Relevant bibliographies by topics / Classicism – england

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Classicism – england'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Classicism – england"

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Terletska, D., and V. Shpagin. "Identification of the architectural style of the Red Building of the Taras Shevchenko National University of Kyiv for Landscape Design aims." Bulletin of Taras Shevchenko National University of Kyiv. Series: Biology 77, no. 1 (2019): 68–71. http://dx.doi.org/10.17721/1728_2748.2019.77.68-71.

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The article deals with the identification of terms that define the style of the Main Building of the Taras Shevchenko National University of Kyiv in domestic and foreign scientific literature, for their further use in the search for architectural analogues for the purposes of landscape design. Since the development of classics in architecture is characterized by heterogeneity in different countries and at different times, the study is based on an analysis of the periodization systems of development of the classical style adopted within domestic and foreign scientific schools. At the first stag
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van der Woude, Joanne. "Indians and Antiquity: Subversive Classicism in Early New England Poetry." New England Quarterly 90, no. 3 (2017): 418–41. http://dx.doi.org/10.1162/tneq_a_00626.

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Two exceptional colonial poems, Thomas Morton's version of the events around his Maypole at Merrymount and Benjamin Tompson's epics on King Philip's War, are heavily classical, especially in their descriptions of Native Americans. The essay examines the advantages that the use of classical comparisons have over the more common tropes of Biblical typology.
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Pears, Richard. "Battle of the Styles? Classical and Gothic Architecture in Seventeenth-Century North-East England." Architectural History 55 (2012): 79–110. http://dx.doi.org/10.1017/s0066622x0000006x.

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Research over the last twenty years into seventeenth-century elite British architecture has questioned the view that Classical designs were the preserve of a narrow group of royal and aristocratic patrons at the Stuart court, and also that Inigo Jones was a ‘lonely genius’ misunderstood in his own lifetime but prophesizing the true Classicism that was to bloom in the eighteenth century.The role of patrons in defining architectural styles has also been analysed, and it has been noted that Classicism was not the only style they favoured. For earlier historians, a perception that Classical archit
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Jordan, Elizabeth T. "Inigo Jones and the Architecture of Poetry*." Renaissance Quarterly 44, no. 2 (1991): 280–319. http://dx.doi.org/10.2307/2862711.

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Architecture in England Remained a fledgling science until Inigo Jones's Italianate classicism burst forth in London in the first decades of the seventeenth century. His 1622 Banqueting House at Whitehall with its masterful double-cube interior astounded Londoners accustomed to the rabbit warren of Elizabethan apartments making up the surrounding Whitehall Palace; its rhythmic, subtly articulated marble façade clashed with the eclectic exteriors of neighboring buildings.
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Mocevičius, Albinas. "KLASICISTINIO STILIAUS PARKŲ MENO TENDENCIJOS BEI RAIDA EUROPOJE IR LIETUVOJE." JOURNAL OF ARCHITECTURE AND URBANISM 33, no. 3 (2009): 173–82. http://dx.doi.org/10.3846/13921630.2009.33.173-182.

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This paper discusses the development and tendencies of classicism-style park art at the end of the 17th and the beginning of the 19th c in Europe and Lithuania. Major attention is paid to general reasons of the appearance of classicism style, its special features and changes which were visible after contradictorily estimated epoch of baroque. On the basis of general features and planned and spatial structure of park ensembles in classicism of that time in such European countries as France, England, Germany, Russia and Poland, the author attempts to find correlations and special features in Lit
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Smylitopoulos, Christina. "Then and Now: Collecting and Classicism in Eighteenth-Century England by Joan Coutu." University of Toronto Quarterly 87, no. 3 (2018): 424–26. http://dx.doi.org/10.3138/utq.87.3.89.

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Ternova, Maryna. "Outlines of theoretical and practical parity in the legacy of Joseph Addison." Culturology Ideas, no. 21 (1'2022) (2021): 69–77. http://dx.doi.org/10.37627/2311-9489-21-2022-1.69-77.

