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Journal articles on the topic 'Conor McPherson'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Consult the top 22 journal articles for your research on the topic 'Conor McPherson.'

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1

Grunert, Andrea. "The Night Alive by Conor McPherson, directed by Conor McPherson." Theatre Journal 66, no. 1 (2014): 143–45. http://dx.doi.org/10.1353/tj.2014.0011.

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2

Walsh, Ian R. "Review: Jordan, Eamonn. The theatre and films of Conor McPherson: conspicuous communities. Methuen, 2019." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (2020): 161–64. http://dx.doi.org/10.5007/2175-8026.2020v73n2p161.

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3

Koneczniak, Grzegorz. "Supernatural Beings and Their Appropriation of Knowledge and Power in The Seafarer by Conor McPherson and Woman and Scarecrow by Marina Carr." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 6, no. 1 (2020): 40–51. http://dx.doi.org/10.18778/2353-6098.6.05.

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This article is a comparative analysis of Woman and Scarecrow by Marina Carr and The Seafarer by Conor McPherson from a hauntological perspective. It aims at discussing the influence of supernatural beings on mortal protagonists as well as addressing the configurations of power and knowledge formed between the characters. Woman and Scarecrow follows the final moments of a dying woman accompanied by the mysterious figure of Scarecrow, who is hidden from other characters. The verbal exchanges between Scarecrow and Woman will be interpreted as a manifestation of the apparent power possessed by th
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4

Christopher A. Grobe. "Love and Loneliness: Secular Morality in the Plays of Conor McPherson." Princeton University Library Chronicle 68, no. 1-2 (2007): 684. http://dx.doi.org/10.25290/prinunivlibrchro.68.1-2.0684.

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5

Lanters, José. "Eamonn Jordan, The Theatre and Films of Conor McPherson: Conspicuous Communities." Irish University Review 50, no. 2 (2020): 398–400. http://dx.doi.org/10.3366/iur.2020.0481.

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6

Harris, Susan Cannon. "The Theatre and Films of Conor McPherson: Conspicuous Communities by Eamonn Jordan." Theatre Journal 73, no. 1 (2021): 125–26. http://dx.doi.org/10.1353/tj.2021.0018.

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7

Maley, Patrick. "“The play is set in the theatre”: Conor McPherson and the late-modern humanism of the theatrical event." Irish Studies Review 22, no. 2 (2014): 207–23. http://dx.doi.org/10.1080/09670882.2014.897494.

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8

Maguire, Tom. "Eamonn Jordan. The Theatre and Films of Conor McPherson: Conspicuous Communities. London: Methuen Drama, 2019, xi + 235 pp., £75.00 (hardback), £28.99 (paperback), £64.80 (PDF ebook). Patrick Lonergan. Irish Drama and Theatre Since 1950. London: Methuen Drama, 2019, ix + 263 pp., £65.00 (hardback), £17.99 (paperback), £17.27 (PDF ebook)." Journal of Contemporary Drama in English 9, no. 1 (2021): 179–84. http://dx.doi.org/10.1515/jcde-2021-0016.

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9

Kerrane, Kevin. "The Structural Elegance of Conor McPherson's The Weir." New Hibernia Review 10, no. 4 (2006): 105–21. http://dx.doi.org/10.1353/nhr.2006.0068.

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10

Dilek, İNAN. "Conor Mcpherson’s the Weir: New Master of Irish Storytelling." Tiyatro Ara, no. 36 (2013): 61–73. http://dx.doi.org/10.1501/tad_0000000302.

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11

Morin, Emilie. "The Celtic Tiger, its phantoms, and Conor McPherson's haunted rooms." Textual Practice 28, no. 6 (2014): 1103–22. http://dx.doi.org/10.1080/0950236x.2014.955816.

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12

Abbass, Sahar Abdel Khaleq. "“Talking of the Fairy Road”: Modulations of the Seanchaí in Conor McPherson’s The Weir." CDELT Occasional Papers in the Development of English Education 74, no. 1 (2021): 25–44. http://dx.doi.org/10.21608/opde.2021.195305.

