's works, as well as to verify the theses put forward using a mini-survey for the students. The methodology included among others: methods of art history analysis, content analysis of scientific literature on the research topic, the method of statistical analysis. The research m

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Puspo, Natasya Aurelia, and Stefanny Irawan. "The Black Mirror—Stories: Creating A Short Story Collection Highlighting Beauty Penalty Phenomenon in the Indonesian Society." k@ta kita 13, no. 1 (2025): 76–82. https://doi.org/10.9744/katakita.13.1.76-82.

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Beauty penalty is a phenomenon which occurs in society which imposes disadvantages on attractive people. However, as this phenomenon has largely been acknowledged in the confinement of one individual’s testimony to another without adequate further study, the majority of people still ignore it. Despite its prevalence and significance, the beauty penalty phenomenon lacks deeper discussion, especially in Indonesia. In response to this reality, this paper explores the triggers to beauty penalty and multiple forms which the beauty penalty affects one’s life using the concept of perceived entitlemen

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Salbiah Kindoyop, Mohammad Puad Bebit, and Mfazmi Hisham. "BORNEO BATIK PATTERN PRODUCTION CONCEPT." Jurnal Gendang Alam (GA) 14, no. 2 (2024): 137–47. https://doi.org/10.51200/ga.v14i2.5781.

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ABSTRACT Batik art is famous with unique designs and patterns, which display the beauty of textile art and reflect the values and cultural identity of the community. In Malaysia, there are four main motifs recognized: floral, fauna, geometric, and abstract patterns. Among the popular motifs are plants such as bamboo shoots, ylang-ylang flowers, champaca, and others. The batik art in Sabah also possesses its own unique characteristics and identity based on its designs and patterns. This paper discusses the concept of producing contemporary batik patterns in Sabah, focusing on aspects of creat

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Hafner, Markus. "Ἀμήχανόν τι κάλλος. Re-evaluating the Concept of Beauty in Heliodorus’ Aithiopika". Nova Tellus 39, № 1 (2021): 107–29. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27546.

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Of the extant ancient Greek novels, Heliodorus’ Aithiopika is by far the most ‘sophisticated’. One of its topics is the virtually irresistible, and almost ‘divine’, beauty of both protagonists, Theagenes and Charicleia. Whereas earlier scholarship brought Heliodorean beauty into line with Platonic concepts and highlighted its ethical value or even metaphysical character, this article tries to throw into relief another aspect of Heliodorean κάλλος, emphasising a link between the Aithiopika and rhetorical exercises based on beauty. Thus, κάλλος makes explicit the persuasive effect of the text it

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