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Journal articles on the topic 'Botanical illustration'

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1

Pamuklu, Aysegul Gurdal. "Botanical illustration techniques." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (2016): 298–302. http://dx.doi.org/10.18844/gjhss.v2i1.311.

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Hickman, Ellen J., Colin J. Yates, and Stephen D. Hopper. "Botanical illustration and photography: a southern hemisphere perspective." Australian Systematic Botany 30, no. 4 (2017): 291. http://dx.doi.org/10.1071/sb16059.

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To examine claims that the role of botanical art in systematic botany is diminishing because of advances in photography, this review considers relevant literature and includes a quantitative analysis of trends in modern journals, monographs and floras. Our focus is on southern hemisphere systematic botany because, relative to the northern hemisphere, this is poorly represented in modern reviews of botanical art and photography. An analysis of all digitally available papers in Nuytsia, the Journal of the Adelaide Botanic Garden, Muelleria, Telopea, Austrobaileya and Systematic Botany establishe
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Pamuklu, Aysegul Gurdal, and Arzu Dursin. "Botanical illustration techniques." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (2016): 298–302. http://dx.doi.org/10.18844/prosoc.v2i1.311.

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In this study, basic techniques which are used in botanical illustration are examined. Undoubtedly the most basic and accessible technique for the illustration artists is pencil and ink. Artists who have been drawing for years have used this technique with the decorations on the books and although technological developments present us unlimited opportunities today, basic illustration techniques; pencil, ink and watercolour technique has kept its place. It is necessary for this basic illustration technique to contain main features such as line, tone, colour, texture, shape, size. Just as all th
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4

Pardoe, Heather, and Maureen Lazarus. "Images of Botany: Celebrating the Contribution of Women to the History of Botanical Illustration." Collections: A Journal for Museum and Archives Professionals 14, no. 4 (2018): 547–67. http://dx.doi.org/10.1177/155019061801400409.

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The superb botanical illustration collection of Amgueddfa Cymru– National Museum Wales in Cardiff, Wales, has developed through bequests, donations, and selective purchases. Numbering more than 7,000 works, 15% of these are by women, including the work of well-known Victorian artists and leading contemporary artists such as Gillian Griffiths, Pauline Dean, and Dale Evans. In particular, the Cymmrodorion Collection is the most prestigious collection, containing illustrations dating from the 18th century and featuring works by Elizabeth Blackwell, Jane Loudon, and Sarah Drake. Using this and oth
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5

Porter, Dahlia. "Specimen Poetics." Representations 139, no. 1 (2017): 60–94. http://dx.doi.org/10.1525/rep.2017.139.1.60.

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This essay argues that the modern literary anthology—and specifically its aspiration to delimit both aesthetic merit and historical representativeness—emerged as a response to changes in eighteenth-century botanical collecting, description, and illustration. A dramatic upsurge in botanical metaphors for poetic collections around 1800 was triggered by shifts in the geographies, aims, and representational practices of botany in the previous century. Yoking Linnaean taxonomy and Buffonian vitalism to Hogarth’s line of beauty, late eighteenth-century botanical illustrations imbued plucked, pressed
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6

Vega, Fernando E. "The earliest known botanical illustration depicting the entirety of a coffee plant (Coffea arabica, Rubiaceae) (1666)." Journal of the Botanical Research Institute of Texas 19, no. 2 (2025): 129–31. https://doi.org/10.17348/jbrit.v19.i2.1404.

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Dominique Chabrée’s book, Stirpium icones et sciagraphia, published in 1666, and with slightly different titles in 1677, and 1678, includes the first botanical illustration of an entire coffee plant (Coffea arabica), including the roots. Despite inaccurate botanical characters, the illustration is a milestone in the evolution of coffee botanical art.
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7

King, Daniel Q. "A checklist of sources of the botanical illustrations in the Leo Grindon Herbarium, The Manchester Museum." Archives of Natural History 34, no. 1 (2007): 129–39. http://dx.doi.org/10.3366/anh.2007.34.1.129.

