Academic literature on the topic 'Christian literature, Russian'

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Journal articles on the topic "Christian literature, Russian"

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Yureva, Olga Y. "V. G. RASPUTIN ON THE CHRISTIAN FOUNDATION OF RUSSIAN LITERATURE." Проблемы исторической поэтики 19, no. 4 (2021): 344–56. http://dx.doi.org/10.15393/j9.art.2021.10162.

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The article examines the Christian foundations of the aesthetic views of V. G. Rasputin, which he expressed in various speeches, journalistic articles, and literary works. Tying Russian literature with the adoption of Christianity in Russia, Rasputin argued that it inherited the “science of the soul” taught by the church, patristic principles, and Christian laws and commandments. All the criteria for evaluating literary phenomena of the past and present for the writer are based on Christian categories and laws. Rasputin understands literature as the main factor in the formation of the Russian
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Galiev, G. T., I. Z. Gimaev, T. V. Grishina, and T. R. Gimaev. "SOCIAL IDEAS OF RUSSIAN RELIGIOUS THINKERS." Bulletin USPTU Science education economy Series economy 3, no. 41 (2022): 141–47. http://dx.doi.org/10.17122/2541-8904-2022-3-41-141-147.

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The relevance of this study lies in the scientific understanding and generalization of the features of Christian social teaching in the work of Russian thinkers, the influence of social ideas on the spiritual, religious life and worldview in Russia. The features of the influence of the system of Christian moral values on the national culture, art and literature are considered. The basis of the paradigm of social ideas of religious social thought, embedded in the works of the classics of Russian literature, is the spiritual side of human life, the spiritual principle of all things. The article
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Vorontsov, A. V. "The Christian Idea in the Soviet Literature." Orthodoxia, no. 4 (September 29, 2023): 142–64. http://dx.doi.org/10.53822/2712-9276-2022-4-142-164.

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Contrary to common belief, Russian literature of the Soviet period was never a “waste of time” for our culture. No socialist realism could tear it completely off from the Orthodox worldview and the classical Russian literature. As for the works of that period written with the hidden agenda, they have long since been duly forgotten. In the Soviet years, the reality of the so-called literary process appeared to be distorted: there were books that received prizes, and other books that people read and discussed. Time, however, straightens everything and puts things in their proper place. The works
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Sukina, L. B. "The First Comprehensive Study of the Thanatological Discourse of Russian Literature." Язык и текст 8, no. 3 (2021): 75–80. http://dx.doi.org/10.17759/langt.2021080310.

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The article is a review of the collective monograph "Thanatological Theme in Russian Literature of the 11th-21th centuries", prepared by well-known experts in the field of Russian literature V.A. Voropaev, I.V. Dergacheva, E.L. Konyavskaya and V.V. Milkov. The peer-reviewed book publishes the results of a comprehensive study of ideas about death and posthumous life based on data from Old Russian written monuments and the most significant works of Russian fiction of the 18th-21th centuries. According to the authors of the book, the basis of literary thanatology in Russian culture was the Christ
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Dergacheva, Irina V. "Anagogical Level of Russian Classical Literature: Problems of Small and Large Eschatology in the Novel “Brothers Karamazov” by F. M. Dostoyevsky." Two centuries of the Russian classics 6, no. 4 (2024): 176–87. https://doi.org/10.22455/2686-7494-2024-6-4-176-187.

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The new concept of the history of Russian literature presupposes a hermeneutic reading of the texts of classics, allowing us to understand the hidden meanings embedded in them, reflecting the Christian foundation of Russian culture. The need to look at the work of Russian writers of the 19th century as a reflection of a unique discourse of precedent Christian texts poses the need for teachers and lecturers of literature to master additional educational programs on the “Spiritual and Moral Foundations of Russian Literature.” This article provides an analysis of the images of small and large esc
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Proskurova-Timofeeva, Olga. "Еще раз об андерсеновском следе в романе В. Набокова «Король, дама, валет» [Once Again on Hans Christian Andersen’s Presence in Vladimir Nabokov’s Novel _Korol’, dama, valet_ (_King, Queen, Knave_)]". Slavica Revalensia 8 (2021): 80–93. http://dx.doi.org/10.22601/sr.2021.08.04.

