Relevant bibliographies by topics / Conor McPherson

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Conor McPherson'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Conor McPherson"

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Grunert, Andrea. "The Night Alive by Conor McPherson, directed by Conor McPherson." Theatre Journal 66, no. 1 (2014): 143–45. http://dx.doi.org/10.1353/tj.2014.0011.

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Walsh, Ian R. "Review: Jordan, Eamonn. The theatre and films of Conor McPherson: conspicuous communities. Methuen, 2019." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (2020): 161–64. http://dx.doi.org/10.5007/2175-8026.2020v73n2p161.

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Koneczniak, Grzegorz. "Supernatural Beings and Their Appropriation of Knowledge and Power in The Seafarer by Conor McPherson and Woman and Scarecrow by Marina Carr." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 6, no. 1 (2020): 40–51. http://dx.doi.org/10.18778/2353-6098.6.05.

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This article is a comparative analysis of Woman and Scarecrow by Marina Carr and The Seafarer by Conor McPherson from a hauntological perspective. It aims at discussing the influence of supernatural beings on mortal protagonists as well as addressing the configurations of power and knowledge formed between the characters. Woman and Scarecrow follows the final moments of a dying woman accompanied by the mysterious figure of Scarecrow, who is hidden from other characters. The verbal exchanges between Scarecrow and Woman will be interpreted as a manifestation of the apparent power possessed by th
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Christopher A. Grobe. "Love and Loneliness: Secular Morality in the Plays of Conor McPherson." Princeton University Library Chronicle 68, no. 1-2 (2007): 684. http://dx.doi.org/10.25290/prinunivlibrchro.68.1-2.0684.

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Lanters, José. "Eamonn Jordan, The Theatre and Films of Conor McPherson: Conspicuous Communities." Irish University Review 50, no. 2 (2020): 398–400. http://dx.doi.org/10.3366/iur.2020.0481.

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Harris, Susan Cannon. "The Theatre and Films of Conor McPherson: Conspicuous Communities by Eamonn Jordan." Theatre Journal 73, no. 1 (2021): 125–26. http://dx.doi.org/10.1353/tj.2021.0018.

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Maley, Patrick. "“The play is set in the theatre”: Conor McPherson and the late-modern humanism of the theatrical event." Irish Studies Review 22, no. 2 (2014): 207–23. http://dx.doi.org/10.1080/09670882.2014.897494.

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Maguire, Tom. "Eamonn Jordan. The Theatre and Films of Conor McPherson: Conspicuous Communities. London: Methuen Drama, 2019, xi + 235 pp., £75.00 (hardback), £28.99 (paperback), £64.80 (PDF ebook). Patrick Lonergan. Irish Drama and Theatre Since 1950. London: Methuen Drama, 2019, ix + 263 pp., £65.00 (hardback), £17.99 (paperback), £17.27 (PDF ebook)." Journal of Contemporary Drama in English 9, no. 1 (2021): 179–84. http://dx.doi.org/10.1515/jcde-2021-0016.

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Kerrane, Kevin. "The Structural Elegance of Conor McPherson's The Weir." New Hibernia Review 10, no. 4 (2006): 105–21. http://dx.doi.org/10.1353/nhr.2006.0068.

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Dilek, İNAN. "Conor Mcpherson’s the Weir: New Master of Irish Storytelling." Tiyatro Ara, no. 36 (2013): 61–73. http://dx.doi.org/10.1501/tad_0000000302.

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Dissertations / Theses on the topic "Conor McPherson"

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Bolten, Michael. "Imagining and imaging Ireland : Konzeptionen Irlands bei den jungen anglo-irischen Dramatikern Martin McDonagh und Conor McPherson /." Trier : WVT, Wiss. Verl. Trier, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2685893&prov=M&dokv̲ar=1&doke̲xt=htm.

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Bolten, Michael. "Imagining and imaging Ireland Konzeptionen Irlands bei den jungen anglo-irischen Dramatikern Martin McDonagh und Conor McPherson." Trier WVT, Wiss. Verl. Trier, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2685893&prov=M&dok_var=1&dok_ext=htm.

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Hill, Christopher Austin. "“But It Was Changing,” “And Now I Can’t Go Back”: Reflections of a Changing Ireland In the Work of Conor McPherson." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274909465.

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Koster, Maria Rita Teixeira Silva. "A visão do sobrenatural nas peças de Connor McPherson." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-27042010-135322/.

