Academic literature on the topic 'Botanical illustration'

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Journal articles on the topic "Botanical illustration"

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Pamuklu, Aysegul Gurdal. "Botanical illustration techniques." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (2016): 298–302. http://dx.doi.org/10.18844/gjhss.v2i1.311.

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Hickman, Ellen J., Colin J. Yates, and Stephen D. Hopper. "Botanical illustration and photography: a southern hemisphere perspective." Australian Systematic Botany 30, no. 4 (2017): 291. http://dx.doi.org/10.1071/sb16059.

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To examine claims that the role of botanical art in systematic botany is diminishing because of advances in photography, this review considers relevant literature and includes a quantitative analysis of trends in modern journals, monographs and floras. Our focus is on southern hemisphere systematic botany because, relative to the northern hemisphere, this is poorly represented in modern reviews of botanical art and photography. An analysis of all digitally available papers in Nuytsia, the Journal of the Adelaide Botanic Garden, Muelleria, Telopea, Austrobaileya and Systematic Botany establishe
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Pamuklu, Aysegul Gurdal, and Arzu Dursin. "Botanical illustration techniques." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (2016): 298–302. http://dx.doi.org/10.18844/prosoc.v2i1.311.

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In this study, basic techniques which are used in botanical illustration are examined. Undoubtedly the most basic and accessible technique for the illustration artists is pencil and ink. Artists who have been drawing for years have used this technique with the decorations on the books and although technological developments present us unlimited opportunities today, basic illustration techniques; pencil, ink and watercolour technique has kept its place. It is necessary for this basic illustration technique to contain main features such as line, tone, colour, texture, shape, size. Just as all th
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Pardoe, Heather, and Maureen Lazarus. "Images of Botany: Celebrating the Contribution of Women to the History of Botanical Illustration." Collections: A Journal for Museum and Archives Professionals 14, no. 4 (2018): 547–67. http://dx.doi.org/10.1177/155019061801400409.

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The superb botanical illustration collection of Amgueddfa Cymru– National Museum Wales in Cardiff, Wales, has developed through bequests, donations, and selective purchases. Numbering more than 7,000 works, 15% of these are by women, including the work of well-known Victorian artists and leading contemporary artists such as Gillian Griffiths, Pauline Dean, and Dale Evans. In particular, the Cymmrodorion Collection is the most prestigious collection, containing illustrations dating from the 18th century and featuring works by Elizabeth Blackwell, Jane Loudon, and Sarah Drake. Using this and oth
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Porter, Dahlia. "Specimen Poetics." Representations 139, no. 1 (2017): 60–94. http://dx.doi.org/10.1525/rep.2017.139.1.60.

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This essay argues that the modern literary anthology—and specifically its aspiration to delimit both aesthetic merit and historical representativeness—emerged as a response to changes in eighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanical metaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, and representational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked, pressed
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Vega, Fernando E. "The earliest known botanical illustration depicting the entirety of a coffee plant (Coffea arabica, Rubiaceae) (1666)." Journal of the Botanical Research Institute of Texas 19, no. 2 (2025): 129–31. https://doi.org/10.17348/jbrit.v19.i2.1404.

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Dominique Chabrée’s book, Stirpium icones et sciagraphia, published in 1666, and with slightly different titles in 1677, and 1678, includes the first botanical illustration of an entire coffee plant (Coffea arabica), including the roots. Despite inaccurate botanical characters, the illustration is a milestone in the evolution of coffee botanical art.
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King, Daniel Q. "A checklist of sources of the botanical illustrations in the Leo Grindon Herbarium, The Manchester Museum." Archives of Natural History 34, no. 1 (2007): 129–39. http://dx.doi.org/10.3366/anh.2007.34.1.129.

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The Grindon Herbarium is unusual in having a very high proportion of botanical illustrations and articles integrated into its systematic arrangement of the specimens. Hitherto unpublished extracts from Grindon's own history and description of his herbarium reveal his intentions in regard to the herbarium's combined specimen and documentary content. An appendix based on new work in the herbarium, listing virtually all significant source publications, example illustrations and their locations, provides a guide to this aspect of the Grindon Herbarium, and gives some indication of the scope of bot
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Tobin, Beth Fowkes. "Imperial Designs: Botanical Illustration and the British Botanic Empire." Studies in Eighteenth Century Culture 25, no. 1 (1996): 265–92. http://dx.doi.org/10.1353/sec.2010.0188.

