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Journal articles on the topic 'Blackwood’s Magazine'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Kao, Justine Shu-Ting. "Body, Space, and Sensations in Edgar Allan Poe’s “A Predicament”." Anafora 6, no. 2 (2019): 329–46. http://dx.doi.org/10.29162/anafora.v6i2.2.

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This paper aims to examine the sensationalism of Blackwood’s Magazine as evident in Poe’s tale “A Predicament” and how Poe disengages from the tradition of Blackwoods. On the one hand, Poe conflates Psyche Zenobia’s adventure into a Gothic Cathedral with the Blackwood’s sensationalistic experience, which treats vehement sensations as the prime condition for stimulating the mind’s engagement with a spiritual vision of a world beyond the material world. On the other, Poe’s tale disengages itself from the tradition of Blackwood’s Magazine: Zenobia loses her sensations altogether in the quest for

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2

Shattock, Joanne. "The Sense of Place and Blackwood’s (Edinburgh) Magazine." Victorian Periodicals Review 49, no. 3 (2016): 431–42. http://dx.doi.org/10.1353/vpr.2016.0026.

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3

Roberts, Jessica. "Radical Contagion and Healthy Literature in Blackwood’s Edinburgh Magazine." Literature and Medicine 34, no. 2 (2016): 418–39. http://dx.doi.org/10.1353/lm.2016.0020.

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Richardson, Thomas C. "James Hogg, ‘the beginner, and almost sole instigator' of Blackwood's – Not Once, but Twice." Romanticism 23, no. 3 (2017): 205–14. http://dx.doi.org/10.3366/rom.2017.0335.

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James Hogg claims to have been instrumental in initiating both versions of William Blackwood's venture into magazine publishing in 1817. This essay examines Hogg's role in beginning the Edinburgh Monthly Magazine and its successor, Blackwood's Edinburgh Magazine, and discusses the significance of his contributions to the Edinburgh Monthly and the early numbers of Blackwood's in terms of his influence on the direction of the magazine and the magazine's impact on him. Attention is given to key works in both versions, especially ‘Tales and Anecdotes of the Pastoral Life’ and ‘Shakspeare Club of A

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Seligmann-Silva, Márcio. "Do assassinato como uma das Belas Artes, de Thomas de Quincey, ou quando a ética se torna uma questão de gosto." Aletria: Revista de Estudos de Literatura 20, no. 3 (2010): 193–209. http://dx.doi.org/10.17851/2317-2096.20.3.193-209.

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O texto apresenta uma leitura do livro de Thomas De Quincey, On murder considered as one of the Fine Arts (Do assassinato considerado como uma das belas artes), publicado em 1827 na Blackwood’s Magazine, a partir de certos conceitos e ideias desenvolvidos por Walter Benjamin (“crítica da Gewalt [violência/poder]”, “sacrifício” e “vida nua”) e de Freud (Unheimlich, assassinato do pai da horda primeva). Ele discute e insere o texto de De Quincey em uma longa tradição, que remonta à Antiguidade (teoria da tragédia) e passa pela teoria do sublime, tradição essa que pensa a literatura como local de

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6

Covelo, Roxanne. "Hazlitt, De Quincey, and the Politics of Slang." Review of English Studies 71, no. 302 (2020): 921–36. http://dx.doi.org/10.1093/res/hgaa015.

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Abstract Literary periodicals like the Quarterly Review and Blackwood’s Magazine were the crucible in which Romantic reputations were made and unmade, debated, compared, and sometimes cruelly slandered. Today, it is often the cruellest of these reviews that survive, cited smilingly by modern critics to demonstrate the originality of the authors in question and their reviewers’ ineptitude or resistance to change. The study of William Hazlitt (who receives what is admittedly some of the harshest treatment of the Romantic periodical press) is often approached in this manner. But without sufficien

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7

Scalia, Christopher. "“The Force of Ridicule”: The Ironies of Blackwood’s Magazine and Walter Scott’s The Fortunes of Nigel." European Romantic Review 30, no. 2 (2019): 165–80. http://dx.doi.org/10.1080/10509585.2019.1582416.

