Relevant bibliographies by topics / Blanchot

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Blanchot'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Blanchot"

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Paul, Zakir. "Blanchot without Blanchot." boundary 2 51, no. 3 (2024): 173–219. http://dx.doi.org/10.1215/01903659-11209644.

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Abstract This article explores the arc of Blanchot's life, in conversation with a recent critical biography, to suggest what the significance of his writing might be today. It first situates Blanchot in the 1930s through the lens of contemporary debates about the period. It then explores what his turn to literary criticism and narrative in the 1940s might have signified and allowed him to negotiate as a “counter-law.” Finally, it turns to his time as a dissident postwar thinker who sought to invent ways of thinking capable of forgoing power, often formulated as an inoperative “relation without
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Watt, Calum. "The Uses of Maurice Blanchot in Bernard Stiegler's Technics and Time." Paragraph 39, no. 3 (2016): 305–18. http://dx.doi.org/10.3366/para.2016.0203.

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This article argues that Maurice Blanchot is a significant presence in Bernard Stiegler's Technics and Time series. The article first sets out Stiegler's invocation of the Blanchotian ‘change of epoch’ in the first volume, which attempts to situate Blanchot within the horizon of technics. I argue Blanchot's disaster is a hidden element in Stiegler's play on the motifs of the star and catastrophe. The article then traces how these motifs emerge in the second and third volumes, in which the technical forms of photography and cinema become more important and where the motifs are woven together th
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Shuling Tsai, Stéphanie. "Traduire jusqu’au point de non-pouvoir : approche de l’engagement blanchotien." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 3 (2011): 113. http://dx.doi.org/10.21992/t9h05t.

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In the early 60’s, Blanchot participated with a group of European intellectuals in the process of conceptualizing an international journal based on translation. In our intent to inquire into Blanchot’s approach of « engagement » in the course of the project, the present study will examine differences between Blanchot and Levinas in regards to the notion of « non-pouvoir », which directs the task of the translator towards the point of fascination or inspiration in Blanchot’s terms. The point of no-power opens possibilities to various modes of translations, questioning the limits of the subject-
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Holland, Michael. "The Time of his Life." Paragraph 30, no. 3 (2007): 46–66. http://dx.doi.org/10.3366/para.2007.30.3.46.

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Throughout his life, contemporaries of Blanchot either sought to relegate his writing to the past, or else espoused it uncritically in a gesture akin to what Jean-Luc Nancy once called syncope. Blanchot thus divided his epoch in a way that was less a polarization than a struggle for the present in which thought takes place. Consequently, readers today in search of what makes Blanchot continue to be a contemporary find that the time of his writing is shrouded in a curiously unstable quantity of oblivion. This article argues that Blanchot's refusal of biography brings about an inaugural disrupti
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Ryle, Simon. "“Crni vrt“: Ekopoetika kapitalocenskoga masovnoga izumiranja u poeziji W. S. Merwina." Studia ethnologica Croatica 36, no. 1 (2024): 171–95. https://doi.org/10.17234/sec.36.9.

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Ovaj rad istražuje prikaz masovnoga izumiranja u ekopoetici pjesnika W. S. Merwina, s naglaskom na afektivnu suzdržanost u Merwinovoj poetici prirodne devastacije. Usredotočujući se na ovu formalnu tehniku, rad istražuje kako je, u Merwinovim zbirkama The Lice (1967) i The Rain in the Trees (1988), nemogućnost shvaćanja izumiranja zapravo normativni epistemički učinak i sam uzrokovan masovnim izumiranjem. Rad povezuje Merwinovu tehniku sa sličnom logikom ekološke i kulturne iscrpljenosti, u nedavnim ekosocijalističkim prikazima Marxova koncepta „metaboličkoga rascjepa“, koji, kako se tvrdi, po
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Hart, Kevin. "From the Star to the Disaster." Paragraph 30, no. 3 (2007): 84–103. http://dx.doi.org/10.3366/para.2007.30.3.84.

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Franz Rosenzweig's The Star of Redemption comes before the Shoah and Maurice Blanchot's The Writing of the Disaster comes after it. The one addresses itself with hope to the figure of a star; the other meditates on the state of being without a guiding star. The figure of Emmanuel Levinas stands between these two works, since Totality and Infinity is marked by Rosenzweig's critique of totality and The Writing of the Disaster is in part a response to Levinas's philosophy. Both Rosenzweig and Blanchot propose a new way of thinking, one that calls unity into question. This essay seeks to clarify w
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Allen, William S. "Blanchot and Lautréamont." Qui Parle 29, no. 1 (2020): 95–143. http://dx.doi.org/10.1215/10418385-8241923.

