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Journal articles on the topic 'Brazilian Musical instruments'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Estrela Pereira, Adrian, Ekaterina Konopleva, Jehan Alghneimin, Nicole Kasbary, and György Mészáros. "Musical Instruments’ African-Based Studies: The Application of the Afro-Brazilian Knowledge to Study Non-African-based Musical Instruments." Athens Journal of Humanities & Arts 10, no. 3 (2023): 247–66. http://dx.doi.org/10.30958/ajha.10-3-4.

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In the last two decades, the Brazilian music scenario has been marked by an increasingly academic-oriented interest in studying and applying musical knowledge stemming from African-heritage. Institutions and researchers from Salvador city hold an important role in the development and dissemination of this type of knowledge. Accordingly, this article’s general aim is to discuss possible implications of the application of African-based musical knowledge in the study of non-African-based instruments, focusing on the Soteropolitan context. This paper has four specific aims to support the general p

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Obici, Giuliano. "Gambioluthiery: Revisiting the Musical Instrument from a Bricolage Perspective." Leonardo Music Journal 27 (December 2017): 87–92. http://dx.doi.org/10.1162/lmj_a_01025.

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Gambiarra is a popular Brazilian expression that describes an improvised and informal way of solving an everyday problem when needed tools or resources are not available. Since the turn of the 21st century, the term gambiarra has been a part of Brazilian art discourse. This article first analyzes the genealogy of the word gambiarra, including its global and local contexts, and then looks at the use of gambiarra in the production of music and sound art instruments, or gambioluthiery.

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Ilari, Beatriz. "Musical instruments of Brazilian capoeira: Historical roots, symbolism, and use." Journal of the Acoustical Society of America 112, no. 5 (2002): 2265. http://dx.doi.org/10.1121/1.4779048.

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Teles, Ricardo, and Mateus Ryrochi Borges Yamana. "CARACTERÍSTICAS ACÚSTICAS DA MADEIRA DE ROXINHO (<i>PELTOGYNE SP.</i>) TRATADA TERMICAMENTE." Revista Eixo 13, no. 2 (2024): 111–19. http://dx.doi.org/10.19123/reixo.v13n2.11.

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The present research aimed to develop products for the musical instruments market using wood modified through heat treatments. Initially, a survey of wood traditionally used in musical instruments, or their parts was carried out. Subsequently, bibliographic research about the wood modification treatments was produced to know the technical limits and their characteristics and to identify which of these can be applied in Brazilian woods, being then chosen as the technique of heat treatment with the application of temperatures of 160ºC and 200ºC carried out in laboratory ovens. From this, the mus

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Dragomirescu, Daniel. "15. Aspects of Musical Language of Heitor Villa-Lobos’ Concert Studies." Review of Artistic Education 21, no. 1 (2021): 122–32. http://dx.doi.org/10.2478/rae-2021-0015.

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Abstract Careful research has shown that the Brazilian composer’s works are inaccurate in terms of indications yet respecting every parameter of music. Regarding the technical aspects, which represent the quintessence in the interpretation of string instruments, and in our case, a dark realm due to the lack of their representation on the score, the performer must make balanced decisions based on imagination and education acquired during years of study.

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Tavares, Tiago Fernandes, and Flávio Luiz Schiavoni. "Contributions on Computer Music from the SBCM 2019." Revista de Informática Teórica e Aplicada 27, no. 4 (2021): 139–42. http://dx.doi.org/10.22456/2175-2745.116606.

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The Brazilian Symposia on Computer Music are events that foster a rich environment for exciting interdisciplinary discussion. In its 17th edition, in 2019, the event was held in São João Del Rei, MG. This special issue presents 5 selected papers from the conference's technical program covering different research fields like sound synthesis, music information retrieval, sound systems, and digital musical instruments.

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Filatova, Tetiana. "Guitar duets by Jaime Zenamon: the sound-image resources of the instrument." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 138 (December 22, 2023): 103–15. http://dx.doi.org/10.31318/2522-4190.2023.138.294795.

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The relevance of the article is to consider guitar music of Bolivian guitarist and composer Jaime Zenamon in the context of the development of the modern academic repertoire of classical guitar. The connections of his music with South American folklore traditions, the poetics of the Andean sound, and its timbre specificity were revealed in comparison with the works of famous Bolivian composers and performers Alfredo Domínguez, Fernando Arduz, and Jilberto Rojas. Main objective of the study is to reveal the specific sound-image resources of the guitar in the duets of Jaime Zenamon in the

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André, Aline Moreira Brandão, Cristiano Mauro Assis Gomes, and Cybelle Maria Veiga Loureiro. "Equivalências de itens, semântica e operacional da Escala Nordoff Robbins de relação criança-terapeuta na experiência musical coativa." Percepta - Revista de Cognição Musical 8, no. 1 (2020): 123–42. http://dx.doi.org/10.34018/2318-891x/8(1)123-142.

