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Journal articles on the topic 'Church music – Lutheran Church – 16th century'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Boren, Braxton B. "Acoustic simulation of J.S. Bach’s Thomaskirche in 1723 and 1539." Acta Acustica 5 (2021): 14. http://dx.doi.org/10.1051/aacus/2021006.

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This paper investigates an early acoustical theory of Hope Bagenal about the Leipzig Thomaskirche, where J.S. Bach composed and conducted from 1723 to 1750. Bagenal predicted that the church had a shorter reverberation time than previously in Bach’s time as a result of the Lutheran alterations to the space in the 16th century. This study uses on-site measurements to calibrate a geometric acoustical model of the current church. The calibrated model is then altered to account for the state of the church in 1723 and 1539. Simulations predict that the empty church in 1723 had a T30 value nearly on

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Pilch, Marek. "Geistliches Gesangbüchlein by Johann Walter (1524) – the beginnings of polyphonic Lutheran music." Notes Muzyczny 2, no. 20 (2023): 9–38. http://dx.doi.org/10.5604/01.3001.0053.9946.

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The article presents the profile and creative output of Johann Walter (1496-1570), who worked closely together with Martin Luther and Philip Melanchton, and who was called the first evangelical cantor and is in modern times regarded as the creator of institutional, aesthetic and theoretical bases of reformation music. Walter’s work entitled Geistliches Gesangbüchlein, first published in Wittenberg in 1524 and including a preface by Martin Luther, was the first ever collection of polyphonic chorale arrangements for Lutheran church using polyphonic patterns of Franco-Flemish school and German te

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3

Pidhorbunskyi, Mykola. "The Spread of Lutherance in the Grand Duchy of Lithuania and Its Influence on the Education Development and Music Culture." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 248–61. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245808.

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The purpose of the article is to determine the influence of Lutheranism on education and musical culture in the Grand Duchy of Lithuania. The research methodology includes cultural and historical analysis, which made it possible to analyze and investigate the influence of Lutheranism on musical culture in the Grand Duchy of Lithuania. Source studies and music-theoretical methods were used during the search and analysis of church-singing collections. The biographical method of research was used to systematize information about the life and work of theologians, composers and theorists. The scien

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Pidhorbunskyi, Mykola. "The Spread of Lutherance in the Grand Duchy of Lithuania and Its Influence on the Education Development and Music Culture." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (2021): 248–61. https://doi.org/10.31866/2616-7581.4.2.2021.245808.

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The purpose of the article is to determine the influence of Lutheranism on education and musical culture in the Grand Duchy of Lithuania. The research methodology includes cultural and historical analysis, which made it possible to analyze and investigate the influence of Lutheranism on musical culture in the Grand Duchy of Lithuania. Source studies and music-theoretical methods were used during the search and analysis of church-singing collections. The biographical method of research was used to systematize information about the life and work of theologians, composers and theor

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Markkola, Pirjo. "The Long History of Lutheranism in Scandinavia. From State Religion to the People’s Church." Perichoresis 13, no. 2 (2015): 3–15. http://dx.doi.org/10.1515/perc-2015-0007.

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Abstract As the main religion of Finland, but also of entire Scandinavia, Lutheranism has a centuries-long history. Until 1809 Finland formed the eastern part of the Swedish Kingdom, from 1809 to 1917 it was a Grand Duchy within the Russian Empire, and in 1917 Finland gained independence. In the 1520s the Lutheran Reformation reached the Swedish realm and gradually Lutheranism was made the state religion in Sweden. In the 19th century the Emperor in Russia recognized the official Lutheran confession and the status of the Lutheran Church as a state church in Finland. In the 20th century Luthera

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Hage, Jan, and Marcel Barnard. "Muziek als missie: Over Willem Mudde en zijn betekenis voor de kerkmuziek." NTT Journal for Theology and the Study of Religion 66, no. 4 (2012): 283–98. http://dx.doi.org/10.5117/ntt2012.66.283.hage.

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Under the influence of Calvinism, the musical situation in the Protestant churches in the Netherlands was for a long time marked by sobriety, with attention focused on congregational singing. In the 20th century, church music gained importance through a dominant flow of Lutheran influence. Generally, the liturgical movement highlighted the role of music in worship. The Lutheran church musician Willem Mudde successfully called attention to the German church music reform movement. Inspired by the writings of the German theologian Oskar Söhngen, he strived to apply the ideals and practices of thi

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Dreyer, Rasmus H. C. "Konkordiebog og Kirkeordinans." Dansk Teologisk Tidsskrift 86, no. 2 (2023): 158–86. http://dx.doi.org/10.7146/dtt.v86i2.140683.

