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Dissertations / Theses on the topic 'Color symbol'

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1

Carney, Ovidia Cornelia Blough. "Effects of age and ethnicity on color preference and on association of color with symbol and with emotion." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1882.

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Черепова, К. Р., Лариса Іванівна Дегтярьова, Лариса Ивановна Дегтярева та Larysa Ivanivna Dehtiarova. "Естетика символіки кольору у художній літературі (на матеріалі англійської та німецької літератур)". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/46666.

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Для створення яскравого художнього образу в художніх творах використовується експресивно-стилістичний засіб символізм кольору, тому що він є психологічно-культурним явищем, за допомогою якого передається емоційний та ментальний стан людини, її риси характеру, соціальні та культурні аспекти життя народу. Колірний символ у літературі ґрунтується на асоціації між денотатним позначенням кольору та символічними поняттями зі спільністю його емоційнооцінного змісту, що обумовлюється суб'єктивним авторським баченням світу, його власним психоемоційним станом, і визначає цілісність зовнішнього і внутрі
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Kolatsis, Anna. "The effect of sequential exposure of colour conditions on rate and accuracy of graphic symbol location." Diss., Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-02122009-181248.

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Andrén, Sandra, and Nicole Man. "Uppfattningen av den grafiska designen på teförpackningar : Enkätundersökning och visuell innehållsanalys." Thesis, Högskolan Dalarna, Grafisk teknologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-23488.

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Idag konkurrerar företagen om att sälja lika produkter, därför är det viktigt att sticka ut och inte smälta in i mängden. I butikerna finns det stor variation av förpackningar och därför har den grafiska designen en betydelsefull roll. Denna studie undersöker teförpackningens grafiska design och om den grafiska designen på teförpackningar har en inverkan på hur konsumenten uppfattar produkten. Denna studie är endast inriktad på teförpackningar som innehåller tepåsar och inte löste i förpackning. Fokus ligger på den grafiska designen på teförpackningens framsida och inte formen av förpackningen
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Martinez, Luísa Margarida Guerra Marques. "Cor e conceito em arquitectura : um estudo da obra de Pancho Guedes." Master's thesis, Faculdade de Arquitectura de Lisboa, 2007. http://hdl.handle.net/10400.5/1418.

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Mestrado em Cor na Arquitectura<br>A cor pode ser encarada como uma linguagem, uma entidade simbólica, um instrumento fundamental para a criação de espaços ou para qualquer outra forma de expressão. Para desenvolver o estudo relativamente à problemática da utilização da cor na arquitectura, e assim determinarmos as implicações acerca do modo como a cor se manifesta, também enquanto símbolo, foram seleccionadas duas obras do arquitecto, pintor, escultor e professor Pancho Guedes: O Leão que Ri (Lourenço Marques, 1956) e a Casa da Quinta da Beloura (Sintra, 2005). Pretende-se averiguar de que fo
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Schollweck, Marlene, and Alena Heidelberger. "Understanding Certification Marks : A qualitative study on the influence of semiotics on consumers information processing of grocery certification marks." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-43935.

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Background: In the food market, certification marks are considered to give guidance and orientation. This specific market is constantly growing in its product range, which causes a choice overload for the consumer. At the same time, anincreasing differentiation of customer’s needs and demands exists. This increase requires information about the product and led to the development of further certification marks. Thus, it has come to a profusion of certification marks which results in a loss of information value for the consumer and ultimately in a deficient information process and understanding
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Tajima, Yoshihito. "Les couleurs dans la poésie de Rimbaud." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040085.

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Dans le domaine de l’optique, les savants ont réfléchi, depuis l’Antiquité, aux couleurs. Dans les beaux-arts, par sa nature accidentelle, la couleur a été traitée comme un élément inférieur au dessin. L’enseignement scolaire a suivi cette tendance. Cependant, au milieu du XIXe siècle, apparaissent divers ouvrages de vulgarisation traitant des couleurs. Leur point de vue est alors le savoir-vivre, l’éducation, l’ésotérisme, l’optique, l’art ou la technologie. Notre thèse a pour objectif de comprendre en quoi le traitement des couleurs est original dans les poèmes en vers de Rimbaud, en relatio
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Engvall, Markus, and Johanna Teljing. "Colour a Symbol : Autentisering för smartphones." Thesis, Uppsala universitet, Institutionen för informatik och media, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-226771.