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8

Bock, Carol A. "AUTHORSHIP, THE BRONTËS, AND FRASER’S MAGAZINE: “COMING FORWARD” AS AN AUTHOR IN EARLY VICTORIAN ENGLAND." Victorian Literature and Culture 29, no. 2 (2001): 241–66. http://dx.doi.org/10.1017/s1060150301002017.

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UNDER THE DIRECTION OF ITS FIRST EDITOR, William Maginn, Fraser’s Magazine purveyed popular images of literary life in the 1830s through its Gallery of Illustrious Literary Characters — Daniel Maclise’s engravings of contemporary literary figures accompanied by Maginn’s irreverent textual commentary — and through humorous depictions of the supposed staff meetings of “The Fraserians” themselves (figure 1), whom Miriam Thrall described as “care-free scholars, who laughed so heartily, and drank so deeply, and wrote so vehemently around their famous editorial table” (16). Composed by Maginn in imi

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9

Dillane, Fionnuala. "Forms of Affect, Relationality, and Periodical Encounters, or ‘Pine-Apple for the Million’." Journal of European Periodical Studies 1, no. 1 (2016): 5. http://dx.doi.org/10.21825/jeps.v1i1.2574.

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The social, economic, intellectual, cultural, and material relations that comprise periodical encounters have been attended to in analyses that invoke the concept of the network, what Nathan Hensley has described as a ‘chain of visible or material interactions among human and nonhuman entities’. The affective dimensions of these relations, however, are neither material nor always visible, yet they are fundamental to all such interactions. This article argues that the periodical’s capacity to communicate, the contours, scope, and effects of that capacity, and in particular its genre traction, a

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10

Connolly, Matthew C. "“But the narrative is not gloomy”: Imperialist Narrative, Blackwood’s Edinburgh Magazine, and the Suitability of Heart of Darkness in 1899." Victorian Periodicals Review 49, no. 1 (2016): 76–99. http://dx.doi.org/10.1353/vpr.2016.0004.

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11

Salyer, Matt. "“Nae mortal man should be entrusted wi’ sic an ingine”: Blackwood’s Edinburgh Magazine and the Tory Problem of Romantic Genius." Victorian Periodicals Review 46, no. 1 (2013): 92–115. http://dx.doi.org/10.1353/vpr.2013.0007.

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12

Perkins, Pam. "‘She has her ladies too’: Women and Scottish Periodical Culture in Blackwood's Early Years." Romanticism 23, no. 3 (2017): 253–61. http://dx.doi.org/10.3366/rom.2017.0340.

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This essay looks at some of the women who were published in and reviewed by Blackwood's Magazine in its early years. While the important contributions of women to the Blackwood's of the Victorian period have always been recognised, the Romantic-era magazine is better remembered for a sometimes aggressively ‘masculine’ tone. Women appeared in Blackwood's from the beginning, however, even if only in small numbers. Focusing first on reviews of major women writers – including Madame de Staël and Mary Shelley – and then turning to Felicia Hemans and Anne Grant, both of whom had poems published in t

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13

Morrison, Robert. "Blackwood's Byron: The Lakers, the Cockneys, and the ‘throne of poetical supremacy’." Romanticism 23, no. 3 (2017): 272–81. http://dx.doi.org/10.3366/rom.2017.0342.

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Blackwood's in its earliest numbers was a staunch admirer of Lord Byron. But when he published Beppo, it damned him in a June 1818 review as a hypocrite and a reveller, and thereafter the magazine lurched between celebrating him for his genius and castigating him for his perversion of it. Byron objected to the uneven treatment he received at the hands of the Blackwood's critics, but in ‘Some Observations Upon an Article in Blackwood's Edinburgh Magazine’ he echoes their views on several contemporary poets, and seems to reconcile himself to the exuberant unpredictability of the magazine.