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The Book of Concord (1580) is the normative collection of confessions in the worldwide Lutheran Church. The present Danish Lutheran Church is an exception due to Danish King Frederik II’s rejection of the Book of Concord in 1580. This article reviews the historical background for the Book of Concord and especially the history and theology of the Formula Concord. It pays special attention to the use of Luther and Confessio Augustana (Invariata) as theological authorities in Formula Concord. In Denmark, Philippist theology was the predominant way of thinking theology in the late 16th century, ye

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Lück, Heiner. "Pluralismus der Rechtsordnungen als Folge der lutherischen Reformation?" PRÁVNĚHISTORICKÉ STUDIE 52, no. 1 (2022): 29–52. http://dx.doi.org/10.14712/2464689x.2022.3.

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This article addresses the question of whether and how the Lutheran Reformation led to a (further) pluralisation of legal systems. Since the beginning of the early modern period, primarily in the course of the 16th century, a wave of legal records and legal codifications can be observed throughout Europe. The connection with the reception of Roman and Canon law is obvious. On a completely different level, an epochal church schism took place from the early 16th century onwards, triggered by Martin Luther’s (1483–1546) fundamental criticism of the Roman Church. The term “pluralism of legal syste

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Plajer, Dietmar. "Mission and Limitations. Back to the Origins of Lutheran-Orthodox Contacts in the 16th Century." Review of Ecumenical Studies Sibiu 10, no. 1 (2018): 90–103. http://dx.doi.org/10.2478/ress-2018-0006.

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Abstract The Reformation in Transylvania, Lutheran in structure, has been from its very beginning in direct contact with representatives of the Orthodox Church. An Orthodox clergyman, Philippus Pictor (Filip Moldoveanul), had worked for decades in Hermannstadt in the service of the magistrate, with tasks – among other responsibilities – in the printing house; it was probably during his activity in office that the (now lost) Romanian catechism of 1544, the church-slavonic and the bilingual (Slavonic-Romanian) gospels were printed. There are good reasons to assume that these prints were made dir

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Garratt, James. "Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music." Journal of the Royal Musical Association 125, no. 2 (2000): 164–204. http://dx.doi.org/10.1093/jrma/125.2.164.

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AbstractCrucial to understanding the reception of Renaissance music in nineteenth-century Germany is an appreciation of the contradictory components of Romantic historicism. The tension between subjective and objective historicism is fundamental to the historiographical reception of Renaissance music, epitomizing the interdependency of historical representation and modern reform. Protestant authors seeking to reform church music elevated two distinct repertories — Renaissance Italian music and Lutheran compositions from the Reformation era — as ideal archetypes: these competing paradigms refle

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Trocmé-Latter, Daniel. "The psalms as a mark of Protestantism: the introduction of liturgical psalm-singing in Geneva." Plainsong and Medieval Music 20, no. 2 (2011): 145–63. http://dx.doi.org/10.1017/s0961137111000039.

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ABSTRACTIt is widely believed that musical creativity suffered under the control of many sixteenth-century Protestant church leaders, especially in the Reformed (as opposed to Lutheran) branch of Protestantism. Such views are generalisations, and it is more accurate to say that music in Geneva and other Reformed strongholds developed in a very different way from the music of the Lutheran Church. The very specific beliefs about the role of music in the liturgy of Jean Calvin, Genevan church leader, led to the creation and publication of the Book of Psalms in French, in metre, and set to music.

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Hulková, Marta. "Central European Connections of Six Manuscript Organ Tablature Books of the Reformation Era from the Region of Zips (Szepes, Spiš)." Studia Musicologica 56, no. 1 (2015): 3–37. http://dx.doi.org/10.1556/6.2015.56.1.1.

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Tablature notations that developed in the sixteenth century in the field of secular European instrumental music had an impact also on the dissemination of purely vocal and vocal-instrumental church music. In this function, the so-called new German organ tablature notation (also known as Ammerbach’s notation) became the most prominent, enabling organists to produce intabulations from the vocal and vocal-instrumental parts of sacred compositions. On the choir of the Lutheran church in Levoča, as parts of the Leutschau/Lőcse/Levoča Music Collection, six tablature books written in Ammerbach’s nota

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Korkalainen, Samuli. "Interdisciplinary Approaches to the History of Lutheran Church Music in Finland." Trio 12, no. 1 (2023): 43–48. http://dx.doi.org/10.37453/tj.125381.