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Abstract Blanchot’s readings of Lautréamont are among the most important writings on this challenging author, and they are also crucial for the development of his own thinking, but they have never been discussed in depth. This essay surveys the whole range of Blanchot’s writings on Lautréamont and shows how they constitute the first considered attempt within his thinking to examine the notions of the fantastic and the image in relation to the experience of metaphor. This survey not only enables a renewed understanding of the significance of Lautréamont’s writings but also reveals how Blanchot
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Hill, Leslie. "From Deconstruction to Disaster (Derrida, Blanchot, Hegel)." Paragraph 39, no. 2 (2016): 187–201. http://dx.doi.org/10.3366/para.2016.0194.

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Derrida's Glas (1974) found one of its most attentive readers in Maurice Blanchot, whose fragmentary volume L'Ecriture du désastre (The Writing of the Disaster) (1980) responds in a number of ways to Derrida's book, in particular to its reading of Hegel. This article retraces the silent dialogue between Derrida and Blanchot as it unfolds in the two texts mentioned as well as in several others, including some of Blanchot's earlier essays and fiction, notably La Folie du jour (The Madness of the Day) and L'Arrêt de mort (Death Sentence).
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Ferguson, Sam. "Maurice Blanchot: ‘Theorist’ of the Diary?" Nottingham French Studies 61, no. 2 (2022): 104–18. http://dx.doi.org/10.3366/nfs.2022.0346.

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Maurice Blanchot’s writing on the diary has been presented as ignorant and contemptuous of its object, and as misrepresenting the diary by focusing on its literary qualities. This article rehabilitates Blanchot as a critic and theorist of the diary, and moreover, as a pivotal figure in realising the diary’s literary potential. Blanchot’s discussion of particular diarists (including Benjamin Constant, Joseph Joubert, Søren Kierkegaard, Franz Kafka, and André Gide), together with his critical reflections, were instrumental in his creation of conceptions of literature that exerted a strong influe
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Rapaport, Herman. "After Blanchot?" Paragraph 32, no. 2 (2009): 255–64. http://dx.doi.org/10.3366/e0264833409000583.

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Dissertations / Theses on the topic "Blanchot"

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Barra, Cynthia de Cassia Santos. "Sobrescrever Blanchot." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-76BP73.

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A partir de dois textos, especificamente, o artigo "Comment la littérature est-elle possible?" (1943) e o ensaio que serve de introdução ao livro Faux Pas (1943), procurou-se demonstrar algumas das principais características e alguns dos limites da crítica e da história literárias constituintes de parte da obra de Maurice Blanchot. Foram investigados os livros críticos publicados até 1969. Procurou-se, também, realizar uma apresentação, uma tradução e um comentário para esses textos mencionados e que não possuem publicação em língua portuguesa até o presente momento.
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Harlingue, Olivier. "Maurice Blanchot et la philosophie." Paris 10, 2005. http://www.theses.fr/2005PA100097.

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Dans la première partie de notre étude – consacrée à l'examen du premier moment de la pensée blanchotienne qui s'étend de Faux pas à Le livre à venir –, c'est tout d'abord en montrant comment Blanchot interroge phénoménologiquement et ontologiquement l'existence même de la littérature que l'interminabilité de l'incessant nous apparaîtra non seulement comme le phénomène (du) littéraire, mais aussi comme ce qui appelle déjà un certain rapport critique avec la discursivité philosophique. Or, dans la seconde partie de notre étude – consacrée au second moment de la pensée blanchotienne qui s'étend
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Limet, Yun Sun. "L'écriture critique de Maurice Blanchot." Paris 8, 1997. https://octaviana.fr/document/181449196#?c=0&m=0&s=0&cv=0.

