Relevant bibliographies by topics / Chinese opera

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  1. Dissertations / Theses

Academic literature on the topic 'Chinese opera'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Dissertations / Theses on the topic "Chinese opera"

1

Evans, Anne Megan. "The evolving role of the director in Xiqu innovation." Thesis, University of Hawaii at Manoa, 2003. http://proquest.umi.com/pqdweb?index=0&did=764745581&SrchMode=1&sid=4&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1233276975&clientId=23440.

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Tse, Hue-ying, and 謝曉瑩. "The inheritance of modern Cantonese opera from traditional Chinese opera." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085878.

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Cheng, Kai-mau Joe. "Chaozhou Opera performing centre." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945981.

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Chan, Ping-hung Joseph, and 陳炳雄. "New Chinese opera house in Temple Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985063.

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Chan, Ping-hung Joseph. "New Chinese opera house in Temple Street." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949421.

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6

Leung, Lai-yue Ciris. "The social organization of a Cantonese opera performance /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22763235.

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7

Wang, Hsiao-Mei 1959. "The Characterization of Sheng and Dan Roles in Chinese Opera." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500885/.

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This study sought to discover the principles of characterization governing the Sheng and the Dan roles in the Chinese opera. Seven Dan role divisions and three Sheng role divisions were studied. It was discovered that throughout its long history the Chinese opera had adhered to its original singing and dancing styles; that the creative activities involved in the opera's staging were subordinated to singing and dancing styles; that the actors in the Chinese opera perform only one role category in their career; that years of rigid training were required before the actors were allowed to perform
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Yang, Wai Yin. "The historical development of Cantonese opera in the Republican period /." View Abstract or Full-Text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20YANG.

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Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2003.<br>Includes bibliographical references (leaves 232-238). Also available in electronic version. Access restricted to campus users.
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9

Cheng, Kai-mau Joe, and 鄭佳茂. "Chaozhou Opera performing centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3198230X.

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10

Chow, Sze Sum. "Tradition and innovation: adaptation in Cantonese opera." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/288.

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Cantonese opera, a Chinese regional operatic genre sung in the Cantonese dialect popular in the Pearl River Delta area and overseas Cantonese communities, has shown its vitality through absorbing various elements of theatrical art and culture, thus often moving between tradition and innovation. It is to be argued that adaptation has always been the most essential means of introducing changes to the genre, and it is precisely because of this need for change from the practitioners or the audience that innovation emerges.;The current thesis investigates how adaptation contributes to changes in Ca
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