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Journal articles on the topic 'Color Symbolism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rahayu, Kristina Indah Setyo. "A Comparison on Hyponymy and Cultural Symbolism of Six Color Words between Chinese Language and Bahasa Indonesia." Lingua Cultura 8, no. 2 (2014): 61. http://dx.doi.org/10.21512/lc.v8i2.444.

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Color words originate from natural world. In general different languages have similar patterns of color hypernymy. Nevertheless, when it comes to color hyponymy, it is not the case. Specific color hyponyms have emerged because different countries have different cultures. Besides, color words are also rich in cultural symbolism. In other words, same colors in different countries have different cultural symbolisms. This paper analyzed six color words (red, white, yellow, blue, green, and black) between Chinese language and bahasa Indonesia to find similarities and differences both in hyponymy an

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2

Caspari, Elizabeth. "Color symbolism." Arts in Psychotherapy 12, no. 3 (1985): 206–8. http://dx.doi.org/10.1016/0197-4556(85)90022-x.

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Kovsh, Oleksandr, and Mykyta Dziuba. "Symbolism of Color in Cinema." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (2022): 207–15. http://dx.doi.org/10.31866/2617-2674.5.2.2022.269532.

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The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research methodology c

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Kovsh, Oleksandr, and Mykyta Dziuba. "Symbolism of Color in Cinema." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (2022): 207–15. https://doi.org/10.31866/2617-2674.5.2.2022.269532.

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The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research met

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JOHANSSON, NIKLAS, ANDREY ANIKIN, and NIKOLAY ASEYEV. "Color sound symbolism in natural languages." Language and Cognition 12, no. 1 (2019): 56–83. http://dx.doi.org/10.1017/langcog.2019.35.

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abstractThis paper investigates the underlying cognitive processes of sound–color associations by connecting perceptual evidence from research on cross-modal correspondences to sound symbolic patterns in the words for colors in natural languages. Building upon earlier perceptual experiments, we hypothesized that sonorous and bright phonemes would be over-represented in the words for bright and saturated colors. This hypothesis was tested on eleven color words and related concepts (red–green, yellow–blue, black–white, gray, night–day, dark–light) from 245 language families. Textual data was tra

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Al Ghusaini, Zaher Badr. "Symbols of Color Code in the Poetry of Federico Lorca (1898-1936)." Journal of Arts and Social Sciences [JASS] 3, no. 1 (2012): 121. http://dx.doi.org/10.24200/jass.vol3iss1pp121-133.

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The current study addresses color symbolism in the poetry of Federico Garcia Lorca, a 20th century poet. He lived in the period between 1898 and 1936 in which Spain, and particularly Granada, had a significant impact on his poetry. It lived in his verses and added a unique charisma to his poetry, emerging from its ongoing transformation from tangible visualization to artistic glances. The mention of color appeared in every poem, with some colors being more dominant than others. It added an artistic value with a pure psychological perspective, almost like a painting portraying Granada. This led

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Al Ghusaini, Zaher Badr. "Symbols of Color Code in the Poetry of Federico Lorca (1898-1936)." Journal of Arts and Social Sciences [JASS] 3, no. 1 (2012): 121–33. http://dx.doi.org/10.53542/jass.v3i1.1045.

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The current study addresses color symbolism in the poetry of Federico Garcia Lorca, a 20th century poet. He lived in the period between 1898 and 1936 in which Spain, and particularly Granada, had a significant impact on his poetry. It lived in his verses and added a unique charisma to his poetry, emerging from its ongoing transformation from tangible visualization to artistic glances. The mention of color appeared in every poem, with some colors being more dominant than others. It added an artistic value with a pure psychological perspective, almost like a painting portraying Granada. This led

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8

Boyarkina, Anastasiya Andreevna, Larisa Georgievna Popova, and Irina Viktorovna Shvedova. "Symbolism of the blue/light blue color in the English and German publicistic texts." Litera, no. 10 (October 2021): 61–72. http://dx.doi.org/10.25136/2409-8698.2021.10.36202.

