Relevant bibliographies by topics / Blackwood’s Magazine

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Blackwood’s Magazine'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Blackwood’s Magazine"

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Kao, Justine Shu-Ting. "Body, Space, and Sensations in Edgar Allan Poe’s “A Predicament”." Anafora 6, no. 2 (2019): 329–46. http://dx.doi.org/10.29162/anafora.v6i2.2.

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This paper aims to examine the sensationalism of Blackwood’s Magazine as evident in Poe’s tale “A Predicament” and how Poe disengages from the tradition of Blackwoods. On the one hand, Poe conflates Psyche Zenobia’s adventure into a Gothic Cathedral with the Blackwood’s sensationalistic experience, which treats vehement sensations as the prime condition for stimulating the mind’s engagement with a spiritual vision of a world beyond the material world. On the other, Poe’s tale disengages itself from the tradition of Blackwood’s Magazine: Zenobia loses her sensations altogether in the quest for
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Shattock, Joanne. "The Sense of Place and Blackwood’s (Edinburgh) Magazine." Victorian Periodicals Review 49, no. 3 (2016): 431–42. http://dx.doi.org/10.1353/vpr.2016.0026.

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Roberts, Jessica. "Radical Contagion and Healthy Literature in Blackwood’s Edinburgh Magazine." Literature and Medicine 34, no. 2 (2016): 418–39. http://dx.doi.org/10.1353/lm.2016.0020.

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Richardson, Thomas C. "James Hogg, ‘the beginner, and almost sole instigator' of Blackwood's – Not Once, but Twice." Romanticism 23, no. 3 (2017): 205–14. http://dx.doi.org/10.3366/rom.2017.0335.

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James Hogg claims to have been instrumental in initiating both versions of William Blackwood's venture into magazine publishing in 1817. This essay examines Hogg's role in beginning the Edinburgh Monthly Magazine and its successor, Blackwood's Edinburgh Magazine, and discusses the significance of his contributions to the Edinburgh Monthly and the early numbers of Blackwood's in terms of his influence on the direction of the magazine and the magazine's impact on him. Attention is given to key works in both versions, especially ‘Tales and Anecdotes of the Pastoral Life’ and ‘Shakspeare Club of A
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Seligmann-Silva, Márcio. "Do assassinato como uma das Belas Artes, de Thomas de Quincey, ou quando a ética se torna uma questão de gosto." Aletria: Revista de Estudos de Literatura 20, no. 3 (2010): 193–209. http://dx.doi.org/10.17851/2317-2096.20.3.193-209.

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O texto apresenta uma leitura do livro de Thomas De Quincey, On murder considered as one of the Fine Arts (Do assassinato considerado como uma das belas artes), publicado em 1827 na Blackwood’s Magazine, a partir de certos conceitos e ideias desenvolvidos por Walter Benjamin (“crítica da Gewalt [violência/poder]”, “sacrifício” e “vida nua”) e de Freud (Unheimlich, assassinato do pai da horda primeva). Ele discute e insere o texto de De Quincey em uma longa tradição, que remonta à Antiguidade (teoria da tragédia) e passa pela teoria do sublime, tradição essa que pensa a literatura como local de
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Covelo, Roxanne. "Hazlitt, De Quincey, and the Politics of Slang." Review of English Studies 71, no. 302 (2020): 921–36. http://dx.doi.org/10.1093/res/hgaa015.

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Abstract Literary periodicals like the Quarterly Review and Blackwood’s Magazine were the crucible in which Romantic reputations were made and unmade, debated, compared, and sometimes cruelly slandered. Today, it is often the cruellest of these reviews that survive, cited smilingly by modern critics to demonstrate the originality of the authors in question and their reviewers’ ineptitude or resistance to change. The study of William Hazlitt (who receives what is admittedly some of the harshest treatment of the Romantic periodical press) is often approached in this manner. But without sufficien
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Scalia, Christopher. "“The Force of Ridicule”: The Ironies of Blackwood’s Magazine and Walter Scott’s The Fortunes of Nigel." European Romantic Review 30, no. 2 (2019): 165–80. http://dx.doi.org/10.1080/10509585.2019.1582416.

