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Dissertations / Theses on the topic 'Chinese poetry Literature and history'

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Published: 4 June 2021

Last updated: 5 February 2022

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1

HSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.

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To interpret a poem is to comprehend a complete act of written communication. And to comprehend such an act, the reader must break the codes in which the communication is framed. Thus, poetic interpretation becomes the study of codes--or semiotics. Poetic codes exist at pragmatic, semantic, syntactic, and phonic levels. The decoding requires the reader's linguistic skills, literary competence, and personal experience. It involves an initial reading and a retroactive reading. At the first step, the reader attempts to supply elements missing in the text. Yet trying to interpret the text literall

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2

Xu, Gang. "The Past is Eternal: Chinese Pan-Historicism as Manifested in Poetry on History /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487933245537382.

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3

周業珍 and Yip-chun Rita Chau. "A study of Zhu Ziqing's (1898-1948) poetry and prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212153.

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4

Luo, Feng, and 洛楓. "The image of the city in contemporary Chinese poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31210168.

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Zhang, Hui. "Zhongguo wen xue pi ping shi shang zhi "shi shi" gai nian /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20ZHANG.

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6

Chan, Kwok-kou Leonard, and 陳國球. "The reception of Tang poetry in the Ming neo-classical criticism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31231081.

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7

Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.

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The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.<br>Chapter 1 provides an overview of the s

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8

Mei, Zhen, and 梅真. "A study of the third generation poetry from the gender perspective = Xing bie shi jiao xia de "di san dai" shi ge." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/207897.

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The Third Generation Poetry that existed in the 1980s’ Chinese literary circle has usually been regarded as the rebellion of the prevailing Misty Poetry. The Third Generation poets began to experiment with colloquial poems which were emphasizing on individual expressions and advocating for the importance of “self”, including the ego and sub-consciousness of both male and female. Through the gender perspective, it could be observed the Third Generation Poetry was rich in gender flavor. The poets especially those of the Female Poetry and the Boorish Fellows Poetry had respectively expressed the

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9

Chiu, Man-yee Angela, and 招敏儀. "Striking the buddhist chord in snowy regions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41385251.

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10

唐梓彬. "任昉及詩文研究 = A study of Ren Fang's life and literary works". HKBU Institutional Repository, 2010. http://repository.hkbu.edu.hk/etd_ra/1146.

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11

金春媛. "張伯駒叢碧詞話箋證 = The annotation of Zhang Boju's Commentaries on Ci-Poetry of Cong Bi". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2456368.

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12

Croiset, Sophie. "Ecrivains chinois d'expression française: typologie d'un champ littéraire transculturel." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209699.

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Dans le courant du XXe siècle, la scène littéraire de langue française s’est enrichie d’auteurs venus de Chine. Passeurs de langues, de frontières et de cultures, ils érigent, par leurs productions, des ponts singuliers illustrant les défis de la mondialisation. Du roman à la poésie en passant par le théâtre, l’objectif de notre étude est d’avancer une typologie de ce champ littéraire émergent. Englobant les vingt-quatre auteurs qui composent ce dernier, parmi lesquels François Cheng, Gao Xingjian, Dai Sijie, ou encore Ying Chen, l’analyse se fonde sur un concept-référent :la transidentité des

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13

邵敏智. "論白居易詩歌與居士文化的關係 = The relationship between Bai Ju-yi's poetry and Buddhist culture". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636198.

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14

崔雪櫻. "胡適詞學主張及創作實踐". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485504.

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15

Skerratt, Brian Phillips. "Form and Transformation in Modern Chinese Poetry and Poetics." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11116.

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Hu Shi began the modern Chinese New Poetry movement by calling for the liberation of poetic forms, but what constitutes "form" and how best to approach its liberation have remained difficult issues, as the apparent material, objective reality of literary form is shown to be deeply embedded both culturally and historically. This dissertation presents five movements of the dialectic between form and history, each illustrated by case studies drawn from the theory and practice of modern Chinese poetry: first, the highly political and self-contradictory demand for linguistic transparency; second, t

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16

Manfredi, Paul Richard. "Decadence in modern Chinese poetry problems and solutions /." access full-text online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3024264.