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New perspectives on church music history in Finland are achievable with the interdisciplinary theoretical framework,i.e. by embracing theories, research perspectives and key concepts, from other scientific disciplines. By outlining the philosophical, theological, cultural and political atmosphere of the time, a deeper understanding about the motives of people active in standardising congregational singing in nineteenth-century Finland and Ingria as well as the impact of pan European influence was achieved.

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Mahling, Madlena. "Sorbische Seelsorge und Reformation – ein überlieferungsgeschichtliches Problem illustriert am Beispiel der pfarrlichen Seelsorge in Lübben im 15. und 16. Jahrhundert." Zeitschrift für Slawistik 64, no. 4 (2019): 556–71. http://dx.doi.org/10.1515/slaw-2019-0032.

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Summary In Sorbian historiography the Lutheran reformation of the early 16th century is seen as a starting point of Sorbian national history. It is thought that the introduction of Sorbian language into church life led to the development of Sorbian literature, a Sorbian elite and hence to a national identity. Based on research into the history of Sorbian pastoral work in Lübben, the main city of the Margraviate of Lower Lusatia, the present paper argues that the lack of pre-reformation sources about Sorbian church life and accordingly the increase of them after the reformation is primarily due

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Sokół, Teresa. "Protestanci w regionie kaliskim w XVI-XVIII wieku i ich budownictwo kościelne. Zarys problematyki." Zeszyty Kaliskiego Towarzystwa Przyjaciół Nauk 21 (December 31, 2021): 194–222. http://dx.doi.org/10.4467/26578646zknt.21.009.17593.

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Protestants in the Region of Kalisz from 16th to 18th Century and Their Sacral Architecture: an Outline The aim of this study is to offer a brief outline of protestant sacral architecture in the region of Kalisz, comprised of historic counties of Kalisz, Pyzdry and Konin from the 16th to 18th Century. Author tries to trace foundations of new parish churches for the United Brotherhood and lutheran communities. The general research question posed in this study targets different typologies of protestant church architecture in the region, including analysis of architecture and arrangements of inte

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16

Scott, Allen. "Simon Lyra and the Lutheran liturgy in the second half-century of the Reformation in Breslau." Muzyka 65, no. 1 (2020): 3–18. http://dx.doi.org/10.36744/m.309.

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In 1593, Simon Lyra (1547-1601) was appointed cantor of the St. Elisabeth Church and Gymnasium in Breslau/Wrocław. In the same year, he drew up a list of prints and manuscripts that he considered appropriate for teaching and for use in Lutheran worship. In addition to this list, there are six music manuscripts dating from the 1580s and 1590s that either belonged to him or were collected under his direction. Taken together, Lyra’s repertoire list and the additional manuscripts contain well over a thousand items, including masses, motets, responsories, psalms, passions, vespers settings, and dev

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17

Bertoglio, Chiara. "Cats, bulls and donkeys: Bernardino Cirillo on 16th-century church music." Early Music 45, no. 4 (2017): 559–72. http://dx.doi.org/10.1093/em/cax081.

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Plemmenos, John. "The Rosary and the Rose: Clergymen as Creators of Secular Poetry and Music in Early-modern Balkans." Musicological Annual 50, no. 2 (2015): 77–91. http://dx.doi.org/10.4312/mz.50.2.77-91.

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This paper deals with the involvement of Greek clergy in secular poetry and music in early-modern Balkans. This trend began in late-16th century, and involved the production of large anthologies and treatises on Ottoman music. This paper offers insights into the motives of those clergymen, the reception of their works by laymen and clerics, and the reaction of the official church.

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19

McCormick, Susan. "The Lost Art of Harmonic Variation in Eighteenth-Century Hymn Accompaniment in the German Lutheran Church." Journal of Musicology 42, no. 3 (2025): 321–49. https://doi.org/10.1525/jm.2025.42.3.321.

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The discovery in 2007 of a previously unknown Choralbuch manuscript has prompted reassessment of eighteenth-century hymn accompaniment in the German Lutheran Church. The manuscript—attributed to Johann Christian Kittel (1732–1809), the only pupil of J. S. Bach to see the nineteenth century—bears witness to a significant tradition of improvisatory practice within European church music and one that is recorded in only a small number of other sources, namely harmonic variation in hymn accompaniment. This practice has not only been overlooked in scholarship but has been only partially understood,

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20

Hui, Tak-Cheung, and Yu-Chia Kuo. "A Concert in a Vanished Church: Contextualizing Peace Island's Auditory History with Modern Technology." Proceedings of the ACM on Computer Graphics and Interactive Techniques 7, no. 4 (2024): 1–9. http://dx.doi.org/10.1145/3664218.