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The Grindon Herbarium is unusual in having a very high proportion of botanical illustrations and articles integrated into its systematic arrangement of the specimens. Hitherto unpublished extracts from Grindon's own history and description of his herbarium reveal his intentions in regard to the herbarium's combined specimen and documentary content. An appendix based on new work in the herbarium, listing virtually all significant source publications, example illustrations and their locations, provides a guide to this aspect of the Grindon Herbarium, and gives some indication of the scope of bot
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8

Tobin, Beth Fowkes. "Imperial Designs: Botanical Illustration and the British Botanic Empire." Studies in Eighteenth Century Culture 25, no. 1 (1996): 265–92. http://dx.doi.org/10.1353/sec.2010.0188.

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9

Magid, Eleanor A., Noel H. Holmgren, and Bobbi Angell. "Botanical Illustration: Preparation for Publication." Bulletin of the Torrey Botanical Club 113, no. 4 (1986): 446. http://dx.doi.org/10.2307/2996441.

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10

Simpson, Niki, and Peter G. Barnes. "PHOTOGRAPHY AND CONTEMPORARY BOTANICAL ILLUSTRATION." Curtis's Botanical Magazine 25, no. 3 (2008): 258–80. http://dx.doi.org/10.1111/j.1467-8748.2008.00628.x.

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11

Kim, Soo Yeon. "Effect of the Botanical Art and Illustration Coloring Program on the Emotional Development of Students with Developmental Disabilities." Journal of People, Plants, and Environment 25, no. 1 (2022): 67–75. http://dx.doi.org/10.11628/ksppe.2022.25.1.67.

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Background and objective The purpose of this study was to examine the effects of the botanical art and illustration coloring program on the emotional development of students with developmental disabilities in the COVID-19 pandemic. To this end, this study analyzed the changes in the subfactors of emotional development of students with developmental disabilities. Methods In the first stage, the botanical art and illustration coloring program was defined by a focus group comprised of specialists in the industry and academia. The second stage was to perform 8 sessions of the botanical art and ill
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12

Rix, Martyn. "Botanical Illustration in China and India." American Scientist 101, no. 4 (2013): 300. http://dx.doi.org/10.1511/2013.103.300.

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13

Simpson, Niki. "Colour and contemporary digital botanical illustration." Optics & Laser Technology 43, no. 2 (2011): 330–36. http://dx.doi.org/10.1016/j.optlastec.2008.12.014.

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14

Marnin-Distelfeld, Shahar, and Edna Gorney. "Why Draw Flowers?" Anthropology of the Middle East 14, no. 1 (2019): 45–69. http://dx.doi.org/10.3167/ame.2019.140104.

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Botanical art and illustration, presented alongside scientific descriptions, were at the heart of Jewish national projects during the British Mandate in Palestine-Israel and following the establishment of the state of Israel in 1948. Looking back, we recognised three prominent women artists who contributed widely to many such botanical projects: Ruth Koppel, Esther Huber and Bracha Avigad. This study aims to investigate the plant images these three artists have created. We will do so by using the approach of visual anthropology while focusing on two main aspects: the connection between botanic
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15

Black, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives." Art Libraries Journal 44, no. 3 (2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.

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The Australian National Botanic Gardens plays an important role in the study and promotion of Australia's diverse range of unique plants through its living collection, scientific research activities and also through the art collection held in the institution's Library and Archives. Australia's history of formal botanical illustration began with the early voyages of discovery with its popularity then declining until the modern day revival in botanical art. The Australian National Botanic Gardens Library and Archives art collection holds works from the Endeavour voyage through to the more contem
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Zhu, Qingxia, Yongbing Cao, Dan Li, Fang Fang, Feng Lu, and Yongfang Yuan. "A fast response TLC-SERS substrate for on-site detection of hydrophilic and hydrophobic adulterants in botanical dietary supplements." New Journal of Chemistry 43, no. 35 (2019): 13873–80. http://dx.doi.org/10.1039/c9nj02489a.

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17

Gates, Barbara. "NATURAL HISTORY ILLUSTRATION." Victorian Literature and Culture 33, no. 1 (2005): 314–18. http://dx.doi.org/10.1017/s1060150305220867.

