Books on the topic 'Church music – Lutheran Church – 16th century'

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1

Pennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Musical Pub. House, 1985.

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2

1913-2003, Fischer Kurt von, and Fischer Kurt von 1913-2003, eds. The Passion from its beginnings until the 16th century. [Graduate School and University Center, CUNY], 1989.

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3

Craig (Craig A.) Monson. Disembodied voices: Music and culture in an early modern Italian convent. University of California Press, 1995.

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4

Irwin, Joyce L. Neither voice nor heart alone: German Lutheran theology of music in the age of the Baroque. P. Lang, 1993.

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5

1516-1590, Habermann Johann, ed. Johann Habermanns "Betbüchlein" im Zusammenhang seiner Theologie: Eine Studie zur Gebetsliteratur und zur Theologie des Luthertums im 16. Jahrhundert. Mohr Siebeck, 2001.

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6

Noone, Michael J. Music and musicians in the Escorial liturgy under the Habsburgs, 1563-1700. University of Rochester Press, 1998.

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7

Leonard, Charlotte Anne. The role of the trombone and its 'Affekt' in the Lutheran church music of seventeenth-century Saxony and Thuringia. Department of Music, Duke University, 1997.

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8

Luther, Martin. Martin Luther: The best from all his works. T. Nelson, 1989.

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9

Luther, Martin. Martin Luther: Ein Hausbuch. Verlag der Lutherischen Buchhandlung H. Harms, 1993.

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10

Anselm, Steiger Johann, and Grossmann Burckhard 1575-1637, eds. Ein und fünfftzig [sic] gottselige christliche evangelische Andachten oder geistreiche Betrachtungen. Frommann-Holzboog, 2001.

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11

Stevenson, Robert Murrell. La música en las catedrales españolas del Siglo de Oro. Alianza, 1993.

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12

Mary, Hair Greta, and Smith Robyn E, eds. Songs of the dove and the nightingale: Sacred and secular music c.900-c.1600. Gordon and Breach, 1995.

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13

1904-, Abraham Gerald, ed. Romanticism (1830-1890). Oxford University Press, 1990.

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14

Østrem, Eyolf. Medieval ritual and early modern music: The devotional practice of lauda singing in late-Renaissance Italy. Brepols, 2008.

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15

Hascher-Burger, Ulrike. Gesungene Innigkeit: Studien zu einer Musikhandschrift der Devotio moderna (Utrecht, Universiteitsbibliotheek, ms. 16 H 34, olim B 113) : mit einer Edition der Gesnge. Brill, 2000.

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16

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Pizzicato, 2003.

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17

Praetorius, Michael. Syntagma musicum.: Parts I and II. Clarendon Press, 1986.

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18

Praetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Pizzicato, 2003.

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19

Praetorius, Michael. Syntagma musicum.: Parts I and II. Clarendon Press, 1991.

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20

Whole Church Sings: Congregational Singing in Luther's Wittenberg. Eerdmans Publishing Company, William B., 2017.

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21

Whole Church Sings: Congregational Singing in Luther's Wittenberg. Eerdmans Publishing Company, William B., 2017.

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22

The Whole Church Sings: Congregational Singing in Luther's Wittenberg. Eerdmans, 2017.

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23

Vainio, Olli-Pekka. Justification and Participation in Christ: The Development of the Lutheran Doctrine of Justification from Luther to the Formula of Concord. BRILL, 2008.

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24

(Compiler), Gustave Fredic Soderlund, and Samuel H. Scott (Compiler), eds. Examples of Gregorian Chant & Sacred Music of the 16th Century. Waveland Press, 1996.

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25

Leonard, Charlotte A. Seventeenth-Century Lutheran Church Music With Trombones (Recent Researches in the Music of the Baroque Era). A-R Editions, 2003.

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26

Justification and Participation in Christ: The Development of the Lutheran Doctrine of Justification from Luther to the Formula of Concord, 1580 (Studies in Medieval and Reformation Traditions). Brill, 2008.

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27

The role of the trombone and its Affekt in the Lutheran Church music of seventeenth-century Saxony and Thuringia. s.n.], 1997.

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28

Wetzel, Richard D., and Erika Heitmeyer. Johann Leisentrit S Geistliche Lieder und Psalmen, 1567: Hymnody of the Counter-Reformation in Germany. Fairleigh Dickinson University Press, 2012.

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29

Lutherans and Calvinists in the age of confessionalism. Ashgate/Variorum, 1999.

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30

Irwin, Joyce L. Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque. Wipf & Stock Publishers, 2018.

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31

Holy concord within sacred walls: Nuns and music in Siena, 1575-1700. Oxford University Press, 2002.

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32

Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575-1700. Oxford University Press, Incorporated, 2001.

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33

Wetzel, Richard, and Erika Heitmeyer. Johann Leisentrit's Geistliche Lieder und Psalmen 1567: Hymnody of the Counter-Reformation in Germany. Fairleigh Dickinson University Press, 2014.

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34

Wetzel, Richard D., and Erika Heitmeyer. Johann Leisentrit's Geistliche Lieder und Psalmen, 1567: Hymnody of the Counter-Reformation Germany. Fairleigh Dickinson University Press, 2014.

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35

Michel, Stefan. Die Kanonisierung der Werke Martin Luthers Im 16. Jahrhundert. Mohr Siebeck GmbH & Company KG, 2016.

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36

Loewe, Andreas. Johann Sebastian Bach's <i>St John Passion</i> : a Theological Commentary: With a New Study Translation by Katherine Firth and a Preface by N. T. Wright. BRILL, 2014.

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37

Wengert, Timothy J. Harvesting Martin Luther's Reflections on Theology, Ethics, and the Church. 1517 Media, 2017.

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38

Carver, Anthony. Cori Spezzati. University of Cambridge ESOL Examinations, 2009.

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39

The Reformation and rural society: The parishes of Brandenburg-Ansbach-Kulmbach, 1528-1603. Cambridge University Press, 1996.

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40

Harvesting Martin Luther's Reflect. 1517 Media, 2017.

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41

Quitslund, Beth. Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603. Taylor & Francis Group, 2016.

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42

The Lion's Ear: Pope Leo X, the Renaissance Papacy, and Music. University of Michigan Press, 2012.

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43

Loci theologici. Concordia Pub. House, 2008.

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44

Hymn Supplement for Music Appreciation, Music History and Worship Studies. Kendall Hunt Publishing Company, 2015.

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45

Quitslund, Beth. Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603. Taylor & Francis Group, 2016.

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46

The Reformation in rhyme: Sternhold, Hopkins and the English metrical psalter, 1547-1603. Ashgate, 2009.

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47

Mapping the Motet in the Post-Tridentine Era. Taylor & Francis Group, 2018.

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48

Smith, Robyn E. Songs of the Dove and the Nightingale: Sacred and Secular Music C. 900-C. 1600. Taylor & Francis Group, 2016.

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49

Smith, Robyn E., and Greta Mary Hair. Songs of the Dove and the Nightingale: Sacred and Secular Music C. 900-C. 1600. Taylor & Francis Group, 2016.

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50

Late Renaissance music at the Habsburg Court: Polyphonic settings of the Mass Ordinary at the Court of Rudolf II, 1576-1612. Gordon and Breach Science Publishers, 1987.

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