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This paper presents an interdisciplinary project that merges archaeoacoustics with live music performance, aiming to offer a sound interpretation of San Salvador City's history in Taiwan through the fusion of historical research, archaeological discoveries, and the use of contemporary music technology. Central to the project is Ashes to Ashes, a musical performance that integrates live instruments, electronic music, and sound elements derived from 16th and 17th-century artifacts, including Dominican chants and indigenous storytelling. Employing techniques like 3D printing of instruments, physi

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Galter, Sunhild. "Aufgabenbereiche der evangelischen Pfarrfrau einer siebenbürgisch-sächsischen Gemeinde im 20. Jahrhundert." Forschungen zur Volks- und Landeskunde 66 (March 15, 2024): 127–36. http://dx.doi.org/10.59277/fvlk.2023.09.

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The present article can be considered a contribution to the oral history and contains the description of the fields of duty that a protestant pastor’s wife had in a Transylvanian Saxon parish until the beginning of the 21st century. As an introduction there is a brief overview over the evolution of the parsonage as a religious institution beneath the church beginning with the Lutheran Reformation in the 16th century in Germany. The author is a protestant pastor’s wife herself and recounts some of her experiences living in a village parish where the pastor and his wife were seen as the father a

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Kornii, Lidiia. "Specific Character of Ukrainian-Russian Contacts in the Musical Culture of the 17th – 18th Centuries: A Modern View." Materìali do ukraïnsʹkoï etnologìï 21 (24) (November 30, 2022): 28–32. http://dx.doi.org/10.15407/mue2022.21.028.

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The relevant problem of the significance of the Ukrainian-Russian musical dialogue in the 17th –18th centuries for the future development of Ukrainian and Russian musical cultures is considered in the article. Ukrainian-Russian contacts have taken place in the field of professional music, dominated with religious Christian themes at that time. Significant achievements of Ukrainian musical art of the late 16th - the first half of the 18th century are noted, where Ukrainian Orthodox traditions are combined with the adapted achievements of Polish and Western European art: the reformation of music

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Khodakovsky, Evgeny V. "Wooden Church Architecture of the Russian North in the Russian Art History of the Early 21st Century." Vestnik of Saint Petersburg University. Arts 11, no. 4 (2021): 696–714. http://dx.doi.org/10.21638/spbu15.2021.407.

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The article represents a historiographical review of publications on the wooden architecture of the Russian North, published in 2000–2010s. In these years the main perspectives of the research of the wooden church architecture of the Russian North can be distinguished as follows: the regional studies in the framework of large-scale scientific projects; studying the construction history and analysing the architectural features of specific objects, including in connection with their restoration; “rehabilitation” of the late period (19th–20th centuries) in the history of church wooden church buil

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Morucci, Valerio. "Music, patronage and reform in 16th-century Italy: new light on Cardinal Carlo Borromeo." Early Music 47, no. 4 (2019): 499–513. http://dx.doi.org/10.1093/em/caz071.

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Abstract Music historians are certainly familiar with the figure of Cardinal Carlo Borromeo. Important research has illuminated his association with the composer Vincenzo Ruffo, his reform of female convents, and, more generally, his influence over the musical life of Milan, including local churches and confraternities; more recently, Borromeo’s relationship with the musician Tomás Luis de Victoria has been closely examined. However, our knowledge of his role as a promoter of the so-called ‘Counter-Reformation’ in music is fragmentary. In particular, a comprehensive investigation of Borromeo’s

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Kónya, Annamária. "The Coexistence of Protestant Confessions – Alliances, Unions as an Existential Strategy." Studia Universitatis Babeș-Bolyai Theologia Reformata Transylvanica 69, no. 1 (2024): 191–212. http://dx.doi.org/10.24193/subbtref.69.1.11.