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INTEREST IN VICTORIAN natural history illustration has burgeoned in recent years. Along with handsome, informative shows at the Pierpont Morgan Library in New York (“Picturing Natural History”), at the American Philosophical Society (“Natural History in North America, 1730–1860”), and at the Royal Botanical Gardens in Melbourne (“Nature's Art Revealed”), the year 2003 saw an entire conference devoted to the subject in Florence, Italy. In 2004, the eastern United States was treated to two more fauna- and flora-inspired shows, both dealing specifically with nineteenth-century British science and
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18

Novikoff-Supp, M. "An artistic analysis of morpho-anatomical illustrations from «Atlas flory Polskiej i ziem ościennych»." Modern Phytomorphology 1 (April 1, 2012): 59–69. https://doi.org/10.5281/zenodo.162736.

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In the article graphics works of 11 illustrators of «Atlas Flory Polskiej I Ziem Ościennych» has critically analyzed. The illustrators were systematized by the work techniques. On the base of classic academic criterions the optimal drawing techniques were described as soon as the recommendations for botanical illustrations were represented.
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19

Sterckx, Roel. "The Limits of Illustration: Animalia and Pharmacopeia from Guo Pu to Bencao Gangmu." Asian Medicine 4, no. 2 (2008): 357–94. http://dx.doi.org/10.1163/157342009x12526658783619.

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AbstractThis paper examines the relationship between text and illustration in Chinese pharmacopeia in the bencao tradition by focusing on depictions of animals. It explores to what extent such illustrations served a practical—read medical or pharmaceutical—purpose. The first part of the paper discusses the contexts in which animal species have been depicted in traditional China leading up to the emergence of bencao literature. The second part analyses the use of illustrations in Bencao Gangmu. The author questions whether such illustrations were aimed to reflect zoological, botanical, or pharm
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20

Rodda, M. "How an erroneous illustration led to the misidentification of Hoya macrophylla." Gardens' Bulletin Singapore 77, no. 1 (2025): 149–61. https://doi.org/10.26492/gbs77(1).2025-12.

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Accurate botanical illustrations play a crucial role in plant identification.Hoya macrophylla Blume, one of the earliest described species of Hoya R.Br. from Southeast Asia,and among the earliest to be illustrated, presents significant identification challenges. This paper elucidates how its first illustration incorporates features characteristic of both Hoya macrophylla and H. latifolia G.Don, and this is the reason behind the difficult application of the name. Furthermore, the type specimen of Hoya macrophylla is indistinguishable from H.cinnamomifolia Hook., a taxon published later and cons
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21

TOMASI, LUCIA TONGIORGI. "The study of the natural sciences and botanical and zoological illustration in Tuscany under the Medicis from the sixteenth to the eighteenth centuries." Archives of Natural History 28, no. 2 (2001): 179–93. http://dx.doi.org/10.3366/anh.2001.28.2.179.

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A vast body of botanical and zoological illustrations was produced in Tuscany between the sixteenth and the eighteenth century. This artistic activity was made possible by the humanistic-scientific tradition which had been established in Florence during the late fifteenth century, and was further encouraged by the Medici dynasty. The contributions made by three uniquely talented and original artists are discussed. Jacopo Ligozzi produced paintings of plants and animals whose scientific accuracy and artistic quality far surpassed anything achieved by his predecessors. The miniaturist Giovanna G
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22

Rubtsova, Elena, and Nataliia Chuvikina. "Valentina Konstantinovna Markova – a master of botanical illustration." HORTUS BOTANICUS 14, no. 14 (2019): 5–19. http://dx.doi.org/10.15393/j4.art.2019.6044.

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23

Trapnell, Dorset W. "11th International Exhibition of Botanical Art & Illustration." Journal of the Torrey Botanical Society 132, no. 3 (2005): 533. http://dx.doi.org/10.3159/1095-5674(2005)132[533a:tieoba]2.0.co;2.

