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Relevant bibliographies by topics / Cherubino

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Academic literature on the topic 'Cherubino'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Cherubino"

1

RUMPH, STEPHEN. "UNVEILING CHERUBINO." Eighteenth Century Music 4, no. 1 (2007): 129–38. http://dx.doi.org/10.1017/s1478570607000747.

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Daniel Leeson recently noted an intriguing thematic borrowing in the Act 1 trio of Le nozze di Figaro (No. 7, ‘Cosa sento!’). As Leeson demonstrated, Basilio’s theme, first introduced in bars 16–23, derives from Cherubino’s preceding aria, ‘Non so più cosa son, cosa faccio’. This veiled allusion echoes throughout the trio, most dramatically during the narrative in which the Count reveals the hidden page. The quotation of Cherubino’s theme, Leeson argued, supplies the stage director with precious information. It proves that Basilio has eavesdropped on the previous scene, and explains why Susann

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Gill, Amyrose McCue. ""Not as Enemies, but as Friends": Sanctioned Sex in Frate Cherubino's Regola della vita matrimoniale." Quaderni d'italianistica 30, no. 1 (2009): 27–43. http://dx.doi.org/10.33137/q.i..v30i1.8425.

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During the 1470s, a Franciscan preacher named Cherubino composed a short treatise in nine parts entitled Regola della vita matrimoniale (Rule for Married Life), which describes in detail the mutual obligations of an ideal married couple. In this didactic work, Cherubino echoes the vocabulary of early Quattrocento writers who employed the concepts of friendship and companionship as framing devices for their discussions of the conjugal state. What is noteworthy in Cherubino's approach to this common theme, however, is his conflation of friends and spouses in the midst of an explication of the co

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WANEK, NINA-MARIA. "The Greek and Latin Cherubikon." Plainsong and Medieval Music 26, no. 2 (2017): 95–114. http://dx.doi.org/10.1017/s0961137117000043.

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ABSTRACTThis article focuses on the so-called ordinary Cherubikon/Cherubic hymn (Οἱ τὰ χερουβίμ/Oi ta Cherubim) found in Byzantine manuscripts in connection with the Divine Liturgies of St John Chrysostomos and St Basil throughout the church year except for Lent and Easter. The Cherubikon is not, however, restricted to Byzantine codices, but can be found in various Latin manuscripts transliterated into Western letters and written with Western neumes.

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Hannigan, Barry, and Hans Werner Henze. "Cherubino: 3 Miniaturen fur Klavier." Notes 43, no. 4 (1987): 926. http://dx.doi.org/10.2307/898181.

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STACKELBERG, JÜRGEN. "Cherubino d’amore.Von Beaumarchais zu Da Ponte." arcadia - International Journal for Literary Studies 25, no. 2 (1990): 137–43. http://dx.doi.org/10.1515/arca.1990.25.2.137.

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Weiss, Yale. "Colloquium 1 Commentary on Cherubin." Proceedings of the Boston Area Colloquium of Ancient Philosophy 33, no. 1 (2018): 22–26. http://dx.doi.org/10.1163/22134417-00331p03.

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Abstract This commentary examines the interpretation of Parmenides developed by Rose Cherubin in her paper, “Parmenides, Liars, and Mortal Incompleteness.” First, I discuss the tensions Cherubin identifies between the definitions and presuppositions of justice, necessity, fate, and the other requisites of inquiry. Second, I critically assess Cherubin’s attribution of a sort of liar paradox to Parmenides. Finally, I argue that Cherubin’s handling of the Doxa, the section of Parmenides’ poem that deals with mortal opinion and cosmology, is unsatisfactory. I suggest that her reading may contradic

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Stollhans, Cynthia. "PRIOR CHERUBINO AS PATRON OF PERUZZI'S FRESCOES AT SANT'ONOFRIO IN ROME." Source: Notes in the History of Art 12, no. 1 (1992): 24–30. http://dx.doi.org/10.1086/sou.12.1.23207838.

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Prijatelj Pavičić, Ivana. "U traganju za povijesnim, kulturnim i umjetničkim identitetom umjetnika Schiavona: crtice iz povijesti njihove recepcije u 16. i 17. stoljeću." Ars Adriatica, no. 4 (January 1, 2014): 313. http://dx.doi.org/10.15291/ars.503.