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Strachan, John. "The ‘Chaldee Manuscript’, William Hone, and Late Georgian Religious Parody." Romanticism 23, no. 3 (2017): 243–52. http://dx.doi.org/10.3366/rom.2017.0339.

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This article analyses Blackwood's notorious ‘Translation from an Ancient Chaldee Manuscript’ (1817), contextualising the satire in the light of religious parody, ancient and modern – but in particular the latter – and arguing that there were specific reasons why a post-Napoleonic magazine might have used this particular form at this particular moment. It examines the publication, publicity, and purposes of the ‘Chaldee’, a key part of William Blackwood's reboot of his failing magazine in October 1817, and the contemporary religious parody of the radical pressman William Hone, which led, three

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15

Morrison, Robert. "John Howison of Blackwood's Magazine." Notes and Queries 42, no. 2 (1995): 191–93. http://dx.doi.org/10.1093/notesj/42.2.191.

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Finkelstein, David. "Unraveling Speke: The Unknown Revision of an African Exploration Classic." History in Africa 30 (2003): 117–32. http://dx.doi.org/10.1017/s036154130000317x.

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In late 1990 I found myself in the Department of Manuscripts at the National Library of Scotland in Edinburgh working on what was supposed to be a short-term project. The aim was to create a listing of uncataloged archival material relating to the eminent Edinburgh publishers William Blackwood & Sons. Famous for publishing George Eliot, Joseph Conrad, John Buchan, and Anthony Trollope, as well as for their monthly Blackwood's Magazine, the firm was a major presence in Edinburgh from 1805 to 1980. Over the years, most of their papers have accumulated in the National Library of Scotland, mak

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17

Roberts, Daniel S. "‘The Only Irish Magazine’: Early Blackwood's and the Production of Irish ‘National Character’." Romanticism 23, no. 3 (2017): 262–71. http://dx.doi.org/10.3366/rom.2017.0341.

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On the ‘Irish Question’ of the 1820s and 30s, Blackwood's Magazine developed a fearsome reputation for intransigence. Yet its early engagements with Ireland were far from unsympathetic, viewing its peasantry, in particular, as warm-hearted and likeable, though also overly passionate and prone to disorderly behaviour. Arguing for John Wilson's theorisation of ‘national character’ as a crucial determinant of Blackwood's representative position, this article analyses the manner in which Maga responded to Irish literature and society in a transperipheral manner, seeking to integrate Ireland more f

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18

Mahoney, Charles. "‘The malignity of Reviewers’: Coleridge, Wilson, and Blackwood's." Romanticism 23, no. 3 (2017): 234–42. http://dx.doi.org/10.3366/rom.2017.0338.

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The first number of the refashioned Blackwood's Edinburgh Magazine opens with a review of Samuel Taylor Coleridge's Biographia Literaria which is still regarded as one of the most virulent ‘attacks’ in the history of periodical reviewing. What could have motivated John Wilson to disparage Coleridge so personally and at such length? One factor may have been the treatment of Francis Jeffrey in the Biographia. Jeffrey's presence in both the Biographia and Wilson's review reveals a complicated debate regarding reviewing practices in the 1810s at the same time as it illuminates the boisterous, unpr

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MORRISON, ROBERT. "JOHN WILSON AND THE EDITORSHIP OF BLACKWOOD'S MAGAZINE." Notes and Queries 46, no. 1 (1999): 48–50. http://dx.doi.org/10.1093/nq/46-1-48.

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MORRISON, ROBERT. "JOHN WILSON AND THE EDITORSHIP OF BLACKWOOD'S MAGAZINE." Notes and Queries 46, no. 1 (1999): 48–50. http://dx.doi.org/10.1093/nq/46.1.48.