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Under de senaste åren har den mobila tekniken i stort sett helt gått över till smartphones. Smartphones är i princip mer datorer än telefoner, som vi alltid bär med oss och som innehåller allt mer känslig information. Detta medför att kraven på säkerheten kring enheten ökar. Detta arbete undersöker om det är möjligt att finna en ny metod att låta användaren autentisera sig på, som är säkrare än de som är vedertagna idag, men samtidigt har liknande nivå av användbarhet. Vår idé, som vi arbetar med under namnet Colour a Symbol, baseras på att kombinera symboler och färger i par. För att utveckla
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Parker, Brendan D. "Assessing interpretability of visual symbols of varied colors across demographic profiles /." Online version of thesis, 2010. http://hdl.handle.net/1850/12245.

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Brunberg, Mikael. "The weight of color." Thesis, Uppsala universitet, Institutionen för speldesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-209982.

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This paper explores the weight of color, with the focus lying on the symbolic significance ofcolor. Exploring whether color in itself conveys symbolic significance and is the symbolicsignificance of color permanent, or is it an after construction? It will be looking at differentareas such as what makes us humans able to perceive colors in the first place, beginning withan insight at some of the foundations in the area of color theory. Mentioning experiments ondecomposed white light, that contains the visible color spectrum and its contribution to theevolution of the color wheel. The color whee
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Panilet, Panipichai Jinnu. "Calibration of prepared environment for optical navigation." Thesis, Mittuniversitetet, Avdelningen för elektronikkonstruktion, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-26387.

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The main objective of this thesis is to evaluate accuracy and precision of the machine vision system used to calibrate a prepared environment foroptical navigation. Rotationally independent optimized colour reference labels (symbols) creates an environment. Any number of symbols can be used. A symbol carries 8–bit (0 to 255) information, which can be designed for different values by using Matlab algorithms. An optical navigation system enters into the environment and captures thesymbols. The symbols are then decoded to determine the geographical positions of the symbols from reference position
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Eldridge, Pamela S. "Color and number patterns in the symbolic cosmoloqies of the Crow, Pawnee, Kiowa, and Cheyenne." Thesis, Wichita State University, 1999. http://hdl.handle.net/10057/5579.

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This study represents five years of research on the symbolic cosmologies of four Plains Indian tribes: the Crow, the Pawnee, the Kiowa, and the Cheyenne. Although the lexicons of the four tribes reveal many color and number patterns, there appear to be certain color and number categories that are more pervasive than others. Review of the early ethnographies and folklore texts has found the color categories of red, yellow, black, and white to be significant symbols in both ritual and myth. Further investigation suggests symbolic patterns involving the numbers two and four are also important to
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Graziani, Elena. "I colori nelle espressioni idiomatiche inglesi ed italiane." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8853/.

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The purpose of this work is to analyse the figurative and metaphorical meanings of colours in English and Italian, focusing on the analysis and comparison of colour idioms in these two languages and cultures. The study starting point is the assumption that language and culture are inextricably related: they influence and modify each other, and both contribute to shaping our world-view. English and Italian colour idioms will be presented, compared and contrasted. Each colour is introduced by its figurative meaning in the two cultures. It is also shown whether and how the symbolic meaning is
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Bylund, Alexandra, and Louise Graham. "Att kommunicera genom logotyp : ”The boobie necklace effect”." Thesis, Högskolan i Gävle, Avdelningen för ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27603.

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Syfte: Att utformning av logotyp har stor vikt för företagets identitet är allmän känt, men detär minst lika viktigt för ett företag att ha en logotyp som kan förmedla deras budskap ut tillkonsument. Syftet med detta arbete blev därmed att analysera hur de atmosfäriska stimulivariabler,färg, typografi och symbol, påverkar konsumentens uppfattning av logotypensavsedda kundbudskap inom tjänsteföretag. Metod: Detta arbete grundades på ”mixed methods”, vilket är en kombination av kvalitativoch kvantitativ forskningsmetod. Den empiriska undersökningen skedde genom fyra styckensemistrukturerade inte
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Alm, Kristin, and Alice Öberg. "Logotyper och företagsmärken : Att lägga märke till märkliga märken." Thesis, Mälardalen University, Department of Innovation, Design and Product Development, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-349.

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<p>C-uppsats vars huvudsyfte var att undersöka hur stor igenkänning människor har av företagsmärken utan att logotypen finns med. Genom att arbeta med både en kvalitativ och kvantitativ metod har vi fått fram våra resultat, detta genom att våra respondenter besvarade en enkät. Våra teoretiska perspektiv kommer från en blandning av olika ämnesområden, så som psykologi och informationsdesign med fördjupningar i bland annat perception, objektsigenkänning, symbolik och färgers betydelse. Genom våra undersökningar kom vi fram till att det inte finns något enkelt svar på huruvida märken känns igen e
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Diógenes, Nivaldo Medeiros. "Os brancos do desassossego: a doutrina das cores segundo José Saramago." Universidade Presbiteriana Mackenzie, 2008. http://tede.mackenzie.br/jspui/handle/tede/2249.

