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Dissertations / Theses on the topic 'Chinese mythology'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Moore, Emily Olive. "Translating Greek Mythology in Contemporary Chinese Science Fiction." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8764.

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Given its early connection to western science fiction, it is not entirely surprising that contemporary Chinese science fiction (csf) frequently references the "west" in general and Greek mythology in particular. The three works that I analyze in this paper are Xia Jia's "Psychology Game," Gu Shi's "Chimera," and Egoyan Zheng's The Dream Devourer. These three texts utilize Greek mythology in different ways, to different degrees, and with different purposes, and yet they all use Greek mythology to visually disrupt their respective texts. Xia Jia ends "Psychology Game" with a direct Greek-languag

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2

Lee, Intack. "Selected myths of China and Korea a comparative study analysis /." access full-text online access from Digital Dissertation Consortium, 1993. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9334922.

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3

Zha, Yu 1970. "The mythology of Hero : a study of Chinese national cinema." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79987.

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As the twentieth century ended with globalization and commercialization, popular culture begins to challenge the dominance of national culture. The Chinese intellectual community tries to defend national culture against the incoming global culture and local cultures. The conflicts between localism and nationalism, and also between globalism and nationalism, are clearly demonstrated in the Hero phenomenon, which basically concerns the unanimous disparagement on director Zhang Yimou's debut martial arts film Hero within the Chinese critics' circle. Through a discursive analysis of the phe

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4

Chan, Wai-yu, and 陳慧瑜. "The idea of kingship in ancient Chinese and Japanese mythologies: a comparative study." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228185.

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5

Sun, Linda. "Translocation this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design) in the year 2004." Full thesis. Abstract, 2004.

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6

連劭名 and Shaoming Lian. "The Sui, Fu, Yu, and Bai sacrifice ceremonies recorded indivination inscriptions of the Shang Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31235992.

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7

盧仲衡 and Allan Chung-hang Lo. "Myth in the Zhiguai tales of the Six Dynasties." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31209920.

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8

陳桂月 and Kwee-nyet Chin. "The mythical world of modern Chinese writers (1919-1949)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31234744.

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9

Dmitrieva, Victoria. "The legend of Shambhala in Eastern and Western interpretations /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28260.

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The legend of Shambhala incorporated in the Tibetan Canon, has been one of the favourite motives of Tibetan Buddhism throughout the centuries. High lamas and laity alike venerated the legend connecting their innermost aspirations with it. For some it represents a mystical millennial country revealing itself only to the chosen ones, while others perceive it as a symbol of the hidden treasures of the mind. This way or the other, the legend of Shambhala remains a living belief for many. The present hardships of Tibet made the legend with its leitmotif of future victory of Buddhism, especially via

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10

Waksmunski, Valerie. "Yielding to the Worthy: The Chinese Abdication Myth as Discourse on Hereditary vs. Merit-based Leadership." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1441799724.

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11

Wong, Kuok. "The ghost story across cultures : a study of Liaozhai Zhiyi by Pu Songling and the Celtic Twilight by William Butler Yeats." Thesis, University of Macau, 2008. http://umaclib3.umac.mo/record=b1943892.

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12

Yau, Vickie Wai Ki. "Parody and nostalgia : contemporary re-writing of Madame White Snake." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/855.

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Between 1950s and 1990s, Hong Kong had a frenzy for writing and re-writing materials from classical literature and myths. The myth of Madame White Snake is one of the most well known stories that survived a long period of time. The earliest known version of Madame White Snake was a supernatural story in 1550, which later became a prototype of numerous subsequent versions starting in 1624. This prototype was repeatedly re-written throughout history and was also made into different genres including plays, playlets, novels, films and television dramas. One of the latest versions was written b

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13

Даниленко, М. В., та M. Danylenko. "Дракон у китайській міфології". Thesis, Харківський національний педагогічний університет імені Г. С. Сковороди, 2021. http://dspace.hnpu.edu.ua/handle/123456789/5237.