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Notre etude met au jour la notion d"'ecriture critique" dans l'oeuvre non fictionnelle de maurice blanchot. Il s'agit de rendre a ces ecrits leur pertinence critique, en affrontant leur dimension commentative. Une telle approche montre que la critique se joue dans l'ecriture elle-meme. Nous avons choisi de limiter notre corpus aux ecrits non fictionnels. Ceux-ci elaborent une pensee de la critique qui est pensee d'un "rapport". En analysant la pratique critique de blanchot, ses strategies commentatives, nous montrons que ce rapport, marque du sceau de l'impossible, est paradoxalement possible
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Sumiyoshi, Ken. "Maurice Blanchot et son écriture." Thesis, Université Clermont Auvergne‎ (2017-2020), 2019. http://www.theses.fr/2019CLFAL014.

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C’est l’inspiration qui nous incite essentiellement à la parole. Mais l’homme, avant l’acte d’écrire/parler et au moment de l’acte ou après l’acte, est-il identique ? Si le sujet de l’acte pourrait y répondre positivement, nous le contestons. A quel moment arrive donc à l’homme une fissure d’identité ? Nous montrons qu’elle lui arrive au moment de l’inspiration. A l’aube de la philosophie, Platon suppose l’identité entre ce que l’inspiration demande à l’homme de mettre en mots et les mots qu’il lui confère. Le dualisme platonicien du monde sensible et de celui suprasensible est connu, mais cet
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Majorel, Jérémie. "Chiasmes : Blanchot, herméneutique et déconstruction." Paris 7, 2010. http://www.theses.fr/2010PA070082.

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L'œuvre de Blanchot permet de remettre en cause les barrières théoriques entre l'herméneutique et la déconstruction. Dans un premier temps, nous avons montré que lorsqu'ils tentent de lire Blanchot, en un chiasme singulier, l'herméneute tend à devenir déconstructeur et le déconstructeur tend à devenir hermeneute. Ensuite, nous avons proposé une interprétation de la quasi-totalité des romans et des récits de Blanchot. Il apparaît que l'œuvre narrative de Blanchot apporte une contribution fondamentale à la transformation du roman en récit, à la fois proche et différente de celle qu'opéraient dan
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Fueri, Eliane. "Pensées de l'extériorité : Levinas Blanchot." Nice, 1997. http://www.theses.fr/1997NICE2003.

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Levinas rompt avec la tradition philosophique occidentale dominée par la question de l'être, fondée sur l'ego cogito comme origine de la connaissance dans le présent de l'évidence. Il exprime que la philosophie première n'est pas l'ontologie, la phénoménologie, mais l'éthique. Des lors, la pensée vise ce qui la déborde, l'extériorité absolue : l'infini, le visage, dieu. Le retrait de la présence commun à Blanchot et Levinas, laisse surgir une pensée de la trace - chez blanchot l'"effroyablement ancien", le "désastre" - qui exprime un passé immémorial. Les notions en rapport d'analogie de Levin
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Langstaff, Holly. "Maurice Blanchot : art and technology." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/101267/.

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Maurice Blanchot (1907-2003), writer of fiction, literary critic, political journalist and thinker, is one of the most influential figures in twentieth-century literature and thought. The relationship between art and technology is a largely unexplored aspect of Blanchot’s writing; this thesis examines his engagement with the question of techne in criticism and fiction over a fifty-year period and demonstrates that he is far from subscribing to the technophobia of probably the most influential thinker of technology, Martin Heidegger. It is argued that writing for Blanchot is a mode of techne wh
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Chaix-Bryan, Thibaut. "L’expérience fragmentaire Kafka - Blanchot - Celan." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030094.

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L’œuvre fictionnelle et critique de Maurice Blanchot entretient des rapports intenses avec la philosophie et la littérature allemande. Alors que la relation de Blanchot à la philosophie allemande a été largement étudiée, la thèse suivante porte sur son rapport à « l’espace littéraire »allemand – beaucoup moins analysé – et en particulier sur le « genre » fragmentaire qui fonde toute l’œuvre blanchotienne. Après un bref retour sur cette notion polysémique et complexe, on découvre dans les différents chapitres les empreintes profondes laissées par Franz Kafka et Paul Celan dans l’œuvre de Blanch
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Davies, Paul. "Experience and distance : Heidegger, Blanchot, Levinas." Thesis, University of Sussex, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328614.

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Park, Kyou-Hyone. "La folie d'écrire chez Maurice Blanchot." Paris 8, 2000. http://www.theses.fr/2000PA081758.