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In Brazil, there is a great demand for measurement instruments that are validated and trans-lated into Portuguese. In order to contribute to this subject in this research was to evaluate the translation of the Child-Therapist Relationship in Coactive Musical Experience Scale and its manual into Brazilian. As a methodology, we performed three steps of the Universalist Vali-dation Model developed by Herdman, Fox-Hushby and Badia (1998), named item, semantic and operational equivalence. Six translators and nine evaluators participated in this study. The Scale and its respective manual were used a

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Mattos, Ricardo Mendes. "“Dai-me água, quero beber”: as fontes portuguesas dos cantos da cultura popular brasileira." Revista Portuguesa de Humanidades 25, no. 1 (2021): 143–66. http://dx.doi.org/10.17990/rph/2021_25_1_143.

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Still in the nineteenth century, the first studies on the poetry of the traditional songs of Brazil emphasized the legacy of the Portuguese popular songbook, without, however, detailing the dimensions of this influence. This article analyzes the characteristics of Portuguese oral poetry in Brazilian songs, from the comparison of phonographic recordings of traditional songs with several versions of Portuguese popular songs. There is a fundamental presence of the Lusitanian legacy in the following aspects: ritual of traditional songs; musical genres; dances and celebrations; musical instruments;

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Linemburg, Jorge. "Cegos rabequeiros cantadores of Northeast Brazil: Manifestation of the Blind Poet-Singer and Blind Fiddler Archetypes." Revista Música 23, no. 1 (2023): 415–50. http://dx.doi.org/10.11606/rm.v23i1.208018.

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This article addresses the poetic, musical universe of cegos rabequeiros cantadores [blind singing fiddlers] in Northeast Brazil. These performers expressed themselves through a poetics in which their circumstances as men deprived of vision and their instruments became themes that inspired their artistic creations. Such a manifestation incorporated the archetypes of the blind poet-singer and the blind fiddler, widely diffused both geographically and historically, as do the poetic, musical elements of two traditional figures from the same region: the blind man who begs for alms while singing an

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Cunha, Rosemyriam, and Cecília Carvalho Dias Maynardes. "Music therapy interventions based on sound properties enhancing communication with infants and toddlers." International Journal of Music in Early Childhood 15, no. 2 (2020): 217–34. http://dx.doi.org/10.1386/ijmec_00022_1.

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Infants are curious about sounds and can perceive them as a means of communication with others. This article describes the ways sound properties were used in music therapy encounters to facilitate communication with a group of infants and toddlers. The music therapy interactions were based on Brazilian traditional songs, musical instruments and body movements. We explored loudness, timbre and pitch used to enhance non-verbal communication. Participative performance and community music therapy principles were deemed appropriate to our interactions as we observed improvement in the quality of th

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Gohn, Daniel Marcondes. "‘Feeling Brazilian’: The search for authenticity in drum kit playing." Journal of Popular Music Education 5, no. 2 (2021): 211–26. http://dx.doi.org/10.1386/jpme_00058_1.

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The influence of Brazilian rhythms is pervasive in modern drum kit practices. Information about them can be accessed through drumming books or online searches, with ostinatos for the feet and sticking combinations for the hands, which usually are adaptations from patterns traditionally played with hand percussion instruments. Those patterns instruct drummers on what to play; however, the discussion on how to play them to sound authentic is scarce. This article explores this topic and suggests that timing nuances and performance gestures are fundamental for its comprehension. In that sense, an

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Silva, Eni Catarina da, and Andrelina Heloisa Ribeiro Rabelo. "Gênero música e as escolhas lexicais do tradutor intérprete de libras." Letras & Letras 37, no. 2 (2021): 504–21. https://doi.org/10.14393/ll63-v37n2-2021-25.

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Translating/interpreting a song from Portuguese into Brazilian Sign Language (Libras) is a complex task, because these languages involve different modalities – the former is an oral/auditive language, and the latter is a visual-spatial language. Metaphor is part of the human nature in terms of thought and language, and each person interprets it individually. Thus, each sign language translator/interpreter makes the choices they consider appropriate based on their personal interpretation, their lexical knowledge of Portuguese and Libras, and their sociocultural and ideological knowledge. This e

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Filatova, Tetiana. "Concerto for guitar and orchestra by Heitor Villa-Lobos: genre and style projections." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 142 (March 13, 2025): 130–48. https://doi.org/10.31318/2522-4190.2025.142.327887.