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This article aims to determine similarities and differences in manifestation of symbolism of the blue/light blue color in the English and German publicistic texts. The subject of this research is the semantics of English and German lexemes representing the blue/light blue color in both languages. The symbolism of this color designation is selected due to its insufficient coverage in comparative linguistics. Based on the material of lexicographic sources, the author describes the dictionary meanings of the aforementioned lexemes, which resemble symbolism of the blue color in the English and Ger

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Kang, Soo-Won. "A Study on the Color Image of Heo Soo-kyeong’s Poetry: Focused on the Aspect of Mixture and Entanglement of Black and White color." Dongnam Journal of Korean Language and Literature 54 (November 30, 2022): 5–25. http://dx.doi.org/10.21654/djkll.2022.54.1.5.

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Black and white in Heo Soo-kyeong's poetry reveal unique color symbolism in a way of repetition and reversion. This aspect deepens and expands the emotion and the subject consciousness, which forms her own distinct poetic aesthetics. Furthermore, the black and white color images in her poems display an Assemblage effect, forming mixed and entangled aspects in one work. This is a new possibility created by a combination of disparate elements, a further level of thinking from the conventional wisdom that the two colors indicate an opposing single network of meanings in different works. In

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Gagulashvili, I. Sh. "Color Symbolism in Georgian Charms." Soviet Anthropology and Archeology 26, no. 1 (1987): 55–70. http://dx.doi.org/10.2753/aae1061-1959260155.

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Ro’ziyeva, Mohichehra Yoqubovna. "COLOR SYMBOLISM IN UZBEK FOLKLORE." Theoretical & Applied Science 85, no. 05 (2020): 277–84. http://dx.doi.org/10.15863/tas.2020.05.85.55.

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Boyarkina, Anastasiya Andreevna. "Representation of the Green Color in Journalistic Texts by English and German Nouns and Verbs." Litera, no. 4 (April 2023): 131–44. http://dx.doi.org/10.25136/2409-8698.2023.4.39149.

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The purpose of the proposed work is to identify similarities and differences in the manifestation of green symbolism in English and German journalistic texts, the sources of which were online media. The subject of the study is the semantics of English and German nouns and verbs representing the green color in the compared languages. The symbolism of this color designation was chosen due to its insufficient study in the framework of comparative linguistics. In this article, based on the material of lexicographic sources, the dictionary meanings of these lexemes are determined, which can display

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Jeong, Jae Ha, and Deh Won Joo. "The Effect of Color Perception of Seoul Bike Ttareungi on Color Expectation and Preference : Focusing on the Mediation Analysis of Color Change Reactions." Korea Institute of Design Research Society 10, no. 2 (2025): 588–601. https://doi.org/10.46248/kidrs.2025.2.588.

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This study analyzed the impact of the color perception of the Seoul Bike “Ttareungi” on color expectations and preferences. It empirically verified the mediating effects of emotional and psychological responses to variations in color. A survey was conducted among individuals aged 20-50 who had experience using Seoul bike in 2025, and data were analyzed using SPSS and mediation analysis procedures. The findings revealed no significant differences in color perception across age groups; however, significant differences were identified in emotional and psychological responses to variations in colo

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Pavlova, Irina. "The Color Symbolism in the Works of Saltykov-Shchedrin." Scientific and analytical journal Burganov House. The space of culture 16, no. 2 (2020): 91–99. http://dx.doi.org/10.36340/2071-6818-2020-16-2-91-99.