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Bock, Carol A. "AUTHORSHIP, THE BRONTËS, AND FRASER’S MAGAZINE: “COMING FORWARD” AS AN AUTHOR IN EARLY VICTORIAN ENGLAND." Victorian Literature and Culture 29, no. 2 (2001): 241–66. http://dx.doi.org/10.1017/s1060150301002017.

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UNDER THE DIRECTION OF ITS FIRST EDITOR, William Maginn, Fraser’s Magazine purveyed popular images of literary life in the 1830s through its Gallery of Illustrious Literary Characters — Daniel Maclise’s engravings of contemporary literary figures accompanied by Maginn’s irreverent textual commentary — and through humorous depictions of the supposed staff meetings of “The Fraserians” themselves (figure 1), whom Miriam Thrall described as “care-free scholars, who laughed so heartily, and drank so deeply, and wrote so vehemently around their famous editorial table” (16). Composed by Maginn in imi
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Dillane, Fionnuala. "Forms of Affect, Relationality, and Periodical Encounters, or ‘Pine-Apple for the Million’." Journal of European Periodical Studies 1, no. 1 (2016): 5. http://dx.doi.org/10.21825/jeps.v1i1.2574.

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The social, economic, intellectual, cultural, and material relations that comprise periodical encounters have been attended to in analyses that invoke the concept of the network, what Nathan Hensley has described as a ‘chain of visible or material interactions among human and nonhuman entities’. The affective dimensions of these relations, however, are neither material nor always visible, yet they are fundamental to all such interactions. This article argues that the periodical’s capacity to communicate, the contours, scope, and effects of that capacity, and in particular its genre traction, a
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Connolly, Matthew C. "“But the narrative is not gloomy”: Imperialist Narrative, Blackwood’s Edinburgh Magazine, and the Suitability of Heart of Darkness in 1899." Victorian Periodicals Review 49, no. 1 (2016): 76–99. http://dx.doi.org/10.1353/vpr.2016.0004.

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Dissertations / Theses on the topic "Blackwood’s Magazine"

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Sharp, Sarah Elizabeth. "Digging up the kirkyard : death, readership and nation in the writings of the 'Blackwood's group', 1817-1839." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/31030.

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This dissertation examines the use of images of graveyards and death in the writings of the ‘Blackwood’s group’, a coterie of authors and poets who published their writing either within the influential Tory periodical Blackwood’s Edinburgh Magazine or with the publisher William Blackwood and Sons in the early decades of the nineteenth century. I argue that Blackwoodian texts like Lights and Shadows of Scottish Life (1822) by John Wilson imagined the rural Scottish graveyard as a repository for the traditional values and social structures which appeared to be under threat in the rapidly moderni
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Bennion, Anna Katharine. "It's Alive! The Gothic (Dis)Embodiment of the Logic of Networks." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd2198.pdf.

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ANSELMO, ANNA. "La "poetica dell'incontrollabilità": l'Endymion di Keats, la lingua e i periodici romantici." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/935.

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"Endymion" è il traît d'union tra i juvenilia di Keats ("Poems", 1817) e i suoi lavori più conosciuti ("Lamia, Isabella ... and other Poems"). Per sua natura, è un'opera di transizione e quindi concede allo studioso un punto di vista privilegiato sullo sviluppo della poetica e della lingua di Keats. Inoltre, l'"Endymion" è l'opera keatsiana più aspramente contestata dalla critica romantica. Gli studiosi moderni hanno analizzato il problema alla luce di considerazioni socio-politiche, il mio lavoro mira invece ad un'analisi più strettamente linguistica. Ricostruisco il contesto linguistico del
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Books on the topic "Blackwood’s Magazine"

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Morrison, Robert, and Daniel S. Roberts, eds. Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851.

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Finkelstein, David. The Maga Mohawks. Scottish Book Collector, 2002.

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Finkelstein, David. An index to Blackwood's magazine, 1901-1980. Scolar Press, 1995.