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This article is an inquiry into the possible origin of the title of Vladimir Nabokov’s second Russian novel King, Queen, Knave (Korol’, dama, valet, 1928). It proves a long-forgotten hypothesis that the title’s likely source is a lesser-known fairy-tale by Hans Christian Andersen, published in several translations into Russian in Berlin and Riga émigré newspapers at the very end of the 1920s. KEYWORDS: 20th-Century Russian Literature, Vladimir Nabokov (1899—1977), Korol’, dama, valet (1928), Hans Christian Andersen (1805—1875), Russian émigré Press, History of Literature.
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Pavlova, Irina B. "Results of the Сonference “Russian Literature and National Statehood”". Two centuries of Russian classics 5, № 4 (2023): 136–45. http://dx.doi.org/10.22455/2686-7494-2023-5-4-136-145.

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The article provides an overview of the conference “Russian Literature and National Statehood,” sums up its results, and summarizes the materials of the reports, which were remarkable by their academic validity and various research approaches, depth and significance. The innovation of scholars in posing the problem “Literature and Statehood” was also notable. The article outlines a wide range of issues related to the historical, cultural, spiritual life of Russia, the axiological significance of the phenomenon of statehood, touched upon by the speakers. The conference participants showed unani
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Kuznetsova, Olga A. "HELLMOUTH IN THE JAWS OF CERBERUS. IN RUSSIA IN THE SECOND HALF OF THE 17TH AND BEGINNING OF THE 18TH CENTURY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 4 (2021): 65–75. http://dx.doi.org/10.28995/2686-7249-2021-4-65-75.

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The paper is focused on the adaptation of the image of Cerberus in Russian culture of the Middle Ages and the Early Modern Times. Fragmentary information about some characters of the Greco-Roman mythology penetrated into Russian medieval literature from the Byzantine. Christians often borrowed and reinterpreted those images in the traditions of Christian symbolism. One of these characters, Cerberus, the dog of Hades, became an infernal character: a guard or a demon of the Christian Hell. As a dog it turned into an Evil animal, executioner of sinners. Аs a three-headed creature it resembled dra
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Лизгунов, Павел. "The Discipline «Russian Patrology»: A Historical Review." Theological Herald, no. 3(42) (October 15, 2021): 126–43. http://dx.doi.org/10.31802/gb.2021.3.41.007.

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В статье делается обзор становления дисциплины «русская патрология» в дореволюционной России, Советском Союзе, в западной науке (в том числе в среде русской эмиграции), а также в постсоветской России. Обозначается сравнительно малая изученность богословской составляющей русской литературы, что делает её исследование перспективным и актуальным. Недавнее выделение дисциплины русской патрологии из истории русской литературы соотносится с постепенным преобразованием патрологии в историю христианской литературы в западной науке, ставится вопрос о методе патрологии как науки. The article observes th
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PROKHOROV, Constantine. "Sectarians in the Russian Literature and Journalism (Christian apologetic perspective)." Theological Reflections: Euro-Asian Journal of Theology, no. 16 (May 26, 2016): 177–205. http://dx.doi.org/10.29357/issn.2521-179x.2016.16.177.

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Dissertations / Theses on the topic "Christian literature, Russian"

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Prager, Valerie. "Comparative analysis of the Christian theme in Soviet literature." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=67518.

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During the 70 years of the Soviet regime the officially approved Soviet literature consistently reflected an exclusively materialistic world view. As a result, there were very few critical works, published in the West, dealing with the Christian theme in Russian literature of the Soviet period.<br>Surprisingly, literature with the Christian theme did exist in the years of militant state atheism. Such literary works raised questions about the purpose of life, about truth, moral courage and the person of Christ. These books were published during the 60-s, the time of the "thaw", and became a foc
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Tóthné, Kriza Ágnes Rebeka. "Depicting orthodoxy : the Novgorod Sophia icon reconsidered." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/275821.

