Relevant bibliographies by topics / Chinese poetry Literature and history

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Chinese poetry Literature and history'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Chinese poetry Literature and history"

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Gang, Xu. "Symbolism in Chinese Poetry on History." Monumenta Serica 48, no. 1 (2000): 1–18. http://dx.doi.org/10.1080/02549948.2000.11731340.

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Seng, Anabela Fong Keng. "THREE MILLENNIA OF CHINESE POETRY." Revista Brasileira de Literatura Comparada 22, no. 41 (2020): 103–9. http://dx.doi.org/10.1590/2596-304x20202241afk.

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Abstract Poetry has a history of thousands of years in China and can be said to be the shining jewel in the crown of Chinese literature, occupying a major proportion in her history. Having originated from folk songs, the Chinese poetry has produced a large number of brilliant examples from the Western Zhou Dynasty (1046-771 BC) to the Chunqiu (Spring and Autumn) Period (770-476 BC). China has, since ancient times, maintained a tradition of education in poetry, which is used to educate the people and arouse their intelligence. Through the reading, studying and writing of poetry, it is possible
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Semenist, Ivan. "“Misty Poetry” as a reflection of the nature of Chinese literature of the “New Period” (second half of the 20th century)." Synopsis: Text Context Media 26, no. 4 (2020): 145–50. http://dx.doi.org/10.28925/2311-259x.2020.4.5.

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The subject of the study is the formation of “Misty Poetry” trend in Chinese literature of the late 20th century. The study aims at the disclosure of the dynamics of “Misty Poetry” within modernist paradigm against the backdrop of Chinese literature of the “New Period”. The method is grounded in identification of key modernist poetics categories, perceived and transformed in the versification practice of Misty Poetry. Sociocultural contextualization method is employed to locate Misty Poetry in the post Cultural Revolution aesthetic and ideological context of China. The study results cover the
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Zhao, Guangxu, and Luise von Flotow. "Translating iconicities of classical Chinese poetry." Semiotica 2018, no. 224 (2018): 19–44. http://dx.doi.org/10.1515/sem-2016-0206.

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Abstract In the history of translating classical Chinese poetry, there are two kinds of translators. The first kind translate classical Chinese poetry “by way of intellectual, directional devices” (Yip, Wai-lim. 1969. Ezra Pound’s Cathay. Princeton, NJ: Princeton University Press: 16). What these translators are concerned with most is the coherence of their translations. They give little attention to the ideogrammic nature of Chinese characters. I call them traditional translators. These translators include those in the history of translating classical Chinese poetry from its beginning to the
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Hul, Ołeksandra. "Chinese avant-garde poetry in times of mind, mayhem and money through the interpretation of Maghiel van Crevel." Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 45, no. 4 (2019): 409–22. http://dx.doi.org/10.36770/bp.236.

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The article is written in the form of a book review. It tells about the Chinese avant-garde poetry as a tendency in the literature of the turn of the 20th and the 21st centuries. We are acquainted with the contemporary poetry through the eyes of Maghiel van Crevel, who, being a famous professor-sinologist, describes the lyrical vanguard with all its peculiarities. In his book he shows the real background of the exile poetry. The reader can not only see the positive sides of the modern poetry, but can also understand the controversial nature of the “Misty poetry” in its entirety. The article gi
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Nguyen Thị Mai, Chanh. "The trend of “the misty poetry” in the Chinese literature in the second half of the 20th century." Journal of Science Social Science 65, no. 8 (2020): 3–9. http://dx.doi.org/10.18173/2354-1067.2020-0043.

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After 10 years of the chaotic Great Cultural Revolution, Chinese literature transited to a “new age”, which was characterized by tremendous efforts into seeking an artistic breakthrough. The Misty Poetry is not randomly regarded as “the trumpet blast” of the new-age literature. The Misty Poetry did not only disrupt conservative literary principles and express novel perspectives on the social history through individual compositions but also offered a comprehensive reflection of contemporary people’ spirits. However, evaluations on “the Misty Poetry” have varied for years. This paper will help t
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Yu, Pauline. "“Your Alabaster in This Porcelain”: Judith Gautier's Le livre de jade." PMLA/Publications of the Modern Language Association of America 122, no. 2 (2007): 464–82. http://dx.doi.org/10.1632/pmla.2007.122.2.464.

