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Journal articles on the topic 'Contact audience'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Baek, Young Min, Soo-Chan Ahn, and Wi-Geun Kim. "Journalist-Audience Contact and Public Trust in News Media : Empirical Examination of Journalist-Audience Contact Hypothesis." Korean Journal of Journalism & Communication Studies 63, no. 5 (2019): 119–51. http://dx.doi.org/10.20879/kjjcs.2019.63.5.004.

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Silk, Ilkay, and Vicki Young. "2 TNB’s Contact Theatre." Canadian Theatre Review 48 (September 1986): 31–33. http://dx.doi.org/10.3138/ctr.48.007.

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As New Brunswick’s regional theatre, Theatre New Brunswick’s mainstage company tours each of its five annual productions to eight different centres outside its home-base of Fredericton. Young audiences experience live theatre staged by its peripatetic Young Company in schools throughout the Atlantic region during a six-month tour. With the arrival of Janet Amos as artistic director came the decision to further “broaden the scope of TNB’s programming, develop a new audience, and create more work opportunities.” In October of 1985, Theatre New Brunswick expanded its programming to include a seco

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Chen, Huan, Yifan Zuo, Rob Law, and Mu Zhang. "Improving the Tourist’s Perception of the Tourist Destinations Image: An Analysis of Chinese Kung Fu Film and Television." Sustainability 13, no. 7 (2021): 3875. http://dx.doi.org/10.3390/su13073875.

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Cultural media, film, and television works can increase the popularity of the image of tourist destinations, thereby promoting the sustainable development of the tourism industry and obtaining economic benefits. This study takes Chinese kung fu film and television as examples to explore the mechanism of audience participation in the perception of tourist destinations. It further explores the mediating effect of cultural contact. The study took the image perception of tourist destinations as the dependent variable and audience participation as the independent variable. A total of 331 subjects w

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Adelakun, Lateef Adekunle. "Local Media Going Global: Assessing Online Media Efficiency By Nigerian Audience Abroad." Jurnal Pengajian Media Malaysia 20, no. 1 (2018): 15–26. http://dx.doi.org/10.22452/jpmm.vol20no1.2.

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The internet connectivity is projecting the opportunities upon which local mainstream news media (newspaper, radio and television) are reached globally. Even outside the comfort zones of the newspaper circulation as well as radio and Television spectrums, the internet makes a point of contact between the media and the audiences across borders. Assessing the purpose for media going global, which transcends reaching the audience outside the border-bound but accommodates the effort to meet up with the information needs of the international audience, constitutes the major objective of this study.

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Zhang, Fangming. "Research on Audience Needs for Slow-Paced Amusement Shows from the Perspective of Uses and Gratification." Journal of Education, Humanities and Social Sciences 14 (May 30, 2023): 529–38. http://dx.doi.org/10.54097/ehss.v14i.8924.

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Up against the impetuous and depressing fast-paced times, slow-paced amusement shows have come into being, which were watched by audiences with healing audio-visual presentations, turning the spiritual support for the audience to adjust their emotions and pursue poetic life. As a typical representative of slow-paced amusement shows, Back to Field has been a great success. However, the output of more and more similar programs makes it prominent in homogeneous modeling, leading the audience to lack emotional identity. Therefore, it is necessary to study audience needs. Based on the theory of use

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Todd, Macy. "Identification and Contagion in Anna Rose Holmer's The Fits." Screen Bodies 8, no. 1 (2023): 55–70. http://dx.doi.org/10.3167/screen.2023.080105.

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Abstract “Identification and Contagion” asks the question of how film can address the body of its viewer in an ethical dimension. Because contemporary movements such as Black Lives Matter and #MeToo have insisted that being in public means always being a raced and sexed body, film's ability to address audiences as though they were perspectives divorced of corporeal matter must be considered an ethical problem. The 2016 film The Fits provides a model of how a film can formally and thematically address an embodied audience. At the level of form, characters stare out through the camera at the aud

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Yohalem, Hannah. "Displacing Vision: Contact Improvisation, Anarchy, and Empathy." Dance Research Journal 50, no. 2 (2018): 45–61. http://dx.doi.org/10.1017/s0149767718000220.

