Relevant bibliographies by topics / Color Symbolism / Dissertations / Theses
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Dissertations / Theses on the topic 'Color Symbolism'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Курилко, Аліна Олексіївна. "Color symbolism in interior design." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15317.

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Jackson, Veda Kimber. "It's all about color: an analysis of color symbolism in Toni Morrison's Sula and the bluest eye." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2011. http://digitalcommons.auctr.edu/dissertations/204.

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This study examines Toni Morrison’s use of symbolism in Sula and The Bluest Eye, especially archetypal and color symbolism, in an effort to recover the culture that has been lost to Diasporic Africans. Moreover, the color symbolism and symbolic archetypes that Morrison employs in both novels, but to a greater extent Sula, are a direct reflection of her awareness of the African ancestral heritage and spirituality associated with those colors and archetypes. A vast majority of the literary critiques of Sula have focused on either Sula as a scapegoat for the community, Morrison’s use of race, gen
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Martin, Shannon. "A Palette of Unconvential Symbolism: Color Imagery in Three Margaret Atwood Novels." TopSCHOLAR®, 1995. http://digitalcommons.wku.edu/theses/915.

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In this thesis, the writer examines the color imagery in three Margaret Atwood novels: Surfacing, Cat's Eye, and The Handmaid's Tale. Atwood uses color in unconventional ways by forcing colors to symbolize the opposite of their common meanings, by allowing colors to represent simultaneously two opposing ideas, and by disregarding traditional color meanings by creating her own unique associations. Atwood's color imagery supports her thematic concerns in that through her themes--as with her use of color--she challenges the reader's expectations by throwing into question many conventional ideas a
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Carney, Ovidia Cornelia Blough. "Effects of age and ethnicity on color preference and on association of color with symbol and with emotion." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1882.

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Lubowinski, June Graybeal. "Heraldic Symbolism and Color Imagery in William Morris's "The Defence of Guenevere and Other Poems"." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625529.

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Harvey, Jacquetta. "My Beautiful." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2905.

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In creating my work I use bold, bright colors and fundamental shapes and patterns. My images reflect how I view the world and genuinely express my imagination, feelings, and thinking. Working this way allows me to apply a symbolic face to personal concerns, beliefs, fears, ideologies, and philosophies. I see a world where life and art blend to create images of triumph and tragedy, joy and pain, or growth and change. My ideas have grown from the desire to understand myself as a woman, as a Christian, and as a unique individual. Dealing with personal questions, I explore the varying relat
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Ganther, Hazel. "Rehabilitation and the meaning of color." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1646.

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André, Andreas. "En färgglad studie om spelarbeteenden." Thesis, Uppsala universitet, Institutionen för speldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-226308.

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This is the result of a 10 week long study about if player behaviors and choices are affectedby the surrounding colors in their environment. A number of players are asked to movethrough a virtual environment, while being clocked, where they have to make left and rightdecisions based on different colors (red, green, blue and gray). While most choices consist oftwo different colors, some use the same color. The result shows that the players most likelyprefer one color over another, and that they most likely prefer a non-neutral color over aneutral color. With these results and the interviews tha
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Marco, Paolo de. "Arquitectura blanca. Mito, poética, ciencia. El color blanco en la arquitectura contemporánea." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/160488.

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[ES] Hoy en día es posible observar una difusión global del color blanco en el panorama de la arquitectura contemporánea. Las cuestiones vinculadas al empleo de este particular color penetran con profundas raíces en los tiempos antiguos, en la cultura, en la historia. Para buscar las razones tras el uso del blanco, la presente investigación propone un punto de vista holístico, analizando el mito, la poética y la ciencia del blanco en arquitectura. Estas tres claves de lectura del fenómeno del blanco conducen a diferentes razones para explicar su empleo. Claves de lectura que se separan exclus
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Owyang, Angela. "The Influence of Cinematic Elements in Pierre Jodlowski's Works Based on Colour." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/314684.

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Pierre Jodlowski's Works Based on Colour consist of three pieces: Série Noire (2005), Série Blanche (2007), and Série Rose (2012) pour piano et dispositif électroacoustique. According to the composer, "each colour provides an opportunity to investigate a particular link of music with imagery." The pieces serve as a musical representation of cinematic elements through the synchronization of music and sound effects. The musical language of the cycle draws influences from various sources including the music of expressionism, musique concrète, as well as standard soundtrack scoring. The intermingl
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Hellsten, Felicia. "Färgassociationer i environmental storytelling : En undersökning om uppfattningen av färg på 3D-modeller i dataspel." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-13752.

