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Dissertations / Theses on the topic 'Cherubino'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Olinyk, Karen Marie. "The marriage of Figaro : role of Cherubino." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/27380.

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2

Babbar, Lara [Verfasser]. "Die Figur Cherubino in Mozarts «Le Nozze di Figaro» / Lara Babbar." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1133461387/34.

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3

Babbar, Lara Janek [Verfasser]. "Die Figur Cherubino in Mozarts «Le Nozze di Figaro» / Lara Babbar." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://nbn-resolving.de/urn:nbn:de:101:1-201706042625.

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4

Puttee, Erin. "Undressing Cherubino: Reassessing Gender and Sexuality in Mozart's 'Le nozze di Figaro'." Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23568.

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Undressing Cherubino: Reassessing Gender and Sexuality in Mozart’s Le nozze di Figaro Although Le nozze di Figaro is one of Mozart’s most celebrated operas, we have not yet understood one crucial element. On the surface of the drama, the opera seems to be about class disruption: the Count is the head of the household, but it is his servants who run it. This plot is made evident to the audience, and it is the message that most critics draw from the work. However, there may be a second meaning below the surface that is, in fact, more subversive than the overt one. While class structures are ques

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5

Russell, Kara. "Bertha Harris' Confessions of Cherubino: From L'Ecriture Feminine to the Gothic South." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3401.

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Inspired by her obsession with the South and informed by the liberating socio-political changes born from the 1970s lesbian feminist movement, North Carolinian author Bertha Harris (1937-2005) provides a poetic exploration of Southern Gothic Sapphism in her complex and tormented novel Confessions of Cherubino (1972). Despite fleeting second-wave era recognition as “one of the most stylistically innovative American fiction writers to emerge since Stonewall,” Harris’s innovation remains largely neglected by readers and cultural theorists alike. Nearly all academic engagements with her work, of w

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6

Hoppe, Susanne Verfasser], and Henry [Akademischer Betreuer] [Keazor. "Der Buon Governo des Pompeo Ruggieri : die Fresken von Cherubino und Giovanni Alberti im Palazzo Ruggieri in Rom / Susanne Hoppe. Betreuer: Henry Keazor." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2015. http://d-nb.info/1067841598/34.

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7

Pretorious, Ane Sophia. "How did Wolfgang Amadeus Mozart adjust his compositional technique when writing for a Mezzosoprano en travesti? A comparison between the roles of Cherubino and Sesto." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30531.

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Heroic male operatic roles were not always limited to what is today mainly known as male voices (tenor or baritone/bass). In the seventeenth and eighteenth centuries prepubescent boys were often castrated in order to keep their voices within the treble range. Some of these boys were extremely musical and after many years of vigorous training, went on to become renowned singers. The singing castrati were famous for their ethereal vocal abilities as well as ‘angelic’ vocal timbre. During the castrati’s reign, Wolfgang Amadeus Mozart wrote what is speculated to be the first operatic prepubescent

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8

Pickard, Jonna. "An Analysis of Pants Roles in Opera." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/488.

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This document assesses the introduction of pants roles in opera and includes a historical overview to understand the background of these roles. This dramatic conceit concentrates on the development of the operatic art form from the seventeenth to twentieth centuries. In Italy during the seventeenth century, the castrato voice, which had been a crucial aspect of church music, was now developing a position in opera. Within this document, the castrati’s transition from sacred music to the opera, where lies the bulk of their success, will be studied. As opera expands rapidly throughout the music s

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9

Gerber, Gary George. "A conductor's analysis of the sacred choral music of Luigi Cherubini /." Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371038055.

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10

Willis, Stephen C. "Luigi Cherubini : a study of his life and dramatic music : 1795-1815 /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371216104.

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11

Siegert, Christine. "Cherubini in Florenz : zur Funktion der Oper in der toskanischen Gesellschaft des späten 18. Jahrhunderts /." Laaber : Laaber-Verl, 2008. http://d-nb.info/987488619/04.

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12

Siegert, Christine. "Cherubini in Florenz zur Funktion der Oper in der toskanischen Gesellschaft des späten 18. Jahrhunderts." Laaber Laaber-Verl, 2003. http://d-nb.info/987488619/04.

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13

Noumissing, Sao Cherubin [Verfasser]. "Dye-sensitized solar cells based on perylene derivatives / Cherubin Noumissing Sao." Kassel : Universitätsbibliothek Kassel, 2009. http://d-nb.info/1000321401/34.