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Dans l'ecriture du desastre, ce qu'on veut saisir par le mouvement d'ecrire n'est pas la continuite du mouvement, mais le moment de defaillance, de rupture au centre de l'ecriture en constatant l'absence de centre, d'origine. C'est le propre de la folie d'ecrire de se produire dans l'ecriture meme. Par la, ce qui nous met, nous lecteurs, en difficulte de saisir sa pensee, est que la pensee blanchotienne figuree dans son ecriture est situee a un point ou l'ecriture s'annule. Il faut noter que le << ne pas ecrire >> n'est pas un simple arret d'ecriture mais la rencontre avec le << deja ecrire >>
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Books on the topic "Blanchot"

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1950-, Holland Michael, ed. The Blanchot reader, Maurice Blanchot. Blackwell, 1995.

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Maurice, Blanchot, ed. Maurice Blanchot. l'Herne Editions, 2014.

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1926-1984, Foucault Michel, and Blanchot Maurice, eds. Foucault, Blanchot. Zone Books, 1987.

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1963-, Large William, ed. Maurice Blanchot. Routledge, 2001.

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Jacques, Derrida. Demeure: Maurice Blanchot. Galilée, 1998.

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Wilhem, Daniel. Maurice Blanchot, intrigues littéraires. Lignes-Manifestes, 2005.

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Laporte, Roger. Maurice Blanchot: L'ancien, l'effroyablement. Fata Morgana, 1987.

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1962-, Bident Christophe, and Vilar Pierre, eds. Maurice Blanchot, récits critiques. Farrago, 2003.

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Maurice, Blanchot, ed. Blanchot et la philosophie. Presses universitaires de Paris ouest, 2010.

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Monique, Antelme, and Centre national du livre (France), eds. Blanchot dans son siècle. Sens public, 2009.

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Book chapters on the topic "Blanchot"

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Davies, Paul. "Blanchot." In A Companion to Continental Philosophy. Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164542.ch25.

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Wild, Gerhard. "Blanchot, Maurice." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2768-1.

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Ungar, Steven. "Blanchot, Maurice." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk. University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-066.

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Bident, Christophe. "The Passion of Silence." In Maurice Blanchot. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0032.

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Addresses Blanchot’s relationship with Denise Rollin, on the basis of unpublished correspondence. This provides another depiction of Blanchot, from a different angle than that of his published writings.
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Evans, Jonathan. "Blanchot and Affinity." In The Many Voices of Lydia Davis. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474400176.003.0002.

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This chapter focuses on Davis’s literary relationship with Maurice Blanchot. She began translating Blanchot early on in her career and some of her stories can be seen to respond to his work. The chapter first focuses on Davis’s translation of Death Sentence and her approach to the translation, which it argues is the beginning of her own translation style and which shows a respect for the source author. The second half of the chapter analyses Davis’s story ‘Story’ and Blanchot’s ‘The Madness of the Day’. It is argued that Davis’s ‘Story’ offers a response to Blanchot’s récit, recreating the ind
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Bident, Christophe. "Night Freely Recircled, Which Plays Us." In Maurice Blanchot. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0018.

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Looks at Blanchot’s first novel Thomas the Obscure, including its long genesis throughout the 1930s. The influence of various writers on the novel is evaluated, and the characteristics and importance of fiction for Blanchot are discussed.
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Bident, Christophe. "Writers Who Have Given Too Much to the Present." In Maurice Blanchot. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0025.

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Investigates Blanchot’s relationship with Jean Paulhan, at an early stage in his career as a literary critic. Relevant work by Blanchot includes several articles, a first critical book, and collaboration on the Nouvelle Revue Française, a journal.
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Mehlman, Jeffrey. "Of Sade, Blanchot, and the French Twentieth Century." In Being Contemporary. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382639.003.0007.

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‘Of Sade, Blanchot, and the French Twentieth Century: Thoughts at Columbia’, written by Jeffrey Mehlman, retraces the peregrinations of Maurice Blanchot and considers his relevance today. The essay’s attention to authors’ reading (Blanchot’s readings of Sade and Duras; Marty’s readings, in turn, of Blanchot and Genet) underscores the critical valences of rereading as a contemporary practice.
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Nancy, Jean-Luc. "The Consumed Community." In The Disavowed Community. Fordham University Press, 2016. http://dx.doi.org/10.5422/fordham/9780823273843.003.0004.

