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1

Beardsworth, Adam. Confessional Poetry in the Cold War. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93115-5.

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2

Hine, Daryl. In and out: A confessional poem. Knopf, 1989.

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3

Huisken, Jesse. The first confessional poems of the Toronto poetry and painters guild. BookThug, 2004.

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Huisken, Jesse. The first confessional poems of the Toronto Poetry and Painters Guild. BookThug, 2003.

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5

Dissanayake, Wimal. Buddhist confessional poetry: Narratives of self-conversion : a reading of the Therigatha. Sarasavi Publishers, 2013.

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6

Holstad, Scott C. Never-Ending Cigarettes. Ye Olde Font Shoppe, 1999.

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7

Holstad, Scott C. Cells. PublishAmerica, 2004.

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8

Hahn, Susan. Confession. University of Chicago Press, 1997.

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9

Rome, Marcus. Confessions of a rational lunatic. Birch Brook Press, 2006.

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10

Rome, Marcus. Confessions of a rational lunatic. Birch Brook Press, 2006.

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11

Crosbie, Lynn. True Confessions. Pink Dog Press, 1988.

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12

Whitbeck, Rob. The taproot confessions. Pygmy Forest Press, 2003.

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13

Confessional Poetry: Gedichte. Luxbooks, 2012.

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14

Delio, Sage. Blue Confessional: Poetry and Prose. Independently Published, 2022.

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15

Abudu, Biodun. Confessional Scriptures. Abbey City, LLC, 2021.

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16

The Pleasure Pen Writing Academy. Confessional Poets Masterclass Handbook. Shoushockie, 2023.

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17

Lowry, Stefan. From the Igloo Confessional: A Novel of Poetry. iUniverse, Inc., 2005.

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18

Lowry, Stefan. From the Igloo Confessional: A Novel of Poetry. iUniverse, Inc., 2005.

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19

Darkness Plays Favorites. Casey Renee Kiser, 2014.

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20

Hold Me Under: Poems to Drown to. Casey Renee Kiser, 2014.

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21

Hayes, Paula. Robert Lowell and the Confessional Voice. Lang AG International Academic Publishers, Peter, 2013.

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22

Beardsworth, Adam. Confessional Poetry in the Cold War: The Poetics of Doublespeak. Springer International Publishing AG, 2022.

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23

Palser, Jessica. Examination of the Half-Formed Feminine: A Confessional Poetry Collection. Independently Published, 2021.

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24

Meiguo zi bai shi tan suo: On American confessional poetry. She hui ke xue wen xian chu ban she, 2004.

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25

Gill, Jo, and Hannah Baker Saltmarsh. Male Poets and the Agon of the Mother: Contexts in Confessional and Postconfessional Poetry. University of South Carolina Press, 2019.

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26

Male Poets and the Agon of the Mother: Contexts in Confessional and Postconfessional Poetry. University of South Carolina Press, 2019.

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27

Gray, Jeffrey, James McCorkle, and Mary McAleer Balkun, eds. Greenwood Encyclopedia of American Poets and Poetry. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798216193326.

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The most comprehensive reference on American poetry ever assembled, this encyclopedia includes more than 900 alphabetically arranged entries, contributed by approximately 350 scholars. Written for students and general readers, the set covers poetry from the colonial era to the present, devoting special attention to contemporary poets and their works. Multicultural in scope, the encyclopedia covers poets, genres, critics, poetic terms, and movements. Its entries range from Caribbean to Confessional Poetry, from Dada to Eco-poetics, from Gay and Lesbian Poetry to Literary Magazines, New Formalis
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28

"Confessional" writing and the twentieth-century literary imagination. Palgrave Macmillan, 2011.

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29

Dancing With The Lights Out. Big Head Press, 1992.

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30

Mertel, Elena. Performance and Interrogation of 'Generic Lives' and Gendered Selves in the Confessional Poetry of John Berryman and Anne Sexton. GRIN Verlag GmbH, 2019.