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24

Rafidah, Abdul Rahman, Abdul Rahman Ummul Nazrah, and Poh Teck Ong. "Gymnostachyum calcicola (Acanthaceae), a new species from limestone karst of Peninsular Malaysia." PhytoKeys 242 (June 3, 2024): 273–80. http://dx.doi.org/10.3897/phytokeys.242.122869.

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A new species, Gymnostachyum calcicola Rafidah, sp. nov. (Acanthaceae) is described from limestone karst in Peninsular Malaysia. Characters distinguishing it from related species, colour photographs, botanical illustration and provisional conservation status are provided.
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25

Angell, Bobbi, James J. White, and Donald E. Wendell. "6th International Exhibition of Botanical Art & Illustration: Catalog." Bulletin of the Torrey Botanical Club 115, no. 3 (1988): 233. http://dx.doi.org/10.2307/2995966.

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26

Rafidah, Abdul Rahman, Nazrah Abdul Rahman Ummul, and Poh Teck Ong. "Gymnostachyum calcicola (Acanthaceae), a new species from limestone karst of Peninsular Malaysia." PhytoKeys 242 (June 3, 2024): 273–80. https://doi.org/10.3897/phytokeys.242.122869.

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A new species, <i>Gymnostachyum calcicola</i> Rafidah, sp. nov. (Acanthaceae) is described from limestone karst in Peninsular Malaysia. Characters distinguishing it from related species, colour photographs, botanical illustration and provisional conservation status are provided.
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27

Pellegrini, Marco O. O., Ellen J. Hickman, Jorge E. Guttiérrez, Rhian J. Smith, and Stephen D. Hopper. "Revisiting the taxonomy of the Neotropical Haemodoraceae (Commelinales)." PhytoKeys 169 (December 4, 2020): 1–59. http://dx.doi.org/10.3897/phytokeys.169.57996.

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Based on extensive herbarium, field, botanical illustration, and molecular phylogenetic research, five genera and eight species are recognised for the Neotropical Haemodoraceae. New taxa include Cubanicula Hopper et al., Xiphidium pontederiiflorum M.Pell. et al. and Schiekia timida M.Pell. et al. Two new combinations are made, Cubanicula xanthorrhizos (C.Wright ex Griseb.) Hopper et al. and Schiekia silvestris (Maas &amp;amp; Stoel) Hopper et al. We also correct the author citation for Xiphidium, provide the necessary typifications for several names and present an updated identification key, c
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Pellegrini, Marco O. O., Ellen J. Hickman, Jorge E. Guttiérrez, Rhian J. Smith, and Stephen D. Hopper. "Revisiting the taxonomy of the Neotropical Haemodoraceae (Commelinales)." PhytoKeys 169 (December 4, 2020): 1–59. https://doi.org/10.3897/phytokeys.169.57996.

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Based on extensive herbarium, field, botanical illustration, and molecular phylogenetic research, five genera and eight species are recognised for the Neotropical Haemodoraceae. New taxa include Cubanicula Hopper et al., Xiphidium pontederiiflorum M.Pell. et al. and Schiekia timida M.Pell. et al. Two new combinations are made, Cubanicula xanthorrhizos (C.Wright ex Griseb.) Hopper et al. and Schiekia silvestris (Maas &amp; Stoel) Hopper et al. We also correct the author citation for Xiphidium, provide the necessary typifications for several names and present an updated identification key, comme
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Reeds, Karen. "Book Review: Picturing Plants: An Analytical History of Botanical Illustration." Bulletin of the History of Medicine 70, no. 4 (1996): 753–54. http://dx.doi.org/10.1353/bhm.1996.0166.

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Griebeler, Andrew. "Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides." Art Bulletin 105, no. 1 (2023): 93–116. http://dx.doi.org/10.1080/00043079.2022.2109389.

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Banks, Claire. "Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean." Mediterranean Studies 33, no. 1 (2025): 101–3. https://doi.org/10.5325/mediterraneanstu.33.1.0101.