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17

Zeng, Hong. "A deconstructive reading of Chinese natural philosophy in poetry." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3070928.

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18

Lee, Gregory Barry. "Dai Wangshu : the life and poetry of a Chinese Modernist." Thesis, SOAS, University of London, 1985. http://eprints.soas.ac.uk/28535/.

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Dai Wangshu as a poet and a personality made a controversial and lasting impact on the Chinese literary world of the 1930s and 1940s. Since the 1950s, however, many literary figures of the time have suffered neglect because they are not easily categorized as belonging to the orthodoxies of Left or Right. This has been so in Dai Wangshu's case. Moreover, there is also genuine confusion about Dai's political and literary beliefs. This thesis aims to revaluate Dai's position in the canon of modern Chinese literature and, by chronicling his literary, political and personal life, to present a compr

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19

Gillis, A. A. "Awakening constellations : history in Irish poetry of the 1930s." Thesis, Queen's University Belfast, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390887.

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20

Schubert, Layla A. Olin 1975. "Material literature in Anglo-Saxon poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.

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x, 208 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>The scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material lit

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21

Zheng, Xiaorong. "A history of Northern Dynasties literature." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11120.

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22

Tang, Yanfang. "Mind and manifestation : the intuitive art (Miaowu) of traditional Chinese poetry and poetics /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487848531365196.

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23

Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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24

Hart, Christopher. "'Fiction is the mask of history' : contextual readings of Byron's poetry." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.

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25

Kao, Yi-Li. "Chinese poetry and painting in postwar Taiwan : angst and transformation in the negotiation between tradition and modernity /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170230.

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26

Qian, Jingjing. "More Than an Ornament: Intercultural Communication Value of Metaphors from Chinese and English Literature." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_theses/37.

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Due to China's important status on the global stage, its language and culture have drawn a great deal of attention in academia. Meanwhile, the United States remains a major power, and English continues to be the most widely spoken language in today's world. Exploring intercultural communication among people who speak Chinese and English continues to be an important research area. This study, with its primarily linguistic concern, was designed to focus on a frequently employed figure of speech, metaphor. Based on a comprehensive review of literature on intercultural communication and cognitive

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27

Wan, Yu-pui, and 溫羽貝. "Time and space in Zheng Chouyu's Poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B3963405X.

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Tsang, Wai-sin, and 曾惠仙. "A study of the life and poetry of Xu Zihua." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B4589744X.

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29

Yu, Liwen, and 余麗文. "Politicizing poetics: the (re)writing of the social imaginary in modern and contemporary Chinese poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42841628.

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30

Tseng, Chen-chen. "Mythopoesis historicized : Qu Yuan's poetry and its legacy /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/6688.

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31

Reford, Mark. "Faith in works : autobiography and history in the poetry of W.B. Yeats." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335710.

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32

Micconi, Giovanna. "Circus Aesthetics, Travel, History, and Mourning in the Poetry of Robert Hayden." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718732.

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Circus Aesthetics examines the work of the African American poet Robert Hayden and engages with the problem of identifying different frameworks with which to think about Hayden’s poetry and African American literature more broadly. In 1978, two years before his death, Hayden, the first African American poet to be nominated Poetry Consultant at the Library of Congress, was still struggling and fighting with the idea of being considered a “black poet” and with the socio-political implications and expectations that accompanied that label. During his address to the Library of Congress on May 8, 19

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33

Chan, Kwok-sing, and 陳國盛. "A study of Lu You's (1125 - 1210) ci poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42694401.

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34

Khoshkhoosani, Seyede Pouye. "Shi'ism and Kingship in Safavid Court Poetry." Thesis, The University of Arizona, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10982640.

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<p>My research concerns intertwined issues of religio-political legitimacy and panegyric poetry during the Safavid dynasty (r. 1501 ? 1722). I explore ways that ideology and dominance were enacted and reproduced through the Safavid panegyrics in qa??deh and masnav? form. This research specifically examines how court poets responded to Safavid ideology for legitimizing kingship. Panegyric poetry has been one of the chief forms of political propaganda in praise of rulers and other holders of political authority from pre-Islamic times until modern days. Panegyric poems, especially qa??deh and mas

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35

Au, Chung-to, and 區仲桃. "Shifting ground: modernist aesthetics in Taiwanese poetry since the 1950s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2554939X.