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The article is devoted to the symbolism of color in the works of Saltykov-Shchedrin. Color is a fundamental phenomenon of existence; various sciences, including literary criticism, study it. It is connected with the ideological conception of the work, with art space; it bears a visual function, emotionally colors the world depicted by a writer, enriches, makes it more complex. Saltykov-Shchedrin’s use of color is connected with the satirist’s talent to see the reality in the "concentration of evil". In the works of the writer, Russia appears to be ambivalent: it is a field of the rampage of th

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Khussainova, G., B. Tleuberdiyev, and K. Samatayeva. "Linguocultural aspect of psychoemotional perception of color symbolism on the example of myths of the Kazakh, Korean and English peoples." Tiltanym 97, no. 1 (2025): 161–71. https://doi.org/10.55491/2411-6076-2025-1-161-171.

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The article describes a look at the mythological symbolism of color in the Kazakh, Korean and English linguistic worldviews. Color symbolism in myths determines the basis of folk traditions, customs, beliefs and spiritual culture. It defines meaning, feelings, traditions, life based on a certain value system. Color-cognitive description is one of the areas of linguistics in which the peculiarities of the worldview, traditions and customs of a certain nation are studied through the prism of color. Language is not only a means of expressing human thoughts, but also an ethnopsychological and ideo

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Hovers, Erella, Shimon Ilani, Ofer Bar‐Yosef, and Bernard Vandermeersch. "An Early Case of Color Symbolism." Current Anthropology 44, no. 4 (2003): 491–522. http://dx.doi.org/10.1086/375869.

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Harmash, Yurii, and Oleksandr Priadko. "The Special Role of Color in the Drama of Screen Painting Works." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 1 (2018): 57–67. https://doi.org/10.31866/2617-2674.1.2018.140835.

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Purpose of the work is to analyze the historical and cultural factors of the origin, formation, evolution and development of the drama of color characters in the screen arts. Methodology of the research consists in the application of general scientific principle of objectivity, cultural, and structural and functional analytic methods in the analysis of the theoretical work of artistic direction and works of screen art (films), which are the subject field of the drama of color. Scientific novelty of the work is a comprehensive approach to the concepts of dramatic color

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Mahrous, Mariam, Alev Parsa, and Elçin As. "The effect of visual narrative language of color codes in Youssef Chahine’s cinema." ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi, no. 13 (February 27, 2025): 25–51. https://doi.org/10.46372/arts.1538835.

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This study explore the ways in which Egyptian director Youssef Chahine employed colors within the narrative of his films, influenced by historical, religious, and cultural factors. The main purpose of the study is to shed light on the significance of colors and their symbolism in any cinematic work, due to its impact on the viewer’s emotions and perception of a film, as well as its ability to enhance the aesthetics of the cinematic imagery. In this context, two different films of Chahine, Al Nasser Salah Al-din (Saladin the Victorious, 1963) and Al-Massir (Destiny, 1997), which were shot in di

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Rufova, Elena, та Sardana Makarova. "Symbolic of black in the Yakut and Japanese poetry (through the example of poems by Ivan Gogolev and Takamurа Kotaro)". SHS Web of Conferences 134 (2022): 00056. http://dx.doi.org/10.1051/shsconf/202213400056.

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This paper is devoted to the issue of color symbolism in poetic text. The relevance of this study is in the fact that the specificity of the linguistic worldview of the people speaking this language is revealed through color epithets in a literary text. The purpose of the study is to identify the symbolism of black color in the poems of Ivan Gogolev and Takamura Kotaro, which will reveal the features of the traditional color symbols of the Yakuts and Japanese. The authors use a systemic, holistic, functional approaches in the study of a work of art, historical-literary and comparative-comparat

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Vallaro, Cristina. "Black Apparel and Color Symbolism in A Game at Chess." Explorations in Renaissance Culture 50, no. 1-2 (2024): 68–87. https://doi.org/10.1163/23526963-05001002.

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Abstract Colors play an important role in understanding sixteenth-century clothing, their rich symbolism being part of the conventional code that established who should wear what. A symbol of melancholy and meditation, black was a very popular color in Elizabethan England, worn by both queen and subjects. As a reflection of the real world, theater also used clothing and colors to help the audience understand the plot of plays performed, and their characters’ personalities. After the defeat of the Spanish Armada in 1588, color interpretation came to rely not only on tradition, but took on incre

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Wei, Lai. "Color Symbolism and American Dream in Luhrmanns The Great Gatsby." Communications in Humanities Research 1, no. 1 (2021): 10–14. http://dx.doi.org/10.54254/chr.iceipi.2021153.