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Denna undersöknings syfte var att undersöka hur en 3D-scens val av färger skulle kunna påverka spelarens uppfattning av scenens environmental storytelling. I undersökningens bakgrund presenteras olika metoder, teorier och tillvägagångssätt för att skapa environmental storytelling, samt forskning kring färgassociationer, färgers kontext och kulturella skillnader gällande tolkning av färger. För att svara på undersökningens frågeställning skapades två olika 3D-scener med narrativ baserade på environmental storytelling genom spår och ledtrådar. Dessa delades upp i tre färgvarianter vardera. En gu
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Barros, Lilian Ried Miller. "A cor inesperada: uma reflexão sobre os usos criativos da cor." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-24072012-150937/.

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Este trabalho se resume ao estudo dos usos criativos da cor presentes nos discursos visuais contemporâneos, à luz da neurobiologia visual e da semiótica discursiva proposta por A. J. Greimas e seus colaboradores, com o propósito de compreender a diversidade das suas articulações expressivas e significações. Os discursos visuais e sincréticos selecionados nesta pesquisa como corpus de investigação das ocorrências dos usos criativos da cor correspondem a produções cinematográficas, animações, campanhas publicitárias e objetos de design, produzidos entre 1980 e 2012. Sem perder de vista o estad
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Grönlund, Viivi, and Sara Sasi. "Vikten av visuell identitet hos varumärken : En studie om hur den visuella identiteten formar konsumentens varumärkesuppfattning." Thesis, Södertörns högskola, Företagsekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39379.

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Today we live in a society that focuses more and more on the visual aspects. Visual identity is the most visible part of a company's communication with the outside world, yet it is relatively unexplored in the academic literature. The purpose of this paper is to investigate how consumers perceive brands based on their visual identity. The thesis will include a qualitative method, consisting of a semiotic image analysis and focus group interviews. The results show that the perception of the brand based on the visual identity depends on the expectations the consumer has about the industry. The v
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Kappel, Caroline J. "Labyrinthine Depictions and Tempting Colors: The Synaesthetic Dances of Loïe Fuller as Symbolist Choreography." Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1195707359.

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Wang, Tao. "Colour symbolism in late Shang China." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309360.

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Jonsson, Andrea. "Enforcing Patriarchal Values : A socialist feminist analysis of the characters of Offred and Serena Joy in Margaret Atwood's novel The Handmaid's Tale." Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66776.

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This essay shows how Margaret Atwood’s novel The Handmaid’s Tale (1985) functions as a critique of patriarchal society as it depicts a dystopic, dismantled society where women are divided into societal groups on biological grounds. Based on socialist feminist literary theory, an analysis is carried out of two of the female characters, Offred and Serena Joy, who are both oppressed by a patriarchal, totalitarian government; an oppression that is manifested in different ways. Offred is used as a tool to provide children and Serena Joy is confined within the home. The focus of the analysis is on t
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Burns, Ruth Barbara. "Reading race in Western Christian visual culture : tracing a delirium from Renaissance art to the Chris Ofili affair and contemporary religious cinema." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98915.

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This thesis examines the role of the Manichean dualism, the pervasive colour symbolism of white as good and black as evil. It looks at the manifestation of this symbolism in representations of Christianity, and the subsequent implications for race and racism in Western society. Through images of Jesus Christ and the Virgin Mary, I posit that the Western conflation of holiness with whiteness is a primary means through which whiteness retains hegemony. I argue that Renaissance painting has had a pivotal role in privileging the white body through its hyper-whitening of both Jesus and Mary. Both f
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Tipper, Paul Andrew. "Colour symbolism in the works of Gustave Flaubert." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:3814.

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The thesis adopts a structural and systematic approach to the study and analysis of colour terms in Flaubert's fiction.The Introduction highlights how Flaubert has come to be regarded as a problematic writer and how much existing work on his colour terms is in some way lacking in clarity. I proceed to fill this gap in Flaubert studies by elaborating a method of analysis of colour terms which clarifies how meaning is produced by the text. The method of analysis comprises eight stages which are systematically worked through as one considers eleven variables, one or several of the latter coming i
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Brunberg, Mikael. "The weight of color." Thesis, Uppsala universitet, Institutionen för speldesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-209982.

