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Dissertations / Theses on the topic 'Chronicles of Narnia'

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1

Ito, Sumiko. "Hierarchy in The Chronicles of Narnia." Thesis, University of Macau, 2002. http://umaclib3.umac.mo/record=b1636601.

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2

Kempton, Emily Rose. "Hope for Susan: Moral Imagination in The Chronicles of Narnia." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5989.

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The fate of Susan Pevensie has been one of the most controversial and interesting topics of debate about The Chronicles of Narnia since readers realized that she was no longer a friend of Narnia. Many critics have condemned C. S. Lewis for being sexist, thus making the stereotypically feminine Susan with her love of parties, nylons, and lipstick ineligible for salvation. This thesis proposes to look at Susan's choices and fate from the perspective of moral imagination. It argues that Lewis did not bar Susan from heaven to belittle femininity, but rather to comment on the consequences of choice
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Main, Meredith Ann. "Constructing the child in The Chronicles of Narnia and Harry Potter." Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1114566717.

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4

Jennings, Heather Herrick. "Visions/versions of the medieval in C.S. Lewis's The chronicles of Narnia." [Boise, Idaho] : Boise State University, 2009. http://scholarworks.boisestate.edu/td/64/.

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5

Paulander, Eva-Maria. "An In-depth Analysis of Two Lesson Plans On The Lion , The Witch and The Wardrobe." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-28446.

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In the present study, teaching guides to The Chronicles of Narnia by C. S Lewis are assessed and evaluated with the help from Ian McGrath’s Materials Evaluation and Design for Language Teaching. The study focuses on two complete teaching guides, one developed by an American language teacher and the other by the producers of the latest Narniamovie. Both of the guides were originally created for a native speaker context. However, in this dissertation ways of adapting these study guides to the goals expressed in the Swedish Curriculum (Lpo 94) and The National Syllabuses are explored. Th
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6

Artero, Paola. "The Chronicles of Narnia de C. S. Lewis : idéologie(s) et point(s) de vue dans les traductions françaises." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30063/document.

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The Chronicles of Narnia (1950-1956) est un célèbre recueil de sept romans, traditionnellement reconnus comme des œuvres de littérature de jeunesse et à l’origine du genre fantasy. L’un des intérêts majeurs de ces livres réside dans leur substrat symbolique, exprimé dans le texte par un double niveau de lecture qui évoque la tradition chrétienne. Notre thèse consiste en l’analyse d’un corpus incluant les originaux en anglais et les traductions françaises, publiées sous le titre de Le Monde de Narnia (2005)Sous l’égide de la traductologie de corpus (Corpus-based Translation Studies) et par une
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7

Fisher, Rebecca Maree. "An Exploration into the Use of the Biblical Narrative of the Fall within the children’s series The Chronicles of Narnia by C.S. Lewis and His Dark Materials by Philip Pullman." Thesis, University of Canterbury. Culture, Literature and Society, 2008. http://hdl.handle.net/10092/1786.

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In this thesis, I explore the uses to which children’s authors C.S. Lewis and Philip Pullman put the major biblical theme of the Fall (with passing commentary on Temptation, the precursor to the Fall) in their seminal children’s series The Chronicles of Narnia and the His Dark Materials trilogy. I argue that each author uses the subject of the Fall as a central theme in his series in order to inflect the dominant message of this biblical story (that humanity has fallen from perfection into sin) with their personal opinions on fundamental human questions concerning the nature of God, the differ
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8

Morante, Naiara Gomes [UNESP]. "Um estudo sobre a representação da figura feminina nas traduções de The Chronicles of Narnia: The Silver Chair à luz dos Estudos da Tradução Baseados em Corpus." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154360.

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Submitted by Naiara Gomes Morante (nanamorante@hotmail.com) on 2018-06-25T15:12:31Z No. of bitstreams: 1 IMPRIMIR - VERSÃO FINAL.pdf: 1068945 bytes, checksum: e12fa8ce763274b6ecf214b29c815931 (MD5)<br>Approved for entry into archive by Priscila Carreira B Vicentini null (priscila@fclar.unesp.br) on 2018-06-26T12:43:03Z (GMT) No. of bitstreams: 1 morante_ng_me_arafcl.pdf: 1062172 bytes, checksum: f8ac3fefa8b9d3e98687953759f304a3 (MD5)<br>Made available in DSpace on 2018-06-26T12:43:03Z (GMT). No. of bitstreams: 1 morante_ng_me_arafcl.pdf: 1062172 bytes, checksum: f8ac3fefa8b9d3e98687953759f
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Morante, Naiara Gomes. "Um estudo sobre a representação da figura feminina nas traduções de The Chronicles of Narnia : The Silver Chair à luz dos estudos da tradução baseados em Corpus /." Araraquara, 2018. http://hdl.handle.net/11449/154360.