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Magid, Eleanor A., Noel H. Holmgren, and Bobbi Angell. "Botanical Illustration: Preparation for Publication." Bulletin of the Torrey Botanical Club 113, no. 4 (1986): 446. http://dx.doi.org/10.2307/2996441.

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Simpson, Niki, and Peter G. Barnes. "PHOTOGRAPHY AND CONTEMPORARY BOTANICAL ILLUSTRATION." Curtis's Botanical Magazine 25, no. 3 (2008): 258–80. http://dx.doi.org/10.1111/j.1467-8748.2008.00628.x.

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Dissertations / Theses on the topic "Botanical illustration"

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Du, Toit Victoria. "Mastering myths and wandering wallflowers : botanical illustrations, gardens and the "mastery of nature"." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2990.

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Thesis (MPhil (Visual Arts. Illustration))--University of Stellenbosch, 2009 .<br>This thesis investigates the historical roots of botanical illustration. It argues that far from being simply scientific representations of plants and flowers, empty of artistic comment and only accompaniments to a scientific text, botanical illustrations assisted in presenting plants brought to Europe from the colonies, in ways that influenced the easy assimilation and appropriation of these plants into European culture. The "mastery of nature", which implies an attitude of dominance by humans over nature, i
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Nickelsen, Kärin. "Draughtsmen, botanists and nature : the construction of eighteenth-century botanical illustrations /." Dordrecht : Springer, 2006. http://catalogue.bnf.fr/ark:/12148/cb401583353.

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Almeida, Amauri Sampaio de. "O desenho de Margaret Mee: Contribui??es para a taxonomia bot?nica." UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA, 2014. http://localhost:8080/tede/handle/tede/101.

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Submitted by Natalie Mendes (nataliermendes@gmail.com) on 2015-07-25T15:40:02Z No. of bitstreams: 1 disserta??o 2014.pdf: 4189035 bytes, checksum: 8382dcfb4670b8f26d284db7a6282f24 (MD5)<br>Made available in DSpace on 2015-07-25T15:40:02Z (GMT). No. of bitstreams: 1 disserta??o 2014.pdf: 4189035 bytes, checksum: 8382dcfb4670b8f26d284db7a6282f24 (MD5) Previous issue date: 2014-02-17<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES<br>Drawing is a form of two-dimensional representation made by lines and lines in a given area, however, it goes beyond that designation an
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Bean, Deirdre Anne. "Australia's mangrove species: botanical watercolour illustrations of a plant community facing an uncertain future." Thesis, 2016. http://hdl.handle.net/1959.13/1321951.

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Research Doctorate - Doctor of Philosophy (PhD)<br>Mangroves have always been present in my life growing up and living in NSW. Up until 2009 I had considered them functional yet not overly attractive plants. A visit to the Daintree River in tropical Far North Queensland changed my opinion forever. The beauty and unique characteristics of mangroves captivated me and I was compelled to document them. I learned that mangroves are a diverse and vulnerable community of intertidal plants facing many threats including those associated with climate change and willful destruction by humans. The result
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Hanna, Kathleen Ann. "The art and science of botanical illustration and identification: developing an illustrated handbook to the iconic wildflowers of Muogamarra Nature Reserve." Thesis, 2019. http://hdl.handle.net/1959.13/1403437.

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Research Doctorate - Doctor of Philosophy (PhD)<br>‘The Art and Science of Botanical Illustration and Identification: Developing a Handbook to the Iconic Wildflowers of Muogamarra Nature Reserve’, is an exploration into the visual nature of plant identification. The purpose of this project is to produce detailed and scientifically accurate coloured botanical plates that represent a carefully selected variety of iconic understory plant species found in Muogamarra Nature Reserve. Each plate features the flower, leaves, fruit and seed from a single species, and is illustrated using traditional me
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Robert, Kimberlie M. "Women's botanical illustration in Canada : its gendered, colonial and garden histories (1830-1930)." Thesis, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.