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This paper explores the weight of color, with the focus lying on the symbolic significance ofcolor. Exploring whether color in itself conveys symbolic significance and is the symbolicsignificance of color permanent, or is it an after construction? It will be looking at differentareas such as what makes us humans able to perceive colors in the first place, beginning withan insight at some of the foundations in the area of color theory. Mentioning experiments ondecomposed white light, that contains the visible color spectrum and its contribution to theevolution of the color wheel. The color whee
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Slavík, Jan. "Dance of colours : basic patterns of colour symbolism in Mahāyāna Buddhism /." Göteborg : Göteborg univ, 1994. http://catalogue.bnf.fr/ark:/12148/cb37018318c.

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Parker, Brendan D. "Assessing interpretability of visual symbols of varied colors across demographic profiles /." Online version of thesis, 2010. http://hdl.handle.net/1850/12245.

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Fouché, Elizma. "Colour as communication in selected corporate visual identities / Elizma Fouché." Thesis, North-West University, 2003. http://hdl.handle.net/10394/335.

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A logo lies central in an organisation's visual identity system and it is a way of communicating fundamental aspects about the organisation, such as the organisation personality or the organisation's mission and vision. The logo, or corporate visual identity, could be seen as the organisation's visual shorthand that summarises these fundamental aspects. A design element such as colour can be an expressive tool in terms of visual identity. The use of a particular colour in the logo of an organisation conveys a specific message about that company's identity and personality through the meaning an
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Kappel, Caroline J. "Labyrinthine depictions and tempting colors the synaesthetic dances of Loïe Fuller as symbolist choreography /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1195707359.

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Eldridge, Pamela S. "Color and number patterns in the symbolic cosmoloqies of the Crow, Pawnee, Kiowa, and Cheyenne." Thesis, Wichita State University, 1999. http://hdl.handle.net/10057/5579.

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This study represents five years of research on the symbolic cosmologies of four Plains Indian tribes: the Crow, the Pawnee, the Kiowa, and the Cheyenne. Although the lexicons of the four tribes reveal many color and number patterns, there appear to be certain color and number categories that are more pervasive than others. Review of the early ethnographies and folklore texts has found the color categories of red, yellow, black, and white to be significant symbols in both ritual and myth. Further investigation suggests symbolic patterns involving the numbers two and four are also important to
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Kolatsis, Anna. "The effect of sequential exposure of colour conditions on rate and accuracy of graphic symbol location." Diss., Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-02122009-181248.

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Panilet, Panipichai Jinnu. "Calibration of prepared environment for optical navigation." Thesis, Mittuniversitetet, Avdelningen för elektronikkonstruktion, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-26387.

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The main objective of this thesis is to evaluate accuracy and precision of the machine vision system used to calibrate a prepared environment foroptical navigation. Rotationally independent optimized colour reference labels (symbols) creates an environment. Any number of symbols can be used. A symbol carries 8–bit (0 to 255) information, which can be designed for different values by using Matlab algorithms. An optical navigation system enters into the environment and captures thesymbols. The symbols are then decoded to determine the geographical positions of the symbols from reference position
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Tajima, Yoshihito. "Les couleurs dans la poésie de Rimbaud." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040085.

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Dans le domaine de l’optique, les savants ont réfléchi, depuis l’Antiquité, aux couleurs. Dans les beaux-arts, par sa nature accidentelle, la couleur a été traitée comme un élément inférieur au dessin. L’enseignement scolaire a suivi cette tendance. Cependant, au milieu du XIXe siècle, apparaissent divers ouvrages de vulgarisation traitant des couleurs. Leur point de vue est alors le savoir-vivre, l’éducation, l’ésotérisme, l’optique, l’art ou la technologie. Notre thèse a pour objectif de comprendre en quoi le traitement des couleurs est original dans les poèmes en vers de Rimbaud, en relatio
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Graziani, Elena. "I colori nelle espressioni idiomatiche inglesi ed italiane." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8853/.

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The purpose of this work is to analyse the figurative and metaphorical meanings of colours in English and Italian, focusing on the analysis and comparison of colour idioms in these two languages and cultures. The study starting point is the assumption that language and culture are inextricably related: they influence and modify each other, and both contribute to shaping our world-view. English and Italian colour idioms will be presented, compared and contrasted. Each colour is introduced by its figurative meaning in the two cultures. It is also shown whether and how the symbolic meaning is
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Alm, Kristin, and Alice Öberg. "Logotyper och företagsmärken : Att lägga märke till märkliga märken." Thesis, Mälardalen University, Department of Innovation, Design and Product Development, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-349.