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Orientador: Celso Fernando Rocha<br>Banca: Angélica Karim Garcia Simão<br>Banca: Odair Luiz Nadin da Silva<br>Resumo: A presente dissertação volta-se para o estudo do léxico de uma obra traduzida, tendo como base o uso de corpus. Escolhemos para análise o livro The Chronicles of Narnia: the Silver Chair (1953), do escritor C. S. Lewis, e suas traduções para a língua portuguesa "As Crônicas de Nárnia: a cadeira de prata" - tradução de Paulo Mendes Campos - e para a língua espanhola Las Crónicas de Narnia: la silla de plata - Tradução de María Rosa Duhart Silva. Selecionamos três vocábulos para
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Van, der Watt Marike. "Die Afrikaanse bestemming van C S Lewis se The voyage of the Dawn Treader." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/96070.

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Thesis (MPhil)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: The Chronicles of Narnia by C.S. Lewis is internationally considered as one of the classics of children’s literature. The series consists of seven books, of which only the first four were translated into Afrikaans, namely Die Towenaar se Neef (The Magician’s Nephew), Die Leeu, die Heks en die Hangkas (The Lion, the Witch and the Wardrobe), Die Perd en sy Seun (The Horse and his Boy) and Prins Kaspian (Prince Caspian). According to the publisher, Human & Rousseau, they have no intention to translate the remainder of the se
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Hurd, Crystal L. "Transformational Leadership in the Life and Works of C.S. Lewis." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etd/1413.

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The author of this study explored the works of C.S. Lewis as well as memoirs and scholarship concerning his work to illustrate his transformational leadership. Works reviewed included Lewis's fiction, such as his science fiction trilogy and his children's series, The Chronicles of Narnia, as well as his works of nonfiction, such as essays that addressed social issues. The secondary aim for the author of this study was to determine whether the transformational qualities Lewis exhibited also existed in his characters. Transformational leadership served as the conceptual framework for the descrip
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Ward, Michael. "The Son and the other stars : Christology and cosmology in the imagination of C.S. Lewis." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/2783.

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This dissertation treats the theory and practice of C. S. Lewis's theological imagination, focussing upon the imaginative use he made of his professional expertise in medieval and renaissance literature. Its approach is principally expository rather than an evaluative. Chapter One outlines the centrality of the imagination to a proper understanding of Lewis's works. Chapter Two examines Lewis's own theory of imagination and surveys how he practised it as a literary critic. We compare and contrast Lewis's theory and practice of imagination with that of his friend, the theologian, Austin Faffer.
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13

Bourgeois, Chrystel. "Le tissage de la mythologie dans la Fantasy anglo-saxonne." Paris 13, 2010. http://www.theses.fr/2010PA131004.

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Dans cette thèse, nous abordons le problème de l’écriture d’un monde comme tissage métaphorique en nous intéressant aux œuvres de trois auteurs de Fantasy anglo-saxonne : J. R. R. Tolkien (The llord of the Rings, The Hobbit, The Silmarillon), C. S. Lewis (The Chronicles of Narnia) et J. K. Rowling (Harry Potter). Notre analyse porte sur la manière dont les auteurs tissent le monde de la subcréation, empruntant à la mythologie des éléments qu’ils réinsèrent à leur propre mythologie, fils mythologiques dont l’entrelacement donne du poids à l’univers de la Fantasy. Le processus de création, de co
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Derrick, Stephanie Lee. "The reception of C.S. Lewis in Britain and America." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19765.