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It is generally known that during the Reformation, there was no good relationship between the Protestant denominations, and rather discord and intolerance characterized the relationship between the Lutheran and Calvinist churches in particular. The same applied to the rejectionist and sometimes-persecutory attitude of the two leading Protestant doctrines towards radical tendencies. This was manifested on several levels and for different reasons. First and foremost, it was caused by theological differences, i.e. each Reformation doctrine was convinced of the sole truth of its own doctrine. Thes

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Tabyisova, Fedosia W. "Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century." Contemporary Musicology, no. 2 (2022): 81–106. http://dx.doi.org/10.56620/2587-9731-2022-2-081-106.

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The article is an attempt to establish a relationship between the structure of large South German church organs of the first third of the 16th century and the compositional features of the thencontemporary organ works. The historical boundaries of the Renaissance in German architecture and music do not coincide, while an organ may be viewed as an architectural element. This contradiction presents a certain difficulty. In the indicated period, the late Gothic architectural style, which preceded the Renaissance, played a leading role. As we see it, the organ music of this time, usually attribute

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VAITKEVIČIŪTĖ, VIKTORIJA. "LIETUVOS NACIONALINĖS MARTYNO MAŽVYDO BIBLIOTEKOS RETŲ KNYGŲ IR RANKRAŠČIŲ SKYRIAUS PALEOTIPŲ RINKINYS." Knygotyra 56 (January 1, 2011): 135–48. http://dx.doi.org/10.15388/kn.v56i0.1507.

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Lietuvos nacionalinė Martyno Mažvydo bibliotekaGedimino pr. 51, LT-01504 Vilnius, LietuvaEl. paštas: viktorija.vait@gmail.comStraipsnyje nagrinėjami Lietuvos nacionalinės Martyno Mažvydo bibliotekos Retų knygų ir rankraščių skyriaus paleotipai: jų leidimo vieta, spaustuvininkai, tematika bei proveniencijos, dėmesį telkiant į retesnius, Lietuvos knygos kultūrai svarbesnius leidinius. Iš šiame skyriuje saugomų daugiau kaip 800 paleotipų analizuojama tik dalis jų, nes daugiau negu 200 knygų teturi kortelinį bibliografinį aprašą ir išsamiai juos ištirti šiuo metu neįmanoma. Dalies šių paleotipų an

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Grane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition." Grundtvig-Studier 49, no. 1 (1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.

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Grundtvig's Relations with Luther and the Lutheran TraditionBy Leif GraneGrundtvig’s relations with Luther and the Lutheran tradition are essential in nearly the whole of Grundtvig’s lifetime. The key position that he attributed to Luther in connection with his religious crisis 1810-11, remained with the Reformer until the very last, though there were changes on the way in his evaluation of the Reformation.The source material is overwhelming. It comprises all Grundtvig’s historical and church historical works, but also a large number of his theological writings, besides a number of his poems a

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d’Alvarenga, João Pedro. "On performing practices in mid- to late 16th-century Portuguese church music: the cappella of Évora Cathedral." Early Music 43, no. 1 (2015): 3–21. http://dx.doi.org/10.1093/em/cau135.

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Mikaelsson, Lisbeth. "Locality and Myth: the Resacralization of Selja and the Cult of St. Sunniva." Numen 52, no. 2 (2005): 191–225. http://dx.doi.org/10.1163/1568527054024759.

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AbstractThe article demonstrates the merging of contemporary processes of resacralization, retraditionalization, and local identity construction embodied in one particular example, the island of Selja on the west coast of Norway. In Roman-Catholic times, Selja was a major pilgrimage site, famous for its legend of St. Sunniva, an Irish princess who fled from her country and took refuge on the island where she suffered a martyr death. The national conversion to Lutheranism in the 16th century put an end to the official Sunniva cult. In our time, however, the legend has been revived and is celebr

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Makarova, Anna A., Olga V. Klukanova, and Nadezhda V. Pivovarova. "Inscriptions in the Artistic Structure of the Items of Medieval Silversmiths. Works of Church Art from Tikhvin in the State Russian Museum." Vestnik of Saint Petersburg University. Arts 11, no. 3 (2021): 467–93. http://dx.doi.org/10.21638/spbu15.2021.306.

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The article presents the results of studying inscribed and dated objects of applied art of the 16th–17th century from the State Russian Museum in St. Petersburg. The subject of the research is the set of church plates from the monasteries of the Dormition of Our Lady and the Presentation of the Virgin in the Temple in Tikhvin and the precious tsata from the Tikhvin icon of the Mother of God (Stockholmskaya) from the Tikhvin Cathedral of the Transfiguration. In 1928, the items were given to the State Russian Museum from the department of ecclesiastical property of the State Museum fund. The maj

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Klein, Christoph. "The Reformer Johannes Honterus and Orthodoxy: “Early Ecumenism”." Review of Ecumenical Studies Sibiu 9, no. 3 (2017): 445–51. http://dx.doi.org/10.1515/ress-2017-0030.