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21

GROVES, DAVID. "‘DISGUSTED WITH ALL THE COCKNEYS’; DE QUINCEY, THE LONDON MAGAZINE , AND BLACKWOOD'S MAGAZINE." Notes and Queries 47, no. 3 (2000): 326–27. http://dx.doi.org/10.1093/nq/47-3-326.

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GROVES, DAVID. "‘DISGUSTED WITH ALL THE COCKNEYS’; DE QUINCEY, THE LONDON MAGAZINE, AND BLACKWOOD'S MAGAZINE." Notes and Queries 47, no. 3 (2000): 326–27. http://dx.doi.org/10.1093/nq/47.3.326.

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GROVES, DAVID. "THOMAS DE QUINCEY AND A REVIEW OF BLACKWOOD'S MAGAZINE." Library s6-XI, no. 2 (1989): 147–49. http://dx.doi.org/10.1093/library/s6-xi.2.147.

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GROVES, DAVID. "DE QUINCEY AND THE EARLY ISSUES OF BLACKWOOD'S MAGAZINE." Notes and Queries 46, no. 4 (1999): 473–74. http://dx.doi.org/10.1093/nq/46-4-473.

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GROVES, DAVID. "DE QUINCEY AND THE EARLY ISSUES OF BLACKWOOD'S MAGAZINE." Notes and Queries 46, no. 4 (1999): 473–74. http://dx.doi.org/10.1093/nq/46.4.473.

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GROVES, DAVID. "JOHN GALT'S REVIEW OF ’HOWISON'S CANADA’ IN BLACKWOOD'S MAGAZINEs." Notes and Queries 40, no. 4 (1993): 471–72. http://dx.doi.org/10.1093/nq/40-4-471.

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27

Engelhardt, Molly. "SEEDS OF DISCONTENT: DANCING MANIAS AND MEDICAL INQUIRY IN NINETEENTH-CENTURY BRITISH LITERATURE AND CULTURE." Victorian Literature and Culture 35, no. 1 (2007): 135–56. http://dx.doi.org/10.1017/s1060150307051455.

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I accepted his invitation; but having once begun to dance, he would on no account be prevailed on to cease. At last I grew uneasy. I fixed my eyes upon him with anxiety; it seemed to me as if his eyes grew dimmer and dimmer, his cheeks paler and more wasted, his lips shrivelled and skinny, his teeth grinned out, white and ghastly, and at last he stared upon me with bony and eyeless sockets.—“The Dance of Death,” Blackwood's Magazine It is ill dancing with a heavy heart.—George Eliot, Mill on the Floss

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Dart, Gregory. "Blackwood's and the Cockney School of Prose." Romanticism 23, no. 3 (2017): 224–33. http://dx.doi.org/10.3366/rom.2017.0337.

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This article looks at the changing attitude of the Blackwood's leading writers John Wilson and John Gibson Lockhart to the so-called Cockney Prose writers, Coleridge, Hazlitt, Hunt, Lamb, and Ollier. It shows how a tendency to lump all the Cockneys together in October 1817 slowly developed into a more discriminating attitude in the course of the revamped magazine's first year. It also shows how the principles behind that discrimination lay in Lockhart's reading of Schlegel's lectures, and in the models of scholarship and genial reading that were contained therein.

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Alexander, J. H. "Learning from Europe: Continental Literature in the "Edinburgh Review" and "Blackwood's Magazine" 1802-1825." Wordsworth Circle 21, no. 3 (1990): 118–23. http://dx.doi.org/10.1086/twc24044620.

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30

Seidel, Isabel. "Romanticism and Blackwood's Magazine: "An Unprecedented Phenomenon" ed. by Robert Morrison and Daniel S. Roberts." Victorian Periodicals Review 46, no. 4 (2013): 566–69. http://dx.doi.org/10.1353/vpr.2013.0041.