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Since the publication of the book The Screwtape Letters in 1942, ‘C. S. Lewis’ has been a widely recognized name in both Britain and the United States. The significance of the writings of this scholar of medieval literature, Christian apologist and author of the children’s books The Chronicles of Narnia, while widely recognized, has not previously been investigated. Using a wide range of sources, including archival material, book reviews, monographs, articles and interviews, this dissertation examines the reception of Lewis in Britain and America, comparatively, from within his lifetime until
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15

Goldie, David. "Les adaptations cinématographiques des romans de J. R. R. Tolkien, C. S. Lewis et J. K. Rowling." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3113.

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L’adaptation existe depuis les débuts du cinéma. Dès lors, le nombre de versions filmiques d’œuvres littéraires ne cesse de croître et l’adaptation reste au cœur de la production cinématographique partout dans. Toutefois nous constatons que l’adaptation se trouve dans une situation quelque peu paradoxale. Ce qui motive sa conception est également à l’origine de la majeure partie des critiques. D’une part, le bénéfice économique est évident. La notoriété d’un roman à succès garantit un public nombreux. D’autre part, le contexte créatif se révèle difficile car, du point de vue ontologique, l’ada
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CHIEH, HSU YI, and 許怡潔. "The Study of The Chronicles of Narnia." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/5hztyk.

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碩士<br>國立臺東大學<br>兒童文學研究所<br>97<br>The Chronicles of Narnia, a landmark work of fantasy, written by C.S. Lewis, who was also an apologetic professor, is well-known to and popular with the readers. Looking back on the source of fantasy, we find that the western Christian thought did influence it a lot. The main motif of Christianity is to manifest the redemption from God. C.S. Lewis, employing the form and content of literature, loaded The Chronicles of Narnia with the thought of Christian redemption. Therefore, Christian thought is the best entry point to probe into the meaning and connotation o
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He, Ya-Ting, and 何雅婷. "Study of Fantasy Literature “The Chronicles of Narnia”." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/77hfck.

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碩士<br>國立臺中教育大學<br>語文教育學系碩博士班<br>99<br>During recent years, the fantasy literature based on the infusion of reality and illusion has become a trend in the book market, culture scene and media industry. Those in the genre of children and adolescent literature are especially popular and have become a upsurge. Hence, the research aim to study “The Chronicles of Narnia” written by C. S. Lewis and its creative process, and discuss its artistic characteristics and educational meaning by analyzing elements such as scene settings, characters, story theme…etc, from the perspectives of fantasy literature
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Goodwin, Caroline. "Representations of Satan in the Narnia chronicles by C.S. Lewis." Thesis, 2012. http://hdl.handle.net/10210/6931.

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M.A.<br>Although a serious Christian apologist and academic writer, Clive Staples Lewis was also well known (and loved) for his fictional works. Lewis was of the opinion that one's faith and chosen profession cannot be separated and he thus aligned the two in his own writing (Schultz and West 1998: 120). Therefore, his writings reflect his Christian faith (after his conversion in 1931) and, although his Ransom (Cosmic) Trilogy (1938, 1943 and 1945), mythological work Till We Have Faces (1956) and The Chronicles of Narnia (1950-1956) are not openly theological, they all deal with figurative rep
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Jang, Wendy Jya Wen, and 張嘉文. "Reading The Chronicles of Narnia and Seeking "Enlargement of Being"." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/16581780889793078037.

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碩士<br>靜宜大學<br>英語學系<br>86<br>The Chronicles of Narnia, written by Clive Staples Lewis, includes seven stori es of some children's adventures to the enchanted world of Narnia.Besides bein g a Christian apologist and fiction writer, Lewis was also a literary crtic.Mo st of his ideas about reading and fairy-tales relevant toThe Chronilces can be found in his book An Experiment in Criticism and his essays.The purpose of th is thesi is to illustrate the resemblance between the experience of the childr en's adventures in T
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Мосієнко, Аліна Юріївна. "Лінгвостилістичні особливості перекладу культової серії фільмів “The Chronicles of Narnia” українською та російською мовами". Магістерська робота, 2020. https://dspace.znu.edu.ua/jspui/handle/12345/4226.

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Мосієнко А. Ю. Лінгвостилістичні особливості перекладу культової серії фільмів “The Chronicles of Narnia” українською та російською мовами" : кваліфікаційна робота магістра спеціальності 035 «Філологія» / наук. керівник А. Б. Юнацька. Запоріжжя : ЗНУ, 2020. 52 с.<br>UA : Дипломна робота – 52 стор., 63 джерела. Об’єкт дослідження: оригінал і переклад культової серії фільмів “The Chronicles Of Narnia”. Мета роботи: виявити лінгвостилістичні особливості перекладу культової серії фільмів “The Chronicles Of Narnia” з англійської мови на українську та російську мови. Теоретико-методологічні за
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Chiang, Shyueying, and 江學瀅. "Inside and Outside the Wardrobe: A Study of Time Phenomena in The Chronicles of Narnia." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/19431590683024279039.