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The Novgorod icon of Divine Wisdom is a great innovation of fifteenth-century Russian art. It represents the winged female Sophia flanked by the Theotokos and John the Baptist. Although the icon has a contemporaneous commentary and it exercised a profound influence on Russian cultural history (inspiring, among others, the sophiological theory of the turn of the twentieth century), its meaning, together with the dating and localisation of the first appearance of the iconography, has remained a great art-historical conundrum. This thesis sheds new light on this icon and explores the message, roo
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Books on the topic "Christian literature, Russian"

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Anastasīĭ. Besedy s sobstvennym serdt︠s︡em. Izd-vo Sretenskogo monastyri︠a︡, 2007.

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Anastasīĭ. Besedy s sobstvennym serdt︠s︡em. Izd-vo Sretenskogo monastyri︠a︡, 2007.

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Anastasīĭ. Besedy s sobstvennym serdt︠s︡em. Bibliopolis, 2007.

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Shantaev, Aleksandr. Asina pami͡a︡tʹ. Izd-vo "Artos-Media", 2004.

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Anastasīĭ. Besedy s sobstvennym serdt︠s︡em. Bibliopolis, 2002.

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Bondarenko, Vi︠a︡cheslav. Doroga k Nebu: Poėzii︠a︡ i proza laureatov i nominantov Patriarsheĭ literaturnoĭ premii, 2019 goda. Veche, 2019.

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Belova, L. B. Azbuchno-Ierusalimskiĭ paterik: Ukazatelʹ nachalʹnykh slov. Biblioteka Akademii nauk SSSR, 1991.

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Polishchuk, Evgeniĭ. Obʺedinennyĭ katalog 1942-2003. Izdatelʹskiĭ sovet Russkoĭ pravoslavnoĭ t︠s︡erkvi, 2003.

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Dmitrieva, E. G. Otrazhenie predstavleniĭ o nravstvennom ideale v i︠a︡zyke russkoĭ originalʹnoĭ agiografii XVIII-XX vekov: Monografii︠a︡. Volgogradskiĭ gosudarstvennyĭ universitet, 2020.

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Russia) Vserossiĭskai︠a︡ nauchnai︠a︡ konferent︠s︡ii︠a︡ "Svi︠a︡tootecheskie tradit︠s︡ii v russkoĭ literature" (2nd 2009 Omsk. Svi︠a︡tootecheskie tradit︠s︡ii v russkoĭ literature: Sbornik materialov II Vserossiĭskoĭ nauchnoĭ konferent︠s︡ii. Omskiĭ gosudarstvennyĭ universitet im. F.M. Dostoevskogo, 2009.

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Book chapters on the topic "Christian literature, Russian"

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Agsous, Sadia. "The Making Stage of the Modern Palestinian Arabic Novel in the Experiences of the udabāʾ Khalīl Baydas (1874–1949) and Iskandar al-Khūri al-BeitJāli (1890–1973)." In European Cultural Diplomacy and Arab Christians in Palestine, 1918–1948. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55540-5_4.

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AbstractIn 1946, the first Palestinian book fair took place at the Arab Orthodox Union Club in Jerusalem. What lay behind this event was a process that paralleled the political life revolving around the formation of local nationalism, a complex process of cultural and literary development within the Arab Nahda (‘Awakening’ or Renaissance) movement in which the Palestinians left their imprint through the press, literature, translation and other cultural fields. This chapter discusses the cultural environment of Khalīl Baydas and Iskandar al-Khūrī al-BeitJālī who initiated the modern Palestinian
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Givens, John. "The Image of Christ and Russian Literature." In The Image of Christ in Russian Literature. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9780875807799.003.0001.

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This introductory chapter reveals Russia's anxiety over its Christian heritage—specifically, its anxiety over the meaning and significance of Jesus Christ. Russian literature of the past two hundred plus years is as secular as any of the literatures of its European neighbors. And yet, at the same time, like European literature, Russian literature was nurtured and developed in a culture whose art, spirituality, and thought were dominated for centuries by the image of Jesus and the beliefs and practices of the Christian faith. Indeed, as far as Russian literature is concerned, one may even argue
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"Russian literature and Orthodoxy: outline of main trends to 1917." In The Orthodox Christian World. Routledge, 2012. http://dx.doi.org/10.4324/9780203119389-59.

