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Dissertations / Theses on the topic 'Confessional poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Consult the top 47 dissertations / theses for your research on the topic 'Confessional poetry.'

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1

Rossiter, Rebecca J. "The Apple Speaks: Reclaiming “Self” While Bridging Worlds in Confessional Mennonite Poetry." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180379152.

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2

Price, Deidre Dowling. "Confessional poetry and blog culture in the age of autobiography." Tallahassee, Florida : Florida State University, 2010. http://etd.lib.fsu.edu/theses/available/etd-03242010-001512/.

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Thesis (Ph. D.)--Florida State University, 2010.<br>Advisor: Andrew Epstein, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed on July 16, 2010). Document formatted into pages; contains vi, 130 pages. Includes bibliographical references.

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3

Miller, Kelley Reno. "Vulgar Moon." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5142/.

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The preface to this collection, "Speculation and Silence," argues that confessional poetry remains integral to contemporary poetics, though the implications of the term have changed since its "first-generation." Confessional poetry must not be dependent on simply the transmission of sensational details and the emotional consequences, but on poets' implementation of silence and restraint in both the diffusion of ideas and in the crafting of the piece. Vulgar Moon is a collection of poems in which I explore the implications of events ranging from erotic love and motherhood, to the devastation of

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4

Breen, India R. "Miniature thunder: Inscribing the self in ekphrastic poetry." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/106744/1/India_Breen_Thesis.pdf.

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This practice-led research project considers how the figure of poetic self is inscribed in the ekphrastic poem and looks at how ekphrasis can intersect with confessional poetics to form a hybrid mode. This mode of hybridity guides my own creative practice and creates an expansion of the term ekphrasis, as ekphrasis illuminates that it is never a static interaction, but a mode that entails a verbal representation of the artwork as well as aspects of the confessional self.

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5

Hurter, Jade. "Python Crown Girl." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2156.

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6

Walter, Lauren. "New Rust." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2205.

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A poetry thesis exploring issues of loss, death, creation, imagination, family, interpersonal relationships, nature, sexuality, and writing. The manuscript includes a preface that discusses literary influences such as Ai, H.D., and Sharon Olds, as well as writing in forms such as the dramatic monologue, imagistic poem, and confessional poem. Three main sections organize the manuscript's poems.

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7

Kilpatrick, Steven. "Laws of Inheritance." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804967/.

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8

Kelsall, Cameron P. "Major Kiss." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1337635108.

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9

Montjoy, Ashley Nicole. "Lost in Perception." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/42648.

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Lost in Perception is a manuscript of narrative poems that are unflinching honest explorations of the selfâ emotional states-of-mind such as anxiety and anger, and states-of-being such as feelings of self-worthlessness. Confessional in nature these poems derive from familial relationships, domestic abuse, desire, sex and/or a combination of the aforementioned. To an extent, Lost in Perception is a manuscript of a diarist. It features a number of poems concerning a romantic relationship with an alcoholic that present a cohesive narrative within the collection. The narrator in Lost in Perc

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10

Flick, Jeremy Alan. "BLOOD ORE." UKnowledge, 2019. https://uknowledge.uky.edu/english_etds/89.

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While the great poet, James Whitcomb Riley, a native poet from my hometown of Greenfield, has a strong sense of Indiana and his Hoosier-ness. I compare myself to Whitcomb Riley, only in the sense of place, because my understanding of poetry was shaped around his work growing up in Hancock County. I am personally influenced by other poets such as Sylvia Plath, Walt Whitman, and James Wright in style and in content. My poetry contains a mixture of confessionalism and pastoral poems and doesn’t shy away from critiquing every aspect of place, family, and mental illness. These intersecting ideals a

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11

Jurison, Ryan. "The Flamekeeper : The Confessional Purgation of the Soul in the Poetry of Robert Lowell." Thesis, Stockholms universitet, Engelska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182206.

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This essay is a critical textual analysis of the poetry of Robert Lowell with focus on religious symbolism used in his work, and the Catholic theology which informed it. This results in a new, contrasting interpretation to the conventional view that he had abandoned his religious focus by mid-career, while accounting for his own assessment that he had not. Insights gained through this analysis, combined with those relating to Lowell’s personal history, reframe his confessional poetry while bolstering this claim. Through this study, poems selected from Lord Weary’s Castle, The Mills of the Kav

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12

Khalifeh, Areen Ghazi. "Transforming the Law of One : Anne Sexton and Sylvia Plath from a Kristevan perspective." Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/5236.