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Luhrmanns movie version of The Great Gatsby has caused many discussions and debates in the area of literary analysis. This paper would argue that Luhrmann manages to gain commercial success in the film. While the director recreates the scenes that demonstrated color symbolism, the color symbolism suggests different meanings from the book; and that is because the director changes certain important plot in the book, which exaggerates Gatsbys pure love to Daisy at the expense of undermining the complexity of Gatsbys character and his American Dream that based on materialism. With the help of seco

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Wei, Lai. "Color Symbolism and American Dream in Luhrmanns The Great Gatsby." Communications in Humanities Research 1, no. 1 (2021): 10–14. http://dx.doi.org/10.54254/2753-7064/1/iceipi_153.

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Luhrmanns movie version of The Great Gatsby has caused many discussions and debates in the area of literary analysis. This paper would argue that Luhrmann manages to gain commercial success in the film. While the director recreates the scenes that demonstrated color symbolism, the color symbolism suggests different meanings from the book; and that is because the director changes certain important plot in the book, which exaggerates Gatsbys pure love to Daisy at the expense of undermining the complexity of Gatsbys character and his American Dream that based on materialism. With the help of seco

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Вэй, Ц. "Symbolism of Color in Chinese Traditional Opera: Religious and Philosophical Origins and Meaning of Images." Nasledie Vekov, no. 3(35) (September 30, 2023): 116–25. http://dx.doi.org/10.36343/sb.2023.35.3.008.

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Статья посвящена анализу символики цвета в китайской традиционной опере, осуществляемому посредством описания и систематизации значений, которые придаются различным цветам в теории пяти элементов (у-син) и в других мировоззренческих системах. Материалами стали работы китайских и российских авторов, посвященные специфике театрального искусства и национальной культуры Китая. Изучены коннотативная семантика цвета и религиозно-философские истоки, повлиявшие на формирование цветовой палитры традиционной оперы. С учетом региональной специфики выявлено значение цвета в создании образов персонажей кит

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Vorkachev, S. G., and E. A. Vorkacheva. "Color symbolism in the blazoning of national heraldry (linguistic and cultural aspects)." Current Issues in Philology and Pedagogical Linguistics, no. 1 (March 25, 2024): 212–22. http://dx.doi.org/10.29025/2079-6021-2024-1-212-222.

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The purpose of the article is to study the semantics and role of color symbols in the verbal description of national heraldry, and its relevance is due to the current trend towards an increase in the number of independent states with their own national symbols. The objectives of the research include determining the semiotic specificity of the color symbol, establishing the object prototypes motivating this symbol and identifying new concepts and ideals symbolized in modern national heraldry with the help of color. The study was carried out on the material of the state emblems of countries unit

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Rodriguez Velasco, Maria. "Color Symbolism in the Castilian Atlantic Bibles: Initials and Scenes from the Bible of Avila (BNM, Vit. 15-1)." Multidisciplinary Journal of School Education 9, (2) 18 (2020): 169–89. http://dx.doi.org/10.35765/mjse.2020.0918.09.

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The Atlantic Bibles of the Umbro-Roman school are associated with the needs of the Gregorian Reform, which began at the end of the 11th century. Their first impression is one of great ornamental sobriety, in accordance with the early stages of what Garrison and Berg have labelled the “geometric style.” This was first manifested in the decoration we find concentrated in the initials heading the individual books of the Bible. In Castile, one outstanding example is the Bible of Avila, begun by the Umbro-Roman school and finished in a Castilian scriptorium. This double perspective can be observed

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Філіпенко, Ольга. "SYMBOLISM OF COLOR IN PROSE DOKIA HUMENNA." Problems of Contemporary Literary Studies, no. 24 (December 12, 2017): 205–14. http://dx.doi.org/10.18524/2312-6809.2017.24.127998.

