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Dissertations / Theses on the topic 'Chinese fiction History and criticismSong dynasty'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

陳器文 and Chi-wen Chen. "A study of the ordeal stories in Chinese popularfictions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31236637.

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2

趙米卿 and Mai-hing Chui. "A study of the Ming and Qing historical novels related toYue Fei." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B38803835.

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3

Marling, Thomas Oliver. "The magician of reason, the plaything of enlightenment: grotesque fantasy and tabloid speculative fiction, 1900-1911 /Marling Thomas Oliver." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/375.

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The final decade of the Qing Dynasty, 1901-1911, witnessed a proliferation of works of fiction that incorporated, to a large extent for the first time, themes and images relating to material and technological progress. These "science fantasies" of global and interplanetary peregrination and travel across epochal time have typically been situated along various degrees of confederacy with the values and ideology of modernising China at large. This study however addresses the complex and oft-obfuscated relationship between much of this speculative fiction and the late-Qing tabloid press, which is

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4

劉燕萍 and Yin-ping Grace Lau. "Grotesque satire in the Ming and Qing novels." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240495.

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5

梁偉詩. "「新小說」 : 晚清的文化想像 = "Xin xiao shuo" : cultural imaginaries of late Qing". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/797.

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6

Choi, Po-ki, and 蔡寶琪. "Male images in the romantic stories in the Chuanqi genre of the Tang dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42926178.

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7

Dai, Ping Emma, and 戴平. "The concept of love in the Ming short stories of Sanyan and Erpan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222559.

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8

麥樹堅. "晚淸上海小說的城市書寫 = City writing in late Qing Shanghai fictions". HKBU Institutional Repository, 2004. http://repository.hkbu.edu.hk/etd_ra/547.

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9

蘭倩. "唐傳奇夢境的程式和敘事結構 =The forms and narrative structure in the dream of Chuanqi in Tang Dynasty". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954486.

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10

劉永琦. "題材與思想 :"三言" 中的明代話本研究 = A research on subject matter and thought of huaben fictions of Ming dynasty in San yan". Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690590.

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11

Seto, Mei Yee. "Did dreams come true in the Song dynasty? : a typology and critical study of dream narratives in Taiping guangji, chapters 276-282." Master's thesis, 1996. http://hdl.handle.net/1885/144357.

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12

"晚淸通俗小說對新思潮的傳播工能. v.1". 1985. http://library.cuhk.edu.hk/record=b5887954.

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梁鳳儀.<br>手稿本 (copies 2 & 3 複印本)<br>Thesis (Ph.d.)--香港中文大學硏究院中國文化硏究學部.<br>Shou gao ben (copies 2 & 3 fu yin ben)<br>Includes bibliographical references (leaves 1506-1509).<br>Liang Fengyi.<br>Thesis (Ph.d.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo wen hua yan jiu xue bu.<br>自序 --- p.6-27<br>章節撮要 --- p.28-52<br>Chapter 第一章 --- 緒論<br>Chapter 第一節 --- 本論文的研究宗旨 --- p.53-71<br>Chapter 第二節 --- 晚清通俗小說的倡議緣起 --- p.72-88<br>Chapter 第三節 --- 晚清通俗小說的誕生 --- p.89-115<br>Chapter 第四節 --- 本論文研究的範圍及材料的限制 --- p.116-161<br>Chapter 第二章 --- 西方知識之引介<br>Chapter 第一節 --- 競存思想之普及　 --- p.162-190<br>Chapter 第二

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13

"晚清「新小說」的都市想像". 2013. http://library.cuhk.edu.hk/record=b5884254.

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陳芃欣.<br>Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.<br>Includes bibliographical references (leaves 126-133).<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Abstract in Chinese and English.<br>Chen Pengxin.

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14

"探索<枕中記>的宗敎啓悟思想: 唐人小說的宗敎主題硏究". 1998. http://library.cuhk.edu.hk/record=b5889582.

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龍詠怡.<br>論文(哲學碩士)--香港中文大學, 1998.<br>參考文獻: leaves i-xv.<br>中英文摘要.<br>Long Yongyi.<br>Chapter 1. --- 導言 --- p.1<br>Chapter 2. --- 試論唐人小說之宗敎主題 --- p.8<br>Chapter 3. --- 方法論<br>Chapter 3.1 --- 宗敎啓悟理論 --- p.14<br>Chapter 3.2 --- 宗敎啓悟與文學 --- p.22<br>Chapter 4. --- 版本與作者<br>Chapter 4.1 --- 版本源流 --- p.30<br>Chapter 4.2 --- 現今學者所採納之版本 --- p.33<br>Chapter 4.3 --- 作者及寫作問題<br>Chapter 4.3.1 --- 作者問題 --- p.34<br>Chapter 4.3.2 --- 寫作日期 --- p.38<br>Chapter 5. --- 故事詮釋<br>Chapter 5.1 --- 故事佈局<br>Chapter 5.1.1 --- 時間設定 --- p.40<br>Chapter 5.1.2 --- 地點設定 --- p.42<br>Chapter 5.2 --- 故事人物<br>Chapter 5.2.1

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15

"從《再生緣》到《筆生花》: 清代女性彈詞小說研究". 2010. http://library.cuhk.edu.hk/record=b5896685.

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張思靜.<br>"2010年11月".<br>"2010 nian 11 yue".<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2010.<br>Includes bibliographical references (leave 128-133)<br>Abstract in Chinese and English.<br>Zhang Sijing.<br>Chapter 第一章： --- 緒論 --- p.1<br>Chapter 第一節： --- 研究範圍及研究對象之性質 --- p.1<br>Chapter 第二節： --- 彈詞研究綜述 --- p.5<br>Chapter 第三節： --- 研究緣起及問題意識 --- p.8<br>Chapter 第四節： --- 具體文本選擇背後的考慮 --- p.10<br>Chapter 第五節： --- 《再生緣》、《筆生花》相關研究提要 --- p.15<br>Chapter 第六節： --- 本論文結構 --- p.17<br>Chapter 第二章： --- 敘事重心的轉移與美學風格的變換：從《再生緣》到《筆生花》 --- p.19<br>Chapter 第一節: --- 作者、主題、文學趣味：《再生緣》與《筆生花》的審美差異 --- p.

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16

"「三言」的重複現象". 2007. http://library.cuhk.edu.hk/record=b5893405.

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翁逸敏.<br>"2007年9月".<br>論文(哲學碩士)--香港中文大學, 2007.<br>參考文獻(leaves 166-172).<br>"2007 nian 9 yue".<br>Abstract also in English.<br>Weng Yimin.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007.<br>Can kao wen xian (leaves 166-172).<br>Chapter 第一章 --- 引言 --- p.1<br>Chapter 第二章 --- 「三言」簡介 --- p.4<br>Chapter 2.1 --- 「三言」的版本 --- p.5<br>Chapter 2.2 --- 「三言」的編撰者 --- p.8<br>Chapter 2.3 --- 「三言」硏究槪況 --- p.12<br>Chapter 2.4 --- 「三言」的體裁 --- p.15<br>Chapter 第三章 --- 重複的理論框架 --- p.19<br>Chapter 3.1 --- 有關重複的硏究 --- p.19<br>Chapter 3.2 --- 蘇利民的重複理論 --- p.21<br>Chapter 3.3 --- 重複的原因 --- p.29

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