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"Two Eastern-Christian Works on Nusantara, ‘Unrecognized’ and Real." In Images of Nusantara in Russian Literature, edited by Vladimir I. Braginsky and Elena M. Diakonova. BRILL, 1999. https://doi.org/10.1163/9789004644069_069.

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Obolevitch, Teresa. "Faith and Science in Russian Literature." In Faith and Science in Russian Religious Thought. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838173.003.0006.

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Chapter 6 shows the presence of the topic of the relationship between faith and science in the thought of the most influential literature figures, such as Fedor Dostoevsky and Lev Tolstoy. Although Dostoevsky stressed the role of faith, his account by no means was a mere fideism. Dostoevsky respected natural science, even if he definitively marked the limits of the scientific explanation. Hence, he strove for an integral attitude embracing faith and reason in a single spiritual unity. By contrast, Lev Tolstoy was concerned about the absolute comprehensibility and rational obviousness of Christ
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Ryabov, Sergey M., and Alexey I. Popovich. "St. Bartholomew’s Day Massacre through the Eyes of Ivan the Terrible: in Search of the Ideal of Christian Authority." In Hermeneutics of Old Russian Literature. Issue 22. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/horl.1607-6192-2023-22-492-514.

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The article examines tsar Ivan the Terrible’s perception of the events of St. Bartholomew’s Day massacre in his diplomatic correspondence. Dynastic ties, trade and diplomatic contacts, along with the common space in which ideas circulated, determined the mutual interest of Russia and France in each other. The comparative study of Russian-French strategies of perception of different political cultures shows that images and representations of power played a significant role in them. The study reveals how and for what possible purposes the Russian tsar assessed the Paris massacre and resorted to
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Demin, Anatoly S. "India in Old Russian Literature." In Hermeneutics of Old Russian Literature. Issue 21. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-197-215.

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The article examines India in Old Russian literature. The purpose of the article is to highlight subject-pictorial motifs in the whole Old Russian texts about India. There are not so many such works of literary significance, and even fewer detailed descriptions. The oldest fantastic motif about India as a dangerous country appeared in Rus’ in the 11th century in historical and geographical monuments: Chronicle by Georgy Amartol and in Christian Topography by Kozma Indikoplov — and was continued in translated in the first third of the 16th century Lucidaris. Conditional India appears in The Tal
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Simyan, Tigran S. "Political Context of the Invention of Writing (by Example Armenian and Slavic)." In Hermeneutics of Old Russian Literature. Issue 22. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/horl.1607-6192-2023-22-469-491.

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The article examines the analysis of political context of the invention of writing on the example of Mesrop Mashtots and Cyril and Methodius, which is sanctified in a typological way. Mashtots’ habitus and activity are analyzed in detail by example of the text of Koryun, an Armenian historian, translator and writer of the 5th century. Mashtots is presented not only as the inventor of the Armenian script but also as a cultural figure, a diplomat who considers all the complex political differences between Iran (Eastern Armenia) and Byzantium (Western Armenia), as well as between Christian religi
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Lenchinenko, Marina V., and Alexey I. Lyubzhin. "Under the Wings of the Mantuan Swan: M.N. Muravyov as a Reader of Virgil." In Catherine II and Russian Literature. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. https://doi.org/10.22455/978-5-9208-0776-2-151-171.

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M.N. Muravyov, one of the most educated noblemen in Russia in the second half of the 18th and early 19th centuries, tutor to Grand Dukes Alexander and Konstantin, pursued his interests in marginalia of the books that were a part of his extensive library. One of the most important artefacts of this kind is the Basel complete edition of Virgil of 1547. This article is a summary of marginalia in Virgil’s “Bucolics”, with entries in other places relating to pastoral poetry. Some entries represent experiments in verse translation of Virgil; others reflect his focus on parallel segments in New Europ
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Kirillin, Vladimir M. "Representations about Saint Vladimir, Vladimir the Great in the Moscow Centralized State Epoch." In Hermeneutics of Old Russian Literature: Issue 20. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/horl.1607-6192-2021-20-120-153.