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Bratytsya, G. "COLOR SYMBOLISM AS AN ELEMENT OF WORLDVIEW." International Humanitarian University Herald. Philology, no. 67 (2024): 26–30. http://dx.doi.org/10.32782/2409-1154.2024.67.6.

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Barris, Michael C. "Color and Meaning: Art, Science, and Symbolism." Optometry and Vision Science 77, no. 1 (2000): 10. http://dx.doi.org/10.1097/00006324-200001000-00007.

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Willard, Christopher. "Color and meaning: Art, science, and symbolism." Color Research & Application 25, no. 5 (2000): 382–84. http://dx.doi.org/10.1002/1520-6378(200010)25:5<382::aid-col12>3.0.co;2-s.

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Phuyal, Komal Prasad. "Chromatic Symbolism in T. S. Eliot’s The Waste Land." BL College Journal 5, no. 2 (2023): 07–16. http://dx.doi.org/10.62106/blc2023v5i2e1.

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T. S. Eliot (1888-1965) employs colors to depict various shades of emotions of the post-World War I in Europe in his ‘The Waste Land’ (1922). On the one hand, the poetic treatment of colors indicates the plight of the world; on the other, the colors embody the myths of the ancient world and help deepen the meaning of the text. The poetic genius employs Tiresias as the persona who can travel through time and space bringing together different hues of the world into a single collage. Eliot’s choice of color reveals to the modern audience the deeper schema that he builds to represent the devastate

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Yuldoshova, Shakhnoza Azimboyevna Fayzullayeva Dilfuzakhan Gulomjon kizi. "COLOR SYMBOLISM IN AMERICAN AND UZBEK FANTASTIC WORKS. (EXAMPLE OF THE WORKS OF RAY BRADBURY, IZAEK ASIMOV, KHOJIAKBAR SHAIKHOV AND ISAJAN SULTON)." THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES 2, no. 15 (2023): 65–69. https://doi.org/10.5281/zenodo.8198883.

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This article discusses color symbolism in American and Uzbek fantasy works. It provides information about the use of colors, their significance, their different aspects and importance in different nations, as shown in the works of Ray Bradbury, Isaac Asimov, Khojiakbar Shaikhov and Isajon Sultan.

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Иванченко, Светлана Анатольевна. "On Some Features of M. A. Voloshin’s Color Picture of the World and the Means of its Verbalization." Tomsk state pedagogical university bulletin, no. 1(225) (January 30, 2023): 95–102. http://dx.doi.org/10.23951/1609-624x-2023-1-95-102.

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Особый интерес М. Волошина к цветонаименованиям вызван как особенностью эпохи (Серебряный век), так и его увлечением не только поэтическим словом, но и в равной степени изобразительным творчеством. Цветовая картина мира стихотворений М. Волошина отличается многообразием колорем, передающих оттенки того или иного цвета, и необычностью создаваемых цветообразов, в которых обнаруживаются особенности восприятия автором мира. В статье приводятся результаты исследования семантики и символического значения частотных колорем, встречающихся в лирических текстах М. Волошина, данные анализа отдельных стих

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Kuhareva, E. V. "THE SYMBOLISM OF COLORS IN THE ETHNIC PICTURE OF THE WORLD OF THE ARABS." Title in english 17, no. 1 (2019): 97–107. http://dx.doi.org/10.24833/2410-2423-2019-1-17-97-107.

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Te article studies symbolic meanings of colors in the Arab on the material of Arabic sacred, literary texts, dictionary editions, and folklore. Tere is considered the place of each element of the color palette in the Arab ethnic picture of the world, which expresses moral and ethical values and worldview of the Arab ethnic group, and the importance and inﬂuence of colors on the Arab mentality. Te analysis reveals the similarities and diﬀerences in the perception of colors and their symbolic meanings in the Arab and Russian languages. Arabs’ perception of a particular color is based on their fg

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Aliyeva, Aziza. "Phraseological Units with Color Components in the French Language: A Semantic and Cultural Analysis." Global Spectrum of Research and Humanities 1, no. 2 (2024): 14–25. https://doi.org/10.69760/gsrh.01022024002.