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In the fourth chapter, Nancy extends the exchange with Blanchot with references to literature, in this case to Marguerite Duras’s The Malady of Death, a text that Blanchot reads in light of Emmanuel Levinas and the question of an ethical relation. He refers to the events of May ’68 in terms of rethinking questions of community and the relation of such a community to other political forms. Nancy discusses Blanchot’s proposal for an “unsociable sociality” or “anti-social society,” which Nancy relates to the concept of the people, who at once dissolves and reinvents the bond of the law and of the
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"Blanchot / Bataille." In On Contemporaneity, after Agamben. Liverpool University Press, 2020. http://dx.doi.org/10.2307/j.ctv3029rqm.8.

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Conference papers on the topic "Blanchot"

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Stein, A. A. "Effect of Microstructure on the Stress Corrosion Cracking of Alloy 600 Steam Generator Tubing in Primary Water." In CORROSION 1986. NACE International, 1986. https://doi.org/10.5006/c1986-86241.

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Coriou, et al, (Ref. 1) reported the susceptibility of nickel-base alloys to intergranular stress corrosion cracking (IGSCC) in 350°C (662°F) pure water as early as 1959. In a later publication, Blanchet, et al (Ref. 2) suggested that the microstructure was important in determining the susceptibility of Alloy 600 to stress corrosion cracking in pure water. Subsequent laboratory tests (References 3, 4) and, more importantly, steam generator (SG) tubing service experience, References 5 and 6, confirmed the IGSCC susceptibility of Alloy 600 in primary water.
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Poma, William A. Cochachi, Henry J. Javier Ninahuaman, Guido A. Fierro Silva, and Grimaldo Quispe Santivañez. "Innovative Didactic Module in Learning to Make Manjar Blanco." In 2024 IEEE 4th International Conference on Advanced Learning Technologies on Education & Research (ICALTER). IEEE, 2024. https://doi.org/10.1109/icalter65499.2024.10819218.

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Becerra, Ivan R. Morales, Wilson A. Hormaza Rodríguez, and Luís M. Méndez Moreno. "EFECTO DEL TRATAMIENTO TÉRMICO DE DESESTABILIZACIÓN EN EL DESGASTE DE HIERROS BLANCOS DE ALTO CROMO." In 63º Congresso Anual da ABM. Editora Blucher, 2008. https://doi.org/10.5151/2594-5327-2005-16325-0387.

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Rivera, Ana Patricia Timarán, Gloria Natalia Timarán Rivera, and María Cristina Ascuntar Rivera. ""Bio: estrategia para el reconocimiento y fortalecimiento del ecosistema creativo del Carnaval de Negros y Blancos de Pasto (Colombia)"." In 10º MXRio Design Conference 2023. Editora Blucher, 2023. http://dx.doi.org/10.5151/mxriodc2023-004.

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Lanno, Régis. "Maurice Blanchot à L’Insurgé." In Les écrivains théoriciens de la littérature (1920-1945). Fabula, 2013. http://dx.doi.org/10.58282/colloques.1821.

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Majorel, Jérémie. "Le Goethe de Blanchot." In Goethe, le mythe et la science. Regards croisés dans les littératures européennes. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6203.

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Bissonnette-Lavoie, Olivier. "Révolution et désidentification : exploration critique de la communauté sans identité à partir des écrits de Maurice Blanchot et du Comité d’action étudiants-écrivains." In La littérature contemporaine au collectif. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6685.

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Alexopoulou, A. "Τhe poetics of the glance in the novels of F. Dostoyevsky, M. Blanchot, A. Terzakis: from its persecutive rance to the void of meaning". У VI Международная научная конференция по эллинистике памяти И.И. Ковалевой. Московский государственный университет им. М.В. Ломоносова, 2021. http://dx.doi.org/10.52607/9785190116113_110.

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De Marco, Paolo, and Antonino Margagliotta. "Blanco al cuadrado. Arquitectura blanca en hormigón blanco." In 9º Congreso Internacional de Arquitectura Blanca - CIAB 9. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/ciab9.2020.10663.