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Malainho, Eva, Fernando Jorge Simões Correia, and Cristiana Vieira. "Iconografia Selecta da Flora Portuguesa – A ilustração científica no dealbar do séc. XX e o seu contributo na divulgação da botânica." História da Ciência e Ensino: construindo interfaces 20 (December 29, 2019): 497–511. http://dx.doi.org/10.23925/178-2911.2019v20espp497-511.

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Resumo A obra “Iconografia Selecta da Flora Portuguesa”, de Gonçalo Sampaio (botânico) e Sara Cabral Ferreira (ilustradora), foi editada pela primeira vez em 1949. Contendo cento e cinquenta estampas de espécies da flora portuguesa, este livro destacou-se na literatura botânica nacional, embora fosse uma edição póstuma e incompleta. Os seus desenhos originais, realizados em técnica monotonal (tinta-da-china), integram atualmente a coleção de ilustração científica do Museu de História Natural e da Ciência da Universidade do Porto (MHNC-UP). Uma vez que nenhum texto, além do pref
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Wilkinson, David, and Janet O'Regan. "Emily Margaret Wood: Botany, illustration, nature writing and teaching in Liverpool at the end of the long nineteenth century." British & Irish Botany 6, no. 2 (2024): 116–32. https://doi.org/10.33928/bib.2024.06.116.

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Emily Margaret Wood (1865-1907) is today best known to botanists for her extensive set of illustrations in the 1902 Flora of the Liverpool District. In addition, she is a minor name in the history of British ceramics as an artist working at the Della Robbia Pottery in Birkenhead. Here we outline her life and career, showing that she had a much wider influence on botany in Liverpool around 1900, especially via the Liverpool Naturalists’ Field Club. Her botanical illustration work was more extensive than just the Flora illustrations – and includes a set of surviving water colours of fungi of the
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Donchenko, A.I. "Scientific botanical drawing in China in ХХ–XXI centuries". East Asia: Facts and Analytics, № 2 (2 липня 2020): 66–76. https://doi.org/10.24411/2686-7702-2020-10012.

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The purpose of this article is to cover the emergence and development of scientific botanical drawing in China as a separate direction in art even with its short history. The emergence of this art form is closely related to the burgeon of modern Chinese botany in the last century. The launch of creating a monumental work on the book &ldquo;Flora of China&rdquo; gave this form of art a powerful impetus for development. The book is the largest encyclopedia of the world of plants in China. The Jiannan Paint Academy was created specifically to carry out this project, which became the first higher
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Ward, Marilyn, and John Flanagan. "Portraying plants: illustrations collections at the Royal Botanic Gardens, Kew." Art Libraries Journal 28, no. 2 (2003): 22–28. http://dx.doi.org/10.1017/s0307472200013080.

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The Library &amp; Archives at Kew hold one of the world’s greatest collections of botanical illustration, assembled over the last 200 years. A resource well-known to the natural history community, it contains much to interest art historians. Using this historically rich heritage our forward thinking includes acquisition of more contemporary items and the formulation of a digital strategy for 21st-century access and exploitation.
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Шипицына, Ю. С. "Botanical Illustration in Britain in the Late 18th Century — Early 19th Century in the Context of the Formation of a Taxonomic Approach to Exploration." Вестник Рязанского государственного университета имени С.А. Есенина, no. 4(69) (February 16, 2021): 59–65. http://dx.doi.org/10.37724/rsu.2020.69.4.007.

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В статье исследуется «эра Бэнкса» (1778–1820) как особый период в истории британской науки, когда в центре интеллектуальной жизни империи оказалась ботаника, а ботаническая иллюстрация выступала как ведущий практический инструмент познания. Исследование контекстов и смыслов, возникающих вокруг ботанической иллюстрации, связано с рассмотрением практик научного наблюдения за природой, легитимированных и вместе с тем скованных определенными административными нормами, общекультурными стандартами и ценностными ориентирами своей эпохи. Наиболее влиятельной фигурой по отношению к вышеперечисленным фа
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Peers, Glenn. ":Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 31, no. 2 (2024): 335–39. https://doi.org/10.1086/736267.

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Sagal, Anna K. ":Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean." Isis 116, no. 1 (2025): 176–78. https://doi.org/10.1086/733959.