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A recent trend in the study of Anne Sexton and Sylvia Plath often dissociates Confessional poetry from the subject of the writer and her biography, claiming that the artist is in full control of her work and that her art does not have naïve mimetic qualities. However, this study proposes that subjective attributes, namely negativity and abjection, enable a powerful transformative dialectic. Specifically, it demonstrates that an emphasis on the subjective can help manifest the process of transgressing the law of One. The law of One asserts a patriarchal, monotheistic law as a social closed syst

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13

Marvin, Catherine Christabel. "Chicanery." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054816982.

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14

Werner, Eric. "Thank You for Visiting: Collected Poems with a Critical Introduction." Wittenberg University Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1398962916.

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15

Anderson, Crystal Lee. "The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html.

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This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart. The collection of poems, The Coagulate, consists of four parts: 1) Semi-personal poems focusing on nature both in a general sense and in specific reference to the natural British landscape. 2) Poems that explore the nature-based myths and contemporary social idiosyncrasies of Japan.3) Poems that explore the social perception of mental illness and the individual voices that exist in spite psychological classification.4) Poems by an alter-ego a

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16

Rogers, Donna. "ELIZABETH BISHOP AND HER WOMEN:COUNTERING LOSS, LOVE, AND LANGUAGE THROUGH BISHOP'S HOMOSOCIAL CONTINUUM." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2992.

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This thesis examines Elizabeth Bishop's seemingly understated and yet nuanced poetry with a specific focus on loss, love, and language through domesticity to create a poetic home. In this sense, home offers security for a displaced orphan and lesbian, moving from filial to amorous love, as well as the literary home for a poet who struggled for critical recognition. Further, juxtaposing the familiar with the strange, Bishop situates her speaker in a construction of artificial and natural boundaries that break down across her topography and represent loss through the multiple female figures that

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17

Perrrier, Sarah Beth. "Nothing Fatal." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146526115.

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18

Devereux, Stephen. "Post–exilic an old South African returns to the new South Africa." University of Western Cape, 2020. http://hdl.handle.net/11394/7934.

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Magister Artium - MA<br>This portfolio of poems, prose poems and short fiction pieces is quasi-autobiographical and tracks the trajectory of my life, from childhood in Cape Town (‘pre-exilic’) to emigration abroad (‘exilic’) and return to Cape Town in late middle age (‘post-exilic’). Themes explored include the deceptive nature of memory and the risk of imbuing a childhood recollected in later life with affective or narrative nostalgia; the psychologically dislocating nature of exile on personal identity and notions of home; and Cape Town as both an imaginary construct and a multi-layered real

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19

Houston, Carol Margaret. "Emotional Intelligence in the Later Poetry of Sylvia Plath, Anne Sexton and Adrienne Rich." Thesis, Griffith University, 2008. http://hdl.handle.net/10072/366978.

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During the 1950s and the 1960s the confessional poetry of Sylvia Plath, Anne Sexton and Adrienne Rich triggered ambivalent responses from both critics and readers. This thesis was precipitated by and focuses on these ambivalent reactions. On the one hand there were critics who viewed their poetry positively because of the way in which their poems genuinely probe the emotions. On the other hand there were critics who maintained that the poetry of these three women was just not poetry; rather their writing was compromised by their emotions. In both cases the critics make judgments about the natu

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20

Moreno, Christine M. "Secrecy and Fear in Confessional Discourse: Subversive Strategies, Heretical Inquisition, and Shifting Subjectivities in Vernacular Middle English and Anglo-French Poetry." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354665293.

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21

Jaynes, Michael A. "Don't Ever Stop." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1275674470.

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22

Timman, Matthew Peter. "The Drum Set Works of Stuart Saunders Smith as a Correlative Trilogy through Compositional Unity and Autobiographical Content as Confession." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1400161867.

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23

Perry, Amber R. "Critiquing Academic Culture with Satire through Lady Lazarus, A Fictional Biography." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1700.

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In the tradition of academic satire, Lady Lazarus is the fictional biography of the daughter of American rock musicians. In her late teens she rises to fame as confessional poet, who, despite only publishing one collection of poems during her brief life, becomes an overnight sensation. Author Andrew Altschul is satirizing academia’s need to be a part of popular culture and in doing so, privileges the ability to use controversy and conventional beauty to sell books as opposed to creating quality art. By focusing on how the author uses Hans Robert Jauss’ horizons of expectations, unreliable narr

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24

Al-Obaidi, Mohammed F. R. "My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton." Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/27992.