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In this article, I specify and historicize the modes of communication that were at play among practitioners of contact improvisation+ and between the dancers and their audiences throughout the 1970s and into the early 1980s. I argue that contact improvisation's turn away from dance as a performed visual medium and toward the tactile experience of the participants exceeds a phenomenological reading and instead needs to be considered in light of anarchist theories of mutual assistance in which group behavior supports individual development. At the same time, however, Steve Paxton, the founder of

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Rogers, Shane L., Oliver Guidetti, Craig P. Speelman, Melissa Longmuir, and Ruben Phillips. "Contact Is in the Eye of the Beholder: The Eye Contact Illusion." Perception 48, no. 3 (2019): 248–52. http://dx.doi.org/10.1177/0301006619827486.

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In a simple experiment, we demonstrate that you don’t need to mindfully look at the eyes of your audience to be perceived as making eye contact during face-to-face conversation. Simply gazing somewhere around the face/head area will suffice. Or to borrow a term from Mareschal and colleagues, direct gaze will suffice. For those readers who experience anxiety when gazing specifically at another person’s eyes, or when being gazed at, we expect this is welcome news.

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Rom, Ellen A., James C. Finley, and James R. Grace. "Using Direct Mail in Extension Programming for Nonindustrial Private Forest Landowners." Northern Journal of Applied Forestry 7, no. 4 (1990): 171–74. http://dx.doi.org/10.1093/njaf/7.4.171.

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Abstract Four pilot direct mail programs for nonindustrial private forest (NIPF) landowners were conducted in northwestern Pennsylvania. The programs varied in method of contact (targeting versus self-selection) and in type of information (economic versus multiple-use). The programs established contact with many landowners who had not been reached by past extension efforts. Type of information was not related to audience size, audience makeup, or program impact. Targeting reached more landowners than did the self-selection method, but self-selection maintained a greater percentage of these con

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Min, Young-Kyung. "Contact Zone in TESOL: East and West Immersion." Journal of International Students 2, no. 1 (2012): 83–85. http://dx.doi.org/10.32674/jis.v2i1.535.

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I was invited to give a talk at the Gwangju International Center (GIC) in Korea in Summer 2011. The GIC was established in 1999 by the Gwangju Citizens' Alliance to promote intercultural understanding and cooperation between foreign residents and local people in Gwangju, the capital of Chonnam Province, in Korea. Under the title of “Images of Writing across Cultures,” I gave my talk about culturally embedded writing practices across nations and presented some practical strategies that the audience could use in various writing contexts. There were about 60 people in the audience. Half of them w

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Anofrikov, Daniil O. "EVOLUTION OF CORPORATE BRANDING CONCEPTS." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 4/5, no. 145 (2024): 177–83. http://dx.doi.org/10.36871/ek.up.p.r.2024.04.05.023.

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With rapid technological advancement, sociocultural changes and increased competition, companies are forced to constantly adapt and change branding strategies in order to remain competitive and attractive to potential target audiences. Due to rapidly changing environmental conditions, companies have to adapt branding strategies in order to remain competitive in the market where the company operates. The role of online communications with the target audience is increasing; the key factor is the increasing importance of corporate social responsibility of business. The importance of personal comm

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Jurayeva, Mohira. "JAMOA OLDIDA NUTQ SO‘ZLASHNING LINGVISTIK VA EKSTRALINGVISTIK JIHATLARI." TAMADDUN NURI JURNALI 7, no. 58 (2024): 207–10. http://dx.doi.org/10.69691/dt3c8r93.

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The art of public speaking involves a complex interplay of linguistic and extralinguistic elements that are crucial for effective communication. Linguistic aspects encompass the choice of words, sentence structure, grammar, and overall coherence of the message. These elements are essential for conveying the speaker's ideas clearly and effectively to the audience. Additionally, the tone, style, and register of language used play a significant role in engaging the listeners. Conversely, extralinguistic aspects encompass non-verbal components such as body language, facial expressions, gestures, p

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Abraham, Mabel. "Gender-role Incongruity and Audience-based Gender Bias: An Examination of Networking among Entrepreneurs." Administrative Science Quarterly 65, no. 1 (2019): 151–80. http://dx.doi.org/10.1177/0001839219832813.