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У статті розглянуто образ дракона, який займає особливе місце у китайській міфології. У древніх міфах дракон виступає як предок людства, видатний національний мудрець, перший китайський імператор. На зорі цивілізації в Китаї поклонялися драконові як головному тотему. В статье рассмотрен образ дракона, который занимает особое место в китайской мифологии. В древних мифах дракон выступает как предок человечества, выдающийся национальный мудрец, первый китайский император. На заре цивилизации в Китае поклонялись дракону как главному тотему. The article examines the image of a dragon, which occupie

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14

Wu, Hong miao. "Analyse sémiotique d'une figure mythique : le dragon chinois." Paris 8, 1993. http://www.theses.fr/1993PA080780.

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La figure du dragon chinois est le lieu d'une combinatoire qui met en jeu l'eclair, la pluie, le crocodile, etc. Notre etude met en relief son theme pere-ancetre-empereur par rapport a la doctrine yin-yang tant dans la vie quotidienne que dans la cosmogonie. Le dragon est pris pour la representation d'un actant. Son noyau semique virtuel n'est rien d'autre qu'un objet yang, le symbole phallique. Les autres sens produits par le contexte sont des creationspoetiques. Une analyse combinee de la semiotique et de la psychanalyse met en lumiere les fonctions de son symbolisme dans la societe chinoise

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15

陸雯. ""天問" 和 "山海經" 神帝比論 =Comparison of gods in Tian Wen and Shan Hai Jing". Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690519.

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16

Huo, Datong. "Mythes de naissance du Fils du Ciel : étude sur la formation de l'inconscient chinois." Paris, EHESS, 1996. http://www.theses.fr/1996EHES0051.

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Cette these etudie l'ensemble des mythes de la chine antique concernant la naissance sans pere des heros civilisateurs et des grands souverains. A travers un ensemble de materiaux, l'auteur analyse de maniere psychanalytique les figures respectives de la mere et de l'enfant-heros ainsi que leurs relations respectives. Ainsi se trouve abordee la question cruciale en chine de la place symbolique de l'empereur<br>This dissertation explores the entire corpus of ancient chinese myths concerning the father-less birth of cultural heroes and illustrious sovereigns. Looking through a vast array of mate

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17

Liu, Jing. "L' évocation de l'univers mental de l'Antiquité grecque et de l'ère pré-qin chinoise : étude descriptive et comparative à partir des mythes antiques." Limoges, 2014. http://www.theses.fr/2014LIMO2002.

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La mondialisation engendre la multiplication des échanges culturels parmi toutes les nations et se crée une tendance de la conjonction de la civilisation. Pourtant, on doit rendre compte de la diversité culturelle qui existera à long terme. Les caractéristiques de la civilisation occidentale et orientale se sont formées dès l'origine -Grèce antique et Chine ancienne, par ailleurs, elles sont traduites dans leur produit d'esprit, soit les mythes. En comparant les mythes de l'Antiquité grecque et de l'ère pré-Qin chinoise, nous avons étudié la différence et l'analogie des mentalités. Chez les Gr

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18

Li, Shaoqing. "Figures du dépassement de soi : étude comparative des mythes littéraires de Sisyphe et de Jingwei." Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2005.

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Sisyphe, figure exemplaire de l'hybris dans la mythologie grecque et Jingwei, oiseau symbolisant le sublime de la volonté humaine dans la mythologie chinoise partagent dans leurs récits mythiques des mythèmes communs : transgression de la mort, action cyclique et vanité des efforts. Cette thèse a pour but d'examiner les convergences et les divergences entre ces deux mythes en s'appuyant sur une étude mythocritique combinée à une approche herméneutique. La lecture didactique, que ce soit l'enseignement sur la mesure dans les interprétations du mythe de Sisyphe par les auteurs grecs et latins ou

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Chien-Wei-Chun and 錢維君. "A Study of Chinese Mythology in Female Illustration." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/94206748684414464564.

