Relevant bibliographies by topics / Brazilian Musical instruments

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Brazilian Musical instruments'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Brazilian Musical instruments.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Brazilian Musical instruments"

1

Estrela Pereira, Adrian, Ekaterina Konopleva, Jehan Alghneimin, Nicole Kasbary, and György Mészáros. "Musical Instruments’ African-Based Studies: The Application of the Afro-Brazilian Knowledge to Study Non-African-based Musical Instruments." Athens Journal of Humanities & Arts 10, no. 3 (2023): 247–66. http://dx.doi.org/10.30958/ajha.10-3-4.

Full text
Abstract:
In the last two decades, the Brazilian music scenario has been marked by an increasingly academic-oriented interest in studying and applying musical knowledge stemming from African-heritage. Institutions and researchers from Salvador city hold an important role in the development and dissemination of this type of knowledge. Accordingly, this article’s general aim is to discuss possible implications of the application of African-based musical knowledge in the study of non-African-based instruments, focusing on the Soteropolitan context. This paper has four specific aims to support the general p
APA, Harvard, Vancouver, ISO, and other styles
2

Obici, Giuliano. "Gambioluthiery: Revisiting the Musical Instrument from a Bricolage Perspective." Leonardo Music Journal 27 (December 2017): 87–92. http://dx.doi.org/10.1162/lmj_a_01025.

Full text
Abstract:
Gambiarra is a popular Brazilian expression that describes an improvised and informal way of solving an everyday problem when needed tools or resources are not available. Since the turn of the 21st century, the term gambiarra has been a part of Brazilian art discourse. This article first analyzes the genealogy of the word gambiarra, including its global and local contexts, and then looks at the use of gambiarra in the production of music and sound art instruments, or gambioluthiery.
APA, Harvard, Vancouver, ISO, and other styles
3

Ilari, Beatriz. "Musical instruments of Brazilian capoeira: Historical roots, symbolism, and use." Journal of the Acoustical Society of America 112, no. 5 (2002): 2265. http://dx.doi.org/10.1121/1.4779048.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Teles, Ricardo, and Mateus Ryrochi Borges Yamana. "CARACTERÍSTICAS ACÚSTICAS DA MADEIRA DE ROXINHO (<i>PELTOGYNE SP.</i>) TRATADA TERMICAMENTE." Revista Eixo 13, no. 2 (2024): 111–19. http://dx.doi.org/10.19123/reixo.v13n2.11.

Full text
Abstract:
The present research aimed to develop products for the musical instruments market using wood modified through heat treatments. Initially, a survey of wood traditionally used in musical instruments, or their parts was carried out. Subsequently, bibliographic research about the wood modification treatments was produced to know the technical limits and their characteristics and to identify which of these can be applied in Brazilian woods, being then chosen as the technique of heat treatment with the application of temperatures of 160ºC and 200ºC carried out in laboratory ovens. From this, the mus
APA, Harvard, Vancouver, ISO, and other styles
5

Dragomirescu, Daniel. "15. Aspects of Musical Language of Heitor Villa-Lobos’ Concert Studies." Review of Artistic Education 21, no. 1 (2021): 122–32. http://dx.doi.org/10.2478/rae-2021-0015.

Full text
Abstract:
Abstract Careful research has shown that the Brazilian composer’s works are inaccurate in terms of indications yet respecting every parameter of music. Regarding the technical aspects, which represent the quintessence in the interpretation of string instruments, and in our case, a dark realm due to the lack of their representation on the score, the performer must make balanced decisions based on imagination and education acquired during years of study.
APA, Harvard, Vancouver, ISO, and other styles
6

Tavares, Tiago Fernandes, and Flávio Luiz Schiavoni. "Contributions on Computer Music from the SBCM 2019." Revista de Informática Teórica e Aplicada 27, no. 4 (2021): 139–42. http://dx.doi.org/10.22456/2175-2745.116606.

Full text
Abstract:
The Brazilian Symposia on Computer Music are events that foster a rich environment for exciting interdisciplinary discussion. In its 17th edition, in 2019, the event was held in São João Del Rei, MG. This special issue presents 5 selected papers from the conference's technical program covering different research fields like sound synthesis, music information retrieval, sound systems, and digital musical instruments.
APA, Harvard, Vancouver, ISO, and other styles
7

Filatova, Tetiana. "Guitar duets by Jaime Zenamon: the sound-image resources of the instrument." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 138 (December 22, 2023): 103–15. http://dx.doi.org/10.31318/2522-4190.2023.138.294795.