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The relevance of the article is to consider Guitar Concerto by Heitor Villa-Lobos is considered from the standpoint of the interaction of authentic Brazilian genres with the specifics of the individual composer’s style. The article takes into account historiographical information, as well as editorial and performing aspects of comparative analytics by contemporary researchers. Main objective of the study is to identify genre sources of thematicism, linguistic features of Brazilian origin in the Guitar Concerto by Heitor Villa-Lobos in combination with individual and stylistic means of their mo

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KIKUCHI, Tatiani Yuriko Pinheiro, and Cátia Henriques CALLADO. "Brazilian Amazonian palm-stem types and uses: a review." Acta Amazonica 51, no. 4 (2021): 334–46. http://dx.doi.org/10.1590/1809-4392202004682.

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ABSTRACT Palms may be an important source of renewable raw material to replace wood, however, the uses of the stems of native species of the Brazil are known only at the local or regional level. We carried out a literature review on the traditional knowledge of the uses of the stems of palm species native to the Amazon biome in Brazil, and related the types of uses with morphological characteristics of the stems. The review resulted in information on 45 species with solitary or cespitose stems, and six stem-size types: tall (15 species), medium-short (3), medium (5), small (17), acaulescent (1

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Burin, Ana Beatriz, Ana Elisa Medeiros Barbar, Ivan Sérgio Nirenberg, and Flávia de Lima Osório. "Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians." Trends in Psychiatry and Psychotherapy 41, no. 4 (2019): 348–57. http://dx.doi.org/10.1590/2237-6089-2018-0104.

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Abstract Introduction Music performance anxiety (MPA) is characterized by long-lasting, high intensity apprehension associated with performing music in public. At extreme levels, MPA can impair the career and quality of life. Our goal is to describe the clinical profile, perceived causes and coping strategies associated with MPA. Methods In this cross-sectional study, several self-assessment instruments were administered to a sample of 214 Brazilian musicians (68% male, 53.3% classical/46.7% popular musicians). Data were analyzed using descriptive and parametric statistics, based on the variab

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BARBAN, PRISCILA FOLLMANN, and MARISTELLA PINHEIRO CAVINI. "Clarisse Leite: perfil biográfico e listagem temática das obras para piano * Clarisse Leite: biographical profile and listing of piano works." História e Cultura 3, no. 1 (2014): 329. http://dx.doi.org/10.18223/hiscult.v3i1.1017.

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<p><strong>Resumo:</strong> O objetivo deste artigo é construir um perfil biográfico da compositora, pianista e professora de piano Clarisse Leite (1917-2003) e elaborar uma listagem de sua obra para piano, de forma a redigir um registro formal e sistematizado de seu legado, já que sua atuação foi de notada relevância no cenário musical da época e região em que viveu. Como compositora, escreveu para diversos instrumentos e formações, com destaque para o piano. Como pianista, se apresentou em diferentes cidades e estados brasileiros, além de concertos internacionais na Áustria

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Vilela, Ari Cantuária, Leandro Alberto Calazans Nogueira, Arthur de Sá Ferreira, Frederico Barreto Kochem, and Renato Santos de Almeida. "Musculoskeletal Pain and Musical Performance in First and Second Violinists of Professional Youth Chamber Orchestras: A Comparative Study." Medical Problems of Performing Artists 36, no. 4 (2021): 263–68. http://dx.doi.org/10.21091/mppa.2021.4029.

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OBJECTIVE: First and second violinists in orchestras use identical instruments, but the motor patterns used to execute the different notes may vary between the two groups and the biomechanical gestures may influence musculoskeletal complaints. The primary objective of this study was to compare the pain intensity and interference in musical performance of first and second violinists of professional youth chamber orchestras. Second, to investigate the correlation between pain and the musical practice profile in this population. METHODS: This cross-sectional study enrolled 74 violinists, aged 12

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Filatova, Tetiana. "«Twelve Etudes» for guitar by Heitor Villa-Lobos: genre and style dimensions." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 140 (November 28, 2024): 87–115. https://doi.org/10.31318/2522-4190.2024.140.318646.