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Pamela, Palmer, ed. An index to the critical vocabulary of Blackwood's Edinburgh magazine, 1830-1840. Locust Hill Press, 1993.

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Warren, Samuel. Miscellanies critical, imaginative, and juridical: Contributed to Blackwood's magazine. F.B. Rothman, 1996.

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Coyer, Megan. Medical Humanism and Blackwood’s Magazine at the Fin de Siècle. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474405607.003.0007.

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If Blackwood’s helped to generate a recuperative medical humanism in the first half of the nineteenth century, what was its legacy? This ‘Coda’ turns to the fin de siècle to trace some key examples of a resurgence of the magazine’s mode of medical humanism at a time of perceived crisis for the medical profession, when many began ‘to worry that the transformation of medicine into a science, as well as the epistemological and technical successes of the new sciences, may have been bought at too great a price’....
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Coyer, Megan. ‘Delta’: The Construction of a Nineteenth-Century Literary Surgeon. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474405607.003.0004.

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This chapter examines the construction of David Macbeth Moir (1798–1851), a prolific Blackwoodian author and surgeon, as a medical poet, by himself and others, both within Blackwood’s and beyond, as a key component of a redemptive counter-discourse of medical humanism. The idealistic image of the ‘humanistic’ literary medical man is read as developing, in part, as a counter to the negative cultural representations of medicine exacerbated by the anatomy murders as well as the growing divisions between medico-scientific and literary cultures and the perceived negative consequences of the ‘march
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Mason, Nicholas, and Tom Mole, eds. Romantic Periodicals in the Twenty-First Century. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448123.001.0001.

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While the twenty-first century has brought a wealth of new digital resources for researching late eighteenth- and early nineteenth-century serials, the subfield of Romantic periodical studies has remained largely inchoate. This collection sets out to begin tackling this problem, offering a basic groundwork for a branch of periodical studies that is distinctive to the concerns, contexts and media of Britain’s Romantic age. Featuring eleven chapters by leading experts on the subject, it showcases the range of methodological, conceptual and literary-historical insights to be drawn from just one o
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Coyer, Megan. Professionalisation and the Case of Samuel Warren’s Passages from the Diary of a Late Physician. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474405607.003.0005.

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This chapter reads Samuel Warren’s Passages from the Diary of a Late Physician (1830–7) in its vexed original publishing context – the ideologically charged popular periodical press – in terms of its inception and reception, as well as its initiation of a new genre of ‘medico-popular’ writing, and places this reading in relation to debates surrounding the professionalisation of medicine. The political significance of the original intention to publish the series within the New Monthly Magazine is discussed. Within Blackwood’s, the series is read as a new development of the tale of terror, in wh
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Hardpress. Edinburgh Monthly Magazine Afterw. Blackwood's Edinburgh Magazine Afterw. Blackwood's Magazine. HardPress, 2020.

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Book chapters on the topic "Blackwood’s Magazine"

1

Mole, Tom. "Blackwood’s ‘Personalities’." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_7.

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Morrison, Robert, and Daniel Sanjiv Roberts. "‘A character so various, and yet so indisputably its own’: A Passage to Blackwood’s Edinburgh Magazine." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_1.

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Christie, William. "Blackwood’s Edinburgh Magazine in the Scientific Culture of Early Nineteenth-Century Edinburgh." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_10.

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Kelly, Duncan. "The Art and Science of Politics in Blackwood’s Edinburgh Magazine, c. 1817–1841." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_11.

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Camlot, Jason. "Prosing Poetry: Blackwood’s and Generic Transposition, 1820–1840." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_12.

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Killick, Tim. "Blackwood’s and the Boundaries of the Short Story." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_13.

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Hughes, Gillian. "The Edinburgh of Blackwood’s Edinburgh Magazine and James Hogg’s Fiction." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_14.

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Schoenfield, Mark. "The Taste for Violence in Blackwood’s Magazine." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_15.

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Cronin, Richard. "John Wilson and Regency Authorship." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_16.

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Strachan, John. "John Wilson and Sport." In Romanticism and Blackwood’s Magazine. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137303851_17.

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