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This thesis studies botanical illustration by Canadian women between 1830 and 1930 from three aspects: the gendered history of botany from its beginnings as a general practice that later turned into a systematized science, botany's colonial agency in Canada, and the influence that garden design had on botanical illustration. A botanical illustration is, on the surface, an intense scientific flower study complete with anatomical details intent on documenting the plant's stages of growth. It is a portrait that was thought to be an appropriate teaching tool. Executed with proper artistic and obse
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Hoolihan, Tanya Louise. "Beyond exploration: illustrating the botanical legacy of the German/Australian explorer Friedrich Wilhelm Ludwig Leichhardt based on his written observations, letters and herbarium specimens 1842-1844." Thesis, 2018. http://hdl.handle.net/1959.13/1395086.

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Research Doctorate - Doctor of Philosophy (PhD)<br>Ludwig Leichhardt is synonymous with Australian exploration, yet his achievements extend well beyond the success of his overland expeditions. Beyond exploration, Leichhardt was a passionate observer of Australian natural history, who left a significant legacy of collected and written material, especially in the field of botany. The recent translations of his diaries recorded between 1842 and 1844 have exposed a lesser known period of Leichhardt’s life and helped to evidence him as a capable and diligent scientist. The published materials combi
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Chiu, Ya-hi, and 邱雅琦. "A Study in the Impingement of Outdoor Environmental Education in the Botanical Garden-An Illustration of the Xia-Ping Botanical Garden Planning." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/27106023860743430834.

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碩士<br>國立臺灣大學<br>森林學研究所<br>92<br>In recent years, the development of technology and consumption of natural sources greatly exploit and negatively influence our invaluable natural environment. Therefore, the environmental issues have become the concerning topic worldwide. Environmental education became the spotlight due to human beings began to concern their environment. After school year 2001, environmental issue has been entitled as one of the five main topics in the Grade 1-9 Curriculum, which hope to make people have the whole understanding of the ecological environment and natural sources
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Lin, Wei, and 林葳. "A Research on Botanical Illustration Style using Wallpaper Design for Taiwan’s Endemic Species Fern as an Example." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/j64m5x.

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碩士<br>銘傳大學<br>商業設計學系碩士班<br>103<br>Taiwan is being called “The Kingdom of The Ferns” and this comes with reasons. It is an inland located in the subtropical zone which the land area is not large, yet the mountain proportion has taken more of the half. Species of their plants have contributed a wealth of resources especially the ferns, not to mention that some of the ferns have even been existing since the ancient times. The ferns grow in an elegant way along with their leaves in abundant and exquisite forms and furthermore -- their growing pattern can also be mathematically generated and rep
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Ndhlala, Ashwell Rungano. "Pharmacological, phytochemical and safety evaluaton of commercial herbal preparations common in South Africa." Thesis, 2009. http://hdl.handle.net/10413/729.

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Books on the topic "Botanical illustration"

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Forty, Sandra. Botanical prints. T&J, 2013.

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Scott, Mary Ann. Botanical sketchbook. Batsford, 2010.

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Wunderlich, Eleanor B. Botanical illustration in watercolor. Watson-Guptill Publications, 1991.

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Wunderlich, Eleanor B. Botanical illustration: Watercolour technique. Studio Vista, 1991.

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Robson, Eve. Botanical prints. Collins & Brown, 1991.

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Lucia, Tongiorgi Tomasi, and Studio arti floreali (Rome, Italy), eds. Botanical art. De Luca, 2005.

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1955-, Angell Bobbi, ed. Botanical illustration: Preparation for publication. New York Botanical Garden, 1986.

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Blunt, Wilfrid. The art of botanical illustration. Antique Collectors' Club in association with the Royal Botanic Gardens, 1994.

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Sherlock, Siriol. Botanical illustration: Painting with watercolours. Batsford, 2004.

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Blunt, Wilfrid. The art of botanical illustration. Antique Collectors' Club in association with the Royal Botanical Gardens, Kew, 2000.

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Book chapters on the topic "Botanical illustration"

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Page, Joanna. "3. Floras, Herbaria, and Botanical Illustration." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.03.

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New World plants were exhaustively catalogued in the floras and herbaria produced by the great scientific expeditions led by European naturalists in the eighteenth and nineteenth centuries, such as the Royal Botanical Expedition to New Granada (1783–1816), directed by José Celestino Mutis. Species were primarily illustrated in a way that would allow their identification according to Linnaean taxonomies. Three contemporary artists from Colombia—Alberto Baraya, María Fernanda Cardoso and Eulalia de Valdenebro—have reworked the Enlightenment norms of botanical illustration in order to draw attent
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Gibson, Prudence. "Interview with Michael Marder." In Covert Plants. punctum books, 2018. https://doi.org/10.21983/p3.0207.1.03.