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This article explores the linguistic, semantic, and cultural significance of color-based phraseological units (PUs) in the French language. Colors in French PUs serve as powerful linguistic tools, symbolizing emotions, societal norms, and historical narratives. Through a detailed analysis of common colors such as blue, red, black, and green, this study reveals how these elements function syntactically and convey complex cultural meanings. The challenges of translating French color PUs into other languages are examined, highlighting the difficulties in preserving symbolic meaning and cultural c

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Yuldoshova, Shakhnoza Azimboyevna Fayzullayeva Dilfuzakhan Gulomjon kizi. "COLOR SYMBOLISM IN AMERICAN AND UZBEK FANTASTIC WORKS. (EXAMPLE OF THE WORKS OF RAY BRADBURY, ISAAC ASIMOV, KHOJIAKBAR SHAIKHOV AND ISAJON SULTON)." THEORETICAL ASPECTS IN THE FORMATION OF PEDAGOGICAL SCIENCES 2, no. 15 (2023): 70–75. https://doi.org/10.5281/zenodo.8210343.

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This article discusses color symbolism in American and Uzbek science fiction works. It provides information about the use of colors in literary works, their significance, their different aspects and importance in different nations, as shown in the works of Ray Bradbury, Isaac Asimov, Khojiakbar Shaikhov and Isajon Sultan.

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Liu, Lu, and Mikhail Anatolyevich Rybakov. "Color symbolism in Russian and Chinese languages and semantics of hydronyms with a color component." Litera, no. 6 (June 2020): 44–55. http://dx.doi.org/10.25136/2409-8698.2020.6.33075.

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The goal of this article is the characteristics of color symbolism as the means for creating imagery in a discursive aspect. In the course of this research, the following questions were addressed: 1) generalization of the semantics of color designation in the linguistic context; 2) characterization of linguistic specificity of color designations in the Chinese language, and comparison with the Russian language; 3) determination of intralinguistic and extralinguistic factors impacting the functionality of color designations in media discourse; 4) systematization of means and specificity of crea

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Prokhorenkova, Svetlana. "Features of the Interpretaition of Light and Color in the Philosophy and Literature of Symbolism." Bulletin of Baikal State University 33, no. 3 (2023): 622–30. http://dx.doi.org/10.17150/2500-2759.2023.33(3).622-630.

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This article is devoted to the discoveries of poets, writers and symbolist philosophers in the field of color symbolism and its new content. Saturation with a new meaning of human existence, the search for spiritual support, reflections on the human soul and the fate of Russia — these are the main topics with which the understanding of color turned out to be interconnected. On the example of the analysis of the philosophical and literary activities of outstanding thinkers of the late XIX — early XX century, the main ideas of a difficult time for Russia are considered. The analysis of color sym

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Pohsun, Wang, and Zhou Junling. "The Color Expressions in the Traditional Costumes of Taiwanese Indigenous Peoples." South Florida Journal of Development 2, no. 5 (2021): 7539–49. http://dx.doi.org/10.46932/sfjdv2n5-089.

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With respect to both fiber and color the clothing material of Taiwan’s indigenous people came predominantly from nature. Atayal woven materials are a distinct example of how ethnic symbolism can be expressed through the combining of color and fabric patterns in weaving and dying. In order to understand Atayal fabric color use and distribution, this research first utilizes PANTONE FASHION + HOME cotton planner to contrast fabric color, and after comparison, color specimens are input one at a time into Color Schemer Studio’s color wheel statistics system. In order to analyze Atayal fabric colors

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Харитонова, А. С., and К. Е. Илауски. "Symbolism and semantics of the Ob Ugrians festive costume." Iskusstvo Evrazii [The Art of Eurasia], no. 4(23) (December 29, 2021): 26–31. http://dx.doi.org/10.46748/arteuras.2021.04.002.