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14

Carlill, A. J. "Cherubim and Seraphim in the Old Testament." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:7e6701bd-90ae-4fa3-b269-79e1dad9f504.

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This thesis is the first modern joint study of biblical Cherubim and Seraphim. I begin by setting out the recent history of their interpretation, before taking each of the biblical texts in turn. Chapter 1 looks at the references to Cherubim in Ezekiel. I argue that the Cherubim in Ezek. 1-11 are based upon the two large Cherubim in the sanctuary in Jerusalem. I investigate the different traditions represented by LXX and MT versions of Ezek. 28 and identify a tradition which may account for the MT of this chapter. Chapter 2 covers the other descriptions of living Cherubim in the biblical texts

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15

Deysel, Lesley Claire Frances. "Cherubim and Seraphim a textual and iconographic study /." Diss., Pretoria : [S.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-01212009-100414/.

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16

Heidemann, Oliver. "Luigi Cherubini : les abencérages ou l'étendard de Grenade : Untersuchungen zur Operngeschichte des französischen Empire /." Münster ; New York : Waxmann, 1994. http://catalogue.bnf.fr/ark:/12148/cb357984961.

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17

Cherubini, Yvonne [Verfasser], and Manfred [Akademischer Betreuer] Strecker. "Influence of faults on the 3D coupled fluid and heat transport / Yvonne Cherubini. Betreuer: Manfred Strecker." Potsdam : Universitätsbibliothek der Universität Potsdam, 2014. http://d-nb.info/1048223736/34.

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18

Kazanci, Cuma [Verfasser], Dieter [Akademischer Betreuer] Cherubim, and Albert [Akademischer Betreuer] Busch. "Die sprachliche Behandlung von türkischen Migranten : Analysen zu Bundestagsdebatten über Ausländergesetz, Asyl- und Staatsbürgerschaftsrecht (1990-1994) / Cuma Kazanci. Gutachter: Dieter Cherubim ; Albert Busch. Betreuer: Dieter Cherubim." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2013. http://d-nb.info/1045437875/34.

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19

Kazanci, Cuma Verfasser], Dieter [Akademischer Betreuer] [Cherubim, and Albert [Akademischer Betreuer] Busch. "Die sprachliche Behandlung von türkischen Migranten : Analysen zu Bundestagsdebatten über Ausländergesetz, Asyl- und Staatsbürgerschaftsrecht (1990-1994) / Cuma Kazanci. Gutachter: Dieter Cherubim ; Albert Busch. Betreuer: Dieter Cherubim." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2013. http://nbn-resolving.de/urn:nbn:de:gbv:7-11858/00-1735-0000-0022-5D77-D-6.

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20

Wood, Alice. "Of wings and wheels a synthetic study of the Biblical Cherubim." Berlin New York, NY de Gruyter, 2008. http://d-nb.info/990070727/04.

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21

Wood, Alice. "Of wings and wheels." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/2022.

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What are the biblical cherubim? In the Hebrew Bible, the physical appearance and cultic role of the cherubim are never explicitly elucidated. Largely, the authors assume their audience is familiar with the form and function of these heavenly beings. Yet the portrayal of the cherubim varies from text to text and, sometimes, we are given conflicting information. Previous studies of the cherubim have placed too great an emphasis on archaeological and etymological data. This thesis presents a new synthetic study which prioritises the evidence supplied by the biblical texts. Biblical exegesis, usin

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22

Harris, Hermione Mary. "The Cherubim and Seraphim : the concept and practice of empowerment in an African church in London." Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399346.

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23

Lim, Jae ho. "From guardians to worshippers : an examination of the form, function and contexts of the biblical cherubim." Thesis, University of Wales Trinity Saint David, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683038.

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24

Leong, Jeremy. "A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278634/.

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The thesis speculates on the possible influence of Mozart's Requiem on Cherubini's Requiem in D Minor, concluding that Cherubini's setting of the Sequence ("Dies irae") was indeed influenced by Mozart's setting of this liturgical text both on the micro and macro levels.

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25

Ziegelmann, Katja [Verfasser], Eberhard [Akademischer Betreuer] Winkler, Michael [Akademischer Betreuer] Job, and Dieter [Akademischer Betreuer] Cherubim. "Die Verneinung im Estnischen : zum Abbau des finiten Verneinungsverbs im älteren Schriftestnischen / Katja Ziegelmann. Gutachter: Eberhard Winkler ; Michael Job ; Dieter Cherubim. Betreuer: Eberhard Winkler." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2011. http://d-nb.info/1042724660/34.

