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1

Khazin, Andreĭ. Icons of Russia: Russia's brand book. Kremlin Multimedia, 2011.

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2

Romano, Rino. America's ad icons. Films for the Humanities & Sciences, 2005.

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3

Archive, Bill Brandt, ed. Brandt icons. Bill Brandt Archive, 2004.

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4

1934-, Cross Mary, ed. A century of American icons: 100 products and slogans from the 20th century consumer culture. Greenwood Press, 2002.

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5

Modern, Galerie Thomas. Popular: Brands, symbols, icons, 1960-2010. Galerie Thomas Modern, 2010.

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6

Maxwell, Foran, ed. Icon, brand, myth: The Calgary Stampede. AU Press, 2008.

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7

Minnick, Fred. The brand that changed beef: How Certified Angus Beef brand became a worldwide icon of quality : a company biography. Wooster Book Company, 2010.

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8

Minnick, Fred. The brand that changed beef: How Certified Angus Beef became a worldwide icon of quality : a company biography. Wooster Book Company, 2010.

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9

Verheul, Jaap, ed. The Cultural Life of James Bond. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462982185.

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The release of No Time To Die in 2021 heralds the arrival of the twenty-fifth installment in the James Bond film series. Since the release of Dr. No in 1962, the cinematic James Bond has expedited the transformation of Ian Fleming's literary creation into an icon of western popular culture that has captivated audiences across the globe by transcending barriers of ideology, nation, empire, gender, race, ethnicity, and generation. The Cultural Life of James Bond: Specters of 007 untangles the seemingly perpetual allure of the Bond phenomenon by looking at the non-canonical texts and contexts tha
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10

Viktor, Bondarenko, Malʹt︠s︡eva Evgenii︠a︡, Popov Sergeĭ та Galerei︠a︡ Gelʹmana, ред. Dukhovnai︠a︡ branʹ: Proekt Viktora Bondarenko i Evgenii Malʹt︠s︡evoĭ : borʹba za novui︠u︡ zhiznʹ v iskusstve sakralʹnykh obrazov khristianstva : rasshirennyĭ katalog proekta, predstavlennogo v Galeree Marata Gelʹmana v T︠S︡entre sovremennogo iskusstva "Vinzavod". Rossii︠a︡ dli︠a︡ vsekh, 2012.

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11

Icons of Russia: Russia's brand book. Kremlin Multimedia, 2011.

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12

Finnegan, Colin. Icons: A Galaxy of World Brand Hotels. RIBA Publications, 2013.

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13

Icons of the American marketplace: Consumer brand excellence. American Benchmark Press, 2007.

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14

Icons of the American Marketplace: Consumer Brand Excellence. American Benchmark Press, 2007.

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15

Drori, G. S., G. Delmestri, and A. Oberg. Brand New University: Icons of the Globalization of Knowledge. Elgar Publishing Limited, Edward, 2018.

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16

Holt, D. B. How Brands Become Icons: The Principles of Cultural Branding. Harvard Business School Press, 2004.

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17

Warburton, Nigel. Bill Brandt: Brandt Icons. The Bill Brandt Archive, 2004.

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18

Foran, Max. Icon, Brand, Myth: The Calgary Stampede. Athabasca University Press, 2008.

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19

Foran, Max. Icon, Brand, Myth: The Calgary Stampede. Athabasca University Press, 2008.

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20

Foran, Max. Icon, Brand, Myth: The Calgary Stampede. Athabasca University Press, 2008.

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21

Foran, Max. Icon, Brand, Myth: The Calgary Stampede. Athabasca University Press, 2008.

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22

Llewellyn, Matthew P., and John Gleaves. The Ultimate Move. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040351.003.0009.

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This chapter discusses the continued decline of amateurism in the late twentieth century. As professional sport grew in popularity, the lines between amateurism and professionalism blurred further. An expanding global media apparatus, in concert with avaricious corporations and shrewd marketing agencies, transformed professional athletes into global sporting icons. The Olympic Movement faced higher competition. Although the fusion of nationalism and Citius, Altius, Fortius made the Olympic Games an attractive commodity, the Internatioal Olympic Commitee's eligibility code—and the forced prohib
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23

Yenne, Bill. Great American Beers: Twelve Brands That Became Icons. MBI, 2004.

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24

Dyer, Richard. Stars. British Film Institute, 1998. http://dx.doi.org/10.5040/9781838710934.

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Through the intensive examination of films, magazines, advertising and critical texts, Dyer analyses the historical, ideological and aesthetic significance of stars, changing the way we understand screen icons. Paying particular attention to icons including Marlon Brando, Bette Davis, Marlene Dietrich, Marilyn Monroe and John Wayne.
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25

Cooper, Takesha, Gerald Maguire, and Stephen Stahl, eds. Case Studies: Stahl's Essential Psychopharmacology. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781009026499.

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Following the success of the first two volumes in Stahl's Case Studies series, a brand new collection of clinical stories have been collated in Volume 3, derived from cases seen by medical students, residents and faculty from the University of California at Riverside (UCR) Department of Psychiatry and Neuroscience. The highly popular and unique user-friendly presentation of previous volumes has been maintained, with extensive use of icons, questions/answers, and tips. The cases address multifaceted issues in an understandable way and with direct relevance to the everyday experience of clinicia
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26

Idol to Icon: The Creation of Celebrity Brands. Cyan Communications, 2005.

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27

Brunk, Victoria M. Melanie: Biography of a Folk/Rock Icon: Singing in a Brand New Key. Creative Works Publishing, 2003.

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28

Noodle, Exercise Your. Halloween Sudoku Book Volume 3: Brand New Icon Sudoku Game for Those Who Love a Challenge. Independently Published, 2019.

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29

Big Shoes to Fill: How To Establish Your Own Brand When Following In The Footsteps Of An Icon. Author Academy Elite, 2019.

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30

Slater, Betty Jewell. Big Shoes to Fill: How to Establish Your Own Brand When Following in the Footsteps of an Icon. Author Academy Elite, 2022.

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31

Slater, Betty Jewell. Big Shoes to Fill: How to Establish Your Own Brand When Following in the Footsteps of an Icon. Author Academy Elite, 2022.

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32

McLean, Ralph. James Thomson and ‘Rule, Britannia’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198736233.003.0004.

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The image of Britannia long pre-dated the eighteenth century, but throughout its history she was often viewed as the victim of outside aggression rather than as the defender of the realm. This chapter demonstrates how Thomson’s refashioning of Britannia, most notably in the masque Alfred, which he and David Mallet wrote for the young Prince Frederick, created an imperial icon that was subsequently used to export a brand of maritime patriotism across Britain’s expanding Empire. Thomson’s Britannia, representing both the Scottish and the English contribution to the British state, celebrates the
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33

Ash, Susan. Funding Philanthropy. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381397.001.0001.

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This book investigates how Dr. Barnardo, the Victorian children’s philanthropist, operated as both story teller and showman, using mass media to create a globalised support network. His philanthropic ‘empire’ operated as an exceptional Victorian manifestation of promotional and branding mechanisms that are perceived as commonplace in the twentieth century. Metaphor and narrative modes normally associated with fiction such as Charles Dickens’s novels, as well as public spectacles associated with showmen such as P. T. Barnum, provide the organising principle for the book. Ultimately, however, th
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34

Skinner, Winona. Marlon Brando Coloring Book: Academy Award Winner and Actor from Golden Age of Hollywood, Cultural Icon and Epic Vito Corleone Inspired Adult Coloring Book. Independently Published, 2018.

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35

Collis, Brad. Fields of Discovery. CSIRO Publishing, 2002. http://dx.doi.org/10.1071/9780643100961.

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At the cutting edge of international research and development, the Commonwealth Scientific and Industrial Research Organisation, CSIRO, has been at the forefront of some of the most extraordinary technological and scientific advances in the world during the second half of the twentieth century.
 Based on hundreds of interviews and meticulous research, Fields of Discovery tells the many stories of achievements and successes of the CSIRO and the people who contributed to them. Brad Collis follows their triumphs and frustrations, opening a rare window into the laboratories of knowledge-makin
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36

Davis, Jenny B. Style Wise. 3rd ed. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501392405.

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Style Wise: A Practical Guide to Becoming a Fashion Stylist, Third Edition is an essential text for turning aspiring stylists into professional stylists. The text presents fashion styling as a form of communication that can both support and challenge social norms such as beauty standards and gender roles. Full-color photos and examples from the runway reflect the fast-paced, vibrant fashion industry and cover topics including photo shoots, fashion shows, and special events. Step-by-step instructions guide readers through crucial areas like business basics, establishing a social media presence,
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