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Esmeral Henriquez, Maria Angelica. "To Press, Dry, Organise, and Represent." Nuncius 39, no. 1 (2024): 11–34. http://dx.doi.org/10.1163/18253911-bja10090.

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Abstract This paper examines the epistemological relation between two types of scientific image produced during a botanical expedition to New Granada in the late eighteenth and early nineteenth centuries: herbarium sheets and botanical illustration. Visual analysis of an exceptional collection of these two types of documents brings to light how scientific ideologies were transferred from Europe to New Granada, during the transformation of this latter from a colony to a republic. This study shows how features such as composition, proportion, and pictorial technique derive from both aesthetic ch
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40

Графова, Е. О. "Influence of Botanical Research on the Development of the Art Nouveau Style in Western Europe and Russia (The Late 19th – Early 20th Centuries)." Nasledie Vekov, no. 4(28) (December 31, 2020): 103–15. http://dx.doi.org/10.36343/sb.2021.28.4.007.

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Автор определяет значение ботанических исследований и связанного с ними жанра ботанической иллюстрации для эволюции отечественного и зарубежного декоративно-прикладного искусства (ДПИ) эпохи модерна. Материалами выступают мемуарная литература, альбомы ботанической иллюстрации, ряд научных разработок, отраженных в обзорных монографиях по истории и стилистике ар-нуво, а также результаты прикладных исследований. Изучены зарубежные выставки садоводства рубежа XIX–XX вв., охарактеризованы своды произведений ботанической иллюстрации и издания по дизайну, относящиеся к этому периоду. Выявлены флораль
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Soares dos Santos, Igor, and Marcos José da Silva. "New record of Scaphyglottis livida (Lindl.) Schltr. (Orchidaceae, Epidendroideae) in Goiás, and a key to Scaphyglottis species in the Central-West Region of Brazil." Check List 16, no. 1 (2020): 9–15. http://dx.doi.org/10.15560/16.1.9.

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Botanical studies and exploration of Orchidaceae in Chapada dos Veadeiros National Park, Goi&amp;aacute;s state, Brazil, found a unreported species in the state. The presence of Scaphyglottis livida (Lindl.) Schltr. is reported, an illustration and distribution map are provided, and the morphological relationships of S. livida to other similar species, as well as its phenology, are discussed. A key to the species of the genus Scaphyglottis occurring in the Central-West Region of Brazil; images of these species are also provided.
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ITURRALDE, GABRIEL A., MARCO M. JIMÉNEZ, CARLOS MARTEL, et al. "Telipogon nigropurpureus (Orchidaceae: Oncidiinae): new insights on its morphology and distribution in Colombia and Ecuador." Phytotaxa 647, no. 2 (2024): 189–98. http://dx.doi.org/10.11646/phytotaxa.647.2.5.

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Over the past 20 years, Telipogon nigropurpureus had been known from only one specimen from the type locality near Arcabuco, Boyacá, in central Colombia. During botanical explorations in Colombia and Ecuador we have encountered more populations which are reported here. The new records found in Ecuador extend the known geographic range of T. nigropurpureus by 950 km south from the type locality. We provide an updated description, illustration, and photographs of the species, together with information on its ecology and distribution.
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43

Alleau, Tassanee. "Botanical Icons. Critical Practices of Illustration in the Premodern Mediterranean, by Andrew Griebeler." Nuncius 40, no. 1 (2025): 287–90. https://doi.org/10.1163/18253911-bja10139.

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Brodo, Fenja. "Botanical Illustration: Preparation for Publication, by Noel H. Holmgren and Bobi Angell [Review]." Canadian field-naturalist 102, no. 3 (1988): 601. http://dx.doi.org/10.5962/p.356633.

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45

Dey, Sangita, and Parigi Venkateswara Prasanna. "On the distribution and status of Scleria sumatrensis Retz. (Cyperaceae), in India." Journal of Non-Timber Forest Products 12, no. 4 (2005): 231–33. http://dx.doi.org/10.54207/bsmps2000-2005-48489p.