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This article discusses the history of Judith Gautier's Le livre de jade (1867), one of the earliest volumes of translations of Chinese poetry published in any European language. It explores the connection between her interest in this project, which Gautier undertook as an amateur student of Chinese, and both the sinological context and the influence of her father, Théophile. Although her command of Chinese was imperfect, Gautier knew more than many have insinuated; her renditions convey important themes of the Chinese poetic tradition and maintain at times an impressive fidelity to the origina
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TAMBURELLO, Giusi. "Baudelaire’s Influence on Duo Duo’s Poetry through Chen Jingrong, a Chinese Woman Poet Translating from French." Asian Studies, no. 2 (September 25, 2012): 21–46. http://dx.doi.org/10.4312/as.2012.-16.2.21-46.

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As a woman poet, Chen Jingrong’s productions encompassed the whole 20th century: of particular interest are her poetry translations from the French language. Thanks to her translation work, valuable understanding of Charles Baudelaire’s poetry was made available in China, which influenced the Chinese contemporary poet, Duo Duo, when he first started writing poetry during his youth. This paper tries to depict the importance of this contribution of Chen Jingrong and its effect on the process of renovation of the contemporary poetic scene in China.
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Gvili, Gal. "Pan-Asian Poetics: Tagore and the Interpersonal in May Fourth New Poetry." Journal of Asian Studies 77, no. 1 (2018): 181–203. http://dx.doi.org/10.1017/s0021911817001309.

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Rabindranath Tagore's visit to China in 1924 was a milestone in the May Fourth Movement's envisioning of modern literature as a vehicle for social transformation. Moving beyond interpretations of the visit as a political failure, this article locates the reception of Tagore's ideal of Eastern spirituality within the larger climate of literary production, specifically in new poetry. Through close reading of poems by Xu Zhimo and Bing Xin, this article argues that Tagore's ideas were fundamental for the development of poetry as an interpersonal medium that both portrays and effects social bonds.
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Yogi, Stan, Him Mark Lai, Genny Lim, and Judy Yung. "Island: Poetry and History of Chinese Immigrants on Angel Island. 1910-1940." MELUS 17, no. 2 (1991): 77. http://dx.doi.org/10.2307/467002.

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Dissertations / Theses on the topic "Chinese poetry Literature and history"

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HSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.

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To interpret a poem is to comprehend a complete act of written communication. And to comprehend such an act, the reader must break the codes in which the communication is framed. Thus, poetic interpretation becomes the study of codes--or semiotics. Poetic codes exist at pragmatic, semantic, syntactic, and phonic levels. The decoding requires the reader's linguistic skills, literary competence, and personal experience. It involves an initial reading and a retroactive reading. At the first step, the reader attempts to supply elements missing in the text. Yet trying to interpret the text literall
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Xu, Gang. "The Past is Eternal: Chinese Pan-Historicism as Manifested in Poetry on History /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487933245537382.

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周業珍 and Yip-chun Rita Chau. "A study of Zhu Ziqing's (1898-1948) poetry and prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212153.

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Luo, Feng, and 洛楓. "The image of the city in contemporary Chinese poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31210168.

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Zhang, Hui. "Zhongguo wen xue pi ping shi shang zhi "shi shi" gai nian /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20ZHANG.

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Chan, Kwok-kou Leonard, and 陳國球. "The reception of Tang poetry in the Ming neo-classical criticism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31231081.

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Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.

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The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.<br>Chapter 1 provides an overview of the s
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Mei, Zhen, and 梅真. "A study of the third generation poetry from the gender perspective = Xing bie shi jiao xia de "di san dai" shi ge." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/207897.

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The Third Generation Poetry that existed in the 1980s’ Chinese literary circle has usually been regarded as the rebellion of the prevailing Misty Poetry. The Third Generation poets began to experiment with colloquial poems which were emphasizing on individual expressions and advocating for the importance of “self”, including the ego and sub-consciousness of both male and female. Through the gender perspective, it could be observed the Third Generation Poetry was rich in gender flavor. The poets especially those of the Female Poetry and the Boorish Fellows Poetry had respectively expressed the
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Chiu, Man-yee Angela, and 招敏儀. "Striking the buddhist chord in snowy regions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41385251.

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唐梓彬. "任昉及詩文研究 = A study of Ren Fang's life and literary works". HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1146.

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Books on the topic "Chinese poetry Literature and history"

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Essays in medieval Chinese literature and cultural history. Ashgate, 2009.

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Chinese poetic closure. P. Lang, 1996.

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Baohong, Zhang, та Jiao yu bu ji chu jiao yu ke cheng jiao cai fa zhan zhong xin, ред. 文学: Literature. Ren min wen xue chu ban she, 2006.

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A, Wawrytko Sandra, ed. Crystal: Spectrums of Chinese culture through poetry. P. Lang, 1995.

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Southern identity and southern estrangement in medieval Chinese poetry. Hong Kong University Press, 2015.

