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1

Maʻaṭof, Seʻadyah ben Yitsḥaḳ. Mide shabat be-shabato: Beʾurim be-farashat ha-shavuaʻ : ṿe- nilṿeh elaṿ Tsaḥut ha-lashon kelalim be-ṭaʻame Miḳra ṿe-diḳduḳe lashon. ha-meḥaber, 2001.

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2

Simon, Ely. Principles of Torah reading. Judaica Press, 1994.

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3

Flender, Reinhard. Hebrew psalmody: A structural investigation. Magnes Press, Hebrew University, 1992.

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4

Bryant, Earsel Wray. A multidisciplinary evaluation of Suzanne Haïk-Vantoura's musical interpretation of Tiberian Masoretic accents (teʻamîm). BIBAL Press, 1999.

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5

Goren, Zekharyah. Ṭaʻame ha-Miḳra ke-farshanut. ha-Ḳibuts ha-meʼuḥad, 1995.

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6

Gellis, Maurice. The glory of Torah reading. Leshon Limudim, 2010.

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7

Goren, Zekharyah. Ṭaʻame ha-Miḳra ke-farshanut. ha-Ḳibuts ha-meʾuḥad, 1995.

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8

Aharon, Uri. ha-Ḳol ṿeha-ṭaʻam: "reʼiyat" ha-ḳol u-"shemiʻat" ha-ṭaʻam : gilui ha-sulam ha-penṭaṭoni ʻal pi Shemot 20, 15 ... = Voice and cantillation : seeing the voice and hearing the cantillation. Mosad Byaliḳ, 2015.

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9

Guttman, Yehuda Arye. Sefer K'lalei taʼamei hamikra v'dikdukei hap'alim v'hashaimos = a guide to practical grammar = Sefer Kelale ṭaʻame ha-Miḳra ... Y.A. Guttman, 2004.

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10

Dzialoszynski, S. Sefer ṭaʼame ha-ṭeʻamim: ʻal ḥamisha Ḥumshe Torah. Sheraga ben Binyamin Dzialoshinsḳi, 2003.

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11

Guttman, Yehuda Arye. Sefer kelale ṭaʻame ha-Miḳra: Be-Idish : ḥeleḳ 1 ṿe-ḥeleḳ 2 : ha-naḥuts meʼod li-ḳeriʼat ha-Torah, li-ḳeriʼat Shemaʻ ṿeli-tefilah ka-halakhah. Y.A. Guṭman, 1995.

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12

Robert, Philippe. L' abécédaire du chant liturgique. Saint-Augustin, 2001.

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13

Meʼir, Shemuʼel. כללי טעמי המקרא: Menuḳad u-metsuyar ... Sh. Meʼir, 1994.

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14

Polaḳ, Sheraga ben Ben-Tsiyon Ary., ed. Sefer Śafah berurah. Sheraga ben Ben-Tsiyon Ary. Polaḳ, 2002.

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15

Sherman-Gold, Rivka. The ohs and ahs of Torah reading: A guide to the kamatz katan in the Torah, the Haftarot, and the Megillot. Yodan, 1999.

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16

Hanau, Solomon Zalman ben Judah Loeb. Sefer Shaʻare zimrah ha-arokh. [Ḥ. mo. l.], 2002.

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17

Berish, Yiśakhar. Malbush le-Shabat ṿe-Yom ṭov: ʻal ha-Torah u-moʻadim : u-ferush ʻal ha-ṭeʻamim zarḳa segol. Mekhon "be-Ḥaye Mosheh", 2011.

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18

Guttman, Yehuda Arye. Ḳovets sifre ṭaʻame ha-Miḳra. Yuda Ary. Guṭman, 2006.

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19

Haïk-Vantoura, Suzanne. La Musique de la Bible révélée: Données complémentaires au livre explicatif, 1976-1996 : suivant la pagination du livre. Institution Roi David, 1996.

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20

Khan, Geoffrey. A short introduction to the Tiberian Masoretic Bible and its reading tradition. Gorgias Press, 2013.

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21

Meʼir, Riʼaḥi Shemuʼel, ред. Tanakh ha-hafṭarot: Ha-shalem : ha-mesudar be-seder ha-Neviʼim beli dilug le-khol ha-nusaḥim ... : be-shiluv niḳud meyuḥad, kemo sheṿa naʻ, ḳamats ḳaṭan, be-otiyot gedolot u-meʼirot ʻenayim. Mekhon "Or ha-ḥayim", 2001.

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22

Herskowitz, Z. S. Ḳunṭres Shemaʻ beni: ʻal mitsṿat Ḳeriʼat Shemaʻ be-diḳduḳah be-safah berurah. Tsevi Śimḥah Hershḳoṿiṭsh, 2000.

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23

Kokhav, Barukh. Dargah: Ha-shiṭah le-limud ha-ḳeriʼah ba-Torah be-ṭaʻame ha-Miḳra : nusaḥ Ashkenaz. Bikurim, 2001.

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24

Herskowitz, Z. S. Ḳunṭres Shemaʻ beni: ʻal mitsṿat Ḳeriʼat Shemaʻ be-diḳduḳah be-safah berurah. Tsevi Śimḥah Hershḳoṿiṭsh, 2000.

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25

Portnoy, Marshall. The art of Torah cantillation: Ta-amei Hamikra = [Ṭaʻame ha-Miḳra] : a step-by-step guide to chanting Torah. UAHC Press, Transcontinental Music Publication, 2000.

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26

Spiro, Pinchas. Haftarah chanting. Board of Jewish Education of Greater New York, 1994.