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<p>C-uppsats vars huvudsyfte var att undersöka hur stor igenkänning människor har av företagsmärken utan att logotypen finns med. Genom att arbeta med både en kvalitativ och kvantitativ metod har vi fått fram våra resultat, detta genom att våra respondenter besvarade en enkät. Våra teoretiska perspektiv kommer från en blandning av olika ämnesområden, så som psykologi och informationsdesign med fördjupningar i bland annat perception, objektsigenkänning, symbolik och färgers betydelse. Genom våra undersökningar kom vi fram till att det inte finns något enkelt svar på huruvida märken känns igen e
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Nunn, David. "Shades of Meaning :A Semiotic Approach to the Use of Polychromy in Egyptian Hieroglyphic Inscriptions." Doctoral thesis, Universite Libre de Bruxelles, 2018. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/264344.

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Abstract:Uniquely amongst the earliest writing systems, the Egyptian hieroglyphic script was sometimes enhanced by colouring the signs. This was not done in an arbitrary fashion, but was conventional, with each colour used in a conscious attempt either at materialism, naturalism, semi-naturalism or as a metaphor. This study aims to shed some light on the processes involved in writing in colour. The methodology, theory, analysis and extended commentary are to be found in Volume 1.The study shows that a polychrome canon was in use, in a remarkably coherent and stable fashion, during some two tho
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Engvall, Markus, and Johanna Teljing. "Colour a Symbol : Autentisering för smartphones." Thesis, Uppsala universitet, Institutionen för informatik och media, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-226771.

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Under de senaste åren har den mobila tekniken i stort sett helt gått över till smartphones. Smartphones är i princip mer datorer än telefoner, som vi alltid bär med oss och som innehåller allt mer känslig information. Detta medför att kraven på säkerheten kring enheten ökar. Detta arbete undersöker om det är möjligt att finna en ny metod att låta användaren autentisera sig på, som är säkrare än de som är vedertagna idag, men samtidigt har liknande nivå av användbarhet. Vår idé, som vi arbetar med under namnet Colour a Symbol, baseras på att kombinera symboler och färger i par. För att utveckla
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Rowley, Neville. "Pittura di luce. La manière claire dans la peinture du Quattrocento." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040197/document.

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La présente thèse a pour point de départ une exposition florentine organisée en 1990 et intitulée « Pittura di luce ». Ses organisateurs entendaient désigner ainsi un courant de la peinture florentine du milieu du XVe siècle fondé sur la lumière et la couleur claire. Comme l’avait bien compris l’exposition, cette « peinture de lumière » est d’abord identifiable dans la « manière colorée » portée par Fra Angelico et Domenico Veneziano, mais elle doit aussi être élargie à une manière plus « blanche », qui va de Masaccio aux premières œuvres d’Andrea del Verrocchio, au début des années 1470. Les
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Bylund, Alexandra, and Louise Graham. "Att kommunicera genom logotyp : ”The boobie necklace effect”." Thesis, Högskolan i Gävle, Avdelningen för ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-27603.

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Syfte: Att utformning av logotyp har stor vikt för företagets identitet är allmän känt, men detär minst lika viktigt för ett företag att ha en logotyp som kan förmedla deras budskap ut tillkonsument. Syftet med detta arbete blev därmed att analysera hur de atmosfäriska stimulivariabler,färg, typografi och symbol, påverkar konsumentens uppfattning av logotypensavsedda kundbudskap inom tjänsteföretag. Metod: Detta arbete grundades på ”mixed methods”, vilket är en kombination av kvalitativoch kvantitativ forskningsmetod. Den empiriska undersökningen skedde genom fyra styckensemistrukturerade inte
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Christophe, Sidonie. "Aide à la conception de légendes personnalisées et originales : proposition d'une méthode coopérative pour le choix des couleurs." Phd thesis, Université Paris-Est, 2009. http://tel.archives-ouvertes.fr/tel-00515333.

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Aide à la conception de légendes personnalisées et originales : proposition d'une méthode coopérative pour le choix des couleurs Les utilisateurs s'approprient aisément les outils cartographiques numériques pour se construire leur propre carte. Cependant, l'accès aux outils ne suffit pas pour concevoir une légende cartographique de qualité. Il est nécessaire de savoir comment faire de bons choix de représentation graphique, en particulier de bons choix de couleurs. Une expertise cartographique comportant des connaissances en sémiologie graphique et en perception des couleurs (contrastes et har
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Haddad, Serge. "Une categorie reguliere de reseau de petri de haut niveau : definition, proprietes et reductions, application a la validation de systemes distribues." Paris 6, 1987. http://www.theses.fr/1987PA066418.