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碩士<br>輔仁大學<br>應用美術學系碩士班<br>97<br>Worship the gods of life and believe in China, the possession of a considerable proportion, which reflects the pulse of the community development also on behalf of the majority of spiritual sustenance. The Ancient Chinese myths and legends can be observed today, often the role of women in the reproductive gods, love, the housekeeping job, they should look really does not stop there. This research will look at the connection and applications between Chinese figure painting, the story of female mythology and , feminine, then summarize documents with historical in

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Lin, Kuei-ping, and 林桂萍. "A Study of Chinese-Korean Mythology about King Jumong." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/32118747497699359691.

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碩士<br>東吳大學<br>中國文學系<br>93<br>Ju mong is not only a mythical, well know figure in Korea, but also the founder of ancient Korea. There are so many differences about his mythical records between Chinese and Korean historical data.There in, the hero’s life is just like a dramatic event, which is from his unique and remarkable way of birth, many kinds of suffering and adventure, even to his successful accomplishments finally. Because of his hardworking, we can see “Man’s determination will conquer Nature.” After all the hardships endure, the happy sunny days are coming－a perfect ending of his colo

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Wu, Mu-Ya, and 吳慕雅. "An Investigation on The Great Mother in Chinese Mythology." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/92379141620061520955.

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22

"中國古代神話與儒家經典中天之觀念的省察". 1993. http://library.cuhk.edu.hk/record=b5887651.

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據稿本複印<br>論文(哲學碩士)--香港中文大學硏究院哲學學部,1993.<br>參考文獻: leaves 127-133<br>申耀翔.<br>前言 --- p.1<br>Chapter 1. --- 中國古代神話中的「天」 --- p.2<br>Chapter 一. --- 中國古代神話的特色<br>Chapter 二. --- 中國古代神話中的「天」、「地」<br>Chapter 三. --- 中國古代天文學中的「天」<br>註釋<br>Chapter 2. --- 「天」<<詩經>>中的「天」 --- p.18<br>Chapter 一. --- 祭祀和迷信<br>Chapter 二. --- 天的描述<br>註釋<br>Chapter 3. --- <<尚書 >>中的「天」 --- p.32<br>Chapter 一. --- 自然的「天」<br>Chapter 二. --- <<尚書>>中「天」之性格<br>Chapter 三. --- 天之賞慈罰惡<br>註釋<br>Chapter 4. --- <<春秋左傳>>中的「天」 --- p.51<br>Chapter 一. --- 人格化的「天」<br>Chapter 二 . --- <<左傳>>中「天」之性格<br>Chapter 三. --- 科學的觀天<br>註釋<br>Chapter 5. ---

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23

FANG, WEN-TING, and 房文婷. "The Research on Character Design of Female Mythology in Chinese Animation." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/635j4e.

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博士<br>國立臺灣藝術大學<br>創意產業設計研究所<br>107<br>Myths provide endless materials for artistic creation. Combined with human imagination and creativity, the art presents and disseminates the fantasy and the mystery in the myths realistically. At present, the study of female mythological characters plays an important role in the study of mythology. There are many female images in Chinese ancient myths, all reflecting the characteristics of their times with features and charm of their own; massive literature in all those times provide substantial materials for studying the development of myths with female c

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Billings, Elliot Meier. "An annotated translation of "Accounts of supernatural retribution"/." 2004. https://scholarworks.umass.edu/theses/1331.

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Liao, Chien-chang, and 廖建彰. "Architectural Mythology——The Discursive Formation of “Modern Chinese Architecture” in Postwar Taiwan（M1940s~L1990s）." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/49111489541612174640.

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碩士<br>國立臺灣大學<br>建築與城鄉研究所<br>89<br>The pursuit of “Modern Chinese Architecture” is one of the most predominant theses of architectural discourse and spatial practice in postwar Taiwan. This essay analyzes the representative cases of these architectural discourse and spacial practice. The author’s main argument is that the alternation of architectural styles and the debates of aesthetics in the discourse and spatial practice of “Modern Chinese Architecture” were exactly the mobilization of feelings and the competition of hegemonies in the field of cultural symbolic representation which were domi

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Chang, Mei-Hua, and 張美華. "The Study of Chinese Cultural Artifacts and Its Mythology: Base on “Tai Pin Guan Chi”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/kxr692.