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While most research explaining the persistence of gender inequality has focused on how decision makers’ own biases perpetuate inequities, a growing body of work points to mechanisms of bias that may arise when a decision maker is concerned with satisfying a third party or audience. Using data from 2007 to 2013 on 2,310 members of a popular networking organization for entrepreneurs, I examine the extent to which the presence of third parties leads to gender inequality in resource exchange, or connections to potential clients. I show that decision makers are most apt to favor male network contac

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Souza, Natália Pimentel Gomes, Paulo César de Almeida, Rhanna Emanuela Fontenele Lima de Carvalho, and Maria Lúcia Duarte Pereira. "Validation of educational technology for the prevention and control of contact-borne infections." Rev Rene 22 (January 4, 2021): e59984. http://dx.doi.org/10.15253/2175-6783.20212259984.

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Objective: to build and validate the content and appearance of the booklet on prevention and control of contact-borne infections. Methods: methodological study, developed from the validation of an educational booklet by expert judges and by the target audience. The validation was performed by seventeen judges from different Brazilian regions and seven companions. The agreement index between the evaluators was calculated, with a minimum of 80.0% being necessary to guarantee the validation of the material. Results: most of the items obtained agreement rates above the recommended. The changes wer

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Tuoleken, Ailin, Haoyu Tian, and Junwei Xin. "The Difference in the Impact of News Frames and Media Signatures on Explicit and Implicit Stereotypes: An Experimental Research." Communications in Humanities Research 52, no. 1 (2024): 144–56. https://doi.org/10.54254/2753-7064/2024.19026.

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This study examined the impact of media signature and news frames on regional stereotypes. We conducted a 2 (media signature: political media and commercial media) * 2 (news frame: responsibility attribution frame and human-interest news frame) online experiment (N=236). Participants were randomly assigned to one of the four conditions and were asked to read a news article. We then measured the impact of news frames and news signatures on the audiences explicit stereotypes and internal differences in the impact of implicit stereotypes. The results show that news frame and news signature have n

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Philbrick, Jane Hass, F. Ruth Smith, and Barbara Bart. "Using Web Surveys To Determine Audience Characteristics And Product Preferences." American Journal of Business Education (AJBE) 3, no. 4 (2010): 1–6. http://dx.doi.org/10.19030/ajbe.v3i4.405.

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A web survey is a cost-effective and efficient method to use when measuring the characteristics of an audience and developing or testing new product concepts. This paper reports on the use of a web survey by a start-up media/internet firm, Farmers’ Almanac TV. The results indicate that using email to contact respondents from a client list results in data which are of excellent quality and quickly obtained.

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Chen, Si, Verly Veto Vemol, and Hasma Biti Ahmad. "Explore the Interaction of Artists, Audience and Social Context in the Digital Communication of Dunhuang Murals." International Journal of Religion 5, no. 10 (2024): 4489–98. http://dx.doi.org/10.61707/j0g5vj39.

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The Belt and Road Initiative, as an innovative continuation of the ancient Silk Road, provides a possibility for the exchange and docking of cultural values of countries around the world. As a cultural name card of China, Dunhuang culture is not only an important source of cultural consciousness and self-confidence, but also the best medium for cultural exchange and dialogue between the East and the West. Digital communication has the advantages of fast speed, wide audience and vivid information presentation, which opens up a new path for the inheritance and protection of Dunhuang culture. The

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Tecklenburg, Nina. "Reality Enchanted, Contact Mediated: A Story of Gob Squad." TDR/The Drama Review 56, no. 2 (2012): 8–33. http://dx.doi.org/10.1162/dram_a_00165.

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Since 1994, the Anglo-German artist collective Gob Squad has been celebrating live performance as a space for encounter via mediation. In an artistic border zone between performance, theatre, film, video, and installation, Gob Squad—together with their audience—aims to create hyperrealistic effects that reflect and dismantle the powerful mechanisms and seduction strategies of a culture dominated by screens, cameras, and other forms of technological interface.

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Corrigan, Patrick W. "Research and the elimination of the stigma of mental illness." British Journal of Psychiatry 201, no. 1 (2012): 7–8. http://dx.doi.org/10.1192/bjp.bp.111.103382.

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SummaryVideo-based and in vivo (face-to-face) contact have been shown to be effective ways to change stigmatising attitudes and behaviours. The two approaches reflect the strengths and weakness of sometimes conflicting priorities in anti-stigma programmes: broad audience v. grassroots control. Regardless of perspective, anti-stigma interventions have the greatest impact when contact is targeted, local, credible and continuous.

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Sinko, Andrii. "Marketing and Advertising Technologiesas a Component of Promotion of Educational Services." Integrated communications 13, no. 1 (2022): 34–41. http://dx.doi.org/10.28925/2524-2644.2022.16.