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Made available in DSpace on 2016-03-15T19:46:40Z (GMT). No. of bitstreams: 1 Nivaldo Medeiros Diogenes.pdf: 741277 bytes, checksum: 85589cf3eb9a6e9e3242d2833bfbe957 (MD5) Previous issue date: 2008-06-19<br>Secretaria da Educação do Estado de São Paulo<br>This dissertation presents a study concerning the use of the colors in the Literature. For so much, it is been worth of the analyses of the Portuguese writer's two romances José Saramago: Rehearsal on the Blindness and Rehearsal on the lucidity with the objective of evidencing how the senses are built starting from the new signification of t
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Grönlund, Viivi, and Sara Sasi. "Vikten av visuell identitet hos varumärken : En studie om hur den visuella identiteten formar konsumentens varumärkesuppfattning." Thesis, Södertörns högskola, Företagsekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39379.

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Today we live in a society that focuses more and more on the visual aspects. Visual identity is the most visible part of a company's communication with the outside world, yet it is relatively unexplored in the academic literature. The purpose of this paper is to investigate how consumers perceive brands based on their visual identity. The thesis will include a qualitative method, consisting of a semiotic image analysis and focus group interviews. The results show that the perception of the brand based on the visual identity depends on the expectations the consumer has about the industry. The v
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Christophe, Sidonie. "Aide à la conception de légendes personnalisées et originales : proposition d'une méthode coopérative pour le choix des couleurs." Phd thesis, Université Paris-Est, 2009. http://tel.archives-ouvertes.fr/tel-00515333.

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Aide à la conception de légendes personnalisées et originales : proposition d'une méthode coopérative pour le choix des couleurs Les utilisateurs s'approprient aisément les outils cartographiques numériques pour se construire leur propre carte. Cependant, l'accès aux outils ne suffit pas pour concevoir une légende cartographique de qualité. Il est nécessaire de savoir comment faire de bons choix de représentation graphique, en particulier de bons choix de couleurs. Une expertise cartographique comportant des connaissances en sémiologie graphique et en perception des couleurs (contrastes et har
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Haddad, Serge. "Une categorie reguliere de reseau de petri de haut niveau : definition, proprietes et reductions, application a la validation de systemes distribues." Paris 6, 1987. http://www.theses.fr/1987PA066418.

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Developpement d'une theorie des reseaux reguliers (qui permettent l'analyse directe des reseaux colores), fondee sur trois outils complementaires: la construction d'un graphe de marquages symboliques, le calcul des invariants lineaires et la definition de l'ensemble des reductions
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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing
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Chou, Yao-Ting, and 周耀庭. "Design and Implementation of Color Matching Decision Support System for Web Site - The Case of Corporate Symbol Color." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/93325476410468535572.

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碩士<br>國立交通大學<br>管理學院碩士在職專班資訊管理組<br>98<br>Due to the aesthetic sensation and perception property of Color Theory, it’s very difficult to quantify and to evaluate the color is beautiful or not. Brand value and corporate image are parts of the most important intangible assets of corporations or organizations, and the popularization of internet, PC, personal handy-phone system, mobile device, etc. makes the corporation web portals more and more important in conveying image and products function. Thus, choosing colors inattentively or inappropriately might make website visitors unpleasant in visual
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黃鈴池. "The Study of Color and Form Factors in Expressing the Trade Characteristic in Symbol Design." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/61539432761016068314.

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碩士<br>國立交通大學<br>應用藝術研究所<br>84<br>Symbol is the major factor of visual construction in CIS. It has great influence over the development of corporate image, however, it seems that symbol design in the world is apt to be studied through subjective points of view and in pursuit of sence of beauty, instead of appealing to the objective points of view.   The purpose of this study is expected to systematicaly establish the relationship among trade, symbol form and color image through a comprehensive survey and statistical analysis. We use 16 trades, 24 symbol forms and 21 colors as samples, and seman
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Chen, Hsiao-Feng, and 陳小鳳. "Studying the Abstract Meaning of Symbols and Colors." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/45791020308092204818.