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Faraut, Martine. "Les Tories, la famine et l'Irlande, une lecture de Blackwood's Edinburgh Magazine, janvier 1844-décembre 1848." Études irlandaises 28, no. 1 (2003): 109–23. http://dx.doi.org/10.3406/irlan.2003.1652.

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Jarrells, Anthony. "James Hogg: Contributions to Blackwood's Edinburgh Magazine, Volume 1: 1817-1828. Edited by Thomas C. Richardson." Wordsworth Circle 39, no. 4 (2008): 187–90. http://dx.doi.org/10.1086/twc24045246.

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Robinson, Solveig C. "Expanding a "Limited Orbit": Margaret Oliphant, Blackwood's Edinburgh Magazine, and the Development of a Critical Voice." Victorian Periodicals Review 38, no. 2 (2005): 199–220. http://dx.doi.org/10.1353/vpr.2005.0025.

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Morwood, James. "The Double Time Scheme in Antigone." Classical Quarterly 43, no. 1 (1993): 320–21. http://dx.doi.org/10.1017/s0009838800044384.

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In three articles published in Blackwood's Magazine (November 1849, April and May 1850), one Wilson, under the nom de guerre of Christopher North, propounded the view that Shakespeare's Othello operates on a double time scheme. The represented time in Cyprus (Acts II to V) is some thirty-three hours, lasting from about 4 p.m. on Saturday till the early hours of Monday morning. If we take this time scheme at face value, there has been no opportunity for Desdemona and Cassio to commit adultery: Iago's insinuations and Othello's suspicions are manifestly absurd. However, another time scheme is in

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35

Barringer, Terry. "Literature and Medicine in the Nineteenth-Century Periodical Press: Blackwood's Edinburgh Magazine, 1817–1858 by Megan Coyer." Victorian Periodicals Review 51, no. 4 (2018): 746–48. http://dx.doi.org/10.1353/vpr.2018.0054.

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Smith, Simon C. "Piloting Princes: Hugh Clifford and the Malay Rulers." Journal of the Royal Asiatic Society 11, no. 3 (2001): 363–75. http://dx.doi.org/10.1017/s1356186301000335.

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AbstractHugh Clifford has been described as “one of the most unusual colonial governors in British history”. Widely regarded as the “doyen of the colonial service”, Clifford held successive governorships in the Gold Coast, Nigeria, Ceylon, and the Straits Settlements. As a writer of novels, short stories, and reminiscences, moreover, he enjoyed a successful literary career; he moved in literary circles and counted Joseph Conrad among his particular friends. Clifford's inspiration was drawn almost exclusively from his experiences in Malaya, the territory where he not only started his career in

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Christie, William. "‘Wars of the Tongue’ in Post-War Edinburgh: On Blackwood's Edinburgh Magazine and its Campaign against the Edinburgh Review." Romanticism 15, no. 2 (2009): 95–108. http://dx.doi.org/10.3366/e1354991x09000580.

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38

Keefe, Jennifer. "Ferrier, Common Sense and Consciousness." Journal of Scottish Philosophy 5, no. 2 (2007): 169–85. http://dx.doi.org/10.3366/jsp.2007.5.2.169.

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James Frederick Ferrier developed his philosophy from a common sense background. However, his rejection of common sense philosophy in particular and Enlightenment philosophy in general results in the development of a system of idealism. In his series of lectures ‘An Introduction to the Philosophy of Consciousness - Parts I to VII’, which appeared in Blackwoods Magazine (1838–39), he outlines the problem with modern philosophy and argues that philosophy should follow a new direction. In his view, the most peculiar and interesting aspect of humanity is consciousness. He contends that the attempt

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Reed, John R. "FIGHTING WORDS: TWO PROLETARIAN MILITARY NOVELS OF THE CRIMEAN PERIOD." Victorian Literature and Culture 36, no. 2 (2008): 331–42. http://dx.doi.org/10.1017/s1060150308080200.