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Статья посвящена исследованию символики и семантики праздничного костюма обских угров (народности ханты и манси). Использованы описательный и компаративный методы. Отмечается, что цветовой «словарь» данных народностей максимально конкретен и основан на непосредственном восприятии, поэтому «образы» цветов реалистичны и мифологичны одновременно. Соответственно, каждый цвет несет особую смысловую нагрузку, что детально рассмотрено на примере коллекции вышитой праздничной одежды остяков (ханты) «Узоры Конды». Показано, что костюм можно воспринимать как текст, прочитав который можно понять смысл ег

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Prokhorenkova, Svetlana. "Color Symbolism in Literary and Philosophical Works by Existentialists." Bulletin of Baikal State University 29, no. 2 (2019): 193–97. http://dx.doi.org/10.17150/2500-2759.2019.29(2).193-197.

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Studies of color symbolism of existentialism and expressionism are of relevant importance in several branches of knowledge: in philosophy, literature, dramaturgy, ethics and aesthetics. The phenomenon of color perception is also essential in the figurative and music arts. Thus, the main focus of this article, dedicated to the literary and philosophical works by Albert Camus, Jean-Paul Sartre and Franz Kafka, is on interpretation of light and color perception.

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Umarqulova, Maxliyo. "LEARNING AND RESEARCHING THE CULTURAL ENVIRONMENT OF THE LANGUAGE BY USING COLOR RELATED WORDS." QO‘QON UNIVERSITETI XABARNOMASI 10, no. 10 (2024): 141–43. http://dx.doi.org/10.54613/ku.v10i10.933.

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This article delves into the intricate relationship between language and culture through the lens of color-related words. It provides an in-depth exploration of how different cultures perceive and articulate colors, uncovering the rich tapestry of meanings, associations, and symbolism embedded within linguistic expressions of color. Drawing on interdisciplinary research from linguistics, anthropology, psychology, and semiotics, the author examines how cultural norms, historical contexts, and societal factors influence the use and interpretation of color-related language. Through a systematic r

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Topchyi, O. Yu. "NATIONAL SPECIFICATION OF SYMBOLISM OF COLOR NOMINATION BLUE." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 3, no. 1 (2020): 64–69. http://dx.doi.org/10.32838/2663-6069/2020.1-3/11.

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Дорогайкина, Е. M. "SYMBOLISM OF COLOR IN THE MIDDLE AGE ZOONOMINATIONS." НАУЧНЫЙ ЖУРНАЛ СОВРЕМЕННЫЕ ЛИНГВИСТИЧЕСКИЕ И МЕТОДИКО-ДИДАКТИЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 1(53) (March 15, 2022): 42–53. http://dx.doi.org/10.36622/vstu.2022.57.60.003.

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Постановка задачи. В статье ставится задача описать совокупность языковых форм, способов и функций цветообозначений, выраженных зоонимами, чтобы получить о них целостное представление в виде системы образов, определяющих жанрово-типологические характеристики старофранцузского текста. Рассматриваются два разных жанра средневекового периода: животный эпос - крупный литературный жанр, наиболее репрезентативный с точки зрения презентации зоонимов, и старофранцузские фаблио - небольшие рассказы, являющиеся представителем жанров малых литературных форм. Результаты. Рассмотрены грамматические, лексич

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Zhuravliova, Elizabeth V. "The symbolism of color in modern Spanish language." Cuadernos Iberoamericanos, no. 3 (September 28, 2018): 35–38. http://dx.doi.org/10.46272/2409-3416-2018-3-35-38.

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Kapran, V. I., and O. V. Kapran. "Psychological symbolism of color and projection of cloth." Alma mater. Vestnik Vysshey Shkoly, no. 10 (October 2016): 108–11. http://dx.doi.org/10.20339/am.10-16.108.