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The relevance of the article is to consider the cycle "Twelve etudes" for solo guitar by Heitor Villa-Lobos from the standpoint of the interaction of authentic Brazilian and academic European (baroque, romantic, modernist) genre-style models of creativity. World recognition and constant stage demand of the cycle is provided by a complex of essential advantages — the modern vocabulary of the composer, enriched with rhythm and intonation authentic elements of Brazilian culture, combined with virtuosity, the presence of the latest original techniques, high artistic qualities of the music and its

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Monti, Ednardo Monteiro Gonzaga do. "Música da terra dos faraós: aprendizagens de Anttonieta de Souza numa viagem ao Egito." Revista de História e Historiografia da Educação 1, no. 2 (2017): 106. http://dx.doi.org/10.5380/rhhe.v1i2.51169.

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O presente estudo tem como horizonte as aprendizagens da professora Anttonieta de Souza na viagem que realizou ao Egito na década de 1950. Com base na série de artigos intitulada “Minhas impressões sobre o Egito”, as perguntas que norteiam o texto são: quais tradições e culturas musicais egípcias a artista apresentou aos leitores da Revista do Conservatório Brasileiro de Música? O que aprendeu com os estudos arqueológicos e históricos sobre a música e os músicos da terra dos faraós? Os escritos da cantora dos palcos de concerto do Rio de Janeiro, publicados no periódico oficial da instituição

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Thomson, Nathan Riki. "Resonance. (Re)forming an Artistic Identity through Intercultural Dialogue and Collaboration." Trio 10, no. 2 (2021): 49–56. http://dx.doi.org/10.37453/trio.113284.

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This artistic doctoral research examines how the third space emerging from intercultural dialogue and transcultural collaboration can be a catalyst for new musical discoveries, intercultural humility, and the (re)forming of artistic identities. The body of this project is centred around three doctoral concerts, a CD/LP recording, and a documentary film which took place between 2016 and 2021. In addition, I draw on the embodied experience of a five-year period that I spent living and collaborating with musicians and dancers in Tanzania and Zambia prior to the doctoral project.As a double bass p

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Luiz, Costa-Lima Neto. "The Calendar of Sound of Hermeto Pascoal (1996)1." International Journal of Arts and Social Science 3, no. 6 (2023): 141–57. https://doi.org/10.5281/zenodo.7728270.

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In this article I take an ethnomusicological look at the Calendar of Sound – Calendário do Som – a musical corpus made up of 366 compositions prepared on a day to day basis by the Brazilian composer, arranger and multi-instrumentalist, Hermeto Pascoal, during the period 1996 - 1997, and published in the year 2000. The Calendário do Som is a popular sacred work. Its 366 autograph scores, one for each day of the year, were composed as a birthday present for all human beings, including those born in leap years. Through the publication, Hermeto Pascoal wants to transmit a

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Raxmonov, Ahliddin Xabibulloevich, Abdusalom Abdumavlon o'g'li Abduroziqov, Munisaxon Abror qizi Ismatova, and Muxabbat Naimjon qizi Zavqiyeva. "CONTROL OF INSECTS IN AGRICULTURE." Role of agriculture and medicine in science Volume 2, Issue 1 (2025): 49–52. https://doi.org/10.5281/zenodo.14872034.

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<strong>CONTROL OF INSECTS IN AGRICULTURE</strong>   <strong> </strong> <strong>Introduction.</strong><strong> </strong>With about 20000 distinct species, legumes are the third-largest family of flowering terrestrial plants on the planet. They can be found all over the world, with the exception of Antarctica, in a wide variety of environments, from the desert to the plain to the high mountains. Their form varies widely. Others are trees. The tualang tree, also known as Koompassia excelsa, is one of the world's tallest tree species and can reach heights of more than 280 feet in Southe

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Menezes, Alzenir Mendes Martins de, Jacky Maniacky, and Rosa Maria de Lima Ribeiro. "O bantuísmo `marimba': da percussão à feitiçaria // The bantuism `marimba': from percussion to witchcraft." PAPIA 29, no. 1 (2019): 41–72. https://doi.org/10.5281/zenodo.4095467.

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African contribution to the lexicon of the Brazilian Portuguese language have been a recurring theme in linguistics since the 19th century. Soares (1942), Mendonça (2012[1933]), Raimundo (1933), and Silva Neto (1950) developed important works considered pioneers of the genre. The 'Glossário de bantuismos brasileiros presumidos', by Angenot et al. (2013), includes the word `marimba' designating `musical instrument', `xylophone species' and `species of drum', recorded in three important dictionaries of the Portuguese language. We show that 'marimba'

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Koga, Fabiana Oliveira, and Rosemeire de Araújo Rangni. "Desafios éticos em pesquisa com amostragem diversificada." Revista Brasileira de Educação do Campo 10 (June 15, 2025): e19520. https://doi.org/10.70860/ufnt.rbec.e19520.