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About a decade after Waterloo, there arose in England a subgenre of fiction that can be called the military novel. George Robert Gleig is credited with originating the genre with a fictionalized autobiography entitled The Subaltern, which appeared serially in Blackwood's Magazine in 1825 and was subsequently published as a book. Military memoirs were appearing from soon after the end of the Napoleonic Wars, and the military novel was an outgrowth of that literature. Many of the authors of military novels had themselves served in the army, but the most notable of them all, Charles Lever, had no

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Morrison, Robert. "Blackwood's Magazine, 1817-25: Selections from Maga's Infancy. Vol. I Selected Verse, Vol. II Selected Prose, Vol. III Noctes Ambrosianae, 1822-23, Vol. IV Noctes Ambrosianae, 1824-25, Vol. V Selected Criticism, 1817-19, Vol. VI Selected Criticism, 1820-25. Edited by Nicholas Mason, Anthony Jarrells, Mark Parker, Tom Mole, John Strachan, and Charles Snodgrass." Wordsworth Circle 38, no. 4 (2007): 175–77. http://dx.doi.org/10.1086/twc24045301.

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Martin, Rebecca E. "Robert Morrison and Chris Baldick, eds., Tales of Terror from Blackwood's Magazine. Oxford and New York: Oxford University Press, 1995. ISBN: 0-19-282366-3 (paperback). Price: £5.99/$11.95. Robert Morrison and Chris Baldick, eds., The Vampyre and Other Tales of the Macabre. Oxford and New York: Oxford University Press, 1997. ISBN: 0-19-283291-3 (paperback). Price: £5.99/$9.95." Romanticism on the Net, no. 16 (1999): 0. http://dx.doi.org/10.7202/005888ar.

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Pykett, Lyn. ": The Young Visiters, or Mr Salteena's Plan . Daisy Ashford, Juliet McMaster. ; Catherine, or the Bower . Jane Austen, Juliet McMaster. ; Henry and Eliza . Jane Austen, Karen L. Hartnick, Rachel M. Brownstein. ; The History of England: From the Reign of Henry the 4th to the Death of Charles the 1st. By a Partial, Prejudiced, and Ignorant Historian . Jane Austen, Jan Fergus. ; Love and Freindship . Jane Austen, Juliet McMaster. ; Branwell's Blackwood's Magazine: The Glass Town Magazine Written by Branwell Bronte with Contributions from His Sister Charlotte Bonte . Branwell Bronte, Charlotte Bronte, Christine Alexander, Vanessa Benson. ; My Angria and the Angrians . Charlotte Bronte, Juliet McMaster, Leslie Robertson. ; Edward Neville . Marianne Evans, Juliet McMaster." Nineteenth-Century Literature 53, no. 3 (1998): 405–9. http://dx.doi.org/10.1525/ncl.1998.53.3.01p0039g.

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Gijbels, Jolien. "Review of Megan Coyer, Literature and Medicine in the Nineteenth-Century Periodical Press: Blackwood’s Edinburgh Magazine, 1817–1858 (2017)." Journal of European Periodical Studies 4, no. 2 (2019). http://dx.doi.org/10.21825/jeps.v4i2.12584.

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Jackson, Richard D. "James Hogg and The Unfathomable Hell." Romanticism on the Net, no. 28 (November 10, 2003). http://dx.doi.org/10.7202/007206ar.

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Abstract The use of opium, often in the form of laudanum, was a constituent element of the Romantic Imagination. Coleridge, Thomas De Quincey, and Charles Lloyd were all subject to its bondage. In Scotland the literati of Blackwood’s Edinburgh Magazine were aware of its prevalence. James Hogg had a ‘perfect horror’ of the effects of laudanum and gave great offence to John Gibson Lockhart when, in his Anecdotes of Sir W. Scott, he revealed that Lady Scott had taken opium. In one of the ‘Noctes Ambrosianae’ published in Blackwood’s, probably written by John Wilson (himself possibly an opium user

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George, Jacqueline. "Avatars in Edinburgh: The Private Memoirs and Confessions of a Justified Sinner and the Second Life of Hogg’s Ettrick Shepherd." Articles, no. 62 (July 29, 2014). http://dx.doi.org/10.7202/1026001ar.