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The author of the paper demonstrates how sixteenth- and seventeenth-century historiography applied a number of identity stereotypes which were linked to the Slavs, Dalmatians, Illyrians, Morlachs, and Croats in contemporary literature and scholarship to three well-known Schiavoni artists: Andrea Meldola (Andrija Medulić), Niccoló dell’Arca and Giulio Clovio (Julije Klović). For example, the qualifier ‘barbaric’, used to denote the work of Niccoló dell’Arca in sixteenth-century historiography from Bologna, represents one of the stereotypical characteristics about the Schiavoni which were freque

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Witcombe, Christopher. "Some Letters and Some Prints Dedicated to the Medici by Cherubino Alberti." Sixteenth Century Journal 22, no. 4 (1991): 641. http://dx.doi.org/10.2307/2542369.

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HEPPNER, C. ""L'ho perduta": Barbarina, Cherubino, and the Economics of Love in Le nozze di Figaro." Opera Quarterly 15, no. 4 (1999): 636–59. http://dx.doi.org/10.1093/oq/15.4.636.

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Dissertations / Theses on the topic "Cherubino"

1

Olinyk, Karen Marie. "The marriage of Figaro : role of Cherubino." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27380.

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Babbar, Lara [Verfasser]. "Die Figur Cherubino in Mozarts «Le Nozze di Figaro» / Lara Babbar." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1133461387/34.

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Babbar, Lara Janek [Verfasser]. "Die Figur Cherubino in Mozarts «Le Nozze di Figaro» / Lara Babbar." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://nbn-resolving.de/urn:nbn:de:101:1-201706042625.

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Puttee, Erin. "Undressing Cherubino: Reassessing Gender and Sexuality in Mozart's 'Le nozze di Figaro'." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23568.

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Undressing Cherubino: Reassessing Gender and Sexuality in Mozart’s Le nozze di Figaro Although Le nozze di Figaro is one of Mozart’s most celebrated operas, we have not yet understood one crucial element. On the surface of the drama, the opera seems to be about class disruption: the Count is the head of the household, but it is his servants who run it. This plot is made evident to the audience, and it is the message that most critics draw from the work. However, there may be a second meaning below the surface that is, in fact, more subversive than the overt one. While class structures are ques

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Russell, Kara. "Bertha Harris' Confessions of Cherubino: From L'Ecriture Feminine to the Gothic South." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3401.

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Inspired by her obsession with the South and informed by the liberating socio-political changes born from the 1970s lesbian feminist movement, North Carolinian author Bertha Harris (1937-2005) provides a poetic exploration of Southern Gothic Sapphism in her complex and tormented novel Confessions of Cherubino (1972). Despite fleeting second-wave era recognition as “one of the most stylistically innovative American fiction writers to emerge since Stonewall,” Harris’s innovation remains largely neglected by readers and cultural theorists alike. Nearly all academic engagements with her work, of w

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Hoppe, Susanne Verfasser], and Henry [Akademischer Betreuer] [Keazor. "Der Buon Governo des Pompeo Ruggieri : die Fresken von Cherubino und Giovanni Alberti im Palazzo Ruggieri in Rom / Susanne Hoppe. Betreuer: Henry Keazor." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://d-nb.info/1067841598/34.

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Pretorious, Ane Sophia. "How did Wolfgang Amadeus Mozart adjust his compositional technique when writing for a Mezzosoprano en travesti? A comparison between the roles of Cherubino and Sesto." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30531.

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Heroic male operatic roles were not always limited to what is today mainly known as male voices (tenor or baritone/bass). In the seventeenth and eighteenth centuries prepubescent boys were often castrated in order to keep their voices within the treble range. Some of these boys were extremely musical and after many years of vigorous training, went on to become renowned singers. The singing castrati were famous for their ethereal vocal abilities as well as ‘angelic’ vocal timbre. During the castrati’s reign, Wolfgang Amadeus Mozart wrote what is speculated to be the first operatic prepubescent

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Pickard, Jonna. "An Analysis of Pants Roles in Opera." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/488.

