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Relevant bibliographies by topics / Chinese fiction History and criticismSong dynasty

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Academic literature on the topic 'Chinese fiction History and criticismSong dynasty'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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Journal articles on the topic "Chinese fiction History and criticismSong dynasty"

1

Han, Ruihui. "Jin Ping Mei: A Story of Guanxi." Folklore: Electronic Journal of Folklore 85 (April 2022): 7–34. http://dx.doi.org/10.7592/fejf2022.85.han.

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No fiction is without a narrative of human relationships. In Chinese literary history, the stories represented by Jin Ping Mei are especially seen as dealing with human relationships. Some researchers have interpreted Jin Ping Mei from the perspective of human relationships; however, the generic concept cannot describe social connections in Chinese culture. The concept of guanxi, the ubiquitous and quotidian social network in China, better describes the specific human relationships in this fiction. Guanxi as a Chinese cultural phenomenon originating from Confucianism is effective in procuring

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des Forges, Alexander. "Building Shanghai, One Page at a Time: The Aesthetics of Installment Fiction at the Turn of the Century." Journal of Asian Studies 62, no. 3 (2003): 781–810. http://dx.doi.org/10.2307/3591860.

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In the last two decades of the Qing dynasty, installment publication became the dominant mode of presentation for Chinese fiction, as it had been for European and Japanese literature for more than half a century. Whether printed daily as one feature in a newspaper, weekly in literary supplements, or monthly in the fiction journals that took off in the early 1900s, Chinese vernacular fiction of this period appeared in parts over time, just as the works of Honoré de Balzac, Charles Dickens, Jippensha Ikku, Fyodor Dostoevsky, and even Henry James did (Link 1981; Lee and Nathan 1985; Chen 1988). A

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3

尚昱辰, 三明学院教育与音乐学院. "Fiction and Reality: Aesthetic Implication of the Love Ghost Opera in the Late Ming Dynasty." Sinology 2 (2019) 2 (2019): 81–108. https://doi.org/10.12906/9781682025222_004.

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As one of the main categories of ancient Chinese operas, ghost opera plays an important role in the opera history. And the love ghost subject opera, which contains the two themes of love and death, becomes more and more popular among the dramatists and audiences. The cultural imagination of the “ghost” in ancient Chinese opera is of great importance in the aspects of artistic function, opera adaptation, and image building, especially the “female ghost” images, realizing the ideal realization and aesthetic imagination for the dual-image of human and ghost in an “imaginary reality”. In the late

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4

Willcock, Hiroko. "Japanese Modernization and the Emergence of New Fictwn in Early Twentieth Century China: A Study of Liang Qichao." Modern Asian Studies 29, no. 4 (1995): 817–40. http://dx.doi.org/10.1017/s0026749x0001619x.

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Inspired by Japanese influences among others the late Qing period saw a great surge in the writing of fiction after 1900. The rate of growth was unprecedented in the history of Chinese literature. The great surge coincided with rapid socio-political changes that China underwent in the last fifteen years of the Qing Dynasty. At the psychological level, the humiliating defeat by Japan in 1895 gave rise to a feeling of urgency for reform among some progressively minded Chinese intellectuals. Those reformers came to view fiction as a powerful medium to further their reform causes and to arouse amo

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5

Wu, Jiaqi. "A Preliminary Exploration of Buddhist Culture in Tang Legends." Communications in Humanities Research 47, no. 1 (2024): 30–35. http://dx.doi.org/10.54254/2753-7064/47/20242406.

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Abstract: The chuanqi (legendary stories) of Tang Dynasty are widely recognized as a milestone that marks a new stage in the history of Chinese fiction. During this period, the Tang Dynasty adopted a religious policy that allowed Buddhism and Daoism to coexist, leading both religions to reach their historical peaks of prosperity. In the texts of Tang chuanqi, Buddhist thought is also endowed with profound meaning. This paper aims to conduct a detailed analysis of the stylistic features, literary themes, and character outcomes in five classic Tang Legends from the Anthology of Tang and Song Tal

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6

Smirnova, Nataliya Vladimirovna. "On the question of studying the examination system during the reign of the Manchu Qing Dynasty. The image of a student in the stories of Pu Songling." Uchenyy Sovet (Academic Council), no. 5 (April 22, 2021): 394–401. http://dx.doi.org/10.33920/nik-02-2105-07.

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The stories of the Chinese writer Pu Songling about the extraordinary are well known all over the world: there are translations in English, French, German and Spanish. The article, based on the study of the stories of Pu Songling in the translations of the outstanding Russian orientalist Vasiliy Mikhailovich Alekseev (1881-1951), presents the image of a student and the features of the examination system (keju) during the reign of the Manchu Qing Dynasty in China (1644-1911). The importance of fiction in the study of the content of the institution of state examinations is emphasized. Artistic i

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7

Hedberg, William C. "Chinese Fiction as a ‘Signal Bell of the Revolution’ and the Transregional Birth of an Author." East Asian Publishing and Society 9, no. 2 (2019): 125–50. http://dx.doi.org/10.1163/22106286-12341333.

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Abstract This essay examines late nineteenth- and early twentieth-century interest in Shi Nai’an, the putative author of the traditional Chinese novel, The Water Margin. Despite the paucity of reliable evidence attesting to Shi Nai’an’s composition of The Water Margin, Japanese writers of the Meiji period were keenly interested in Shi on the basis of his alleged stature as a pioneering author of Oriental or East Asian (Tōyō) fiction. This characterization of Shi Nai’an was a byproduct of the recently established academic discipline of literary history in Japan, and the concomitant desire by Me

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8

Snow, Don, Zhou Xiayun, and Shen Senyao. "A short history of written Wu, Part I." Global Chinese 4, no. 1 (2018): 143–66. http://dx.doi.org/10.1515/glochi-2018-0007.

