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Journal articles on the topic 'Charlotte Brontë'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Duckett, Bob. "Charlotte Brontë." Brontë Studies 43, no. 2 (2018): 167–68. http://dx.doi.org/10.1080/14748932.2018.1425044.

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2

Edwards, Sarah. "Charlotte Brontë." Women's Writing 21, no. 4 (2014): 620–23. http://dx.doi.org/10.1080/09699082.2014.913857.

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3

Dawn Potter. "Inventing Charlotte Brontë." Sewanee Review 118, no. 3 (2010): 393–99. http://dx.doi.org/10.1353/sew.2010.0014.

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4

Pouliot, Amber. "Serena Partridge’s ‘Accessories’: Fabricating Uncertainty in the Brontë Parsonage Museum." Journal of Victorian Culture 25, no. 2 (2020): 279–99. http://dx.doi.org/10.1093/jvcult/vcz030.

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Abstract The 1861 sale of the Brontës’ personal effects sent relic hunters scrambling to collect the material remains of the famous family. In the second half of the nineteenth century, the collection, preservation, and veneration of relics, particularly those associated with a writer’s private, domestic life, were important aspects of literary celebrity culture and commemoration, and both the Brontë Society and the original Brontë Museum were established to collect material remains. Yet when Virginia Woolf visited the museum in 1904, she viewed Charlotte Brontë’s clothing, shoes, and accessor

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5

Dalsimer, Katherine. "The Young Charlotte Brontë." Journal of the History of Childhood and Youth 3, no. 3 (2010): 317–39. http://dx.doi.org/10.1353/hcy.2010.0012.

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6

Hawes, Donald. "Charlotte Brontë, English Teacher." English Today 5, no. 1 (1989): 38–40. http://dx.doi.org/10.1017/s0266078400003722.

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7

Lee, Sidney. "Charlotte Brontë in London." Brontë Studies 41, no. 2 (2016): 118–31. http://dx.doi.org/10.1080/14748932.2016.1147273.

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8

Duckett, Bob. "Charlotte Brontë: A Life." Brontë Studies 41, no. 4 (2016): 363–65. http://dx.doi.org/10.1080/14748932.2016.1222708.

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9

Alexander, Christine. ""The Burning Clime": Charlotte Brontë and John Martin." Nineteenth-Century Literature 50, no. 3 (1995): 285–321. http://dx.doi.org/10.2307/2933671.

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The name of the Romantic painter and printmaker John Martin has long been associated with the Brontës. His pictures hung on the Brontë Parsonage walls; the Brontë children both copied his images in paint and transposed them into "print" in their tiny handsewn magazines. His sublime landscapes and gigantic imaginary scenes of ancient architecture-an amalgamation of Classical, Egyptian, and Indian styles-provided unlimited scope for the young architects of Glass Town and Angria. Yet the dynamic relationship between Martin's lurid canvases and Charlotte Brontë's writings extends beyond the simple

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10

Guliyeva, Jeyran. "ARTISTIC MANIFESTATİON OF THE ISSUES OF HUMANISM IN THE NOVEL "JANE EYRE" BY CHARLOTTE BRONTË." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 67 (November 2, 2023): 60–63. https://doi.org/10.5281/zenodo.10066449.

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The novel Jane Eyre is still widely read in modern society, and there are many controversial opinions surrounding the novel. Because Bronte draws the reader into the story and brings a modern aspect to the center of attention in the novel. Jane cleverly does this by appealing to the reader, "Reader, I married her..." to draw attention back to herself. In doing so, the reader is instantly pulled back every time they engage with the novel, therefore making it a more immediate action and happening in that very moment. This helps to capture the true essence of the novel and illuminates all the maj

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11

Ogden, James, Sara L. Pearson, and Peter Cook. "A Brontë Reading List: Part 10 — Charlotte Brontë." Brontë Studies 44, no. 3 (2019): 306–22. http://dx.doi.org/10.1080/14748932.2019.1606474.

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12

Chesterton, G. K. "Charlotte Brontë and the Realists." Chesterton Review 26, no. 4 (2000): 431–34. http://dx.doi.org/10.5840/chesterton200026485.

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13

Dinter, Sandra. "Charlotte Brontë at the Anthropocene." English Studies 102, no. 3 (2021): 385–87. http://dx.doi.org/10.1080/0013838x.2021.1892294.

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14

Jedrzejewski, Jan. "Charlotte Brontë and Roman Catholicism." Brontë Society Transactions 25, no. 2 (2000): 121–35. http://dx.doi.org/10.1179/030977600794173331.