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27

Riʼaḥi, Shemuʼel Meʼir. Ṭuv ṭaʻam: Kelale taʻame ha-Miḳra : menuḳad u-metsuyar ... ; Ḳunṭres "Amitah shel Torah" : Ḳeriʻat Shemaʻ be-diḳduḳeha ... Simanim, 2002.

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28

Shem Tov ben Abraham Ibn Gaon. Sefer Tagi: De-asiḳ ʻale kahana me-ʻal 12 avanea de-aḳim Yehoshuʻa be-Gilgal ; ṿe-lo zo af zo Sefer Tagin le-rabenu Elʻazar mi-Germaiza ... ṿe-tu Derashot ha-Tagin parperaʼot le-hokhmah, tile tilin shel derashot ʻal ha-Tagin ; tsurot otiyot meshunot ṿeha-Tagin ; tage tefilin. [ḥ.mo.l.], 2011.

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29

Ḳadari, Yehudah. Ṿe-shinantam le-vanekha: Limud ha-ḳeriʼah be-ṭaʻame ha-Miḳra be-ʻezrat hadgamot muḳlaṭot : Megilat Shir ha-shirim. Renanot, 1986.

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30

Anastasiou, Grēgorios G. Ta kratēmata stēn psaltikē technē. Hidryma Vyzantinēs Mousikologias, 2005.

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31

Safdi, Eliy Reʼuven. Sefer ha-Shaʻar li-ḳeriʼah: Bo niḳbetsu u-vaʼu el maḳom eḥad kol kelale ha-ḳeriʼah be-signon ḳal ... ʻim harbeh dugmaʼot kede le-haḳel ʻal ha-ḳore, ʻal pi ha-masorot Sefaradim ṿe-Ashkenazim ... Eliy. Reʼuven Safdi], 2012.

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32

Simon, Ely. The complete Torah reading handbook. Judaica Press, 1996.

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33

Josée, Wolff, ред. The art of cantillation volume 2: Ta-amei Hamikra = Taʻame ha-Miḳra : a step-by-step guide to chanting Haftarah and M'gillot. UAHC Department of Synagogue Music, 2001.

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34

Greece) Diethnes Synedrio Mousikologiko kai Psaltiko (2nd 2003 Athens. Theōria kai praxē tēs psaltikēs technēs: Ta genē kai ta eidē tēs Vyzantinēs psaltikēs melopoiïas : praktika 2. Diethnous Synedriou Mousikologikou kai Psaltikou, Athēna, 15-19 Oktōvriou 2003. Hidryma Vyzantinēs Mousikologias, 2006.

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35

Eldar, Ilan. Torat ha-ḳeriʾah ba-Miḳra: Sefer Horayat ha-ḳore u-mishnato ha-leshonit. ha-Aḳademyah la-lashon ha-ʻIvrit, 1994.

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36

Man, Shelomoh. Sefer Zot ha-Torah: Liḳuṭ halakhot u-minhagim u-ṭeʻamim bi-ḳeriʼat ha-Torah lefi minhag Ashkenaz u-Sefarad : mi-meḳorot rishonim ṿe-aḥaronim. Peʼer Binyamin, 1991.

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37

Ştefan, Răzvan-Constantin. Stihirile dogmatice anastasime ale Vecerniei Sâmbetelor Octoihului: Izvoarele liturgice şi tradiţia muzicala (din secolul al Xl-lea până în prima jumătate a secolului al XIX-lea. Editura Basilica, 2014.

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38

Gerda, Wolfram, ed. Tradition and innovation in late- and postbyzantine liturgical chant: Acta of the congress held at Hernen Castle, the Netherlands, in April 2005. Peeters, 2008.

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39

Huber, Jasmina. Wieviel Wandel verträgt eine Tradition?: Gesang und Gebet der jüdischen Gemeinde Belgrad in den Herausforderungen der Gegenwart. Georg Olms Verlag, 2017.

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40

David, Bers, and Tree Stephen 1949-, eds. The music of Psalms, Proverbs and Job in the Hebrew Bible: A revised theory of musical accents in the Hebrew Bible : general analysis, bibliography, table of contents : CD with complete text and audio files of musically reconstructed Psalms, Proverbs and Job, sung by computer speech synthesis. Harrassowitz Verlag, 2011.

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41

Weil, Daniel Meir. The masoretic chant of the Bible. R. Mass, 1995.

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42

Neusner, Jacob. Judaism's theological voice: The melody of the Talmud. University of Chicago Press, 1995.

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43

Riʾaḥi, Shemuʾel Meʾir. Ṭuv ṭaʻam: Kelale taʻame ha-Miḳra : menuḳad u-metsuyar ; Ḳunṭres Amitah shel Torah : Ḳeriʻat Shemaʻ be-diḳduḳeha. Feldhaim, 2003.

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44

Diamond, John. Life-Energy Analysis: A Way To Cantillation. Enhancement Books, 1988.

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45

Chanting the Hebrew Bible: The Art of Cantillation. Jewish Publication Society of America, 2002.

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46

Chanting the Hebrew Bible: The Art of Cantillation. Jewish Publication Society, 2017.

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47

Complete Torah Reading Handbook W/Tape. Judaica Press, 1996.

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48

Beʼeri, Dan. Ṭeʻamim. 1995.

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49

Chanting the Hebrew Bible, Second, Expanded Edition: The Art of Cantillation. University of Nebraska Press, 2017.

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50

ha- Moreshet ha-musiḳalit shel ḳehilot Yis̀rae̕l. ha-Universiṭah ha-petuḥah, 1985.

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