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Smirnov, Ivan. "Расплескавшийся цветом. К.В. Душенко Красное и белое. Из истории политического языка: Сборник статей / РАН. ИНИОН. Москва: Центр гуманитарных научно-информационных исследований, 2018". Przegląd Rusycystyczny, № 3 (175) (18 червня 2021): 251–57. http://dx.doi.org/10.31261/pr.9317.

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This review presents the author's views on the book Red and White, which deals with the multivariance of color symbolism of the political language of revolutions in France and Russia. Writers' ideas about color political language of that historical period are reflected in their literary works. The characteristic features of white, red, black and blue colors, which carry an active visual call at all times, are highlighted and described. Conducting his own analysis of the identity of the color palette of the French tricolor and Russian tricolor flags, the author of the article is based on the pr

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Petrova, Nataliia A. "The classifier COLOR a dominant one in the categorization of mushrooms in the languages of the peoples of the Baikal region." Sibirskiy filologicheskiy zhurnal, no. 4 (2024): 229–41. http://dx.doi.org/10.17223/18137083/89/17.

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This study focuses on the categorization of mushrooms in Russian, Buryat, Tatar, Mongolian, Yakut, and Evenk languages. According to the author, the connection between categorization and nomination is demonstrated by how language units represent our worldview. Thus, the local languages exhibit varied reflections of the mushrooms found in the Baikal region. The prevalence of mushroom names in the Russian language is a testament to the significance of mushrooms in Russian culture. Mushrooms are not considered a significant part of the Buryat, Tatar, Mongolian, Yakut, and Even cultures, resulting

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Muzipova, Leyla Kh. "THE SYMBOLISM OF COLOR IN RUSSIAN DRAMATIC FILMS (2000-2020)." Articult, no. 4 (2022): 49–64. http://dx.doi.org/10.28995/2227-6165-2022-4-49-64.

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The article is devoted to the analysis of the symbolic use of color in Russian dramatic films of 2000–2020. The symbolism of color is considered on the material of ten Russian dramatic films: “Mermaid”, “Yuri's Day”, “Silent Souls”, “Yes and Yes”, “Zoology”, “Closeness”, “Acid”, “The Man Who Surprised Everyone”, “Fidelity”, “Beanpole”. As a result of the work carried out, firstly, the circumstances of using color as a symbol in films are determined, and, secondly, the variable semantic amplitude of the use of the symbolism of the same color in different films is revealed. Such variability is e

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Zheng, Wenxuan. "The role of black color in the history of Russian, French and Chinese mythology and folklore." Genesis: исторические исследования, no. 5 (May 2024): 46–55. http://dx.doi.org/10.25136/2409-868x.2024.5.70659.

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The subject of the article is the symbolic meaning of black color in the culture and folklore of various civilizations, especially in the Russian, French and Chinese traditions. The research aims to identify the evolution of the perception of black color over time and its role in religious, mythological and socio-cultural contexts. The author examines the transformations of the symbolism of the black color, its connection with myths, rituals and ideas about the world in various cultures, as well as its significance as a reflection of social and cultural norms and values. The research is aimed

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Presley, Ann Beth, and Whitney Upchurch Campassi. "Measuring Clothing Color and Design Symbolism Preferences and Purchase Intentions of Asian Indian Females at Different Levels of Acculturation." ISRN Textiles 2013 (July 18, 2013): 1–8. http://dx.doi.org/10.1155/2013/859419.

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The purpose of this study was to develop a reliable and valid instrument to measure color, design clothing preferences, and purchase intentions of Asian-Indian female consumers; secondarily, to determine if westernized clothes with Asian-Indian ethnic dress elements might be purchased more often than westernized clothing with design attributes primarily symbolic of American culture at different levels of acculturation. The instrument included a modified acculturation scale, limited demographics, and the developed Clothing Preferences and Purchase Intention Instrument. The instrument consisted

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