Full text
Abstract:
The relevance of the article is to consider guitar music of Bolivian guitarist and composer Jaime Zenamon in the context of the development of the modern academic repertoire of classical guitar. The connections of his music with South American folklore traditions, the poetics of the Andean sound, and its timbre specificity were revealed in comparison with the works of famous Bolivian composers and performers Alfredo Domínguez, Fernando Arduz, and Jilberto Rojas.&#x0D; Main objective of the study is to reveal the specific sound-image resources of the guitar in the duets of Jaime Zenamon in the
APA, Harvard, Vancouver, ISO, and other styles
8

André, Aline Moreira Brandão, Cristiano Mauro Assis Gomes, and Cybelle Maria Veiga Loureiro. "Equivalências de itens, semântica e operacional da Escala Nordoff Robbins de relação criança-terapeuta na experiência musical coativa." Percepta - Revista de Cognição Musical 8, no. 1 (2020): 123–42. http://dx.doi.org/10.34018/2318-891x/8(1)123-142.

Full text
Abstract:
In Brazil, there is a great demand for measurement instruments that are validated and trans-lated into Portuguese. In order to contribute to this subject in this research was to evaluate the translation of the Child-Therapist Relationship in Coactive Musical Experience Scale and its manual into Brazilian. As a methodology, we performed three steps of the Universalist Vali-dation Model developed by Herdman, Fox-Hushby and Badia (1998), named item, semantic and operational equivalence. Six translators and nine evaluators participated in this study. The Scale and its respective manual were used a
APA, Harvard, Vancouver, ISO, and other styles
9

Mattos, Ricardo Mendes. "“Dai-me água, quero beber”: as fontes portuguesas dos cantos da cultura popular brasileira." Revista Portuguesa de Humanidades 25, no. 1 (2021): 143–66. http://dx.doi.org/10.17990/rph/2021_25_1_143.

Full text
Abstract:
Still in the nineteenth century, the first studies on the poetry of the traditional songs of Brazil emphasized the legacy of the Portuguese popular songbook, without, however, detailing the dimensions of this influence. This article analyzes the characteristics of Portuguese oral poetry in Brazilian songs, from the comparison of phonographic recordings of traditional songs with several versions of Portuguese popular songs. There is a fundamental presence of the Lusitanian legacy in the following aspects: ritual of traditional songs; musical genres; dances and celebrations; musical instruments;
APA, Harvard, Vancouver, ISO, and other styles
10

Linemburg, Jorge. "Cegos rabequeiros cantadores of Northeast Brazil: Manifestation of the Blind Poet-Singer and Blind Fiddler Archetypes." Revista Música 23, no. 1 (2023): 415–50. http://dx.doi.org/10.11606/rm.v23i1.208018.

Full text
Abstract:
This article addresses the poetic, musical universe of cegos rabequeiros cantadores [blind singing fiddlers] in Northeast Brazil. These performers expressed themselves through a poetics in which their circumstances as men deprived of vision and their instruments became themes that inspired their artistic creations. Such a manifestation incorporated the archetypes of the blind poet-singer and the blind fiddler, widely diffused both geographically and historically, as do the poetic, musical elements of two traditional figures from the same region: the blind man who begs for alms while singing an
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Brazilian Musical instruments"

1

Dias, Guilherme Marques 1978. "Airto Moreira : do sambajazz à música dos anos 70 (1964-1975)." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284523.

Full text
Abstract:
Orientador: Fernando Augusto de Almeida Hashimoto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T09:39:36Z (GMT). No. of bitstreams: 1 Dias_GuilhermeMarques_M.pdf: 4224662 bytes, checksum: 281e052081c6a7efe47394ae75da899b (MD5) Previous issue date: 2013<br>Resumo: A presente dissertação investiga a atuação do músico Airto Moreira tendo como enfoque sua performance como baterista, observada num período específico de sua carreira, que vai de 1964 até 1975. São discutidos cinco procedimentos musicais adotados pelo músi
APA, Harvard, Vancouver, ISO, and other styles
2

Cunha, Hélio Alexandrino Pacheco 1982. "Linguagem e interpretação do samba : aspectos rítmicos, fraseológicos e interpretativos do samba carioca aplicados em estudos de caixa clara." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285217.