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This thesis is the first study using contemporary spatial theory, including cultural geography and its precursors, to examine and compare representations of space in the poetry of three mid-twentieth century American poets: Robert Lowell, Sylvia Plath, and Anne Sexton. Because of the autobiographical content often foregrounded in their work, these poets have been labelled Confessional. Previous criticism has focused primarily on the ways in which they narrate (or draw on) their personal lives, treating accompanying descriptions of their surroundings primarily as backdrops. However, these poets

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25

Lee, Bethany Tyler. "The Museum of Coming Apart." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11000/.

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This dissertation comprises two parts: Part I, which discusses use of second person pronoun in contemporary American poetry; and Part II, The Museum of Coming Apart, which is a collection of poems. As confessional verse became a dominant mode in American poetry in the late 1950s and early 60s, so too did the use of the first-person pronoun. Due in part to the excesses of later confessionalism, however, many contemporary poets hesitate to use first person for fear that their work might be read as autobiography. The poetry of the 1990s and early 2000s has thus been characterized by distance, di

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26

James, Ann Juli. "Figures in fine print and Hindustani hopes and fears : identity and expectations in the poetry of Kamala Das." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/27007.

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Kamala Das is one of the best-known contemporary Indian women writers, albeit largely for the controversy that her candid, confessional writing has sparked in the relatively traditional context of Indian academia. Since the publication of her first collection of poetry, Summer in Calcutta (1965), Das has been considered an important voice of her generation. Her provocative poems are known for their unflinchingly honest explorations of the self and female sexuality, urban life, and women’s roles in traditional Indian society. Critics have expressed a range of opinions on her work: some laud her

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27

Rosen, Yosef. "Acres of Flesh." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429113819.

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28

Smith, Sarah Jane. "Pretend Her Genealogies." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1218072822.

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29

Acker, Tristan D. "CONFESSIONS OF A HIP-HOP HIPPIE." CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/60.

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This Statement of Purpose does not give a history of hip-hop or hip-hop poetry but rather how this particular poet fits into the current phase of hip-hop and performance poetry. In it, I discuss and explain the new pro-working class hip-hop performance poetic. This includes extensive discussion of how rap poetry conveys meaning through sound. Also discussed is the socioeconomic context for the suburban southwestern topics found in the manuscript. This statement is a parallel piece to the manuscript itself in that it explains a brown kid from San Bernardino’s journey of connecting words and mus

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30

Narbeshuber, Lisa. "Re-casting Sylvia Plath, plath's poetry as cultural confession." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0008/NQ35263.pdf.

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31

Burnett, Sarah E. "Pocketful Confessions: Poems to Read While Chewing Your Lips." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1433539031.

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32

Langemak, Elizabeth. "Confession and pilgrimage in the work of Anne Carson /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1426080.

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33

Waters, Melanie Jane. "'Those times' : politics, culture and confession in the poetry of Anne Sexton." Thesis, University of Newcastle Upon Tyne, 2008. http://hdl.handle.net/10443/261.

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This thesis constitutes the first sustained attempt to situate the poetry of Anne Sexton in relation to postwar. American' politics. While there has been a recent resurgence of academic interest in the politics of mid-century confessional literature, the current crop of poetry scholarship throws focus on the work of Robert Lowell, John Berryman, and Sylvia Plath, and has hitherto neglected to examine the ways in which Sexton's creative praxis might be productively re-examined alongside contemporary critical theory and postwar political history. In the following chapters, I interrogate the rece

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34

Thomine, Angélique. "Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040131.

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Cette thèse de doctorat a pour but d’analyser l’œuvre des poètes américaines Anne Sexton et Sylvia Plath à l’aune des études féminines et de genre en s’attachant à la question du mythe et du désenchantement. Plath et Sexton ont été étiquetées « poètes confessionnelles » ; il s’agit dans un premier temps de comprendre les mécanismes sur lesquels repose cette appellation qui participe de la construction de mythes autour des deux poètes et de les déconstruire. Plath et Sexton se sont connues à la fin des années 50, s’influençant l’une l’autre. Elles ont en commun une poétique du désenchantement,

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35

Weyer, Christine Louise. "Confession, embodiment and ethics in the poetry of Antjie Krog and Joan Metelerkamp." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80362.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis examines the work of two contemporary South African poets, Antjie Krog and Joan Metelerkamp. Through an analytical-discursive engagement with their work, it explores the relationship between confession and embodiment, drawing attention to the ethical potential located at the confluence of these theories and modes. The theory informing this thesis is drawn from three broad fields: that of feminism, embodiment studies and ethical philosophy. More specifically, foundational insights will come from the work of Simo

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36

Bellarsi, Franca. "Confessions of a Western buddhist "Mirror-Mind": Allen Ginsberg as a Poet of the Buddhist "Void"." Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211366.