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15

Duckett, Bob. "Charlotte Brontë: The Lost Manuscripts." Brontë Studies 44, no. 4 (2019): 405–6. http://dx.doi.org/10.1080/14748932.2019.1643092.

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16

Duckett, Bob. "Charlotte Brontë: Legacies and Afterlives." Brontë Studies 44, no. 4 (2019): 408–10. http://dx.doi.org/10.1080/14748932.2019.1643103.

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17

Garson, Marjorie. "Alice Munro and Charlotte Brontë." University of Toronto Quarterly 69, no. 4 (2000): 783–825. http://dx.doi.org/10.3138/utq.69.4.783.

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18

Gallagher, H. W. "Charlotte Brontë: A Surgeon’s Assessment." Brontë Society Transactions 18, no. 5 (1985): 363–70. http://dx.doi.org/10.1179/030977685796456134.

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19

Gallagher, H. W. "The Death of Charlotte Brontë." Brontë Society Transactions 20, no. 6 (1992): 329–30. http://dx.doi.org/10.1179/030977692796439630.

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20

Hall, Kate. "Maternal Influence on Charlotte Brontë." Brontë Society Transactions 21, no. 1-2 (1993): 3–8. http://dx.doi.org/10.1179/030977693796439486.

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21

Copley, James. "Trollope, Charlotte Brontë andMary Gresley." Brontë Society Transactions 22, no. 1 (1997): 59–64. http://dx.doi.org/10.1179/030977697794127039.

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22

Peterson, Linda H. "Selected Letters of Charlotte Brontë." Women's Writing 16, no. 2 (2009): 356–58. http://dx.doi.org/10.1080/09699080903016797.

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23

Schaffer, Talias. ""Charlotte Brontë and Disability Studies"." Victorian Review 42, no. 2 (2016): 265–69. http://dx.doi.org/10.1353/vcr.2016.0062.

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24

Lerner, Lawrence. "Charlotte Brontë and Victorian psychology." History of European Ideas 23, no. 1 (1997): 49–53. http://dx.doi.org/10.1016/s0191-6599(97)00001-6.

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25

Mullen, Richard. "Charlotte Brontë and William Thackeray." Brontë Studies 36, no. 1 (2011): 85–94. http://dx.doi.org/10.1179/147489310x12868722453627.

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26

Jędrzejewski, Jan. "Charlotte Brontë and Roman Catholicism." Brontë Studies 38, no. 4 (2013): 269–80. http://dx.doi.org/10.1179/1474893213z.00000000085.

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27

Thormählen, Marianne. "Charlotte Brontë: A radical Tory." Literature Compass 14, no. 12 (2017): e12428. http://dx.doi.org/10.1111/lic3.12428.

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28

Gallagher, H. W. "Charlotte Brontë: A Surgeon’s Assessment." Brontë Studies 41, no. 2 (2016): 132–38. http://dx.doi.org/10.1080/14748932.2016.1147274.

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29

Wood, Butler. "Charlotte Brontë on her Contemporaries." Brontë Studies 41, no. 2 (2016): 146–57. http://dx.doi.org/10.1080/14748932.2016.1147276.

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30

Curtis, Myra. "Charlotte Brontë in her Letters*." Brontë Studies 41, no. 4 (2016): 322–33. http://dx.doi.org/10.1080/14748932.2016.1222695.

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31

Farr, Judith. "Charlotte Brontë, Emily Brontë and the “Undying Life” Within." Victorians Institute Journal 17 (April 1, 1989): 87–104. http://dx.doi.org/10.5325/victinstj.17.1989.0087.

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32

Stowell, Robert. "Brontë Borrowings: Charlotte Brontë andIvanhoe, Emily Brontë andThe Count of Monte Cristo." Brontë Society Transactions 21, no. 6 (1996): 243–51. http://dx.doi.org/10.1179/030977696796439078.

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33

Sidorova, O. G. "Rewriting Charlotte Brontë (Jane Eyre by Charlotte Brontë and Wide Sargasso Sea by Jean Rhys)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 18, no. 3 (154) (2016): 157–69. http://dx.doi.org/10.15826/izv2.2016.18.3.050.

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34

Velasco Martín, Alfonso, and María Velasco Sendrá. "Patobiografía de la familia Brontë (1777-1861)." ANALES DE LA REAL ACADEMIA DE MEDICINA Y CIRUGÍA DE VALLADOLID, no. 57 (December 16, 2024): 243–55. https://doi.org/10.24197/aramcv.57.2022.243-255.