Full text
Abstract:
Orientador: Fernando Augusto de Almeida Hashimoto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T13:09:49Z (GMT). No. of bitstreams: 1 Cunha_HelioAlexandrinoPacheco_M.pdf: 31557883 bytes, checksum: ef51be576b219e2cfcfa18422b33177a (MD5) Previous issue date: 2014<br>Resumo: Este trabalho parte da compreensão inicial de que o estudo da caixa é um fundamento da bateria. Dessa forma, propõe o estudo do ritmo e da interpretação do samba a partir de estudos e peças de caixa. O trabalho composicional é orientado por concei
APA, Harvard, Vancouver, ISO, and other styles
3

Linemburg, Junior Jorge. "As rabecas brasileiras na obra de Mário de Andrade : uma abordagem prática." Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1555.

Full text
Abstract:
Made available in DSpace on 2016-12-08T17:06:46Z (GMT). No. of bitstreams: 1 122562.pdf: 4648704 bytes, checksum: b8d15231e9613b7a23f61a2cc5bd8227 (MD5) Previous issue date: 2015-03-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This dissertation represents the result of a research of manuscripts held at the Mário de Andrade s Archive, IEB-USP, São Paulo, and with the published works of this author, aiming to detect the repertoire of the Brazilian fiddles in his work. Part of the pieces was played in Brazilian fiddles, for analysis through the approach of &#8215;learnin
APA, Harvard, Vancouver, ISO, and other styles
4

Nogueira, Gisela Gomes Pupo. "A viola con anima: uma construção simbólica." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-15052009-140811/.

Full text
Abstract:
As pesquisas históricas sobre as violas brasileiras foram delimitadas pelas referências textuais e iconográficas ao instrumento musical e à sua utilização na produção musical, particularmente da segunda metade do século XVIII ao início do XIX, com pequena citação de César das Neves em s eu Cancioneiro de Músicas Populares, cujo primeiro volume é datado de 1893. Usualmente confundida com alaúdes, cistros e violões, a literatura histórica deixa lacunas sobre a descrição do instrumento. Fato é que, não raro, os violeiros brasileiros de hoje ignoram se tratar de uma guitarra barroca. A primeira pa
APA, Harvard, Vancouver, ISO, and other styles
5

Beltrami, Waleska Scarme. "Musica brasileira para trompa e piano : um repertorio desconhecido." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284643.

Full text
Abstract:
Orientador: Lenita Waldige Mendes Nogueira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-11T09:23:25Z (GMT). No. of bitstreams: 1 Beltrami_WaleskaScarme_M.pdf: 73658764 bytes, checksum: ae420283c9e500fd26690fc8d01b8a33 (MD5) Previous issue date: 2006<br>Resumo: Esta pesquisa identifica o surgimento e a formação do repertório de obras brasileiras compostas para a formação trompa e piano. Consciente da importância e necessidade de estudos direcionados ao repertório brasileiro de trompa, este trabalho visa a divulgação d
APA, Harvard, Vancouver, ISO, and other styles
6

Kreutz, Thiago de Campos. "A música para violão solo de Edino Krieger: um estudo do idiomatismo técnico-instrumental e processos composicionais." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/3095.

Full text
Abstract:
Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-09-15T11:36:51Z No. of bitstreams: 3 documento parte 1.compressed.pdf: 9530124 bytes, checksum: d45465ecaa61a39d9d70047e03782f17 (MD5) documento parte2.compressed.pdf: 18310636 bytes, checksum: ba2b424e4c10eb4f8353864b30969d1e (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: Alterar a citação. Exemplo: ARAUJO, U. A. M. Máscaras inteiriças Tukúna: possibilidades de estudo de artefatos de museu para o conhecimento do universo indígena.
APA, Harvard, Vancouver, ISO, and other styles
7

Silva, Bruno Rejan. "Improvisação na música popular brasileira instrumental (MPBI): Aspectos da performance do contrabaixo acústico." Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tde/3026.

Full text
Abstract:
Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-09-05T19:34:20Z No. of bitstreams: 2 Produto Final de Mestrado.pdf: 6376276 bytes, checksum: 8ef196a5237a5a463c4b6437557f0a8d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Made available in DSpace on 2014-09-05T19:34:20Z (GMT). No. of bitstreams: 2 Produto Final de Mestrado.pdf: 6376276 bytes, checksum: 8ef196a5237a5a463c4b6437557f0a8d (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2011-04-30<br>This paper deals with improvisation procedur
APA, Harvard, Vancouver, ISO, and other styles
8

Khattar, Albert Savino 1982. "Tuba : sua história, o panorama histórico no Brasil, o repertório solo brasileiro, incluindo catálogo e sugestões interpretativas de três obras selecionadas." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284623.