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37

Suarez, Veronica. "Nights in The City Beautiful." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3851.

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Nights in The City Beautiful is a collection of confessional, free verse poems that explores sexual trauma, mental health, the exigencies of marriage, and the complexities of human desire. These interconnected poems are grounded with a braided narrative and tackle taboo themes. In Part 1: Monogamy, the reader journeys into the world of Vincent and Victoria, their profound love, and their anxiety disorders. In Part 2: Polyamory, Victoria gets caught in a love triangle when she meets her publishing coworker, Peter Langley. The book evokes the movement of Romanticism and first-and-second-generati

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38

Rogers, Donna Ann. "Elizabeth Bishop and her women countering loss, love, and language through Bishop's homosocial continuum /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002044.

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39

Bécel, Laurence. "Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton." Thesis, Le Mans, 2012. http://www.theses.fr/2012LEMA3015/document.

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Qualifiée de « confessionnelle », la poésie de Robert Lowell et d’Anne Sexton peut être redéfinie comme testimoniale, en tant que discours sur soi « hanté » par la fiction. C’est ce que permet d’établir, d’une part, l’étude de la relation entre confession littéraire, fiction et poéticité puis, d’autre part, l’analyse du rapport à la vérité fondé sur une motivation autobiographique et sur l’opération poétique comme vérité « s’avérant dans une structure de fiction ». Fictions de soi aspirant à un discours de vérité sur soi, les œuvres poétiques de Lowell et Sexton sont des témoignages tentés par

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40

Kellett, Lucy. ""Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686.

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My thesis explores the potential and the peril of Romantic literature's increasingly complex forms through a close comparative study of the works of William Blake, William Wordsworth, Samuel Taylor Coleridge and Thomas De Quincey. These writers exemplify the Romantic predicament of how to make vision manifest – how to communicate one's imaginative and intellectual expansiveness without diminishing it. They sought different strategies for increasing the capacity of literary form, ostensibly in the hope of communicating more: clarifying meaning, increasing accessibility and intensifying original

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41

呂昀臻. "The confessional elements in Sylvia Plath's poetry." Thesis, 1987. http://ndltd.ncl.edu.tw/handle/36787249210219991604.

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42

Chen, Tzi-bi, and 陳資璧. "The Dialectics of New Criticism and Confessional Poetry." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/67104506380536811031.

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碩士<br>國立中興大學<br>外國語文學系研究所<br>85<br>New criticism claims to be an objective study. It advocates scientific writing and reading. Depersonalization adn a series fo self surrender are necessary f orcreation. Confessional poetry, on the contrary, intends to escape from the domain of obnjectivity. The confessinal poet wants to disclose his personal e motion in public. What he seeks is a truthful confrontation with his authenti c being as well as with the world. New Criticism and conmfessional peotry look l

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43

Rogers, Andrea. "The Dupe." 2016. http://scholarworks.gsu.edu/english_diss/166.

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This dissertation consists of original poetry written between 2012 and 2016 during my time in the PhD program at Georgia State University. It is accompanied by a brief introduction which discusses a variety of techniques that make a poem or song “successful,” as well as an explanation of how I have applied these techniques in my own writing.

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Asgari, Hossein. "A Passage through Sin: Life and Poetry of Forugh Farrokhzad." Thesis, 2021. http://hdl.handle.net/2440/131956.

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Only sound remains is a novel informed by the life and poetry of Forugh Farrokhzad—the most controversial poet of modern Iran. Saeed, the narrator of the story, who has been living in Adelaide for five years, has not returned to Iran after publishing his novel The imaginary narrative of a real murder, for fear of political persecution. When his father, Ismael, decides to travel to Adelaide to visit him, Saeed finds it peculiar since his father has never left Iran except for the Mecca pilgrimage. During his short stay, Ismael tells the story of his obsessive and unrequited love for Forugh. Isma

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45

Gilreath, Valerie Dawn. "Church of Bone." 2017. http://scholarworks.gsu.edu/english_theses/215.

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46

Steffen, Jorge [Verfasser]. "Das perspektiverzeugende Medium in der "Confessional Poetry" am Beispiel von Sylvia Plath, Anne Sexton, Robert Lowell und John Berryman / vorgelegt von Jorge Steffen." 2009. http://d-nb.info/992486424/34.

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47

Deweese, Christopher N. "The Confessions." 2008. https://scholarworks.umass.edu/theses/146.

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