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This document assesses the introduction of pants roles in opera and includes a historical overview to understand the background of these roles. This dramatic conceit concentrates on the development of the operatic art form from the seventeenth to twentieth centuries. In Italy during the seventeenth century, the castrato voice, which had been a crucial aspect of church music, was now developing a position in opera. Within this document, the castrati’s transition from sacred music to the opera, where lies the bulk of their success, will be studied. As opera expands rapidly throughout the music s

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Gerber, Gary George. "A conductor's analysis of the sacred choral music of Luigi Cherubini /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371038055.

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Willis, Stephen C. "Luigi Cherubini : a study of his life and dramatic music : 1795-1815 /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371216104.

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Books on the topic "Cherubino"

1

Zucconi, Guglielmo. Il cherubino: Romanzo. Camunia, 1991.

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Cornienti, Cherubino. Cherubino Cornienti pittore: 1816-1860. Diakronia, 1996.

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Gambardella, Cherubino. Cherubino Gambardella: Architettura e progetti, 2000-2005. Skira, 2005.

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4

Patà, Cherubino. Cherubino Pata, 1827-1899: Le vrai faux-Courbet. Musée Courbet, 1988.

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Lanini, Aldo. Cherubino Patà: Uomo e pittore originale, 1827-1899. Armando Dadò, 1992.

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Pata, Cherubino. Cherubino Pata, 1827-1899: L'ombra di Gustave Courbet : [mostra] Galleria Matasci, Tenero, 27 marzo-15 maggio 1988. Galleria Matasci, 1988.

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7

Giuliani, Achille. L'Aquila tra due monarchie: Dal Cunto di Cherubino, ossia ministrazione de la zecca e de lj granj, 1494-1495. R. Carabba, 2011.

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8

Bichsel, Peter. Cherubin Hammer und Cherubin Hammer. Suhrkamp, 2001.

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Bichsel, Peter. Cherubin Hammer und Cherubin Hammer. Suhrkamp, 1999.

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10

Guido, Moro, Rovoletto Michele, and Gava Lorena, eds. Carlo Cherubini. Antiga, 2011.

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Book chapters on the topic "Cherubino"

1

Hadlock, Heather. "The Career of Cherubino, or the Trouser Role Grows Up." In Siren Songs: Representations of Gender and Sexuality in Opera, edited by Mary Ann Smart. Princeton University Press, 2001. http://dx.doi.org/10.1515/9781400866717-006.

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Lenort, Bernhard. "Luigi Cherubini." In Kammermusikführer. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_20.

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Shoji, Noriaki, Ernst J. Reichenberger, and Yasuyoshi Ueki. "Cherubism." In Human Pathobiochemistry. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-2977-7_18.

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Chen, Harold. "Cherubism." In Atlas of Genetic Diagnosis and Counseling. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4939-2401-1_39.

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El-Mofty, Samir K. "Cherubism." In Dental and Oral Pathology. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-28085-1_668.

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Chen, Harold. "Cherubism." In Atlas of Genetic Diagnosis and Counseling. Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4614-6430-3_39-2.

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Drews, Jörg. "Fritsch, Werner: Cherubim." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6404-1.

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Matsumoto, Yoshinori, and Robert Rottapel. "Cranial Developmental Disorder Cherubism." In Encyclopedia of Medical Immunology. Springer New York, 2019. http://dx.doi.org/10.1007/978-1-4614-9209-2_131-1.

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Matsumoto, Yoshinori, and Robert Rottapel. "Cranial Developmental Disorder Cherubism." In Encyclopedia of Medical Immunology. Springer New York, 2020. http://dx.doi.org/10.1007/978-1-4614-8678-7_131.

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Brzoska, Matthias. "Cherubini, Luigi Carlo Zanobi Salvadore Maria." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_60.

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Conference papers on the topic "Cherubino"

1

Krasniqi, Vjosa Hamiti, Mergime Prekazi Loxha, Zana Agani, Aida Rexhepi, and Jehona Ahmedi. "Cherubism." In University for Business and Technology International Conference. University for Business and Technology, 2018. http://dx.doi.org/10.33107/ubt-ic.2018.352.

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Firdaus, Nikita Syahrussiami, and Elza Ibrahim Auerkari. "Genetics of Cherubism." In 11th International Dentistry Scientific Meeting (IDSM 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/idsm-17.2018.25.

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