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PG: There are plant artists around the world who are using the eco-transmissions of roots or leaves to create sound artworks. Other plant artists unground natural species from the earth and bring them into the gallery space or create experiences that dis-rupt or intervene with an ecological state. These bodies of work develop from the history of botanical illustration, gardening, bonsai care, and other art-aesthetic preoccupations, even land art. However, contemporary plant art consistently highlights eco-ethics, those moral questions of how to relate to plants. New information in plant scienc
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Tosi, Alessandro. "Botanical Illustration and the Idea of the Garden in the Sixteenth Century Between Imitation and Imagination." In Gardens, Knowledge and the Sciences in the Early Modern Period. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7_9.

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Achille, Frédéric, Philippe Bardin, Cécile Bonneau, et al. "Illustrating the Roles of Botanical Gardens in Plant Conservationin." In Botanical Gardens and Their Role in Plant Conservation. CRC Press, 2023. http://dx.doi.org/10.1201/9781003282556-5.

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Frost, Mark. "Memoirs, Historical and Illustrative, of the Botanick Garden at Chelsea." In Environment and Ecology in the Long Nineteenth-Century. Routledge, 2024. http://dx.doi.org/10.4324/9780429355660-46.

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Rayburn, Alexandria J., and Andrea K. Thomer. "Reconstructing Provenance in Long-Lived Data Systems: The Challenge of Paradata Capture in Memory Institution Collection Databases." In Knowledge Management and Organizational Learning. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53946-6_9.

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AbstractParadata is important for understanding the provenance of data—but capturing and using paradata is challenging because it is often not formalized or explicit. This is particularly the case for complex, long-lived digital objects, such as the databases used to manage long-lived museum collections. These databases are passed down between generations of collections managers, but the documentation explaining their structure and changes over time is often incomplete, thus posing an obstacle to the use and maintenance of the databases. Collection managers must often reverse engineer their da
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Moradei, Clizia. "Fashion Education: Cultivating Fashion Designers-Plants." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_42.

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AbstractIn the context of the contemporary social and ecological crisis, this contribution proposes a reinterpretation of current fashion design educational programs through a bio-inspired perspective, with the intent of guiding next generation fashion designers to successfully face such issues. The investigation delineates the theoretical subsoil to frame the topic by illustrating some key concepts connected to ‘fashion futuring’, ‘making kin’, plant neurobiology, collective authorship and co-design, translated within fashion studies. Specific plant neurobiology and botanical definitions are
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"Botanical Illustration." In The Visual Dictionary of Illustration. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0038.

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Müller, Frank. "The Botanical Collection." In Scientific an Art Collections. TUD Dresden University of Technology. Technische Universität Dresden, 2024. http://dx.doi.org/10.25368/2024.246.

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Describing plants and exploring their appearance, occurrence and usefulness have been common practice from antiquity. Even though the term “herbarium” underwent various changes in meaning over the centuries, it generally referred to a book on herbs, listing plants that were believed to possess pharmaceutical properties. Illustrations – some of them of high artistic quality – in books on herbs have been known since the Early Modern Period. Illustrative woodcuts created between 1530 and 1546, depicting the herbaria of the three pioneers of botany, Otto Brunfels, Leonhart Fuchs and Hieronymus Boc
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"[Illustration]." In The Gardener's Botanical. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvvh85k9.11.

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Conference papers on the topic "Botanical illustration"

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Pertinez-Lopez, Jesus. "MOTION GRAPHICS FOR BOTANICAL ILLUSTRATION: NEW EDUCATIONAL EXPERIENCES." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s16.062.

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Serebryakov, O., and Nadezhda Prokhorova. "CONSIDERING THE ROLE OF BOTANIC GARDENS AND ARBOTETUM FOR THE DEVELOPMENT OF ECOLOGICAL EDUCATION." In Modern problems of animal and plant ecology. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2021. http://dx.doi.org/10.34220/mpeapw2021_66-72.

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Today, the question of the need for environmental education is of particular importance. It is necessary to restore harmonious ties between man and nature, and this is possible only in contact with the natural environment itself. The irrational use of natural resources, the progressing economic activity of man, which does not take into account the laws of the development of natural systems, lead to a change in natural processes, a violation of the balance of the biosphere. Analysis of various approaches to educational activities in the field of environmental culture revealed the importance of
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