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Scleria sumatrensis Retz. (Cyperaceae), collected from different regions of India during 19th Century is reported to be endangered/extinct in recent publications. However, recent collections of this species from coastal Districts of Kerala along with its present collection from Tropical Botanical Garden and Research Institute campus, Thiruvananthapuram, Kerala reveals that it is quite common in this Southernmost State of India and belies the theory of being ‘extinct’. A detailed description of the sedge along with the distribution and illustration is provided to facilitate easy identification.
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46

Cull, Brendan. "Early Canadian Botanical Photography at the Exposition universelle, Paris 1867." Scientia Canadensis 39, no. 1 (2017): 27–50. http://dx.doi.org/10.7202/1041377ar.

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Sites et végétaux du Canada was an early photographic experiment in botanical illustration. Presented at the 1867 Paris exposition, the album’s 35 albumen prints were part of the Canadian displays. The photographs were a collaborative effort between Joseph-Charles Taché, Canada’s Executive-Secretary at the exposition; Louis-Ovide Brunet, a Catholic priest and botany professor at the Université Laval; and Livernois &amp; Cie, a Québec City photography studio. Previous work has considered the album as the aesthetic accomplishment of Jules-Isaïe Benoît dit Livernois, excluding Taché and Brunet fr
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Irfan, Muhammad, and Seruni Dinitri. "Analysis Visitor Satisfaction Level of Outdoor Recreation in Bogor Botanical Gardens." Global Research on Tourism Development and Advancement 3, no. 2 (2021): 103–22. http://dx.doi.org/10.21632/garuda.3.2.103-122.

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Bogor Botanical Gardens is a conservation area that has long been used by the wider community as a tourist attraction and has become one of the most popular tourist destinations because it presents a panoramic view of natural landscape architecture. This research was conducted to find out how Outdoor Recreation in Bogor Botanical Gardens can provide tourist satisfaction and how the influence of Outdoor Recreation on tourist satisfaction. The purpose of this study is to analyze Outdoor Recreation in the level of tourist satisfaction, and how much influence Outdoor Recreation has on tourist sati
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IRIMIA, RAMONA-ELENA, and Marc Gottschling. "A new species of Rochefortia (Ehretiaceae, Boraginales) from the Lesser Antilles." Phytotaxa 236, no. 1 (2015): 62. http://dx.doi.org/10.11646/phytotaxa.236.1.5.

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Taxonomic diversity of Neotropical Rochefortia is not completely assessed at present. We report the existence of a new species: Rochefortia barloventensis sp. nov., distributed across multiple islands of the Lesser Antilles. We provide a morphological description, a molecular diagnosis and a botanical illustration. Specimens belonging to the new species were previously assigned to Caribbean R. cuneata or to South American R. spinosa because of morphological similarity. Molecular sequence data shows a clear delimitation of the new species from all other species of Rochefortia justifying the rec
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Soares, dos Santos Igor, and da Silva Marcos José. "New record of Scaphyglottis livida (Lindl.) Schltr. (Orchidaceae, Epidendroideae) in Goiás, and a key to Scaphyglottis species in the Central-West Region of Brazil." Check List 16, no. (1) (2020): 9–15. https://doi.org/10.15560/16.1.9.

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Botanical studies and exploration of Orchidaceae in Chapada dos Veadeiros National Park, Goi&aacute;s state, Brazil, found a unreported species in the state. The presence of <em>Scaphyglottis livida</em> (Lindl.) Schltr. is reported, an illustration and distribution map are provided, and the morphological relationships of <em>S. livida</em> to other similar species, as well as its phenology, are discussed. A key to the species of the genus <em>Scaphyglottis</em> occurring in the Central-West Region of Brazil; images of these species are also provided.
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Schmid, Rudolf, and H. Walter Lack. "Ein Garten Eden: Meisterwerkeder botanischen Illustration = Garden [Of] Eden: Masterpieces of Botanical Illustration = Un jardín d'Eden: Chefs-d'œuvre de l'illustration botanique." Taxon 50, no. 3 (2001): 969. http://dx.doi.org/10.2307/1223745.

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