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Developpement d'une theorie des reseaux reguliers (qui permettent l'analyse directe des reseaux colores), fondee sur trois outils complementaires: la construction d'un graphe de marquages symboliques, le calcul des invariants lineaires et la definition de l'ensemble des reductions
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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing
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Tan, Teresa, and 談玉儀. "The Color Paradigm in D. H. Lawrence: Painterly Symbolism in Women in Love." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/83959032996358550717.

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碩士<br>淡江大學<br>西洋語文研究所<br>88<br>The “analogy of forms” method of interpretation has contributed tremendously to academic studies of matters linguistic and the pictorial. D. H. Lawrence especially invites the ‘analogy of forms’ interpretation because his novels overtly concern themselves with aesthetic currents and arguments. Women in Love, the author’s novel most strongly influenced by modern art, throws much light on Lawrence’s aesthetic development, which begins with color-oriented Impressionism, vibrant Post-Impressionism, subjective Expressionism, sensual Primitivism, and ends up with dyn
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Chen, Yi-Chin, and 陳依勤. "The Preliminary Study of Young Children’s Temperament and the Performance of Affective Color Symbolism." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/05316727293789905138.

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碩士<br>臺北市立大學<br>藝術治療碩士學位學程<br>103<br>The aim of the study is to understand some preliminary phenomenon of young children’s temperament and affective color symbolism, and to examine the differences of their relationship between the higher and lower grade group with data from 1083 participants in Taiwan, aged from 4 to 6 years old. Meanwhile, the gender and age differences of these young children’s temperament and their affective color symbolism are also been investigated. The method used in the study is questionnaire survey which includes CBQ-VSF and ACS. The results from statistical analysis
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Mendoza, Hannah Rose Waxman Lisa. "Pale intrusions into blue the development of a color /." 2004. http://etd.lib.fsu.edu/theses/available/etd-11152004-155644.

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Thesis (M.A.)--Florida State University, 2004.<br>Advisor: Dr. Lisa Waxman, Florida State University, School of Visual Arts and Dance, Dept. of Interior Design. Title and description from dissertation home page (viewed Jan. 19, 2005). Includes bibliographical references.
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De, Vries Renata. "Kleur as hulpmiddel in die uitdrukking van emosie by die vyfjarige kind : 'n Gestalt-Terapeutiese benadering." Diss., 2003. http://hdl.handle.net/10500/1844.

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Text in Afrikaans with t.p. and summaries in Afrikaans and English<br>Limited research concerning a child's association between emotion and color is available, both in terms of the amount of research studies done as well as the generalization of the results for the purposes of the five year-old. This study's aim was to explore the individual, unique, symbolic meaning between the experiencing of emotion and color of the five year-old. Color was used as an expedient to facilitate the identification of emotion. The test sample consisted out of five, five year-old Afrikaans speaking child
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Dhlamini, Mbali. "The master's cloth: a rainbow nation, exploring faith and spirituality through colour, a study of Apostolic and Zionist movements in Soweto." Thesis, 2016. http://hdl.handle.net/10539/20778.

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A dissertation submitted to the Faculty of Humanities, University of Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Masters of Arts in Fine Art by Dissertation. Johannesburg 2016<br>Colour has always played an important role in South Africa; from the beginning of colonialism when “Africans” were converted to Christianity and baptised in white robes, to the bright colourful church garments that flood Soweto on Sundays. In the nineteenth century “Africans” began to reimagine their faith and spiritually. Seeking independence and a sense of identity
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Chen, Hsiao-Feng, and 陳小鳳. "Studying the Abstract Meaning of Symbols and Colors." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/45791020308092204818.

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碩士<br>國立臺灣藝術大學<br>美術學系版畫藝術碩士班<br>101<br>This paper aims to reflect the cultural characterization of the human spirit through both the definition of the symbols and colors and the inner meaning of the abstract. It tries to explore phenomenon of modern society, and to develop a particular perspective on the performance of the series of artwork. It consists of five parts based on the purposes of creation and the needs of research. They are as follows: Chapter I: Creative motive, research methods, explanation of terms as well as the plans of creation. According to the core idea of creation it expl
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Tellez, Maria Fernanda Bolanos, and 姜娜娜. "A Study of the Perception of Psychology and Symbolism of Colors among Young Taiwanese." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/2ujh8q.