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The article examines two versions of the well-known 16th century rhetorical biography of the Baptist of Russia — Praise and Precept, the texts of which reflect the general archetype. The researcher pays special attention to the passages containing the evaluative characteristics of the holy prince. Recognizing, following his scholarly predecessors, their plagiarism, the author establishes that, expanding the lexico-stylistically context of praising Vladimir Sviatoslavich by borrowing, the compiler of the archetype of the two works in an ideological sense was not able to enrich it. Perhaps he la
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Conference papers on the topic "Christian literature, Russian"

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Khlebus, M. "IMAGE OF THE WORD IN PROSE BY S.A. KLYCHKOV." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3768.rus_lit_20-21/401-407.

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The article deals with the image of the word in the novels of S.A. Klychkov “Sakharny Nemets” (1925), “Chertukhinsky Balakir” (1926) and “Knyaz Mira” (1927). It is installed that the writer’s mythopoetics is characterized by a special attitude to a word as a philosophem accommodated a complex of ideas and views. The author’s Christian ideas, the mythologization of nature are reflected in the language, in the image of the word. Addressing the nature of the word determines Klychkov's spiritual system and creative priorities. The specifics of the author's narrative are noted: the lyrical beginnin
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Фогель, А. С. "“CORRECTNESS” AND “WRONGNESS” OF THE LIFE AND DEATH OF THE OLD RUSSIAN PRINCES OF THE IX–XIIth CENTURIES: EXPECTATIONS AND IDEAS." In Конференция памяти профессора С.Б. Семёнова ИССЛЕДОВАНИЯ ЗАРУБЕЖНОЙ ИСТОРИИ. Crossref, 2021. http://dx.doi.org/10.55000/mcu.2021.44.41.026.

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Данная статья посвящена представлениям о «правильном и «неправильном» поведении древнерусских князей IX–XII вв. В работе выделены и рассмотрены три основных и значимых на-бора ожиданий, характерных для традиционного общества Древней Руси эпохи становления госу-дарственности – языческий родовой, языческий дружинный и государственно-христианский. Дан-ные наборы представлений о поведении и качествах князей значимы тем, что создавали систему идеальных образов и ориентиров и тем самым достаточно сильно влияли на реальные действия первых князей Рюриковичей и их взаимоотношения с различными категория
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Landsbergytė-Becher, Jūratė. "Russia Versus Europe: The Collision of Civilisations in the Works of Contemporary Lithuanian Writer Kristina Sabaliauskaitė." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8947.

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Clashes of civilisations reveal the real face of modern Europe, its past phantoms, painful stigmas, so-called breaks in historical experience, crises, and their transformation into an anti-civilisational space. Unfortunately, all this is still happening. Nonetheless, the Lithuanian writer Kristina Sabaliauskaitė opens up this current all-destructive transformation of imperial passions, taking her reader to the geopolitical intersections of history, like Russia’s parading into Europe and its attempt to westernise, describing the era of Peter I through the experiences of the existential survival
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Sofronovici, Stefan. "Ethnographic and folkloric heritage of Nichita P. Smochina." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.17.

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Nichita Parfenie Smochina left us a rich ethnographic and folkloric heritage. He is the first member of the Romanian Academy among the Transnistrian Romanians, inhabitants for centuries on the lands between the Dniester and the Bug, elected as an honorary member of the Romanian Academy on June 2, 1942. The Bessarabian Stefan Ciobanu was also part of the composition of the commission that recommended him. At that time, the newcomer to the Romanian Academy was known as an ethnographer, folklorist, sociologist, historian and publicist. Nichita Smochină has eight articles published in French, thre
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Bulanin, Dmitrii. "KORMCHII DUSHAM BY EMPEROR LEO THE WISE IN THE EARLIER COLLECTIONS OF THE PRESCRIPTIONS FOR ASCETICS." In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.14.

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Kormchii dusham is named the translation of the prescriptions for monks, which was compiled by Emperor Leo VI the Wise as a series of aphorisms and the interpretations to every one of them (Οἰακιστικὴ ψυχῶν ὑποτύπωσις). The translation is preserved in several East Slavic copies of the 14–17th centuries. The author’s name is omitted in the translation, as it is omitted in some Greek copies of the work. The translation represents a typical specimen of the most ancient period in the history of Slavic literature. A number of peculiar traits indicates that “Kormchii” can be counted among the writin
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