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31

Junction City. Sister Moon Press, 1993.

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32

Schiff, David. Carter vs. Poets (Round 1). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190259150.003.0008.

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With A Mirror on which to Dwell, composed in 1975, Carter returned to vocal music and to modern American poetry. Mirror, to poems of Elizabeth Bishop, was soon followed by Syringa (John Ashbery) and In Sleep, In Thunder (Robert Lowell). These three works explore a wide range of expressive territory. Bishop and Lowell were close to Carter in age, while Ashbery was twenty years younger. The two older poets pursue an intimate confessional style, while Ashbery’s far more experimental poetry derives from French surrealism. Bishop’s poetry is precise and observant, while Lowell’s seems to teeter on
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33

Artifacts. Sick Puppy Press, 2001.

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34

Distant Visions, Again and Again. Poet Tree, 1994.

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35

Plasencia, Arianne. "This is no time for the private point of view": Vexing the confessional in the poetry of Sylvia Plath and Anne Sexton. 2006.

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36

Places. Sterlinghouse Publisher, 1996.

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37

Golden, Amanda. Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets. Taylor & Francis Group, 2020.

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38

Golden, Amanda. Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets. Taylor & Francis Group, 2020.

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39

Golden, Amanda. Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets. Taylor & Francis Group, 2020.

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40

Annotating Modernism: Marginalia and Pedagogy from Virgina Woolf to the Confessional Poets. Taylor & Francis Group, 2020.

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41

Greene, Dana. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037108.003.0014.

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This chapter considers the legacy of Denise Levertov. Levertov wanted to be remembered for her poetry, the “autonomous structures” that would be appreciated on their own terms and would last. In comparison to her art, she considered her life fleeting and insignificant. As a consequence she was suspicious of biography and insisted that if a poet's biography were to be written, it had to focus on the work itself. Even then she was leery of the genre and recoiled from it. Nonetheless, she claimed repeatedly that her poems emerged from her life experience. While she rejected confessional or self-r
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42

Confessions: Poetry. Litebooks, 2020.

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43

Briscoe, John G. Poetry Confessions. Infinity Publishing, 2006.

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44

Dmitriev, Kirill, and Christine van Ruymbeke, eds. “Passed around by a Crescent”. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2022. http://dx.doi.org/10.5771/9783956509094.

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This publication explores the presence of the shared heritage and interdependence of poetry composed around the theme of wine in diverse literary traditions of the Islamic world. The specialist contributions discuss multiple aspects of the literary polyphony of wine in the pre-modern Arabic, Persian, Hebrew, Ottoman Turkish, and Urdu literatures during the first millennium of the Islamic era. Presenting these together and in dialogue with one another, the volume offers a comparative perspective on a long, varied, but singularly mutual tradition. It traces how this poetry develops, flourishes a
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45

McNulty, Victoria. Confessionals. Primedia eLaunch LLC, 2017.

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46

Lochhead, Liz. True Confessions . . . (Poetry). Edinburgh University Press, 1987.

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47

Hamilton, Tom. The Social World of the Palais de Justice. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198800095.003.0003.

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This chapter follows L’Estoile’s life and collecting at the outset of the Wars of Religion. It evaluates how he attempted to write non-confessional histories of his family life and the civil wars that conformed to his traditional, Gallican beliefs. Yet, however disinterested L’Estoile tried to appear in his family book, he struggled to come to terms with tragic events such as the death of his wife, Anne de Baillon, and took comfort in her salvation by faith alone. And however impartial L’Estoile aspired to be in presenting his poetry miscellany concerning the Saint Bartholomew’s Day massacre,
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48

Iriarte, Fabiàn, Natalia Novia, and Lawrence Schimel. Confessions. Entre Rios Books, 2022.

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49

Jenkins, Rian. Confessions, Poetry Anthology 3. Crowned by Nichele, 2024.

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50

Amaral, Celia Marconia Moreira. Enigmas in Confessions: Poetry. Authorhouse, 2003.

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