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Abstract On the occasion of the commemoration of 500 years since the Reformation, this article, entitled “Reformation and Orthodoxy”, calls attention to the personality of Johannes Honterus (1497-1549), the Lutheran reformer of the Evangelical Church of the Augsburg Confession in Transylvania, and reviews his relationship to Orthodoxy, a relationship which may be referred to as “Early Ecumenism”. Johannes Honterus, one of the most important personalities of the Transylvanian Saxons, was an outstanding scholar who had studied in Vienna, Krakow, Regensburg and Basel. He became the founder of the

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Kotliarov, P. "THE MELANCHTHONIAN SCHOOL REFORM: A HUMANIST PARADIGM." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 133 (2017): 32–35. http://dx.doi.org/10.17721/1728-2640.2017.133.2.07.

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In this paper, we focused on the plan for the school of Eisleben (1525) by Philipp Melanchthon, which reveals the main trends of the Melanchthonian school reform in the early 16th century. We have outlined several important tasks set by Melanchthon to create a special educational space based on pietas and erudition. It is important also to clarify correlation between religious and Humanist elements in school plans and to highlight requirements for teachers in the newly founded schools. As we have found out, religious studies were scheduled only for for Sunday. Students were not expected to pas

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Исхакова, С. З. "On Metro-Rhythmic Difficulties in Western European Music of the 16th Century." Музыкальная академия, no. 2(782) (June 26, 2023): 108–33. http://dx.doi.org/10.34690/311.

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Статья посвящена анализу метроритмических трудностей, которые могли испытывать церковные певчие XVI века в связи: а) со смещением статуса наиболее распространенной длительности с минимы на семиминиму и с появлением в нотном тексте фуз (будущих восьмых), породивших то, что К. Закс в ХХ веке назвал «horror fusae»; б) с усложнением задачи адекватного прочтения трехдольных разделов музыкального текста, создающих полуторную пропорцию к основному (двухдольному) времени, что стало причиной не только записи «на четыре» инструментальных сочинений, задуманных «на три» (в табулатуре), но и переделки проп

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LYUBASHCHENKO, Viktoriya. "CROATIAN HUMANIST MATIJA VLAČIĆ AND HIS CONTRIBUTION TO THE SCIENTIFIC THOUGHT OF THE EARLY MODERN AGE." Problems of slavonic studies, no. 68 (2019): 54–87. http://dx.doi.org/10.30970/sls.2019.68.3071.

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Background: The 500th Anniversary of the Reformation has caused the emergence of many new publications in Ukraine dedicated to this phenomenon. Biographical research were taken quite modest positions among them. The focus was on the figures of the Western European Reformation, whose biographies are widely represented in world historiography. However, many Slavonic reformers still undervalued. In particular, a little known in Ukrainian studies remains a Croatian humanist of the 16th century Matija Vlačić (Matthias Flacius Illyricus). Purpose: The author put forward the task to acquaint the Ukra

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Szyszka, Tomasz. "Franciszkańscy misjonarze w Peru." Annales Missiologici Posnanienses, no. 22 (January 4, 2018): 33–46. http://dx.doi.org/10.14746/amp.2017.22.3.

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The history of evangelization in Peru, which started at the very onset of the 16th century is connected with the presence of the missionaries of the Franciscan Order, who played a major role in the building of Church structures on the territory of the former Inca empire. However, their main contribution was an effective evangelization of the indigenous peoples through the use of innovative methods (music, singing and art, organizing schools for Indians, knowledge of indigenous languages, protection of Indians against excessive exploitation). In this activity they were urged by their Franciscan

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Biba, Otto. "Liebe und Tugend : Musik als eine moralische Institution." Musicologica Brunensia, no. 1 (2023): 5–18. http://dx.doi.org/10.5817/mb2023-1-1.

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Love and virtue are present as a message in all varieties of modern musical creation, above all in opera, oratorio and cantata, but also in church and instrumental music from the 16th to the early 19th centuries: individually and as a couple, as alternatives or as opposites, as related feelings or those to be decided between, as good or bad. Building on traditions, the stage became an institution during the Enlightenment, can make visible the feelings, thoughts and problems of society, which is comparable to religion, because the jurisdiction of the stage begins where the influence of worldly

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Camaioni, Michele. "Reformas franciscanas y Reforma: el caso de los primeros capuchinos (1525-1542)." Archivo Ibero-Americano 79, no. 288-289 (2019): 433–48. http://dx.doi.org/10.48030/aia.v79i288-289.148.