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Jiu ye shi ren: "Zhongguo xin shi" de zhong xing. Shanghai jiao yu chu ban she, 2003.

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Bi, Lijun. China's May Fourth poetry: Educating the young. Common Ground, 2014.

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You yu you: Liu chao Sui Tang xian dao wen xue. Zhonghua shu ju, 2010.

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Qu ci fa sheng shi: History of quci's evolution. Guang ming ri bao chu ban she, 2011.

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Yan Dichang zi xuan lun wen ji. Zhongguo shu dian, 2005.

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Book chapters on the topic "Chinese poetry Literature and history"

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Alexander, Michael. "Poetry." In A History of English Literature. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-04894-3_10.

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Yeh, Michelle. "Modern Poetry in Chinese." In A Companion to Modern Chinese Literature. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118451588.ch9.

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Hart, Jonathan. "Between History and Poetry." In Literature, Theory, History. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339583_9.

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Wang, David Der-wei. "Modern Chinese Literature." In A Companion to Chinese History. John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118624593.ch19.

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Green, Frederik H. "Romanticizing new Chinese in poetry." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-10.

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Bruno, Cosima. "Experimental and opaque poetry." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-40.

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Lin, Pei-yin. "Masterpieces of Taiwan poetry." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-53.

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Zhou, Gang. "Modern consciousness and symbolist poetry." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-12.

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Shi, Yaohua. "The poetry of Dai Wangshu." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-13.

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Jiang, Lan. "Tang Poetry in Classical Chinese Poetry Anthologies." In A History of Western Appreciation of English-translated Tang Poetry. Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_10.

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Conference papers on the topic "Chinese poetry Literature and history"

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Chaudhary, Shreesh. "Rahim’s KheTakautukam History, Poetry & Code Mixing." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312145.

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Ying, Chu Shiao Sharon. ""Understanding Poetry Translation from the Argumentative Perspective Classical Chinese poetry as a Case in Point"." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.16.

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Lee, Yuk Yee Karen, and Kin Yin Li. "THE LANDSCAPE OF ONE BREAST: EMPOWERING BREAST CANCER SURVIVORS THROUGH DEVELOPING A TRANSDISCIPLINARY INTERVENTION FRAMEWORK IN A JIANGMEN BREAST CANCER HOSPITAL IN CHINA." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact003.

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"Breast cancer is a major concern in women’s health in Mainland China. Literatures demonstrates that women with breast cancer (WBC) need to pay much effort into resisting stigma and the impact of treatment side-effects; they suffer from overwhelming consequences due to bodily disfigurement and all these experiences will be unbeneficial for their mental and sexual health. However, related studies in this area are rare in China. The objectives of this study are 1) To understand WBC’s treatment experiences, 2) To understand what kinds of support should be contained in a transdisciplinary interven
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Wang, Yunjiang. "Application Research on Chinese History of Literature Language Medium." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.92.

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Yi, Xiaoyuan, Maosong Sun, Ruoyu Li, and Zonghan Yang. "Chinese Poetry Generation with a Working Memory Model." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/633.

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As an exquisite and concise literary form, poetry is a gem of human culture. Automatic poetry generation is an essential step towards computer creativity. In recent years, several neural models have been designed for this task. However, among lines of a whole poem, the coherence in meaning and topics still remains a big challenge. In this paper, inspired by the theoretical concept in cognitive psychology, we propose a novel Working Memory model for poetry generation. Different from previous methods, our model explicitly maintains topics and informative limited history in a neural memory. Durin
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Pan, Lin. "Study on the Connection of Chinese Literature History Course and Chinese Teaching in Middle School." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.309.

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Teng, Chengxiu, and Wanyu Guo. "Research on Ancient Chinese Literature History from Time Dimension to Spatial Dimension." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.55.

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Grominová, Andrea. "Может ли стать метареалистский текст привлекательным для студентов вуза?" У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.6.

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The poetry of metarealism is considered the poetry of the complexity of perception, interpretation, understanding, not only for students, but also for the researchers and literary critics themselves. The rich use of metametaphors, or the metabol, and their sequential accumulation makes it difficult to decode individual images and the meaning of the whole poem. Poetic texts of this kind, in addition, require their readers to have a general outlook on knowledge of history, culture, literature, technology, etc. Deciphering the meaning often resembles solving crosswords. To motivate university stu
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Song, Xiaoping. "Time, History and Self in Chinese Fiction in the 1980s: A Reading from New Perspectives." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312171.

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Xiang, Yanli. "A research into cultural identity construction in the history of the Chinese American literature." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.76.

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