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The article analyzes the situation in the scientific and artistic space of England in the transition period from classicism to the Enlightenment on the example of the legacy of Joseph Addison - a famous English writer, esthetician and politician. It was J. Addison who belonged to those intellectuals of his time who perceived, positively evaluated and - within their own capabilities - contributed to the "entry" of certain enlightenment ideas into the research space of the time. On the one hand, they significantly expanded the ideas of his contemporaries about the potential of aesthetic knowledg
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STEWART, LOUISE. "SOCIAL STATUS AND CLASSICISM IN THE VISUAL AND MATERIAL CULTURE OF THE SWEET BANQUET IN EARLY MODERN ENGLAND." Historical Journal 61, no. 4 (2018): 913–42. http://dx.doi.org/10.1017/s0018246x1700053x.

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AbstractAround 1520, at the court of Henry VIII of England, a new meal type emerged. Called the ‘banquet’, this took place after the main meal, in a distinct space, and consisted of sweet foods, spiced wine, and sculptural sugarwork. Originally developing at court, the sweet banquet was quickly embraced by the nobility and gentry. This article investigates the adoption of this dining practice in the wealthy country houses of early modern England and the reasons for its popularity in this specific context. It draws on state papers, published works, and household accounts to establish the ways i
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Groznov, O. D. "The Transformation of Classical Order in John Soane’s Architecture." Art & Culture Studies, no. 1 (2021): 86–103. http://dx.doi.org/10.51678/2226-0072-2021-1-86-103.

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The article provides a new approach to study the oeuvre of an architect-neoclassicist Sir John Soane. This approach is concerned to an original interpretation of architectural order by Soane. Studying the metamorphosis of classical order in Soane’s architecture can help to understand the evolution and particularity of Soane’s individual style and also to define the specific place of this style in the neo-classicist movement. The article describes the development of the architectural order in England (since the 16th century to the beginning of the 19th century) and some specific features of the
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Karyakina, Tatyana Dmitrievna. "Portrait in Western European porcelain of the XVIII century." Исторический журнал: научные исследования, no. 5 (May 2021): 9–20. http://dx.doi.org/10.7256/2454-0609.2021.5.36215.

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This article is dedicated to portrait images in Western European porcelain of the XVIII century. Research is conducted on the works created in various European countries, such as Germany (Meissen), France (Sevres), Austria (Vienna), and England (Wedgwood Pottery Manufactory). Prominent masters of porcelain –Kendler, Boizot, Grassi – are the authors of the portraits. Sculptural portrait images of August III – painter of the court of the French Queen Marie Antoinette and the Holy Roman Emperor Joseph II are notable for exquisite artistic merit. The article reviews p
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Dissertations / Theses on the topic "Classicism – england"

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Anderson, Christy Jo. "Inigo Jones's library and the language of architectural classicism in England, 1580-1640." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/12670.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1993.<br>Vita.<br>Includes bibliographical references (v. 2, leaves 330-351).<br>Inigo Jones's collection of books is a unique and early survival of an architect's annotated library. The combination of standard sixteenth century Italian and French editions of classics, mathematical and scientific treatises, and specialized architectural books, comprised the library of a professional whose approach to his field was based on an understanding of practical humanism and the study of antique precedent. The li
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Arciszewska, Barbara. "The Hanoverian court and the triumph of Palladio : the Palladian revival in Hanover and England c. 1700 /." Warsaw : Wydawn.DiG, 2002. http://www.loc.gov/catdir/toc/fy0609/2005478972.html.

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Stray, Christopher A. "Culture and discipline : the reconstruction of classics in England, 1830-1930." Thesis, Swansea University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502601.

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Challis, Deborah Joy. "Collecting classics : the reception of classical antiquities in public museums in England, 1830-1890." Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417268.

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Doyle, Alice. ""The Essence of Greekness": The Parthenon Marbles and the Construction of Cultural Identity." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1209.

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This thesis explores the relationship between the Classical Greek legacy and today’s world by examining the past two hundred years of controversy surrounding Lord Elgin’s removal of the Parthenon Marbles from Athens. Since the Marbles were purchased by the British Museum in 1816, they have become symbols of democratic values and Greek cultural identity. By considering how the Parthenon Marbles are talked about by different people over the years, from art connoisseurs and Romantic poets of the early 19th century to nationalist political activists of the late 20th century, this thesis demonstrat
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Books on the topic "Classicism – england"

1

Arciszewska, Barbara. The Hanoverian court and the triumph of Palladio: The Palladian revival in Hanover and England c. 1700. Wydawn.DiG, 2002.