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碩士<br>靜宜大學<br>寰宇管理碩士學位學程<br>107<br>Color is one of the most important communication element in the modern world. It can represent natural objects, emotions, ideas, and cultural references. Depending on each society, context and time, their meanings can change, be completely different, and sometimes, contradictories. What in one culture can mean a positive message in another can be negative. In general, some studies confirm that there is a strong similarity between Chinese and Taiwanese culture, many authors have concluded that the culture that prevails in Taiwan is Chinese. Likewise, with resp
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Lin, Ching-Ying, and 林靜瑩. "Symbolic Meanings of Country Flags Depicated Through Colors and Logos." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/89722147688400388311.

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碩士<br>雲林科技大學<br>視覺傳達設計系碩士班<br>97<br>This project dealt with the colors and logos of 194 national flags in five continents, including 192 United Nations members through 2007, 2 non-UN members, Taiwan, and the Vatican City. Utilizing the collection of literature survey and the method of content analysis, this project discussed the meanings of the colors and symbols on those national flags. In the analysis of color distinction, we first collected the statistics of color distribution of red, orange, yellow, green, blue, black, and white on those national flags. Second, we discussed the meaning of
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Wu, Ming-Fang, and 吳明芳. "A Field Study on the Personality How to Affect the Color Preference, Color Image, and the Dress Preference-A Symbolic Interactionism Perspective." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/19647082486579446785.

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碩士<br>靜宜大學<br>觀光事業學系<br>99<br>To integrate personality and the color preference, color image, and the dress preference would be a good way to find the linkage between the personality trait and the one’s characteristic. The methodology on the paper was following a qualitative approach, and adopted the In-depth interview to collect the sample information. Try to understand the real connecting on personality how to affect one’s the color preference and the dress preference, and the combination of clothing factor how to influence one’s impressions. The outcome of the paper inspired a new idea for
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Hořejší, Anna. "Etymologická analýza označení barev a úsloví barvy obsahujících." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-323104.

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TITLE: The etymological analysis of colour names and related idioms AUTHOR: Anna Hořejší DEPARTMENT: Department of the French language and literature SUPERVISOR: Mgr. Jiří Jančík ABSTRACT: This diploma thesis concerns the etymological analyses of colour names in the French language and related idioms. In the theoretical part we present the basic linguistic terminology necessary for the accomplishment of the etymological analyses; the practical part concerns the analyses itself. The objective of the thesis is to deeply analyze the six basic colours both from the etymological and symbolic point
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Blair, Thomas C., and 王強強. "The Symbolic Meaning of Color in Different Culture: Take Taiwan and American as an Example." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/69934883234950078228.

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碩士<br>國立臺灣師範大學<br>設計研究所<br>95<br>Abstract The thesis is examined the meaning of color with the culture aspect. According to using of the color, it helps us condense the relation of focuses and clarify information. Color using become the main part of our daily life and play a big role in cultural. The color questionnaire designs, according to Doctor Isaac Newton's color theory (1666) and Berlin and Kay (1969 Basic Color Terms) these two books main study, show that the human color language is base on only 11 basic colors. By passing out the questionnaires to male and female Taiwanese and Americ
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Huang, Pei-Lin, and 黃佩淋. "Symbolic Meaning of flowers and colors application – Huang Peilin Narration of Creation." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/84fch2.

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碩士<br>中國文化大學<br>美術學系<br>104<br>"Artists are artists, who recognized the truth and put the truth in the correct form for us to contemplate and touch our feelings.”Art, mainly means the creators combine the emotion, expression, creativity and culture of the times. Art also made the artist create independently a spirit products to combine the reflection of life. The theme of the painting “Flowers”has been used for a long time. This topic under the old artists is more than describing the viewing of flowers. "Flowers - color memories and combinations”that I want to discuss the different on the flo
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李郁德. "The effects of color combination on subjective preference glance legibility and EEG response of symbols." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/28897151509543620628.

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碩士<br>國立臺灣科技大學<br>工業管理系<br>92<br>Two experiments were conducted to investigate the effects of color combination on subjective preference, glance legibility and EEG response of symbols. The first experiment evaluated subjective preference of target/background color combinations of the symbols. The result showed that white was rated greaten than other colors. The more preferable color combinations were black/white, white/blue and red/white. while red/purple and white/yellow was less preferable. A significantly positive correlations (r = 0.57). was found between subjective preference a
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Sechin, Leonid. "Colour symbolism in the works of I. Il'f and E. Petrov's The twelve chairs and The golden calf." 1992. http://hdl.handle.net/1993/17461.

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