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Pesquisas que se dedicam ao estudo da aptidão e do talento costumam enfrentar diversos desafios em âmbito dos comitês de ética em pesquisa. No entanto, quando a amostra é composta por crianças e jovens, incluindo povos indígenas e quilombolas em uma situação de pós pandemia, as dificuldades podem ser ainda mais expressivas. Sob essa perspectiva, o objetivo deste artigo é apresentar o percurso ético de um estudo de validação de instrumentos constituintes do “Protocolo para Screening de Habilidades Musicais” de uma pesquisa com amostra diversificada de estudantes brasileiros e mexicanos. Trata-s

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Domingues, Ravi Shankar Magno Viana, and Ariana Pedrosa. "Safe Space for Musical Performance: A Case Study on Promoting Health and Well-being in Instrumental Teaching in Brazil." Percepta - Revista de Cognição Musical 12, no. 1 (2024): 150–78. https://doi.org/10.34018/2318-891x.12(1)150-178.

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This article describes the methodology used to develop the Safe Space for Musical Performance (SSMP), an approach created during the course "Studies on Psychophysical Integration in Musical Performance," offered to students in the Graduate Program in Music at the Federal University of Paraíba (UFPB). The course aimed to promote health and well-being in musical practice by integrating psychophysical aspects with theoretical knowledge of musician physiology. Thirteen students participated in 15 synchronous online sessions, which included warm-up exercises, discussions, musical practice, and rela

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Dapson, Rw, and Cl Bain. "Brazilwood, sappanwood, brazilin and the red dye brazilein: from textile dyeing and folk medicine to biological staining and musical instruments." Biotechnic & Histochemistry 90, no. 6 (2015): 401–23. http://dx.doi.org/10.3109/10520295.2015.1021381.

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Tragtenberg, João, Filipe Calegario, Giordano Cabral, and Geber Ramalho. "TumTá and Pisada." Per Musi, no. 40 (June 22, 2021): 1–20. http://dx.doi.org/10.35699/2317-6377.2020.26151.

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This paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco, Brazil. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is

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Henrique Fiaminghi, Luiz. "O violino violado." Per Musi, no. 20 (March 26, 2025): 16–21. https://doi.org/10.35699/2317-6377.2009.54507.

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The representation of the violin as a hegemonic musical instrument is an undisputed fact, regarding its presence within the widest scope of Western musical performance. The last decades have witnessed, however, the emergency of some dissonant voices: the Historically Informed Performance (HIP) practice has rediscovered the baroque violin and all its technical apparatus; the Brazilian fiddle rabeca claimed to be heard through its own voice, despite the neglectful approach from the mainstream scholars and musicians. Departing from the intersection between popular and erudite culture that charact

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Bezerra, Ligia. "A revolução pelo amor." Journal of Lusophone Studies 8, no. 2 (2024): 135–59. https://doi.org/10.21471/jls.v8i2.417.

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The rise of the far-right in contemporary Brazil has led to a sociopolitical reality characterzied by violations to human rights and threats to democracy in the country. Amidst this conjuncture, Brazilian Popular Music, historically marked by a tendency to be a constitutive discourse, that is, to “indicar maneiras de pensar e viver” ‘indicate ways of thinking and living’ in Brazilian society (Costa 23), becomes an important instrument of protest. The present article looks into how Afro-Brazilian singer and songwriter Chico César’s latest album, O amor é um ato revolucionário (2019), can be con

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Alves, Adriana Celia. "Brazilian songs in a French university: classroom practices from the perspective of literomusical literacy." BELT - Brazilian English Language Teaching Journal 10, no. 1 (2019): 33285. http://dx.doi.org/10.15448/2178-3640.2019.1.33285.

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This study aims to discuss the planning of Portuguese as an additional language course that uses the song as a guiding instrument for the classes. The research involved intermediate level students of a University Diploma of Brazilian Portuguese, a short course offered in the research institution in order to offer a deeper study of Brazilian language and culture for academic and professional purposes. Based on semistructured questionnaires, students’ profiles for learning the Portuguese language in the Brazilian variant, a profile was built to design the lessons. From the perspective of literom

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Toni, Anderson. "Moods, Emotions, and Engagement in a Music Ensemble Course: A Mixed Method Study with Brazilian Undergraduate Students." Opus 29 (November 2, 2023): 1–19. http://dx.doi.org/10.20504/opus2023.29.08.

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This study explores the self-reported perception of moods, emotions, and engagement of Brazilian undergraduate students enrolled in a music ensemble course. A mixed method approach was used through a convergent design. Sixteen Brazilian undergraduate students enrolled in a music ensemble course participated in this research. The Present Mood States List (PMSL) was used as a quantitative data collection instrument before and after 15 encounters (14 classes and a final concert). Analysis of quantitative data showed that 15 differences in the mood state values were statistically significant when

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Samson, Guillaume, and Carlos Sandroni. "The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity." Vibrant: Virtual Brazilian Anthropology 10, no. 1 (2013): 530–51. http://dx.doi.org/10.1590/s1809-43412013000100022.

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In this essay, we present a comparative analysis of the UNESCO heritage nomination process for two African Diaspora music and dance forms: samba de roda, from the Bahian Recôncavo (a coastal area of the northeastern Brazilian state of Bahia), and maloya, from Reunion Island (a former French colony in the Indian Ocean, which is now officially an "overseas department of France"). samba de roda, as the Brazilian candidate, was included in the III Proclamation of Masterpieces of the Intangible Heritage of Humanity, in 2005. And maloya, the French candidate, was inscribed onto the Representative Li

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Pereira, Eliton Perpetuo Rosa, and Otoniel Pereira Gomes. "A iniciação à improvisação no piano popular: análise de métodos e elaboração de proposta didática." Cadernos de Educação Tecnologia e Sociedade 14, no. 1 (2021): 38. http://dx.doi.org/10.14571/brajets.v14.n1.38-55.

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The theme of this research focuses on the initiation of improvisation on the popular piano, as a musical educational action to introduce students to this instrument in the universe of improvisation, as a music teaching activity, but mainly as a musical experience activity related to popular music. The study aimed to carry out a comparative analysis of the publications most used by Brazilian popular musicians on harmony and improvisation, in printed editions in Portuguese or translations printed in Brazil. Nine publications with this profile were found and the analysis took place through five m

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de Freitas Mourão, Ronaldo Rogério. "Astronomy in Brazilian music and poetry." Proceedings of the International Astronomical Union 5, S260 (2009): 368–74. http://dx.doi.org/10.1017/s1743921311002547.

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AbstractThe rôle of astronomy in the Brazilian cultural diversity –though little known world– has been enormous. Thus, the different forms of popular music and erudite, find musical compositions and lyrics inspired by the stars, the eclipses in rare phenomena such as the transit of Venus in front of the sun in 1882, the appearance of Halley's Comet in 1910, in the Big Bang theory. Even in the carnival parades of the blocks at the beginning of the century astronomy was present. More recently, the parade of 1997, the samba school Unidos do Viradouro, under the direction of Joãozinho Trinta, offe

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DE SOUZA, RODOLFO COELHO. "The use of Brazilian folk instrument sounds in a concerto for computer and orchestra." Organised Sound 10, no. 1 (2005): 31–36. http://dx.doi.org/10.1017/s1355771805000646.

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Original and transformed samples of berimbau, cuica and zunidores sounds, instruments typical of Brazilian folk music, as well as synthesised sounds that emulate spectro-morphological variations of the sounds of these instruments, were assembled into the library of electronic sounds used in Coelho de Souza's Concerto for Computer and Orchestra. This approach had strong implications for the cultural identity of the piece and for the strategies of integration of the computer with the orchestra.

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Maroneze, Bruno Oliveira, and Marcelo Ferreira Nunes. "Etimologia e história da palavra “macumba”." Revista GTLex 10, no. 1 (2025): e010003. https://doi.org/10.14393/lex-v10a2025-3.

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The aim of this article is to describe the etymology of the word macumba in its various meanings. It is a polysemous word with multiple definitions recorded in Portuguese-language dictionaries. Initially, the article examines the inclusion of macumba in general, etymological, and specialized dictionaries (both religious dictionaries and those focused on Africanisms), showing how its various meanings have been described throughout history. Its primary meaning refers to a set of Afro-Brazilian religious practices, but other meanings include "witchcraft," "offering placed at crossroads," and "a c

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Figueiredo, Edson Antônio de Freitas. "Associations between training, employment, and motivational styles of Brazilian instrumental music teachers." International Journal of Music Education 37, no. 2 (2019): 198–209. http://dx.doi.org/10.1177/0255761419839170.

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Teachers follow a motivational style based on their own beliefs about motivation affected by environmental events. External events such as rules and traditions often affect orientation towards controlling; however, it is not known if events such as training and employment affect the extent to which music teachers try to control a student’s behavior. The aim of the current study is to investigate associations between the motivational styles of instrumental music teachers, their training, and the type of employment they possess. A survey was conducted with 358 instrumental music teachers. Partic

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Páscoa, Luciana Viana Barros. "ÚLTIMOS DIAS DE CARLOS GOMES, DE DOMENICO DE ANGELIS E GIOVANNI CAPRANESI: UMA ABORDAGEM ICONOGRÁFICA-MUSICAL." Arteriais - Revista do Programa de Pós-Gradução em Artes, no. 12 (May 20, 2022): 76. http://dx.doi.org/10.18542/arteriais.v0i12.12678.

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ResumoO presente artigo aborda a pintura acadêmica histórica Últimos dias de Carlos Gomes (1899), de Domenico de Angelis e Giovanni Capranesi. Esta obra de aspecto narrativo apresenta personagens reais num ambiente ficcional e alegórico, representa o momento da morte do compositor, rodeado por vinte e duas figuras masculinas que são identificadas como personagens históricos, tais como jornalistas, músicos, políticos, militares, um representante da Igreja e os próprios artistas que assinam a obra e se autorretratam. Na composição pictórica, além do retrato de Carlos Gomes, observam-se mais três

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Brasil, André Luís Córdova. "Batuque de nação Ijexá: uma proposta de adaptação para guitarra elétrica." Revista Música 24, no. 1 (2024): 213–41. http://dx.doi.org/10.11606/rm.v24i1.225676.

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This paper presents four models of adaptation of toques and prayers from the Batuque of Rio Grande do Sul for the electric guitar, based on the study of elements of tradition and the Yorùbá language present in this religious practice. To achieve this, the author examines the tonal aspects of the language, from which claves, or small rhythmic-melodic fragments that structure the musical practice, are derived and used in adaptations. Each of the four models explores different approaches to adapting the claves for the guitar, based on rhythm, pitch variation, and the possibility of overlapping tw

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Pereira, Adrian Estrela, Jehan Alghneimin, Do T. Dung, Daria Borodina, Byambasuren Nyamkhuu, and György Mészáros Mészáros. "A Postcolonial Curriculum Investigation in the Course “Instrument – Acoustic Guitar” of the Federal University of Bahia." International Journal of Higher Education Pedagogies 3, no. 1 (2022): 24–37. http://dx.doi.org/10.33422/ijhep.v3i1.100.

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Regardless of the field, the establishment of a curriculum is intrinsically connected with discussions that incorporate struggles from broader social contexts. A scrutinizing analysis of a music course’s curriculum can disclose complex power structures that interfere with the social perception not only of the courses’ direct stakeholders but also with the perception of general members of society. In this context, the current article has as its main aim to reflect on possible connections between the establishment of the curriculum of an influential higher education music institution and the gen

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Green, Laura, Marie-Hélène Weech, Robyn Drinkwater, and Jacek Wajer. "Digitisation at Three UK Herbaria Contributes Towards Food Security and Sustainable Timber Use." Biodiversity Information Science and Standards 3 (June 18, 2019): e37092. https://doi.org/10.3897/biss.3.37092.

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The digitisation of herbarium collections has shown to provide a growing resource in conservation science. Mobilising the data on portals such as GBIF allows researchers to access key taxonomic, habitat and geographical data that would otherwise be unavailable unless institutions are physically visited. These data are used notably in conservation assessments, distribution studies and publication of new species (Canteiro et al. 2019). The herbarium specimens held in Royal Botanic Gardens Kew, Natural History Museum, London, and the Royal Botanic Garden Edinburgh are an unparalleled resource, es

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Silva, Prof Dr Maurício Corrêa da. "Editorial – Revista Ambiente Contábil – Volume 14 – Número 1 – Ano 2022 (Jan./Jun. 2022)." REVISTA AMBIENTE CONTÁBIL - Universidade Federal do Rio Grande do Norte - ISSN 2176-9036 14, no. 1 (2022): i—vii. http://dx.doi.org/10.21680/2176-9036.2022v14n1id27726.

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Editorial – Revista Ambiente Contábil – Volume 14 – Número 1 – Ano 2022 (Jan./Jun. 2022) A Revista Ambiente Contábil (Ambiente) apresenta na sua 27ª edição 19 (dezenove) artigos que tratam de assuntos relevantes para a área contábil; 01 (uma) resenha de livro e 15 (quinze) artigos no idioma inglês (versão de artigos submetidos em português). Seção 1: Contabilidade Aplicada ao Setor Empresarial Artigo 1 - Aplicabilidade dos modelos CAPM local, CAPM local ajustado e CAPM ajustado híbrido ao mercado brasileiro de Vandliny Paiva Martins Teixeira, Moisés Ferreira da Cunha e Thaisa

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Castro, Álvaro Leonel de Oliveira, and Daniel Carvalho de Rezende. "Taste externalization practices among Brazilian metal consumers who learn to play musical instruments." European Journal of Cultural Studies, December 5, 2024. https://doi.org/10.1177/13675494241301742.

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We consider music consumption an integrative practice that promotes taste, in which consumers of a specific musical genre are occasionally interested in learning to play a musical instrument. In this context, the article analyzed the interrelationships between practice and taste externalized among Brazilian consumers of metal music and related subgenres. We conducted interviews to understand how self-taught instruction, formal music education and musical instruments configure the process. Self-taught instruction is based on listening/technical skills enhanced by informal pedagogical resources,

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Amaral, Rosely da Costa, and Cristiana De Muylder. "The relation between innovative behavior and culture of innovation in organizational performance: model and empirical study." Journal of Business & Industrial Marketing, March 26, 2025. https://doi.org/10.1108/jbim-03-2024-0202.

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Purpose This paper aims to propose and test a model to analyze the relationship between innovative behavior and culture of innovation in organizational performance. Design/methodology/approach It is a quantitative descriptive method based in structural equation model using SmartPLS® software to measure the correlations between the variables related to the constructs of culture of innovation, innovative behavior and performance. Findings The proposed model and method were validated through the empirical study. The results indicate a positive influence among the constructs demonstrating that the

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LaFevers, Cory. "Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas." Journal of Musicological Research, October 4, 2024, 1–16. http://dx.doi.org/10.1080/01411896.2024.2405716.

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Sakamoto, Renato Akira, and Reynaldo Cavalheiro Marcondes. "Digital luthiery: Entrepreneurship in the music business." REGEPE - Revista de Empreendedorismo e Gestão de Pequenas Empresas, November 20, 2022. http://dx.doi.org/10.14211/ibjesb.e1917.

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Objective of the study: to connect the needs of musicians and practitioners of musical instruments, with those of luthiers and suppliers of tools and accessories of luthiery (production, regulation, repairs and restoration of musical instruments), through a digital platform. Methodology: starting from indications of an opportunity, information was gathered about the Brazilian luthiery market and research was carried out to understand the needs of musicians, luthiers and suppliers, which resulted in the proposal, with the definition of resources, action plan, economic feasibility analysis, impl

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Barros, Júlio Ortiz Amando de, and Rodolfo Politano. "Effects of Frequency, Temperature and Test Duration in the Viscoelasticity of Brazilian Hardwoods Used in Handmade Musical Instruments." Materials Research 22, suppl 1 (2019). http://dx.doi.org/10.1590/1980-5373-mr-2019-0190.

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Conter, Marcelo Bergamin, and Lucas Nucci Macedo. "Searching for timbre on a budget: Brazilian indie rock home recordings (2013–2020)." DIY, Alternative Cultures & Society, December 27, 2023. http://dx.doi.org/10.1177/27538702231219363.

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In Brazil, the high cost of musical instruments is a prominent concern among indie rock musicians, given the genre's well-known emphasis on timbre. Through an insider research approach, involving timbre analysis and in-depth interviews with six band members, this article aims to identify signs emerging from the sound textures of Brazilian indie rock home recordings that express the situation of the economic limitations within which these musicians operate. The study concludes that even though each band deals with budgetary constraints in different ways and explores different strategies when lo

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de, Sousa Bandeira Ana Luiza, and Ruiz Marco Antonio Almeida. "From discourse to writing: the memory of Brazilian National Rap as an effect of resistance." Revista Letras Raras 13, no. 2 (2024). https://doi.org/10.5281/zenodo.11361719.

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ABSTRACT   This article aims to analyze the effects of resistance emerging from three songs in Brazilian national rap: “Pânico na Zona Sul” (1989) by Racionais MC’s, “Cidadão Comum Refém” (2002) by Mv Bill, and “Favela Vive 4” (2020) by ADL. More specifically, we seek to understand how the lyrics of these songs contribute not only to the popularization of Brazilian culture but also constitute spaces of resistance and denunciation for minority groups placed “on the margins” by a portion of society, as they repre

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