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36

Lun, Yan-lai, and 倫欣麗. "A study of Chen Xianzhang's poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39793801.

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37

Atlee, Carl W. "Poetry and politics: A literary biography of GomezManrique (c.1415-1490)." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280139.

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Relatively little is known of Gomez Manrique (c. 1415-1490), warrior, statesman and author of a significant corpus of cancionero poetry. His poetic and dramatic works were first published by Antonio Paz y Melia, Cancionero de Gomez Manrique (1885-6) in an edition that is at variance with current established norms and includes only a brief, thirty-two-page biography. In the 116 years since Paz y Melia's study, a significant amount of new historical material has been published on fifteenth-century Spain, much of which bears directly on the life and times of Gomez Manrique. Despite Manfque's clo

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林浩光 and Ho-kwong Lam. "A study of Zhou Ji's (1781-1839) theory of CI poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31244361.

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Pease, Jonathan Otis. "From the Wellsweep to the Shallow Skiff : life and poetry of Wang Anshi (1021--1086) /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/11106.

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Wills, Clair. "Language, history and sex in the poetry of Paul Muldoon and Medbh McGuckian." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305288.

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41

Tang, Yuchi. ""Self" in poetic narratives a study of contemporary Chinese long poems in Taiwan as exemplified by works of Luo Fu, Luo Men, Chen Kehua, and Feng Qing /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59684.pdf.

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42

馮陳善奇 and Sydney S. K. Fung. "The poetry of Han-shan in English: a culturalapproach." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224386.

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43

Hawes, Ben. "Yeat's versions of literary history, 1896-1903." Thesis, University of Bristol, 1998. http://hdl.handle.net/1983/915a643d-f367-4025-8ab7-fc64cc1f18ab.

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This study examines the critical prose written by William Butler Yeats in the period 1896-1903, and identifies the evolution within it of a mode of literary history. I concentrate on Ideas of Good and Evil, and on the selected edition Poems of Spenser. The introduction examines notions of golden ages and of original fracture, and the insertion of these tropes into a variety of literary histories. I consider some of the aims and problems of literary history as a genre, and the peculiar solutions offered by Yeats's approaches. I give particular attention to Yeats's alternation between two views

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Fung, Chan Shin-kei Sydney. "The poetry of Han-shan in English : a cultural approach /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2327301x.

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45

MacKenzie, Garry Ross. "Landscapes in modern poetry : gardens, forests, rivers, islands." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.

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This thesis considers a selection of modern landscape poetry from an ecocritical perspective, arguing that this poetry demonstrates how the term landscape might be re-imagined in relation to contemporary environmental concerns. Each chapter discusses poetic responses to a different kind of landscape: gardens, forests, rivers and islands. Chapter One explores how, in the poetry of Ian Hamilton Finlay, Douglas Dunn, Louise Glück and David Harsent, gardens are culturally constructed landscapes in which ideas of self, society and environment are contemplated; I ask whether gardening provides a pos

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Hutchison, Peggy J. 1955. "Palestinian resistance poetry and the historical struggle for liberation." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/278065.

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Since the late nineteenth century, modern Palestinian resistance poetry has been an expression of the Palestinian peoples' national culture and their historical struggle for self-determination and a homeland. This study examines Palestinian resistance poetry written during the ten year period following the June War of 1967, which tripled the land area of the state of Israel. English translations of three prominent Palestinian poets: Fadw a T uq an, Mahm ud Darwish, and Samih al-Q asim, are preceded by commentaries on the history of Palestinian poetry prior to 1967, and on the post-1967 occupat

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劉偉成. "盪懷生家國 : 中國新詩與現代性 1917-37 = A project on Chinese poetry and modernity 1917-37". HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/647.