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AbstractIn two articles published in the 1920s, Hu Shi argued that China’s vernacular literature movement should encompass not only literature written in Mandarin but also other regional languages in China, and suggested that Wu, particularly Suzhounese, was the regional language most likely to achieve what he described as “independence” (独立) as a literary language. Beginning in the late Ming dynasty with Feng Menglong’s Mountain Songs collection, this study traces the literary journey of Suzhounese as used in various types of written texts such as Kun opera scripts,tancinovels, fiction, and W

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9

Karlsson, Jens, and Rebecka Eriksson. "Vilande drakens elegi." Tidskrift för litteraturvetenskap 42, no. 2-3 (2012): 154–65. http://dx.doi.org/10.54797/tfl.v42i2-3.11698.

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The Sleeping Dragon’s Elegy: An Example of Occasional Verse in The Romance of the Three Kingdoms This article examines one example of occasional verse in the classic Chinese novel The Romance of the Three Kingdoms (Sanguo yanyi 三国演义, Luo Guanzhong, 14th century), with a focus on the historical situation in which the poem is placed and the political implications ascribed to it. The Romance of the Three Kingdoms is a work of tremendous cultural impact. Its retelling of historical events during the late Han dynasty continues to shape the general understanding of this period, regardless of t

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10

Zhao, Yi. "Ethos and Karma: the Construction of Business Ethics and Social Ethics in Popular Novels from the 16th to 18th Centuries." Journal of Chinese Humanities 9, no. 2 (2023): 181–95. http://dx.doi.org/10.1163/23521341-12340152.

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Abstract The common concept of karma and retribution in the general religious life of Chinese society was not only expressed in the popular literature that has flourished since the Song dynasty, but also reacted to society through the processing, refining, and deepening of popular fiction. Popular novels from the 16th to 18th centuries synchronized with the fresh ideas of New Chan Buddhism, New Daoism, and New Confucianism, which gradually developed an ethos and karma model. It used real life as a metaphor for explaining cause and effect in the construction of new business and social ethics th

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Dissertations / Theses on the topic "Chinese fiction History and criticismSong dynasty"

1

陳器文 and Chi-wen Chen. "A study of the ordeal stories in Chinese popularfictions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31236637.

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趙米卿 and Mai-hing Chui. "A study of the Ming and Qing historical novels related toYue Fei." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B38803835.

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3

Marling, Thomas Oliver. "The magician of reason, the plaything of enlightenment: grotesque fantasy and tabloid speculative fiction, 1900-1911 /Marling Thomas Oliver." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/375.

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The final decade of the Qing Dynasty, 1901-1911, witnessed a proliferation of works of fiction that incorporated, to a large extent for the first time, themes and images relating to material and technological progress. These "science fantasies" of global and interplanetary peregrination and travel across epochal time have typically been situated along various degrees of confederacy with the values and ideology of modernising China at large. This study however addresses the complex and oft-obfuscated relationship between much of this speculative fiction and the late-Qing tabloid press, which is

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4

劉燕萍 and Yin-ping Grace Lau. "Grotesque satire in the Ming and Qing novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240495.

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梁偉詩. "「新小說」 : 晚清的文化想像 = "Xin xiao shuo" : cultural imaginaries of late Qing". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/797.

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Choi, Po-ki, and 蔡寶琪. "Male images in the romantic stories in the Chuanqi genre of the Tang dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42926178.

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Dai, Ping Emma, and 戴平. "The concept of love in the Ming short stories of Sanyan and Erpan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222559.

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8

麥樹堅. "晚淸上海小說的城市書寫 = City writing in late Qing Shanghai fictions". HKBU Institutional Repository, 2004. http://repository.hkbu.edu.hk/etd_ra/547.

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9

蘭倩. "唐傳奇夢境的程式和敘事結構 =The forms and narrative structure in the dream of Chuanqi in Tang Dynasty". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954486.

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劉永琦. "題材與思想 :"三言" 中的明代話本研究 = A research on subject matter and thought of huaben fictions of Ming dynasty in San yan". Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690590.

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Books on the topic "Chinese fiction History and criticismSong dynasty"

1

Guanzhong, Luo. San guo yan yi. Jilin chu ban ji tuan you xian ze ren gong si, 2009.

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Guanzhong, Luo. San guo yan yi. 3rd ed. Beijing yan shan chu ban she, 2007.

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Guanzhong, Luo. San Guo Yan Yi. Zhongguo qing nian chu ban she, 2008.

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Guanzhong, Luo. San guo yan yi: Hui ping ben. Beijing da xue chu ban she., 1986.

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Guanzhong, Luo. San guo yan yi. Zhongguo dui wai fan yi chu ban gong si, 2006.

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Guanzhong, Luo. San guo yan yi. Hubei mei shu chu ban she, 2011.

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Guanzhong, Luo. San guo yan yi. Zhonghua shu ju, 2005.

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Guanzhong, Luo. San guo yan yi. Beijing shao nian er tong, 2002.

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Guanzhong, Luo. San guo yan yi. Guang ming ri bao chu ban she, 2008.

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10

Montgomery, R. A. Chinese dragons. Bantam Bks., 1991.

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Book chapters on the topic "Chinese fiction History and criticismSong dynasty"

1

"Chapter Seventeen Drama and Fiction of the Ming Dynasty." In A Concise History of Chinese Literature (2 vols.). BRILL, 2011. http://dx.doi.org/10.1163/9789004203679_019.

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"Chapter Nineteen Drama and Fiction of the Qing Dynasty." In A Concise History of Chinese Literature (2 vols.). BRILL, 2011. http://dx.doi.org/10.1163/9789004203679_021.

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