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碩士<br>國立臺灣藝術大學<br>美術學系版畫藝術碩士班<br>101<br>This paper aims to reflect the cultural characterization of the human spirit through both the definition of the symbols and colors and the inner meaning of the abstract. It tries to explore phenomenon of modern society, and to develop a particular perspective on the performance of the series of artwork. It consists of five parts based on the purposes of creation and the needs of research. They are as follows: Chapter I: Creative motive, research methods, explanation of terms as well as the plans of creation. According to the core idea of creation it expl
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李郁德. "The effects of color combination on subjective preference glance legibility and EEG response of symbols." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/28897151509543620628.

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碩士<br>國立臺灣科技大學<br>工業管理系<br>92<br>Two experiments were conducted to investigate the effects of color combination on subjective preference, glance legibility and EEG response of symbols. The first experiment evaluated subjective preference of target/background color combinations of the symbols. The result showed that white was rated greaten than other colors. The more preferable color combinations were black/white, white/blue and red/white. while red/purple and white/yellow was less preferable. A significantly positive correlations (r = 0.57). was found between subjective preference a
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Wu, Ming-Fang, and 吳明芳. "A Field Study on the Personality How to Affect the Color Preference, Color Image, and the Dress Preference-A Symbolic Interactionism Perspective." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/19647082486579446785.

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碩士<br>靜宜大學<br>觀光事業學系<br>99<br>To integrate personality and the color preference, color image, and the dress preference would be a good way to find the linkage between the personality trait and the one’s characteristic. The methodology on the paper was following a qualitative approach, and adopted the In-depth interview to collect the sample information. Try to understand the real connecting on personality how to affect one’s the color preference and the dress preference, and the combination of clothing factor how to influence one’s impressions. The outcome of the paper inspired a new idea for
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Lin, Ching-Ying, and 林靜瑩. "Symbolic Meanings of Country Flags Depicated Through Colors and Logos." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/89722147688400388311.

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碩士<br>雲林科技大學<br>視覺傳達設計系碩士班<br>97<br>This project dealt with the colors and logos of 194 national flags in five continents, including 192 United Nations members through 2007, 2 non-UN members, Taiwan, and the Vatican City. Utilizing the collection of literature survey and the method of content analysis, this project discussed the meanings of the colors and symbols on those national flags. In the analysis of color distinction, we first collected the statistics of color distribution of red, orange, yellow, green, blue, black, and white on those national flags. Second, we discussed the meaning of
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Blair, Thomas C., and 王強強. "The Symbolic Meaning of Color in Different Culture: Take Taiwan and American as an Example." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/69934883234950078228.

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碩士<br>國立臺灣師範大學<br>設計研究所<br>95<br>Abstract The thesis is examined the meaning of color with the culture aspect. According to using of the color, it helps us condense the relation of focuses and clarify information. Color using become the main part of our daily life and play a big role in cultural. The color questionnaire designs, according to Doctor Isaac Newton's color theory (1666) and Berlin and Kay (1969 Basic Color Terms) these two books main study, show that the human color language is base on only 11 basic colors. By passing out the questionnaires to male and female Taiwanese and Americ
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Huang, Pei-Lin, and 黃佩淋. "Symbolic Meaning of flowers and colors application – Huang Peilin Narration of Creation." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/84fch2.

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碩士<br>中國文化大學<br>美術學系<br>104<br>"Artists are artists, who recognized the truth and put the truth in the correct form for us to contemplate and touch our feelings.”Art, mainly means the creators combine the emotion, expression, creativity and culture of the times. Art also made the artist create independently a spirit products to combine the reflection of life. The theme of the painting “Flowers”has been used for a long time. This topic under the old artists is more than describing the viewing of flowers. "Flowers - color memories and combinations”that I want to discuss the different on the flo
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Fok, Windy Tak Ching. "Cultural colourscape : the study of colour as a symbolic element in landscape architecture." 2004. http://hdl.handle.net/1993/15801.

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Chao, Mei-Fang, and 趙梅芳. "Colors and Symbolic Implications of FlowersA Discourse on the Oil Painting Creations by Chao, Mei-Fang." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/695497.

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碩士<br>大葉大學<br>設計暨藝術學院碩士在職專班<br>101<br>The creation discoursing Colors and Symbolic Implications of Flowers is mainly focusing on flowers. Use the inspiration which absorbed by the natural flowers and the posture of vivid flowers as the entry point and the drawing of mind images in partly embodiment and partly abstract as the creative form of painting, the researcher mixing up shapes of brushes and the mentally expressions to presents this thesis. The first chapter is the Introduction. It generally describes motivation, purpose and method of research and then explains the Symbolic Implications
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HO, Chun-Tau, and 何春桃. "Colors and Symbolic Implications of FlowersA Discourse on the Oil Painting Creations by Ho, Chun-Tao." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/40265086492326745047.