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碩士<br>東吳大學<br>中國文學系<br>102<br>Artifacts are the tools mankind depends on in life. Ancient Chinese artifacts not only reflected practical features but also focused on functional characteristics of spirituality. Affected by the concept of "animism," artifacts have been given the power of the gods. The early people considered the artifacts of god worship seemed to be the worship of gods, which can not only achieve wishes but also avoid disaster. Therefore, since ancient times, many artifacts have become the objects the early people respect and worship. Since there was a large number of fantasy no

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CHEN, YUEH-HSIAO, and 陳岳孝. "God Painting and Mythology – A Creative Discourse of Chen, Yueh-Hsiao’s Chinese Brush Figure Painting." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/9qm8r3.

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碩士<br>國立屏東大學<br>視覺藝術學系碩士班<br>106<br>Nowadays, with the rapid development of technology, the growth of the media has surpassed our imagination than before. The resources of visual images are rich and easy to get. It is very common to see examples for images that are being "re-used". This technique is called "appropriation", which means taking ready-made objects or other’s art works and adapting their texts to make their own works. By appropriating the painting of “The Genesis” which was painted by Michelangelo di Lodovico Buonarroti Simoni (1475-1564) in the Sistine Chapel, the author makes the

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"Convergence and divergence: a comparative study of myth and tragic in Jiuge and Agamemnon." 1999. http://library.cuhk.edu.hk/record=b5890040.

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Chun, Lin Chia, and 林家俊. "The comparison of the rising mythology both from Korean (Three dynasty’s tales) and Chinese classical literature." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/50731041205999779914.

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碩士<br>中國文化大學<br>韓國語文研究所<br>91<br>Abstract The comparison of the rising mythology both from Korean (Three dynasty’s tales) and Chinese classical literature Lin, Chia-chun The Department of Korean Language and Literature The graduate School of Chinese Culture University The essay mainly deals with the comparison of the rising mythology bo

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"龍女故事研究". 2005. http://library.cuhk.edu.hk/record=b5896456.

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蔡鈺玲.<br>"2005年10月"<br>論文(哲學碩士)--香港中文大學, 2005.<br>參考文獻(leaves 126-140).<br>"2005 nian 10 yue"<br>Abstracts also in English.<br>Cai Yuling.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005.<br>Can kao wen xian (leaves 126-140).<br>Chapter 第一章 --- 緒論 --- p.1<br>Chapter 第一節 --- 硏究緣起及動機 --- p.1<br>Chapter 第二節 --- 研究範圍及方法 --- p.3<br>Chapter 第二章 --- 龍女故事的形成 --- p.5<br>Chapter 第一節 --- 先秦至漢代有關龍的傳說 --- p.5<br>Chapter 第二節 --- 魏晉南北朝有關龍的故事 --- p.8<br>Chapter 第三節 --- 唐代龍王龍女故事的形成背景 --- p.11<br>Chapter 一、 --- 印度那伽故事的影響 --- p.11<br>Chapter 二、 --- 中國水神故事的延續 --- p.23<br>Chapter 第三章 --- 龍女

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WANG, SZU-CHIEH, and 王思潔. "" The Lighting Face "-A Creative Project of Make-Up Art Combining with the Chinese Facial Painting and Greek Mythology." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/vm3axc.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>107<br>Greek mythology has always been a popular and creative text, not only reflecting the most primitive feelings and desires and emotional expressions of human nature, but also exerting great influence in the later Western society. In addition to the influence of "humanity" on the characters’ emotional expression, the creation of literature and art with the theme of Greek mythology also accounts for a large part in the Western world. In the Chinese history of more than 5,000 years, people have developed their own aesthetics from their life, ethics and culture. F

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HUANG, CHIUNG-HSIN, and 黃瓊欣. "The Effect upon Teaching Chinese as a Second Language with a Mythology Picture Book：Focus on Improving Speaking Ability of “Lái”and”Qù” Phrases and Culture Connotation." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/c8dm6j.