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A presente dissertação examina os diferentes elementos do sobrenatural encontrados em três peças do dramaturgo irlandês Conor McPherson: St Nicholas (1997), The Weir (1997) e The Seafarer (2006). Observa-se que o uso do sobrenatural é recorrente em sua obra, embora ele empregue elementos diferentes em cada uma das peças com o objetivo de retratar as angústias e os problemas existenciais do homem contemporâneo. St Nicholas é uma paródia das histórias de vampiros, em The Weir o autor recorre à tradição oral irlandesa do contador de histórias e em The Seafarer re-escreve a lenda de Fausto.<br>The
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Hill, Christopher Austin. "“We've All To Grow Old”: Representations of Agingas Reflections of Cultural Change on the Celtic Tiger Irish Stage." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365780726.

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Books on the topic "Conor McPherson"

1

Conor McPherson: Imagining mischief. Liffey Press, 2003.

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2

Bolten, Michael. Imagining and imaging Ireland: Konzeptionen Irlands bei den jungen anglo-irischen Dramatikern Martin McDonagh und Conor McPherson. WVT, Wissenschaftlicher Verlag Trier, 2005.

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Bolten, Michael. Imagining and imaging Ireland: Konzeptionen Irlands bei den jungen anglo-irischen Dramatikern Martin McDonagh und Conor McPherson. WVT, Wissenschaftlicher Verlag Trier, 2005.

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4

Chambers, Lilian, and Eamonn Jordan, eds. The Theatre of Conor McPherson. Peter Lang UK, 2012. http://dx.doi.org/10.3726/b15574.

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5

Lonergan, Patrick, Wetmore Kevin J. Jr, and Eamonn Jordan. Theatre and Films of Conor Mcpherson: Conspicuous Communities. Bloomsbury Publishing Plc, 2020.

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6

Theatre and Films of Conor Mcpherson: Conspicuous Communities. Bloomsbury Publishing Plc, 2019.

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7

Theatre of Conor McPherson: Right Beside the Beyond. Carysfort Press, 2012.

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8

Pine, Emilie. Drama since the 1990s. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.33.

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Ireland in the early 1990s began to undergo social changes at an unprecedented rate. Friel and Murphy, the two playwrights who had established themselves as the leading figures in Irish theatre over the previous three decades, responded to this social change by producing a series of plays that were memory-based (such as Friel’sDancing at Lughnasa), or which traced the continuing role of a past that seemed forgotten in the present (notably in Murphy’sThe House). Many other emergent playwrights in this period, including Sebastian Barry, Billy Roche, Conor McPherson, and Patricia Burke Brogan, ma
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Wallace, Clare. Irish Drama since the 1990s. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.34.

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While writers such as Friel and Murphy seemed to provide a certain continuity in the closing years of the twentieth century, a new generation of writers emerged in the 1990s for whom the Irish dramatic tradition seemed less an inheritance than a foil to be played against (or with) or, in some cases, an irrelevance. For instance, while Martin McDonagh’s work was sometimes associated with British ‘in-yer-face’ theatre of the 1990s, to some commentators his work made more sense as a subversion of an earlier Irish tradition. In the case of Conor McPherson, the breakdown of a community that made a
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1971-, McPherson Conor, Hughes Enda, Lefèvre Robin, et al., eds. Beckett on film: Endgame [director: Conor McPherson]; Act without words 2 [director: Enda Hughes]; A piece of monologue [director: Robin Lefèvre]; Play [director: Anthony Minghella]; Rockaby [director: Richard Eyre]. RTE, 2001.

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Book chapters on the topic "Conor McPherson"

1

Jordan, Eamonn. "Black Hole Experiences: Moochers, Smoochers, Dig Outs and the Parables and Spasms of Time in Conor McPherson’s The Night Alive." In Irish Theatre in Transition. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137450692_3.

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2

Alatawi, Maha. "The Utilization of Domestic Space in the Reflection of Social and Economic Struggles of Modern Living in Conor McPherson’s New Translation of The Nest." In The Palgrave Handbook of Contemporary Irish Theatre and Performance. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58588-2_50.

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"Introduction." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0005.

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"Monopolies of Self/Terms of Endearment." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0006.

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"Criminality and Caper Tragicomedy." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0007.

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"Convergent Realities: Ghosts and the Uncanny." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0008.

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"Apocalyptic Dispossessions." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0009.

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"Season’s Greetings." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0010.

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"Conspicuous Communities." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0011.

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10

"Critical Perspectives." In The Theatre and Films of Conor McPherson. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350051249.0012.

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You might also be interested in the extended bibliographies on the topic 'Conor McPherson' for particular source types:
Journal articles
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