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碩士<br>國立臺北教育大學<br>藝術與造形設計學系碩士班<br>97<br>Abstract This paper, a comprehensive demonstration of the author’s life course and aesthetic experience, is designated to express her emotions and commit personal feelings through painting creations. It is hoped that, from the images, symbols, and forms of her oil paintings, the life tension of flowers in the nature from full blossom to fading away can be fully shown. Everything we perceived from the nature phenomenon can be seen as a similar reflection of our ever-changing life. Only by facing them authentically can we faithfully experience them and get
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Liao, Shing-Yi, and 廖欣怡. "The symbolic meaning of visual arts in picture book-in the case of color and composition in The Fourteen Rats collections." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/58ns9v.

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碩士<br>樹德科技大學<br>建築與室內設計研究所<br>103<br>Picture Book is a very popular for every people, using bright colors and lively pictures to show the idea of creators. The main idea is focus on using some pictures one by one and consciously to express the whole story. We also can read the whole story by looking at pictures, even there is no character statement. Depending on different views to discovered the meaning of colors and space in the different view of picture book by reading and researching the set of picture book called《The Fourteen Rats》. In this study, the author drew by familiar with nature
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JINDRÁKOVÁ, Edita. "Filosofická interpretace děl Marca Chagalla." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-172627.

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This thesis covers the interpretation of life and work of Marc Chagall, jewish painter of 20th century. Goal of the thesis is to highlight symbolic motives of his work, and later on interpret those on selected pieces. The thesis is divided into four parts. First part is devoted to the life of the painter and his jewish origin, which had a significant influence on the character of his work. Second part covers the meaning of symbols in art and religon in general. Third tries to compare Chagall's conveyance with two jewish philosophers of the dialog: E. Lévinas and F. Rosenzweig. Fourth then inte
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Herold, M. P. (Marina Patricia). "A comparison of the rate and accuracy of symbol location on visual displays using colour-coded alphabetic and categorisation strategies in Grade 1 to 3 children." Thesis, 2012. http://hdl.handle.net/2263/26001.

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THIS THESIS IS IN THE EXAMINATION PROCESS The ability to locate symbols on a visual display forms an integral part of the effective use of AAC systems. Characteristics of display design and perceptual features of symbols have been shown to influence rate and accuracy of symbol location (Thistle&Wilkinson, 2009; Wilkinson, Carlin,&Jagaroo, 2006). The current study endeavoured to compare the use of two colour-coded organisational strategies (alphabetical order and subcategorisation) for their effectiveness in symbol location and to investigate if some bottom-up features influenced the performanc
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Dhlamini, Mbali. "The master's cloth: a rainbow nation, exploring faith and spirituality through colour, a study of Apostolic and Zionist movements in Soweto." Thesis, 2016. http://hdl.handle.net/10539/20778.

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A dissertation submitted to the Faculty of Humanities, University of Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Masters of Arts in Fine Art by Dissertation. Johannesburg 2016<br>Colour has always played an important role in South Africa; from the beginning of colonialism when “Africans” were converted to Christianity and baptised in white robes, to the bright colourful church garments that flood Soweto on Sundays. In the nineteenth century “Africans” began to reimagine their faith and spiritually. Seeking independence and a sense of identity
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Hořejší, Anna. "Etymologická analýza označení barev a úsloví barvy obsahujících." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-323104.

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TITLE: The etymological analysis of colour names and related idioms AUTHOR: Anna Hořejší DEPARTMENT: Department of the French language and literature SUPERVISOR: Mgr. Jiří Jančík ABSTRACT: This diploma thesis concerns the etymological analyses of colour names in the French language and related idioms. In the theoretical part we present the basic linguistic terminology necessary for the accomplishment of the etymological analyses; the practical part concerns the analyses itself. The objective of the thesis is to deeply analyze the six basic colours both from the etymological and symbolic point
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TŘEŠKOVÁ, Marie. "Doteky." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-45491.

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The practical part of diploma work consist of five figurative paintings, medium and bigger sized, made with acrylic colors on the canvas. The whole painting set is called `` Touches{\crqq}. The reflection principle goes trough the entire work and is also the name of subtitle. The reflection is important in a symbolic sense while choosing particular motives and colorful paintings. The work is inspired by the book Golden age written by Czech contemporaneous author Michal Ajvaz. In written section of diploma work the reader gets better idea about the work and each motif as well. There is a descri
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Shanks, Francis. "La symbolique des couleurs dans un livre d'Heures du maître de Jean d'Albret (XVe siècle)." Thèse, 2017. http://hdl.handle.net/1866/20152.

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