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In this essay, I deploy the contemporary technical term avatar to interpret the functions of “the Ettrick Shepherd,” a character associated with James Hogg that originated in Blackwood’s Edinburgh Magazine and appears subsequently in Hogg’s novel The Private Memoirs and Confessions of a Justified Sinner (1824). The notorious difficulty of Sinner, I argue, is due in part to the movement of the Shepherd, as an avatar, from one textual realm to another in a way that reveals the limits of meaning making in synthetic landscapes. I show how reading the Shepherd as an avatar furthers our understandin

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LePan, Don. "The Civil War and Slavery in Blackwood’s Magazine: John Blackwood and the Role Played by 'Disinterested Outsiders' in Shaping Public Opinion." SSRN Electronic Journal, 2018. http://dx.doi.org/10.2139/ssrn.3324045.

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Lendrum, Chris. "“Periodical Performance”: The Figure of the Editor in Nineteenth-Century Literary Magazines." Articles, no. 57-58 (December 5, 2011). http://dx.doi.org/10.7202/1006515ar.

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When John Scott and William Christie, representatives of the London Magazine and Blackwood’s Edinburgh Magazine, met in their fatal 1821 duel, the conflict was between more than two men with sullied reputations: it was a between the editor figures of two competing publications. This essay examines those editorial personae, the distinctive editorial voices crafted by individual journals, and how they played a crucial role in establishing a publication in the changing periodical market while simultaneously obscuring that process. Explicating the content and purpose of a publication, the editor f

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Hayes, Tracy. "Darkest Wessex: Hardy, the Gothic Short Story, and Masculinity." Victorian Popular Fictions Journal, October 25, 2020, 76–94. http://dx.doi.org/10.46911/nbiq9295.

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Thomas Hardy is generally recognised as a powerful delineator of the female psyche, his intuitive understanding of the emotional complexities of women such as Tess Durbeyfield and Sue Bridehead being emphasised at the expense of his male characters, who are often viewed as weak and two-dimensional. However, Hardy’s men are also examined in depth, in light of their ambitions, sensitivities, hypocrisies and social expectations, thereby giving voice to discursive categories of maleness often elided in the work of his contemporaries. In the Gothic short story as featured in Blackwood’s and similar

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Ahmad, Mohammad Maaz. "Acute Encephalitis Syndrome (AES): The Case Study of Muzaffarpur District of Bihar." Global Journal of Medical Research, October 12, 2020, 1–4. http://dx.doi.org/10.34257/gjmrcvol20is4pg1.

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Acute encephalitis syndrome (AES) is a serious public health problem in India specially Muzaffarpur district in Bihar. Bihar has recorded 188 cases of acute encephalitis syndrome, with 45 deaths since January. All casualties are children, the maximum in Muzaffarpur. Every year there is a repeat of the same, still no specific measures have been taken. The death of over 125 children in Muzaffarpur due to Acute Encephalitis Syndrome is very shocking. These children come from low-income group families and are poorly nourished. It is time to remember Elizabeth Barrett Browning for her poem ‘The Cry

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"Blackwood's magazine, 1817-25: selections from Maga's infancy: v.1: Selected verse; v.2: Selected prose; v.3: Noctes Ambrosianae, 1822-3; v.4: Noctes Ambrosianae, 1824-5; v.5: Selected criticism, 1817-19; v.6: Selected criticism, 1820-25." Choice Reviews Online 44, no. 06 (2007): 44–3141. http://dx.doi.org/10.5860/choice.44-3141.

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