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This paper aims to contribute to the historiographical debate about the impact of the Protestant Reformation among the Friar Minors by discussing the case-study represented by the first development of the Capuchin Order. The Capuchins were approved by Clement VII in 1528, just few years after the bull Ite vos (1517) attempted to prevent new divisions within the Franciscans. Their reform movement stood out for its asceticism and mystical spirituality, which attracted the accusation of Lutheranism from the more conservative exponents of the Roman Church. Actually, the «freedom of the Spirit» pre

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Taylor, Kristín Jónína. "Now the Sun Sinks in the Sea: The Sacred Works of Þorkell Sigurbjörnsson." Athens Journal of Humanities & Arts 9, no. 4 (2022): 291–306. http://dx.doi.org/10.30958/ajha.9-4-2.

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Þorkell Sigurbjörnsson’s contributions to Icelandic music were manifold, encompassing teaching, composition, arts administration, music criticism, radio program hosting, solo and chamber performance, conducting, and countless other accomplishments. He remains the most prolific of all Icelandic composers with over 350 compositions. Those works for which Þorkell is best known are his exquisite sacred works, of which there are at least fifty. For that reason, this paper will focus on Þorkell’s sacred works and the diversity of approaches he utilized. Þorkell had familial connections with the Icel

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Przybyszewska-Jarmińska, Barbara. "The Polish Contribution to Central European Musical Culture in the Seventeenth Century. The Case of Marcin Mielczewski." Musicological Annual 40, no. 1-2 (2021): 137–48. http://dx.doi.org/10.4312/mz.40.1-2.137-148.

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The seventeenth-century Commonwealth of Poland and Lithuania, embracing the lands of the Polish Crown (together with the territory of present-day Ukraine) and the Grand Duchy of Lithuania, belonged geographically to both Central and Eastern Europe. It was a multiethnic and multiconfessional state, in which the Latin and Greek cultures were mutually interactive. With regard to the musical culture of the royal court, however, itwas the close ties with Italy that were of the greatest significance. The Polish kings of the Vasa dynasty (above ali Zygmunt III and Władysław IV) maintained music chape

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Van Der Pol, F. "Eentfoldich End Kortt Discours Van Henlegginge Der Huiden Riligionssverschillen, So Hier Alss Anders-Swaer in Der Evangelische Christenheitt Van Langerhandt40 Erressen." Nederlands Archief voor Kerkgeschiedenis / Dutch Review of Church History 74, no. 2 (1994): 216–25. http://dx.doi.org/10.1163/002820394x00174.

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AbstractThe archives of the town of Kampen in Overijssel (the Netherlands) contain an early 17th-century manuscript by an unknown author. The manuscript is about an ecclesiastical conflict in the period preceding the Synod of Dort (1618-1619). The document might be related to peace efforts as also made by Hugo Grotius in the dispute between Remonstrants and Contraremonstrants. The author does not aim at a doctrinal decision or strict definition, but at accommodation and tolerance. The idea of an evangelical-Lutheran contribution to solve the party conflict in order to reach a conciliation betw

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Demchenko, Aleksandr Ivanovich. "The edges of humanism of the Renaissance in the mid-13th – the mid-16th century: Part 1." Pan-Art 4, no. 2 (2024): 75–84. http://dx.doi.org/10.30853/pa20240011.

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The essay is dedicated to exploring the art and culture of the Renaissance period, heralding Modern times, spanning from the mid-13th to the mid-16th century. This part of the work highlights the artistic achievements of the Middle East during the specified period, particularly in architecture, poetry (including the rise of humanism). Turning to European culture, the author specifically addresses the art of the Orthodox world (primarily focusing on church painting and, to a lesser extent, on the Ancient Russian Znamenny chant), noting its influence on the currents of the Renaissance. The autho

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Sparitis, Ojars. "“Eternal Battle” with Compromises and Constraints: Revitalisation of Medieval Architecture." Landscape architecture and art, no. 20 (November 10, 2022): 37–42. http://dx.doi.org/10.22616/j.landarchart.2022.20.04.