Full text
Abstract:
Orientador: Emerson Luiz de Biaggi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T15:09:14Z (GMT). No. of bitstreams: 1 Khattar_AlbertSavino_M.pdf: 35481142 bytes, checksum: 30bc95a83eabe06894751c98c804b86f (MD5) Previous issue date: 2014<br>Resumo: A presente dissertação trata da história e desenvolvimento da tuba, ilustrando suas principais modificações. Fornece o primeiro relato histórico da tuba no Brasil, além de abranger o repertório brasileiro originalmente composto para tuba como instrumento solista, indepen
APA, Harvard, Vancouver, ISO, and other styles
9

Feitosa, Radegundis Aranha Tavares. "Música brasileira popular no ensino da trompa: perspectivas e possibilidades formativas." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/8667.

Full text
Abstract:
Submitted by Morgana Silva (morgana_linhares@yahoo.com.br) on 2016-09-19T17:29:54Z No. of bitstreams: 1 arquivototal.pdf: 9245207 bytes, checksum: e18f96b9b74564baa6c917552ea31490 (MD5)<br>Made available in DSpace on 2016-09-19T17:29:54Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 9245207 bytes, checksum: e18f96b9b74564baa6c917552ea31490 (MD5) Previous issue date: 2016-06-10<br>Research on popular music teaching have gone through development in recent years, gaining, as a result, considerable importance and legitimacy, especially within the context of research in music education. Based o
APA, Harvard, Vancouver, ISO, and other styles
10

Reis, Marciley da Silva. "Escola Brasileira de Trombone: um estudo sobre práticas pedagógicas." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/8144.

Full text
Abstract:
Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-02-01T12:11:45Z No. of bitstreams: 2 Dissertação - Marciley da Silva Reis - 2016.pdf: 9579105 bytes, checksum: fb4c3cd2dad09fc199576680551d0c82 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-02-02T09:43:01Z (GMT) No. of bitstreams: 2 Dissertação - Marciley da Silva Reis - 2016.pdf: 9579105 bytes, checksum: fb4c3cd2dad09fc199576680551d0c82 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Brazilian Musical instruments"

1

Carlos, Moreira Antonio. Ijexá: O encanto musical da afro diáspora. Mundo Contemporâneo, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bruckner, Karl, and Edith Prodinger. Brazilian folk tunes: Songs and dances from Brazil for guitar = Lieder und Tänze aus Brasilien für Gitarre. Universal Edition, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Korbren, Emily, and Claudia Dornelles. Musical Instruments from Around the World (Brazilian Portuguese-English). Language Lizard, LLC, 2022.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Afro-Brazilian music: A bibliographic guide. African Diaspora Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Loveless, Megwen. Between the Folds of Luiz Gonzaga’s Sanfona. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037207.003.0014.

Full text
Abstract:
This chapter focuses on the fascinating life story of the Brazilian accordionist Luiz Gonzaga, while examining Brazil's national musical and political context that allowed this extraordinary musician to come forth as the creator of a new accordion-driven music and dance genre called forró. With his “unwieldy” instrument in his hands, the bohemian Gonzaga shaped a quintessentially Brazilian music—one that, unlike the urban samba and the cosmopolitan bossa nova, stands for the rural roots of the nation. Part of Gonzaga's success was due to his ability to create a credible onstage persona, to por
APA, Harvard, Vancouver, ISO, and other styles
6

Gidal, Marc. SamBop NYC. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197619049.001.0001.

Full text
Abstract:
Abstract This book explains the music, demographics, cultural issues, and industry surrounding Brazilian jazz composed and performed in New York City by professional musicians between 2000 and 2020. An ethnomusicological study based on original fieldwork and fifty-plus interviews, the book describes how musicians combine nationally associated genres and navigate the music industry while they expand their self-identities transnationally. Chapter 1 compares an original dataset of 173 musicians, their instruments, and social categories (nationality, race, and gender) to published data about Brazi
APA, Harvard, Vancouver, ISO, and other styles
7

Galm, Eric A. The Berimbau: Soul of Brazilian Music. University Press of Mississippi, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Galm, Eric A. The Berimbau: Soul of Brazilian Music. University Press of Mississippi, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Zaradin, John. Guitar Music Of Brazil. Chester Music, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Galm, Eric A. Berimbau. University Press of Mississippi, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Brazilian Musical instruments"

1

Crease, Stephanie L. Stein. "Jazz and Brazilian Music." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0042.