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Leoussi, Athena S. Nationalism and classicism: The classical body as national symbol in nineteenth-century England and France. St. Martin's Press, 1998.

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Okie, Laird. Augustan historical writing: Histories of England in the English enlightenment. University Press of America, 1991.

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Stray, Christopher. Classics transformed: Schools, universities, and society in England, 1830-1960. Clarendon Press, 1998.

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Wassyng, Roworth Wendy, and Alexander David, eds. Angelica Kauffman: A continental artist in Georgian England. Reaktion Books, 1992.

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Loftis, John Clyde. The Spanish plays of neoclassical England. Greenwood Press, 1987.

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Dana, Arnold, ed. Belov'd by evr'y muse: Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork (1694-1753) : essays to celebrate the tercentenary of thebirth of Lord Burlington. Georgian Group, 1994.

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Knappe, Gabriele. Traditionen der klassischen Rhetorik im angelsächsischen England. Universitätsverlag C. Winter, 1996.

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Levine, Joseph M. Dr. Woodward's shield: History, science, and satire in Augustan England. Cornell University Press, 1991.

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Serensits, Jaime F. M. New England classics: Volume 1 -- class one's. Railroad Press, 2002.

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Book chapters on the topic "Classicism – england"

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Leoussi, Athena S. "Images of Greece as Images of England." In Nationalism and Classicism. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230372689_8.

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Farmer, Alan B., and Zachary Lesser. "Canons and Classics: Publishing Drama in Caroline England." In Localizing Caroline Drama. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601611_2.

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Li, Zhen. "The Influence of Ancient Chinese Cultural Classics in England." In A Study on the Influence of Ancient Chinese Cultural Classics Abroad in the Twentieth Century. Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-7936-0_5.

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Thomson, Rodney M. "Where were the Latin Classics in Twelfth-Century England?" In England and the Twelfth-Century Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003555759-19.

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Clark, James G. "Monastic Manuscripts and the Transmission of the Classics in Late Medieval England." In Vehicles of Transmission, Translation, and Transformation in Medieval Textual Culture. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.cursor-eb.1.100272.

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Knappe, Gabriele. "Manuscript Evidence of the Teaching of the Language Arts in Late Anglo-Saxon and Early Norman England, with Particular Regard to the Role of the Classics." In Disputatio. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.disput-eb.1.100285.

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Secretan, Dominique. "England before the Restoration." In Classicism. Routledge, 2017. http://dx.doi.org/10.4324/9781315115429-3.

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Zhuang, Yue. "Eighteenth- and nineteenth-century classicism in England." In The Routledge Handbook on the Reception of Classical Architecture. Routledge, 2019. http://dx.doi.org/10.4324/9781315171104-9.

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Walshe, Eibhear. "Wilde, Classicism, and Homosexuality in Modern Ireland." In Classics and Irish Politics, 1916-2016. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0012.

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This chapter explores how Irish writers since Oscar Wilde have invoked Hellenism when faced with public exposure of their homosexuality. Wilde is seen both as a dissident against England and, for gay writers, a champion and liberator. For James Joyce, Wilde was a figure of defiance and a fellow exile. Patrick Pearse never mentions Wilde, but seems to have been drawn to his sensibility in the parallels he suggests between ancient Greek and Irish masculinity. The writings of Brendan Behan are no less permeated by Wilde’s Hellenism. Following the decriminalization of homosexuality in Ireland, aff
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MacKechnie, Aonghus. "Introduction." In The Architecture of Scotland, 1660-1750. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455268.003.0001.

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The book’s period-span is defined both by seismic political events and changing architectural fashions, so thisintroduction ties these two things together, providing a contextual backdrop. 1660s Scotland needed reconstruction following war and occupation. Militarised challenge to a replacement and anti-Catholic monarchy extended from 1689 until 1746; and meanwhile, the country entered union with England in 1707, exiting the international stage politically, but not architecturally. Scotland’s early Classicism provides a discrete episode within that time span, and also sits between its two castl
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