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El color blanco en la arquitectura tiene una dimensión particular por razones técnico-funcionales, sensoriales y, sobre todo, espaciales. En él residen los valores simbólicos que con el tiempo han determinado una especie de mito - con orígenes antiguos e inciertos, pero presente hasta la contemporaneidad. El uso del hormigón visto permite construir edificios intrínsecamente blancos, con la posibilidad de obtener construcciones monomateriales y monocromáticas. A lo largo del siglo XX, y aún hoy, las características mecánicas del hormigón blanco se han implementado continuamente y sus modalidade
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Fernández López, Carlos. "Pintura en la doblez: De la Cruz y el pliegue antropométrico." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15475.

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Esta propuesta trata de explorar y entender el presente de los recursos y mecanismos de formalización pictórica contemporáneos inspirados en el pliegue. Revisando el conocimiento adquirido en las diferentes experiencias artísticas en la historia reciente, analizaremos sus soluciones morfológicas y cómo se manifiestan en la actualidad, tomando de ejemplo la pintura de la coruñesa Ángela De la Cruz. ¿Qué papel tiene el pliegue en la pintura actual? Comprobaremos cómo se aplican pictóricamente las potencialidades del pliegue: las dobleces del cuerpo, la teoría de las supercuerdas, los repliegues
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Reports on the topic "Blanchot"

1

van Staal, C. R., S. Lin, L. Hall, D. Schofield, P. Valverde, and M. Genkin. Geology, Rose Blanche, Newfoundland. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/208186.

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Binder, Gary A. Dark Energy Camera for Blanco. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/992943.

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Carabili, Arturo, Doris Elisa Canacual, and Miyerlandi Montes. Manejo de plagas y enfermedades: ácaros. Corporación colombiana de investigación agropecuaria - AGROSAVIA, 2022. http://dx.doi.org/10.21930/agrosavia.infografia.2022.56.

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Queniart, Juliette, Guitton Guitton, André Dazy, and Laurence El Khouri. La politique de science ouverte de la Maison Blanche. : Ministère de l’enseignement supérieur et de la recherche, 2024. https://doi.org/10.52949/51.

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Rochel Ortega, Elizabeth, Jefersson Andrés Rodríguez Blandón, Pedro David Suárez Villota, Jorge Andrés Castillo, and Yeirme Yaneth Jaimes Suárez. Manejo fitosanitario: Phythoptora. Corporación colombiana de investigación agropecuaria - AGROSAVIA, 2021. http://dx.doi.org/10.21930/agrosavia.infografia.2021.6.

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En frutos, los primeros síntomas se presentan como pequeñas manchas de color oscuro sobre los tejidos. Los signos aparecen de tres a cinco días después de los primeros síntomas. Aparición de esporangios y un micelio pulverulento blanco.
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Lu, Xiaowei. Universalidad y particularidad del término cromático chino bai ‘blanco’. Edicions i Publicacions de la Universitat de Lleida, 2024. http://dx.doi.org/10.21001/sintagma.2024.36.03.

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Rozo, Esteban, Ana Guglielmucci, and Magda Páez Torres. El derecho a la memoria. Universidad del Rosario, 2022. http://dx.doi.org/10.12804/dvcn_10336.36801_num6.

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Ad portas de cumplirse seis años de la firma del Acuerdo de Paz con las Farc, en Colombia sigue en vilo la constitución del Museo de Memoria de Colombia que ha sido blanco de disputas políticas y de una serie de trabas que han causado malestar entre las víctimas. Así lo registra un análisis investigativo de la Universidad del Rosario.
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Htun, Mala. Dimensiones de la inclusión y exclusión política en Brasil: Género y raza. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0009787.

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El presente documento analiza la inclusión política de las mujeres y de afrodescendientes en Brasil. Con una de las sociedades más desiguales del mundo, Brasil es un país que está estratificado por género, raza y origen étnico, tanto en la esfera política, como en otras esferas. Si bien las mujeres han obtenido significativos logros en las décadas recientes, la brecha social entre blancos y negros se ha mantenido relativamente constante, lo cual se refleja en los sistemas de participación política.
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9

Turner, B., M. Quat, R. Debicki, and P. Thurston. Killarney : les fameuses montagnes blanches et côtes de granite rose du Bouclier canadien. Natural Resources Canada/CMSS/Information Management, 2015. http://dx.doi.org/10.4095/329911.

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Author, Not Given. 2018 Long-Term Hydrologic Monitoring Program for Rio Blanco, Colorado, Site. Office of Scientific and Technical Information (OSTI), 2019. http://dx.doi.org/10.2172/1638371.

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