Full text
Abstract:
Abstract In 1959 the release of the Brazilian film Black Orpheus introduced the musical bounty of Brazil to international audiences. The award-winning film presented many viewers with their first glimpse of the authentic music and culture of Brazil, one of the largest and most populous countries in the world. In the film, the Greek myth about the lovers Orpheus and Eurydice is played out in Rio de Janeiro during carnaval. Exotic percussion instruments and the call-and-response singing typical of Rio’s escolas de samba fill the soundtrack, interspersed with melodies played by solo guitar and co
APA, Harvard, Vancouver, ISO, and other styles
2

Gidal, Marc. "Introduction." In SamBop NYC. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197619049.003.0001.

Full text
Abstract:
Abstract The introductory chapter, titled “Introduction: ‘New York Brazilian Jazz,’ ” argues that Brazilian jazz in New York City has different cultural meanings than the music has in Brazil, comparing the author’s fieldwork in New York to studies based in Brazil. Brazilian musicians in the United States try to assimilate musically and culturally in order to build careers in the jazz industry; whereas scholars of jazz and Brazilian jazz in Brazil, where the latter is called “instrumental music,” have emphasized Brazilian nationalist responses to historical tensions in US-Brazil relations and B
APA, Harvard, Vancouver, ISO, and other styles
3

Magaldi, Cristina. "Diversifying." In Music and Cosmopolitanism. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780199744770.003.0007.

Full text
Abstract:
Abstract This chapter focuses on the many musical fashions that shaped the city’s emergent music business. Mlle. Ywonna returns as a protagonist, as she ventures further into Rio de Janeiro’s heterogeneous and cosmopolitan theatrical environment led by entrepreneur Pachoal Segreto. The chapter follows several female performers and entrepreneurs who worked with Ywonna, such as Pepa Ruiz, Aurélia Delorme, and Ana Manarezzi, and shows how they contributed to the diversification and growth of the music business in the Brazilian capital. It discusses the use of “old-fashioned” musics in Ywonna’s ca
APA, Harvard, Vancouver, ISO, and other styles
4

Gidal, Marc. "Samba Jazz at Carnegie Hall." In SamBop NYC. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197619049.003.0005.

Full text
Abstract:
Abstract Chapter 4, “Samba Jazz at Carnegie Hall: Genre Fusion in Instrumental Music,” explains how professional musicians who played Brazilian jazz in New York City between 2000 and 2020 created and performed improvised, up-tempo, instrumental music that is related to bossa nova. After considering musical fusion as its own genre in addition to a combination of stylistic ingredients, the chapter describes the practices and compositions of influential New Yorkers. The instrumentation and harmony of jazz is prevalent. Drummers transferred the rhythms, timbres, and roles of samba percussion to th
APA, Harvard, Vancouver, ISO, and other styles
5

Fiala, Michele. "Alex Klein." In Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.003.0017.

Full text
Abstract:
Brazilian oboist Alex Klein won a 2002 Grammy Award for Best Instrumental Soloist with Orchestra and first prize at the International Competition in Geneva, the New York International Oboe Competition, and the Fernand Gillet International Competition. From 1995 to 2004, Klein was principal oboist of the Chicago Symphony Orchestra, a position he left after struggles with focal dystonia. He is currently artistic director of the Santa Catarina Music Festival (“FEMUSC”) in Brazil, principal oboe of the Calgary Philharmonic Orchestra in Canada, and oboe instructor at DePaul University. In this inte
APA, Harvard, Vancouver, ISO, and other styles
6

Wright, Simon. "A Brazilian In Paris: The Synthesis (1923-1929)." In Villa-Lobos. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780193154766.003.0003.

Full text
Abstract:
Abstract Villa-Lobos’s Nonet is one of the most extraordinary pieces of chamber music ever written. Its scoring, founded on ideas from the Sexteto mistico and the Quarteto simb6lico, pushes the definition of ‘chamber’ to absurd limits: flute/piccolo, oboe, clarinet, saxophone, bassoon, celesta, harp, piano, a large percussion section using 18 instruments and requiring at least two players, and a mixed chorus dividing into, at most, 12 parts. All the disparate strands which lay together in the Canfiies tipicas were, in the Nonet, at last reconciled.
APA, Harvard, Vancouver, ISO, and other styles
7

Benadon, Fernando. "Voice and Beat." In Swinglines. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197659977.003.0004.