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碩士<br>國立新竹教育大學<br>中國語文學系碩士班<br>103<br>The purpose of this study was to use the mythology picture book, Nuozha Conquers the Dragon King, to improve the speaking ability of “lái” and ”qù” phrases and teach cultural connotation.The advantage of picture books is that pictures assist reader to comprehend the text easily. In this text, there are a lot of different types of “lái”and”qù”phrases. Among them, complement of direction is the major one. Complement of direction is one of the most difficult phrases for Chinese learners. Therefore, this study used the picture book where situations are provide

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"裰織仙名: 宋至清中葉廣東增江流域的何仙姑信仰與地方社會". 2014. http://library.cuhk.edu.hk/record=b6116366.

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從服食雲母得仙的嶺南何氏女，到增城邑人何泰抗婚的女兒，最後成為以「仙姑之後」自詡的何姓居民敬奉的「仙姑婆」─女仙，未嫁女兒，祖姑，這幾種身份在帝國晚期共同交織出增江沿岸何仙姑信仰多元的面向，也揭示了這塊山水交會之地上的人群在流徙與生根落戶之間拓蕪興荒、聚合與爭競的歷史。本文結合文獻（text）、歷史（history）與田野調查（fieldwork），在區域社會史的架構和歷史人類學的理論關懷下，探討廣東增江地區以女神「何仙姑」之名為中心的傳說系統和崇拜活動，是如何具體在一方水土之上為不同的人群與勢力團體所襲用與創造，漸層堆疊交織成為帝國晚期的樣貌。透過析縷何仙姑信仰與增江沿岸社會從宋代自清中葉相互構造的歷史過程，本文試圖呈現神祇傳說與廟祀傳統背後所隱含的人群關係、社會樣貌與歷史文化傳統，並揭示神祇的靈顯之名是為何與如何鑲嵌進入地方社會的組織結構與文化肌理之中，以及在這樣的過程中被改變，留存，或新創。本文認為，增城何仙姑信仰具體說明了一方之神的靈顯之名，實為複雜的宗教、文化、地域傳統先後參與對話的結果。所謂地方宗教（local religion）傳統的「地方性」（localness），除了植根並展演於為特定地理疆界所定義的地域社會之中，實際上還是鄉土邊界以內和以外紛陳的政治社會文化勢力相互激盪和構造出來的產物。裰織仙名的歷程揭示了仙姑之名的不朽，實來自社區生活的展延、地方歷史敘事的不斷

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Almeida, Patrícia Pilar Mouta Pinto Martins de. "Guanyin como arquétipo feminino: seguindo a Teoria de Jung." Master's thesis, 2018. http://hdl.handle.net/1822/59807.

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Dissertação de mestrado em Estudos Interculturais Português/Chinês: Tradução, Formação e Comunicação Empresarial<br>Esta dissertação, Guanyin como Arquétipo Feminino: seguindo a Teoria de Jung, tem como propósito enquadrar a deusa da Misericórdia chinesa, Guanyin, num dos arquétipos femininos ou com ligações femininas de Jung: a Mãe, a Koré, a Criança e o Trickster. Para tal, são analisadas duas histórias em que esta entra: a lenda da Princesa Miao Shan e a Viagem Para Oeste. No primeiro capítulo são apresentados o Inconsciente e as teorias de Jung, o Inconsciente Coletivo e os Arquétipo

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Qianxu, Chen. "Análise comparativa da figura do dragão no imaginário ocidental e chinês." Master's thesis, 2021. http://hdl.handle.net/1822/76622.

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Dissertação de mestrado em Estudos Interculturais Português / Chinês: Tradução, Formação e Comunicação Empresarial<br>Os dragões têm um lugar especial tanto na China como no Ocidente, embora sigam caminhos diferentes e possuam simbologias diferenciadas. O principal objetivo do presente trabalho versa principalmente sobre as comparações entre a figura do dragão na China e no Ocidente considerando diferentes aspetos da mesma, em especial o papel mitológico que desempenha. Em primeiro lugar, o trabalho começa pela essência dos dragões, fornecendo, com base na etimologia, semântica e registos escr

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