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In the interests of the Catholic Church and German merchants, from the 13th to the 14th century, the territories of the present-day Latvia and Estonia, then called Livonia, were Christianized with the methods of the Crusades and included in the international economic processes. The feudal states of the German Order and bishops were established to keep the lands of the conquered Baltic tribes in obedience. Their main task was to guarantee the security of the west-east trade routes and to develop the economy in their own interests. To protect their borders and roads, the German Order, bishops an

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Leonard, Charlotte A. "The Role of the Trombone and its Affekt in the Lutheran Church Music of Seventeenth-Century Saxony and Thuringia: The Early Seventeenth Century." Historic Brass Society Journal 10, no. 1 (1998): 57–91. http://dx.doi.org/10.2153/0119980011004.

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Bachul-Cienciała, Ewelina. "The song of faith on the organ – the musical heritage of Karol Hławiczka and Adam Hławiczka." Notes Muzyczny 2, no. 20 (2023): 97–120. http://dx.doi.org/10.5604/01.3001.0053.9950.

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The Hławiczka Brothers, Karol (1894-1976) and Adam (1908-1995), were composers and organists connected with Cieszyn Silesia. Their rich creative output covers organ pieces, a great majority of which used melodies taken from the Lutheran chorale. The way they treated musical themes originating from church songs is the main aspect touched on in the analyses of their compositions presented in this article. The Hławiczka brothers intentionally fit their works into the liturgical music trend, which had been present in the organ literature since the 15th century. Even though they primarily refer to

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Bouckaert, Bruno. "Music and Repertoire in Ghent: The Music Inventory of 1616 of the Collegiate Church of St. Veerle and Information on the Purchase of Music Books in the 16th Century." Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 53 (1999): 41. http://dx.doi.org/10.2307/3686848.

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Leonard, Charlotte A. "The Role of the Trombone and its Affektin the Lutheran Church Music of Seventeenth century Saxony and Thuringia: The Mid- and Late Seventeenth Century." Historic Brass Society Journal 12, no. 1 (2000): 161–209. http://dx.doi.org/10.2153/0120000011007.

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Petryshyna, Tetiana. "Trends of Solo Vocal Performance in the Ukrainian Spiritual Concerts of the Classicism Era." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(58) (March 28, 2023): 82–95. http://dx.doi.org/10.31318/2414-052x.1(58).2023.284759.

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A set of issues related to the emergence and manifestations of the phenomenon of solo vocal performance in choral concerts by Ukrainian composers of the classicism era is analyzed in the article. The author investigated the origins of solo vocal performance, which have been arisen at the intersection of two style-forming constants — ancient church monody, which in certain hymnographic genres reached extremely developed melodic manifestations, and music of a secular direction, connected with the contemporary Italian opera art, which at the turn of the 16th and 17th centuries was called the new

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Pister, Aleksandra. "Printed Music as a Medium of International Representation for the Magnates of the Grand Duchy of Lithuania: A Case Study of Music Prints Dedicated to Jan Karol Chodkiewicz and Aleksander Chodkiewicz." Lietuvos istorijos studijos 49 (July 4, 2022): 8–29. http://dx.doi.org/10.15388/lis.2022.49.1.

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The article deals with the collections of printed music dedicated to the distinguished nobles, statesmen and military commanders of the Grand Dutchy of Lithuania, brothers Jan Karol and Aleksander Chodkiewicz. These collections were printed in Venice in the beginning of the 17th century and dedicated to the Lithuanian magnates by Italian composers Giovanni Valentini and Giulio Osculati. However, it was not in their home country where composers became acquainted with the above-mentioned noblemen who had studied and travelled extensively in Italy but in the Polish-Lithuanian Commonwealth. In fac

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Pankina, Elena V. "Musical Interpretations Of Amor, Se Vuo’ Ch’i’torni Al Giogo Anticho By Petrarch in Canzones by Bartolomeo Tromboncino, Bernardo Pisano and Sebastiano Festa." Contemporary Musicology, no. 1 (2022): 4–22. http://dx.doi.org/10.56620/2587-9731-2022-1-004-022.

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The development of poetic Petrarchism in the first decade of the 16th century entailed the flourishing of Petrachism in music. During the transformation of poetic and musical composition due to the development of madrigal, musicians resorted to Petrarch’s poems as a way to free themselves from the dictate of normative song forms and language and to find new ways of musical expression. Among them are Bartolomeo Tromboncino, Bernardo Pisano, and Sebastiano Festa and their focus on Petrarch’s canzone Amor, se vuo’ ch’i’torni al giogo anticho. All the works were published within a short time span.

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