Full text
Abstract:
Abstract This chapter delves into the rhythmic interplay between vocal melody and instrumental background. Excerpts from European opera, Brazilian bossa nova, and American R&amp;B and hip-hop demonstrate some ways in which singers weave their lines around the accompaniment’s beat, tempo, and accents. Such phrasing creates rich composite textures that can be understood as co-occurring layers rather than in a figure/ground, meter-centric conception. Particular attention is paid to the contrapuntal relationship between the voice and the snare drum backbeat. The ratios and note values introduced i
APA, Harvard, Vancouver, ISO, and other styles
8

Rubin, Joel E. "Szpilman, Bajgelman, Barsht." In Polin: Studies in Polish Jewry Volume 32. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.003.0012.

Full text
Abstract:
This chapter focuses on the post-war fate of the Szpilmans, Bajgelmans, and Barshts, which are an extended family of professional Jewish instrumentalists that originated from Ostrowiec Swietokrzyski in Poland. It explores how the Szpilmans, Bajgelmans, and Barshts played important roles as performers and composers in genres as diverse as instrumental klezmer, jazz, chamber, symphonic music, Yiddish theatre, vaudeville, and Brazilian dance music. It also mentions Władysław Szpilman as the most famous family member, whose memoirs formed the basis of Roman Polanski's Oscar-winning film, The Piani
APA, Harvard, Vancouver, ISO, and other styles
9

Díaz, Juan Diego. "The Nzinga Berimbau Orchestra." In Africanness in Action. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197549551.003.0007.

Full text
Abstract:
Chapter 6 discusses the Nzinga Berimbau Orchestra, a berimbau ensemble formed by members of a capoeira angola group headquartered in Bahia. Led by Mestra Janja and Mestre Poloca, this orchestra explores new repertoires beyond capoeira, and utilizes the berimbau in new contexts—dissociated from capoeira’s physical expression, in the concert hall. The chapter begins by discussing the role and perceptions of the berimbau in capoeira and Brazilian popular music and moves on to explain the various strands grounding the Bantu-centric rhetoric of the Nzinga orchestra. Remaining close to capoeira aest
APA, Harvard, Vancouver, ISO, and other styles
10

Crow, Bill. "S.S. Uruguay." In From Bird land to Broadway. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069884.003.0015.

Full text
Abstract:
Abstract I took all my instruments with me on the S.S. Uruguay. When we played on deck as the ship was going in and out of port, I played valve trombone. During the evening dance sets I played both bass and drums: bass on the American tunes and drums on the Latin ones. I knew how to play tangos, rhumbas, and sambas, but I had to be taught the baion by a passenger, a Brazilian lady. When the guy she was with complained that we weren’ t playing authentic Latin music, I told him, “Wait ‘ til you hear this next one. It’ s called ‘ Caveat Emptor.’ “ Before we reached our first port of call, Trinida
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Brazilian Musical instruments"

1

Tragtenberg, João, Filipe Calegario, Giordano Cabral, and Geber Ramalho. "TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazillian Traditions." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10426.

Full text
Abstract:
This paper presents the development process of “TumTá”, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and “Pisada,” a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is des
APA, Harvard, Vancouver, ISO, and other styles
2

Vieira, Rômulo, Gabriel Rocha, and Flávio Schiavoni. "Current research on the use of HCI in decision-making to build digital musical instruments." In IHC '20: XIX Brazilian Symposium on Human Factors in Computing Systems. ACM, 2020. http://dx.doi.org/10.1145/3424953.3426646.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Aliel, Luzilei, Rafael Fajiolli, and Ricardo Thomasi. "Tecnofagia: A Multimodal Rite." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10454.

Full text
Abstract:
This is a concert proposal of Brazilian digital art, which brings in its creative core the historical and cultural aspects of certain locations in Brazil. The term ​ Tecnofagia derives from an allusion to the concept of anthropophagic movement (artistic movement started in the twentieth century founded and theorized by the poet Oswald de Andrade and the painter Tarsila do Amaral). The anthropophagic movement was a metaphor for a goal of cultural swallowing where foreign culture would not be denied but should not be imitated. In his notes, Oswald de Andrade proposes the "cultural devouring of i
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Brazilian Musical instruments' for particular source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography