Relevant bibliographies by topics / Cantillation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Cantillation'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Cantillation"

1

al Faruqi, Lois Ibsen. "The Cantillation of the Qur'an." Asian Music 19, no. 1 (1987): 1. http://dx.doi.org/10.2307/833761.

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Puca, A. "Steve Reich and Hebrew Cantillation." Musical Quarterly 81, no. 4 (1997): 537–55. http://dx.doi.org/10.1093/mq/81.4.537.

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Harrán, Don. "In Search of the ‘Song Of Zion’: Abraham Portaleone on Music in the Ancient Temple." European Journal of Jewish Studies 4, no. 2 (2010): 215–39. http://dx.doi.org/10.1163/102599911x573341.

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AbstractAbraham Portaleone’s massive disquisition on the Ancient Temple (Sefer shiltei ha-gibborim, 1612) stands alone among Hebrew writings of the early seventeenth century. Of its ninety chapters, ten along with comments in various appendices present his views on the so-called ‘Song of Zion’ (Psalms 137:3), or music sung and played by the Levites for worship in the Temple. Portaleone takes off from the premise that its components, thought to have gradually been forgotten by the Hebrews in their wanderings after 70 CE, were, from earliest times, imitated and preserved by Christians in their a
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Mrad, Nidaa Abou. "Quelques réflexions sur la cantillation religieuse en Méditerranée." La pensée de midi N° 28, no. 2 (2009): 53–65. http://dx.doi.org/10.3917/lpm.028.0053.

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Boris Kleiner. "Rhythm in Yemenite Cantillation: Masoretic Accents and Syllabic Time." Hebrew Union College Annual 88 (2017): 297. http://dx.doi.org/10.15650/hebruniocollannu.88.2017.0297.

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Prajapati, Dr Neha, Dr Mita Kotecha, Dr Amit Mishra, and Dr Sukha ram. "Importance Of Cantillation (Chanting) –A Divine Remedy In Ayurveda." International Research Journal of Ayurveda & Yoga 03, no. 07 (2020): 242–51. http://dx.doi.org/10.47223/irjay.2020.3711.

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Carasik, Michael. "Exegetical Implications of the Masoretic Cantillation Marks in Ecclesiastes." Hebrew Studies 42, no. 1 (2001): 145–65. http://dx.doi.org/10.1353/hbr.2001.0007.

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Roy, Bruno. "La cantillation des romans médiévaux: une voie vers la théâtralisation." Le Moyen Français 19 (January 1986): 148–62. http://dx.doi.org/10.1484/j.lmfr.3.125.

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Tania Notarius. "“Double Segmentation” in Biblical Hebrew Poetry and the Poetic Cantillation System." Zeitschrift der Deutschen Morgenländischen Gesellschaft 168, no. 2 (2018): 333. http://dx.doi.org/10.13173/zeitdeutmorggese.168.2.0333.

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Ness, Steven R., Dániel Péter Biró, and George Tzanetakis. "Computer-assisted cantillation and chant research using content-aware web visualization tools." Multimedia Tools and Applications 48, no. 1 (2009): 207–24. http://dx.doi.org/10.1007/s11042-009-0357-x.

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Dissertations / Theses on the topic "Cantillation"

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Lamonde, Céline. "UNE CANTILLATION NOUVELLE POUR LA PROCLAMATION DE VINGT-CINQ ÉVANGILES DE L'ANNÉE LITURGIQUE." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27204/27204_1.pdf.

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Pretorius, Wynand Johannes Christian. "Music in ancient Israel/Palestine (AIP) with reference to tonality and the development of the Psalms." Diss., 2018. http://hdl.handle.net/10500/25407.

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Includes bibliographical references<br>Pages not numbered<br>Music has formed a part of human life as far back as demonstrable. Music existed long before musical instruments made their appearance. The examination of textual evidence read in conjunction with the available archaeologic evidence from the time and area clearly demonstrates which musical instruments were available and the instances they were used at. It clearly points to the lyre as the primary proponent of the musical culture of the time with regards to melodic music. This is confirmed from what we learn from the ancient tuning ta
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Hedánek, Jiří. "Prosodie akcentů ve fonologii masoretské hebrejštiny." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371346.

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A Dissertation Abstract to Phonology of Masoretic Hebrew II Accents As Prosody Jiří Hedánek řjh (2017) PMH II - Abstract Charles University, Faculty of Arts, Prague 1 Abstract The dissertation Phonology of Masoretic Hebrew: Accents as Prosody (2017) interprets Tiberian 'accents' as speech prosody marking. Traditionally, they are explained as signs for accenting, singing or syntax. But only some were placed on accents. They do not map well to music which has been shaped by local traditions more than the mark-up. Syntactic interpretation is based on dividing marks but many diverse marks link, no
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Books on the topic "Cantillation"

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Maʻaṭof, Seʻadyah ben Yitsḥaḳ. Mide shabat be-shabato: Beʾurim be-farashat ha-shavuaʻ : ṿe- nilṿeh elaṿ Tsaḥut ha-lashon kelalim be-ṭaʻame Miḳra ṿe-diḳduḳe lashon. ha-meḥaber, 2001.

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Simon, Ely. Principles of Torah reading. Judaica Press, 1994.

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Flender, Reinhard. Hebrew psalmody: A structural investigation. Magnes Press, Hebrew University, 1992.

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Bryant, Earsel Wray. A multidisciplinary evaluation of Suzanne Haïk-Vantoura's musical interpretation of Tiberian Masoretic accents (teʻamîm). BIBAL Press, 1999.

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Goren, Zekharyah. Ṭaʻame ha-Miḳra ke-farshanut. ha-Ḳibuts ha-meʼuḥad, 1995.

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Gellis, Maurice. The glory of Torah reading. Leshon Limudim, 2010.

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Goren, Zekharyah. Ṭaʻame ha-Miḳra ke-farshanut. ha-Ḳibuts ha-meʾuḥad, 1995.

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Aharon, Uri. ha-Ḳol ṿeha-ṭaʻam: "reʼiyat" ha-ḳol u-"shemiʻat" ha-ṭaʻam : gilui ha-sulam ha-penṭaṭoni ʻal pi Shemot 20, 15 ... = Voice and cantillation : seeing the voice and hearing the cantillation. Mosad Byaliḳ, 2015.

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9

Guttman, Yehuda Arye. Sefer K'lalei taʼamei hamikra v'dikdukei hap'alim v'hashaimos = a guide to practical grammar = Sefer Kelale ṭaʻame ha-Miḳra ... Y.A. Guttman, 2004.

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Dzialoszynski, S. Sefer ṭaʼame ha-ṭeʻamim: ʻal ḥamisha Ḥumshe Torah. Sheraga ben Binyamin Dzialoshinsḳi, 2003.

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Book chapters on the topic "Cantillation"

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Breuer, Yochanan. "Dissonance between Masoretic Vocalisation and Cantillation in Biblical Verse Division." In Semitic Languages and Cultures. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0330.07.

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The Masoretic text is the final stage of a process during which the Masoretes had to decide between numerous various readings in order to produce a fixed and consistent text. Although the final production is a remarkable achievement, the Masoretic text still contains cases of inconsistencies. The prominent example is the discrepancy between the ketiv (the way the word should be written) and the qere (the way the word should be pronounced), where we find two contradictory readings in the same word. In this article, a similar phenomenon is described regarding the vocalisation and the cantillation. Although the vocalisation and the cantillation usually reflect division of a verse according to the same interpretation, there are also cases where they reflect two opposing divisions based on different interpretations. Awareness of this may enrich our understanding of the complexity that was involved in the fixing of the Masoretic text.
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Shiloah, Amnon. "Some Comments On The Cantillation of The Ten Commandments." In Music and its Virtues in Islamic and Judaic Writings. Routledge, 2023. http://dx.doi.org/10.4324/9781003417378-16.

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Williams, Benjamin. "“Some Fanciful Midrash Explanation”." In Semitic Languages and Cultures. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0330.09.

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This chapter examines the history of the idea that the shapes, names, and sounds of the ṭeʿamim convey information about biblical narratives, including twists and turns in the plot, the thoughts and motivations of the characters, and the way direct speech was delivered. This exegetical technique is examined first by enquiring into its relationship with the midrashic method of deriving such information from the graphic features of the consonantal text of the Hebrew Bible. Turning to the approach of Tobias ben Eliezer, Joseph ibn Caspi, and Baḥya ben Asher, attention is focused on interpretations of unusual and irregular cantillation marks, including the shalshelet, according to the principles of derash. Finally, examples from the commentaries of Moses Alsheikh of Safed are examined to show how sixteenth-century Sephardi interpreters treated the Masoretic system of accentuation more broadly as a source of information concerning biblical narratives.
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"cantillation, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1124506857.

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"Les modes de la cantillation." In Epitome musical. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.em-eb.5.135647.

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"The Decalogue with Upper Cantillation ([HEBREW TXT])." In Biblia Hebraica Leningradensia, edited by Aron Dotan. BRILL, 2000. http://dx.doi.org/10.1163/9789004501980_007.

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ap Siôn, Pwyll. "“Moving Forward, Looking Back”." In Rethinking Reich. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190605285.003.0003.

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This chapter traces the influence of the Western classical tradition on Steve Reich’s musical language with reference to his important work Octet, composed in 1979 then subsequently reorchestrated and renamed Eight Lines. Previous scholarly accounts of this work have focused on Reich’s use of extended melodic lines, drawing on the composer’s own comments that these were derived from his immersion at the time in Hebrew cantillation. While acknowledging Reich’s debt to Jewish music, this chapter locates Eight Lines within the broader context of the European tours with his ensemble during the early to mid-1970s. The innovative melodic lines in Eight Lines are constructed around largely goal-oriented harmonic (that is to say, “Western”) structures as much as through the composer’s own immersion in cantillation music, suggesting that his style from this point onward can be read more as a synthesis of Western and non-Western influences.
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Branner, David Prager. "Does Taiwanese Cantillation Reflect the Sound of the Táng?" In Studies in Colloquial Chinese and Its History, edited by Richard VanNess Simmons and Richard VanNess Simmons. Hong Kong University Press, 2022. http://dx.doi.org/10.5790/hongkong/9789888754090.003.0002.

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Among speakers of the dialects in China's deep south, it is a commonplace that their languages preserve the authentic sound of Táng dynasty pronunciation. That is an expression of identity, worthy in itself of respect without reservation, but respect does not tell us whether the claim is actually true. To gain the means to consider whether it is true, the dialect fieldworker and philologist David Prager Branner transcribes and analyses an authoritative 21st century performance of a major ninth century ballad of Bái Jūyì 白居易, a performance composed by the renowned Hóng Zénán 洪澤南 of Taiwan. (Hóng is a scion of two nineteenth-century schools of literati cantillation wénrén yínsòng 文人吟誦: the “Sword-House Studio” Jiànlóu Shūfáng 劍樓書房 of Zhào Yìshān 趙益山 and the “Pipes of Heaven Cantillation Society” Tiānlài Yínshè 天籟吟社 of Lín Shùsān 林述三.) Based on the analysis, Branner considers the ways in which Taiwan’s abiding literary performance tradition matches or departs from what we know of the sound of the Táng.
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Reich, Steve. "Hebrew Cantillation as an Influence on Composition (1982)." In Writings on Music 1965–2000. Oxford University Press, 2004. http://dx.doi.org/10.1093/acprof:oso/9780195151152.003.0027.

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Branner, David Prager. "Does Taiwanese Cantillation Reflect the Sound of the Táng?" In Studies in Colloquial Chinese and Its History. Hong Kong University Press, 2022. http://dx.doi.org/10.2307/j.ctv2rcnf4p.7.

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Conference papers on the topic "Cantillation"

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Ness, Steven R., George Tzanetakis, and Daniel Peter Biro. "Content-Aware Web Browsing and Visualization Tools for Cantillation and Chant Research." In 2009 Seventh International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2009. http://dx.doi.org/10.1109/cbmi.2009.46.

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