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碩士<br>臺東師範學院<br>兒童文學研究所<br>91<br>“Time concept” was discussed from varied point of view since long time ago. This concept is formed basically due to the experience of daily life. Where do people live and how do people think influence the development of the time concept. Scholars from different era provide their ideas of time concept from different angles, including scientific, psychological, philosophical and surreal perspectives. In this thesis, I will point out that no matter how people perceive “time”, the experience of daily life is the most important part. Moreover, I will report that sur
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Гура, Віталій Олексійович, та Vitalii Оleksiiovych Hura. "Есхатологічні алюзії у творчості К. С. Льюїса (на матеріалі роману “Chronicles of Narnia: The Last Battle”)". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9727.

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Дослідження представляє всебічний аналіз структури, лексичних та стилістичних засобів репрезентації есхатологічних алюзій роману К. С. Льюїса "Хроніки Нарнії: Остання Битва". У роботі проаналізовано загальну наративну підструктуру всіх семи книг роману, описано його хіастичну структуру.<br>The research focuses on the comprehensive analysis of the structure, lexical and stylistic means of representation of eschatological allusions of the novel "The Chronicles of Narnia: The Last Battle" by C. S. Lewis. General narrative substructure of all seven books the novel has been analyzed and the chiasti
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Wang, Lee-ting, and 王俐婷. "A Comparative Study on Translation Texts of The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/32043918769215871309.

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碩士<br>國立彰化師範大學<br>英語學系<br>100<br>The present study aims to investigate the realization of Eugene Nida’s translation equivalence theory in Chinese translated versions of a classic literary work. To conduct the study, the researcher has chosen to study The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, written by C. S. Lewis and published in 1950. The two versions of the book translated into Chinese were published in 1980 and 2005 respectively. By analyzing 90 examples extracted from the original text and translated texts, the researcher will be able to ascertain whether Nida’s
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Bryndová, Barbora. "Kritický rozbor českých překladů románu od C. S. Lewise: The Chronicles of Narnia: The Lion, the Witch and the Wardrobe." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-297418.

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This MA thesis is concerned with the comparison of two Czech translations of C. S. Lewis' novel The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. The thesis is divided into two parts: theoretical and practical. The first part concentrates on the description of the author's and translators' life as well as the background of creating the novel and its translations. One part deals with the film adaptations of the book. Then there are described individual techniques and methods of translation and its analysis. The second part analyses the book in general. Names used in the book, titl
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Chen, Eric Chien-Pao, and 陳健寶. "Individuation, Redemption, and Transcendence: A Jungian Archetypal Reading on the Exploration of Self in C. S. Lewis’s The Chronicles of Narnia." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/00893496264037358430.

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碩士<br>輔仁大學<br>英國語文學系<br>97<br>Abstract This thesis is an attempt to study the themes of individuation, redemption, and transcendence in C. S. Lewis’s The Chronicles of Narnia by means of C. G. Jung’s archetypal theory. Through exploring the recurrent fairytale elements in the seven books, the introduction of the thesis aims at making a connection between literary texts and critical approach. The first chapter focuses on the shadow part of human unconscious as well as the motif of forbidden knowledge, moral choice, and fortunate sin, and further explores the process of individuation i
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Сіренко, Наталія Євгенівна. "Біблійні алюзії в оригіналі і в перекладі повісті К. C. Льюїса «The Chronicles of Narnia: The Lion, the Witch and the Wardrobe»". Магістерська робота, 2021. https://dspace.znu.edu.ua/jspui/handle/12345/6450.