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現代性，在 19 世紀初傳入中國時，只算是願景，成為晚清以後知識份子推動社會改革的目標；而詩，則是幾千年來的中國文化精粹, 是士人操持的語言。兩個分別屬於過去和未來的理念卻多次給譚嗣同、梁啟超、黃遵憲、胡適等先鋒拉在一起，試圖以解放詩體帶動社會改革 ---- 新詩便是以「修身到治國」的推展模式成就的「現代傳統」。在第一重的推展中，周作人率先以〈小河〉實踐其所謂的「人的文學」，聞一多有感於滿目瘡痍的文化景象，以「休息的馳態」，勉勵人伺機而動；在第二重的推展中，魯迅、徐志摩以散文詩來包容「現代鄉愁」中的文化矛盾，保住了時代的開放性；在第三重的推展中，曹葆華、李金髮和侯汝華進一步擴大接收的面向，通過翻譯外國的詩論和詩作鞏固新詩的格局，拓展風格。論文題目中的「盪懷生家國」所涉的就是此層層推展的家國關懷。中國的現代性或許就是那以借來的現代性為目標的追尋，令近代中國掉入了如此弔詭：當國家因救亡的迫切需要而從西方承接了「實用現代性」以興產業、壯國防；而中國詩歌幾千年以來都是最能啟蒙民心的「抒情傳統」的載體，它的發展在「詩體解放」後卻遭到忽略，連同其中所包含的「審美現代性」也遭到壓抑---- 中國詩人嘗試掙脫個人抒懷和羣治籌謀的矛盾的困鎖，將自己歸化到歷史發展的大勢中去推動社會發展，遂激起上述的重重波瀾。

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李泊汀. "近代中國詩史觀研究: 以「三元」、「三關」及「四元」為考察中心= Perspectives on poetic history in modern China: San Yuan, San Guan and Si Yuan". HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/428.

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在近代中國大變局中，詩歌文化傳統如何面對「現代世界」，是一個值得注意的問題。本文選擇的研究對象「三元」（開元、元和、元祐）、「三關」（元嘉、元和、元祐）、「四元」（元嘉、開元、元和、元祐）是陳衍 (1856-1937)、沈曾植（1850-1922）和馬一浮（1883-1967）對詩歌傳統的建構，它們既共同反映出舊體詩人維繫傳統的努力，又分別帶有三人對各自時代的反應。本文共六章，以中間四章的論述結構為核心。第二、三、四章分別就「三元」、「三關」和「四元」的形成過程和詩學意涵做出詳盡考察。本文認為「三元」是陳衍1899年以後逐漸形成的詩史體系，在1912年12月分兩個系統建立。「三元」包含了對近代不同詩歌風格的歷史追溯，以杜甫、韓愈、白居易、蘇軾為詩史典範。「三元」最重要的唐宋詩法傳承，陳衍的關注點在「白居易、梅堯臣、蘇軾、陸游、楊萬里」一脈，而他的詩歌理想是「能」與「稱」或者「至」。沈曾植的「三關」說是他1918年對自己1899年「三元」唐宋詩史論的顛覆。「三關」說是代降詩史觀下的復古學詩方法，強調由「元祐」、「元和」上溯「元嘉」詩歌的「雅」、「玄理」。其中「元祐」重在黃庭堅和江西詩派，「元和」重在韓愈和韓門詩人，「元嘉」則以陶潛和謝靈運、顏延之共同作為典範。相比陳衍的「三元」，「三關」擴大到對文化價值的整體關懷，這與沈氏的人生經歷息息相關。馬一浮的「四元」說在「三關」的基礎上增加了

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49

Allen, Edward Joseph Frank. "Lyric technologies : the sound media of American modernist poetry." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708318.

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Yuen, Wai-Leung, and 阮偉樑. "A study of "Ganyu poetry" of Tang dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48539958.

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Abstract:

In the history of Chinese literature, poetry is undoubtedly the most significant genre that could represent the Tang Dynasty. There were many great poets including Li Bai and Du Fu who wrote regarding a rich variety of topics. This thesis attempts to study the research works of Ganyu Poetry in the perspective of the literature history and aesthetic conception. It is hoped that this dissertation can give readers a clear understanding of Ganyu Poetry in the Tang Dynasty. Through studying the themes and aesthetic features and of Ganyu Poetry, we could discuss this kind of poetry written in diff

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