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13

Hazucha, Andrew. "The Shannon Scheme, Rural Electrification, and Veiled History in Conor McPherson's The Weir." New Hibernia Review 17, no. 1 (2013): 67–80. http://dx.doi.org/10.1353/nhr.2013.0012.

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14

Jeong, Youn-Gil. "The Affectus of Sorrow and Shame: An Affective Network in Conor McPherson’s The Weir and Shining City." Yeats Journal of Korea 62 (August 31, 2020): 325–44. http://dx.doi.org/10.14354/yjk.2020.62.325.

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15

Herren, Graley. "The Marriage of Heaven and Hell: Death and Rebirth in Conor McPherson's Girl from the North Country." New Hibernia Review 22, no. 4 (2018): 97–113. http://dx.doi.org/10.1353/nhr.2018.0050.

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16

Fricker, Karen. "Same Old Show: The Performance of Masculinity in Conor McPherson's "Port Authority" and Mark O'Rowe's "Made in China"." Irish Review (1986-), no. 29 (2002): 84. http://dx.doi.org/10.2307/29736075.

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17

Salama, Muhammed Subhi. "‘No one ever thought nature was just going to eat us’:An Ecocritical Perspective on Conor McPherson’s The Birds." مجلة بحوث کلیة الآداب . جامعة المنوفیة 31, no. 1 (2020): 1–20. http://dx.doi.org/10.21608/sjam.2020.145384.

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18

Lane, David M. "Glistening Carnivores: The Sticky-Leaved Insect-Eating Plants Stewart McPherson . 2008. Glistening Carnivores: The Sticky-Leaved Insect-Eating Plants. xi + 392 pp., 279 color photos.. ISBN: 978-0-9558918-1-6. £29.99 (hardcover). Redfern Natural History Productions. Poole, Dorset, England." Rhodora 110, no. 944 (2008): 492–94. http://dx.doi.org/10.3119/0035-4902-110.944.492.

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19

Mellichamp, T. Lawrence. "Pitcher Plants of The Americas 2007. Stewart McPherson .Pitcher Plants of The Americas. viii +. 320 color photos, black & white figures. ISBN: 0-939923-75-0. $44.95 (hardcover). ISBN: 0-939923-74-2. $34.95 (soft cover). The McDonald & Woodward Publishing Co. Blacksburg, VA." Rhodora 109, no. 940 (2007): 468–71. http://dx.doi.org/10.3119/0035-4902(2007)109[468:ppota]2.0.co;2.

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20

Ellison, Aaron M. "Pitcher Plants of the Old World, Volumes One and Two Pitcher Plants of the Old World, Volumes One and Two. Stewart McPherson . 2009. xiii + 631 pp. (vol. 1); 768 pp. (vol. 2). illus. 700+ color photos. ISBN: 978-0-95558918-2-3 (vol. 1); 978-0-9558918-3-0 (vol. 2). £34.99 ($79.99) per volume plus shipping (hardcover). Redfern Natural History Productions. Poole, Dorset, England. [order direct from www.redfernnaturalhistory.com]." Rhodora 112, no. 949 (2010): 95–97. http://dx.doi.org/10.3119/0035-4902-112.949.95.

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21

González, Rosa. "Lilian Chambers & Eamonn Jordan (eds.). The Theatre of Conor McPherson. ‘Right beside the Beyond’. Dublin: Carysfort Press, 2012, 309 pp., € 44.99." Journal of Contemporary Drama in English 1, no. 2 (2013). http://dx.doi.org/10.1515/jcde-2013-0027.

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22

ŞİMŞEK, Tuğba. "IRELAND/IRISHNESS IN TRANSITION: CONOR MCPHERSON'S “THE WEIR”." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, June 24, 2021, 359–83. http://dx.doi.org/10.33171/dtcfjournal.2021.61.1.14.

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