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26

Engström, Maria. "Cheruvimskie pesnopenija v russkoj liturgičeskoj tradicii." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193.

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This thesis is a contribution to a growing field of studies on the reception of Byzantine culture in Russia. The object of investigation is the history of the Church Slavonic translation of the Cherubika, which constitute one of the most ancient and dogmatically important functional genres of Byzantine liturgical hymns. The chronological frame of this study is the 13th–17th century. Particular attention is focused on the last change in the liturgical texts in Muscovite Russia, in the mid-17th century. This liturgical reform, which led to the famous Schism in the Russian Church, is studied as p

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27

Kadlub, Natacha. "Tumeurs des maxillaires avec anomalies du développement : à partir des modèles de tumeurs kératokystiques odontogènes et du chérubinisme." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015PA05T045/document.

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Afin de mieux comprendre les bases physiopathologiques des tumeurs osseuses des mâchoires, nous avons étudié deux modèles de tumeurs associées à des mutations génétiques connues : la tumeur kératokystique odontogène (TKO), liée à la mutation de PTCH1, et le chérubinisme, lié à la mutation de SH3BP2. Au regard des travaux d’oncogénétique, nous formulons l’hypothèse que le développement des tumeurs ostéolytiques bénignes des mâchoires de l’enfant et leur agressivité repose sur un mécanisme génétique. Nous avons montré que la présence d’une mutation de PTCH1 (germinale avec syndrome de Gorlin) da

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28

Higgins, Thomas Winfield. "Prophet, priest and king in colonial Africa : Anglican and colonial political responses to African independent churches in Nigeria and Kenya, 1918-1960." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5472.

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Many African Independent Churches emerged during the colonial era in central Kenya and western Nigeria. At times they were opposed by government officials and missionaries. Most scholars have limited the field of enquiry to the flash-points of this encounter, thereby emphasizing the relationship at its most severe. This study questions current assumptions about the encounter which have derived from these studies, arguing that both government and missionary officials in Kenya and Nigeria exhibited a broader range of perspectives and responses to African Independent Churches. To characterize the

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29

SIE, CYUAN-JHEN, and 謝筌湞. "The character renditions of Cherubino in Mozart's 《Le nozze di Figaro》." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/51070852801246699971.

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碩士<br>實踐大學<br>音樂學系碩士班<br>104<br>Le nozze di Figaro is one of the most popular operas of Mozart. Although there have been some literature on this work, few of them focus on its characters. This study takes its beloved trouser-role, Cherubino, as the subject matter. In order to understand the dramaturgical function of Cherubino, I first categorized his entries and appearences in the entire opera. Musical analysis of four related numbers, including two solo arias and two ensembles, shows how Da Ponte and Mozart form this character musically. Finally, this study chooses four representative product

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30

Rozonoer, Anna. "The invariable variability of the Cherubim." Thesis, 2014. https://hdl.handle.net/2144/15153.

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The subject of this dissertation is the biblical Cherubim. The Cherubim are mentioned in a fairly small number of texts in the Hebrew Bible; nevertheless, they are described in quite diverse ways. For instance, one distinctive feature is their outward appearance, which is portrayed in radically different ways in several books of the Bible. Do these distinctions merely reflect the varied views of the biblical authors, or, from the perspective of the entire biblical canon, does this variety and mutability reveal an essential feature of their nature? My hypothesis is that there is, in fact, a ce

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31

Lin, Shou-chen, and 林守珍. "A Study of《Requiem Mass in C Minor》by Luigi Cherubini." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/18871249688410694751.

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碩士<br>國立臺南大學<br>音樂學系碩士班<br>96<br>The purpose of this thesis focuses on the musical culture of Cherubini’s Requiem Mass as the presentation method of performance or the references of instructors and researchers. In the thesis，first of all，the literature was written to realize Cherubini’s history background and creative ideas throughout his life，which can help us to understand his spirit and culture in music.Secondly，to analyze the musical structure and composition.Finally，We try to find out our best explanation on the musical expression and performance skill of Cherubini’s Requiem Mass，which c

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32

Cherubin, Thomas [Verfasser]. "Über die Bestimmung von Copolymerisationsparametern in der radikalischen Copolymerisation von Acrylnitril mit Butadien / vorgelegt von Thomas Cherubin." 1999. http://d-nb.info/962790117/34.

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