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Patrick Brontë nación en Irlanda en 1777 de una familia muy humilde, aprendió a leer y escribir de forma autodidacta, realizó estudios en la Universidad de Cambridge y se ordenó sacerdote siguiendo la corriente metodista, publicó algunos poemas y diversos ensayos. Contrajo matrimonio con Mary Branwell en 1812; el matrimonio se estableció en el norte de Inglaterra, Yorkshire, y tuvo seis hijos: Mary (1813), Elizabeth (1815), Charlotte (1816), Patrick Branwell (1817), Emily Jane (1818) y Anne (1829). Mary y Elizabeth murieron de tuberculosis cuando tenían 11 y 9 años, respectivamente. Charlotte

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35

Samudio, Jonas, and C. Rafael Pinto. "brontë." Em Tese 28, no. 2 (2022): 370. https://doi.org/10.17851/1982-0739.28.2.370-372.

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brontë é um filme de Jonas Samudio e C. Rafal Pinto, com imagens registradas por C. Rafael Pinto, vozes de Jonas Samudio e Derick Teixeira. Os textos são de Charlotte Brontë, Emily Brontë e Jonas Samudio; a música é de Dora Pejacsevich e as edições, de som e vídeo, de Jonas Samudio. Na película, gravada em 2021, uma voz caminha entre árvores, tropeça em galhos, assiste à profusão das folhas de uma floresta: é a busca das irmãs. Além, o ruído de uma respiração e de alguns passos, a agulha bordando alguma chama: uma voz, ainda sem rosto. As mãos costuram ausências e se dobram aos sussurros de du

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36

Chitham, Edward. "‘EMILY BRONTË. From a painting by Charlotte Brontë, hitherto unpublished’." Brontë Studies 42, no. 2 (2017): 168–69. http://dx.doi.org/10.1080/14748932.2017.1280952.

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37

Hoddinott, Alison. "Charlotte Brontë and D. H. Lawrence." Brontë Studies 27, no. 1 (2002): 1–14. http://dx.doi.org/10.1179/bst.2002.27.1.1.

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38

Gawthrop, Humphrey. "Slavery:Idée Fixeof Emily and Charlotte Brontë." Brontë Studies 28, no. 2 (2003): 113–21. http://dx.doi.org/10.1179/bst.2003.28.2.113.

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39

Paige, Lori A. "Charlotte Brontë and the Spasmodic School." Brontë Society Transactions 21, no. 3 (1994): 63–69. http://dx.doi.org/10.1179/030977694796439386.

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40

Hall, Audrey. "Two Possible Photographs of Charlotte Brontë." Brontë Society Transactions 21, no. 7 (1996): 293–302. http://dx.doi.org/10.1179/030977696796438899.

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41

Wynne, Deborah. "Introduction: Charlotte Brontë and Material Culture." Brontë Studies 49, no. 4 (2024): 257–63. http://dx.doi.org/10.1080/14748932.2024.2377499.

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42

Overton, Bill. "Review: Charlotte Brontë and Victorian Psychology." Literature & History 7, no. 1 (1998): 91–92. http://dx.doi.org/10.1177/030619739800700112.

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43

Hogle, Jerrold E. "Charlotte Brontë and Sexuality. John Maynard." Modern Philology 84, no. 3 (1987): 331–35. http://dx.doi.org/10.1086/391564.

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44

Maynard, John. "Charlotte Brontë: Yesterday, Today, and Tomorrow." Victorian Review 42, no. 2 (2016): 250–58. http://dx.doi.org/10.1353/vcr.2016.0060.

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45

Stoneman, Patsy. "Did Charlotte Brontë write ‘Kitty Bell’?" Brontë Studies 37, no. 3 (2012): 262–63. http://dx.doi.org/10.1179/1474893212z.00000000028.

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46

Gawthrop, Humphrey. "Slavery:Idée Fixeof Emily and Charlotte Brontë." Brontë Studies 38, no. 4 (2013): 281–89. http://dx.doi.org/10.1179/1474893213z.00000000082.

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47

Keefe, Robert. "Charlotte Brontë and Sexuality. John Maynard." Nineteenth-Century Fiction 40, no. 2 (1985): 228–30. http://dx.doi.org/10.2307/3044594.

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48

McCarthy, Margaret. "Charlotte Brontë and the Thames Watermen." Brontë Studies 31, no. 1 (2006): 53–55. http://dx.doi.org/10.1179/174582205x83807.

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49

Burstein, Miriam E. "When did Charlotte Brontë ReadVanity Fair?" Brontë Studies 37, no. 2 (2012): 159–62. http://dx.doi.org/10.1179/174582212x13279217752903.

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50

Fraser, Rebecca. "The ‘Woman Question’ and Charlotte Brontë." Brontë Studies 40, no. 4 (2015): 314–19. http://dx.doi.org/10.1080/14748932.2015.1127658.

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