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1

Arciszewska, Barbara. The Hanoverian court and the triumph of Palladio: The Palladian revival in Hanover and England c. 1700. Wydawn.DiG, 2002.

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2

Leoussi, Athena S. Nationalism and classicism: The classical body as national symbol in nineteenth-century England and France. St. Martin's Press, 1998.

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3

Okie, Laird. Augustan historical writing: Histories of England in the English enlightenment. University Press of America, 1991.

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4

Stray, Christopher. Classics transformed: Schools, universities, and society in England, 1830-1960. Clarendon Press, 1998.

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5

Wassyng, Roworth Wendy, and Alexander David, eds. Angelica Kauffman: A continental artist in Georgian England. Reaktion Books, 1992.

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6

Loftis, John Clyde. The Spanish plays of neoclassical England. Greenwood Press, 1987.

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7

Dana, Arnold, ed. Belov'd by evr'y muse: Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork (1694-1753) : essays to celebrate the tercentenary of thebirth of Lord Burlington. Georgian Group, 1994.

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8

Knappe, Gabriele. Traditionen der klassischen Rhetorik im angelsächsischen England. Universitätsverlag C. Winter, 1996.

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9

Levine, Joseph M. Dr. Woodward's shield: History, science, and satire in Augustan England. Cornell University Press, 1991.

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10

Serensits, Jaime F. M. New England classics: Volume 1 -- class one's. Railroad Press, 2002.

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11

Then and Now: Collecting and Classicism in Eighteenth-Century England. de Gruyter GmbH, Walter, 2015.

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12

Then and Now: Collecting and Classicism in Eighteenth-Century England. McGill-Queen's University Press, 2015.

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13

Classicism and Colonization: Architecture and its Discourses in Early-Modern England. [publisher not identified], 2022.

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14

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume1. Taylor & Francis Group, 2021.

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15

Gosse, Edmund. From Shakespeare to Pope: An Inquiry Into the Causes & Phenomena of the Rise of Classical Poetry in England. Reprint Services Corporation, 1992.

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16

Leoussi, Athena S., and University of Reading Staff. Nationalism and Classicism: The Classical Body As National Symbol in Nineteenth-Century England and France. Macmillan Publishers Limited, 1998.

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17

Shiqiao, Li. Power and Virtue: Architecture and Intellectual Change in England 1660-1730 (The Classical Tradition in Architecture). Routledge, 2006.

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18

Shiqiao, Li. Power and Virtue: Architecture and Intellectual Change in England 1660-1730 (The Classical Tradition in Architecture). Routledge, 2006.

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19

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 10. Taylor & Francis Group, 2021.

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20

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 7. Taylor & Francis Group, 2021.

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21

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 4. Taylor & Francis Group, 2021.

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22

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 9. Taylor & Francis Group, 2021.

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23

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 5. Taylor & Francis Group, 2021.

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24

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 6. Taylor & Francis Group, 2021.

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25

Boening, John. Reception of Classical German Literature in England 1760-1860 Volume 2. Taylor & Francis Group, 2021.

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26

Jordan, Alley Marie. Classical Taste in the Architectural World of Thomas Jefferson. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350428782.

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Reaching beyond politics and law, this book focuses on Thomas Jefferson as an aesthetic classicist. Jefferson embraced the influence of antiquity through his adoption of classical architecture in his Virginia residences, in order to establish Rome as an ancestor to America. In a time of significant political and cultural change, he aligned himself with a Greco-Romano legacy that represented knowledge, power and art. Alley Marie Jordan studies the architectural and landscape spaces of Jefferson’s classical taste, which include the villas of Monticello and Poplar Forest, as well as the Universit
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27

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume1: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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28

Reception of Classical German Literature in England, 1760-1860, Volume1: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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29

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume1: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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30

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume1: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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31

Renaissance Literary Theory and Practice: Classicism in the Rhetoric and Poetic of Italy, France, and England, 1400-1600. Literary Licensing, LLC, 2011.

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32

Renaissance Literary Theory and Practice: Classicism in the Rhetoric and Poetic of Italy, France, and England, 1400-1600. Literary Licensing, LLC, 2011.

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33

Gosse, Edmund. From Shakespeare to Pope: An Inquiry into the Causes and Phenomena of the Rise of Classical Poetry in England. University of Cambridge ESOL Examinations, 2014.

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34

Gosse, Edmund. From Shakespeare to Pope: An Inquiry into the Causes and Phenomena of the Rise of Classical Poetry in England. Cambridge University Press, 2013.

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35

Vanheste, Jeroen. Guardians of the Humanist Legacy: The Classicism of T. S. Eliot's Criterion Network and Its Relevance to Our Postmodern World. BRILL, 2007.

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36

Ayres, Philip. Classical Culture and the Idea of Rome in Eighteenth-Century England. Cambridge University Press, 2009.

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37

Norland, Howard B. Neoclassical Tragedy in Elizabethan England. University of Delaware Press, 2009.

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38

Norland, Howard B. Neoclassical Tragedy in Elizabethan England. Rowman & Littlefield Publishers, Incorporated, 2009.

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39

Reception of Classical German Literature in England, 1760-1860, Volume 2: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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40

Reception of Classical German Literature in England, 1760-1860, Volume 4: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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41

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 3: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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42

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 4: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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43

Reception of Classical German Literature in England, 1760-1860, Volume 3: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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44

Reception of Classical German Literature in England, 1760-1860, Volume 10: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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45

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 3: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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46

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 4: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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47

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 3: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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48

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 7: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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49

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 3: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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50

Boening, John. Reception of Classical German Literature in England, 1760-1860, Volume 6: A Documentary History from Contemporary Periodicals. Taylor & Francis Group, 2020.

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