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Сіренко Н. Є. Біблійні алюзії в оригіналі і в перекладі повісті К. C. Льюїса «The Chronicles of Narnia: The Lion, the Witch and the Wardrobe» : кваліфікаційна робота магістра спеціальності 035 "Філологія" / наук. керівник І. М. Шама. Запоріжжя : ЗНУ, 2021. 51 с.<br>EN : The work is presented on 51 pages of printed text, contain 5 additions. The list of references includes 70 sources. The presented paper is dedicated to the analysis of such a topical problem as the biblical allusion in the novel K. S. Lewis “The Lion, the Witch and the Wardrobe”. The object of the work can be defined as the a
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Manning, Chloe. "LIONS AND POLAR BEARS AND GENDER ROLES, OH MY! The Treatment of Women and Femininity in C. S. Lewis’s Chronicles of Narnia and Philip Pullman’s His Dark Materials." Thesis, 2018. http://hdl.handle.net/1885/222875.

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From the earliest works of the genre, fantasy fiction has had a complicated relationship with gender and feminism. C. S. Lewis's The Chronicles of Narnia is seen by many as a prime example of fantasy's patriarchal roots, with its strong adherence to traditional gender roles and controversial treatment of the character Susan. In contrast, Philip Pullman's 'anti-Narnia' His Dark Materials is often cited as an instance of pro-feminist fantasy, due to its engaging heroine, compelling female villain, and large cast of secondary female characters. When situated within the workings of the wider fanta
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Cheng, Wanchen, and 鄭婉貞. "A Comparative Study of the Translations of Children’s Literature in Taiwan and Mainland China: The Case of The Chronicles of Narnia: The Voyage of the Dawn Treader." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/mv22j7.

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碩士<br>國立彰化師範大學<br>英語學系<br>107<br>This study aims to analyze and compare the Chinese translation of The Chronicles of Narnia: The Voyage of the Dawn Treader. The versions of translation were Nàníyǎ Chuánqí Límíngxíngzhěhào (納尼亞傳奇:黎明行者號) published in 2005 by the Datian (大田) Culture Press and translated by Jinghua Lin (林靜華) from Taiwan; Límíng Tàlànghào (黎明踏浪号) published in 2005 by Yilin (譯林) Press and translated by Liangting Chen (陳良廷) and Wenlan Liu (劉文瀾) from mainland China. This thesis focuses on children’s literature translation and thus children readers. The researcher assumes that the read
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MACKŮ, Lenka. "Filozofický rozměr literárního příběhu: uplatnění literárního příběhu v programu Filozofie pro děti." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-45493.

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The thesis is focused on finding the philosophical dimension of a story, with respect to stories for children. It is also concerned with the variable possibilities how to use stories in the Philosophy for Children dialogue. Using the knowledge of literally science and using the articles about the role of story in Philosophy for Children, the thesis elaborates the definition of the philosophical dimension of story. Its further attempt is to suggest general method how to seize the philosophical dimension of every possible story for the purpose of philosophical dialogue with children. The suggest
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Fisher, Rebecca Maree. "An exploration into the use of the biblical narrative of the fall within the children's series The chronicles of Narnia by C.S. Lewis and His dark materials by Philip Pullman : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in English by the University of Canterbury /." 2008. http://hdl.handle.net/10092/1786.

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Kokorski, Karin. "Fighting Tyranny in Fantastic Literature for Children and Young Adults." Doctoral thesis, 2020. https://repositorium.ub.uni-osnabrueck.de/handle/urn:nbn:de:gbv:700-202006103100.

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The focus of fighting tyranny and the justifications of the consecutive wars in fantasy literature for children and young adults play a noteworthy role in the intertwinement of literature and its educational potential. This genre is filled with numerous images of violence, in particular different scenarios of war and its justifications. In the books war constitutes the final battle between good and evil, and thus manifests the protagonists’ ultimate moral decisions between these two forces. The following books constitute the corpus: C. S. Lewis’s The Chronicles of Narnia (1950-56), Susan Coop
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Potter, Mary-Anne. "Arboreal thresholds - the liminal function of trees in twentieth-century fantasy narratives." Thesis, 2018. http://hdl.handle.net/10500/25341.

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Trees, as threshold beings, effectively blur the line between the real world and fantastical alternate worlds, and destabilise traditional binary classification systems that distinguish humanity, and Culture, from Nature. Though the presence of trees is often peripheral to the main narrative action, their representation is necessary within the fantasy trope. Their consistent inclusion within fantasy texts of the twentieth century demonstrates an enduring arboreal legacy that cannot be disregarded in its contemporary relevance, whether they are represented individually or in collective forests.
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