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The article has examined the variety of marketing and advertising technologies as key methods of promoting a higher education institution. In particular, a number of existing ways of finding direct contact with potential education applicants and stakeholders have been identified. Using marketing technologies in the process of promoting a higher education institution is an important component of the general concept of institution’s promotion. It concerns the use of well-known social networks, messengers and other communication channels that allow demonstrating the strengths of the institution t

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Kaverina, Elena, Aleksandra Martynova, and Valeriia Nemtseva. "The communication potential of public art in cultural institution activities." Litera, no. 5 (May 2025): 226–40. https://doi.org/10.25136/2409-8698.2025.5.74523.

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The article examines public art as a communication tool which allows to connect with a broad audience, including regular visitors and non-visitors. The study focuses on the impact of public art on the performance of cultural institutions such as increased attendance, level of engagement, image change, etc. Based on the Stimulus-Organism-Response/S-O-R model (proposed by Mehrabian and Russell, 1974), the study identifies how public art influences the consumption behavior of both current target audiences and non-visitors, and how cultural institutions benefit from its introduction. The research

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Bărbieru, Andreea Gabriela. "Orator and audience: an unrecognizable relationship." SAECULUM 57, no. 1 (2024): 120–33. http://dx.doi.org/10.2478/saec-2024-0010.

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Abstract Televisual discourse represents a form of mass communication where the relationship between the orator and the audience is mediated by technology, significantly complicating the dynamics of interaction. In contrast to traditional discourse, where the orator and the audience share the same physical space and can interact directly, in the case of televisual discourse, this connection is indirect and impersonal. This article aims to explore the complexity and nature of the relationship between the speaker and the audience in the context of televisual discourse, considering both the varia

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Antsiferova, N.B., and Y.V. Zvezdina. "THE PRACTICAL ASPECT OF DESIGNING A TEXT IN A CHINESE SPEAKING AUDIENCE." Annali d'Italia 41 (March 27, 2023): 87–88. https://doi.org/10.5281/zenodo.7774400.

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The article is devoted to the familiarity of foreign students with the tactics (self-identification, self-presentation) and strategies of the text . Attention is paid to the importance of the text in meeting the key communicative needs (contact-establishing, informational and influencing). The authors of the article offer productive tasks for the formation of speech tactics in teaching Chinese speaking student.

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Jati, Rocky Prasetyo, and Mira Herlina. "Hubungan antara Radio Streaming dengan Persepsi dan Kepuasan Audiens di PT MNC Skyvision Jakarta." Jurnal ASPIKOM 2, no. 1 (2013): 589. http://dx.doi.org/10.24329/aspikom.v2i1.37.

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This research is motivated by development of radio broadcasting using streaming concept to broadcast to the listeners. Before streaming broadcast radio it need planting perception, resulting satisfaction to listeners. Problem and research objectives is to what extent the relationship between the audience’s perception of streaming radio and streaming radio contact with the extent of audience satisfaction. This research based on the theory of use and gratification and using the quantitative methodology, with quota sampling technique, respondents of PT. MNC Sky Vision Jakarta. The research result

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Fife Donaldson, Lucy. "Surface Contact: Film Design as an Exchange of Meaning." Film-Philosophy 22, no. 2 (2018): 203–21. http://dx.doi.org/10.3366/film.2018.0073.

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Surface has become an important consideration of sensory film theory, conceived of in various forms: the screen itself as less a barrier than a permeable skin, the site of a meaningful interaction between film and audience; the image as a surface to be experienced haptically, the eye functioning as a hand that brushes across and engages with the field of vision; surfaces within the film, be they organic or fabricated, presenting a tactile appeal. Surface evokes contact and touch, the look or sound it produces (or produced on it) inviting consideration of its materiality, and perhaps even a tac

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Esser, Philipp, Sabine Mueller, and Stefan Martin. "Plant Allergen-Induced Contact Dermatitis." Planta Medica 85, no. 07 (2019): 528–34. http://dx.doi.org/10.1055/a-0873-1494.

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AbstractAlthough manifold beneficial effects of plant compounds for the treatment of skin disorders are known, cutaneous exposure to plants can also result in various types of incompatibility reactions such as contact dermatitis. In this mini-review, we briefly describe the different clinical forms of contact dermatitis (photoinduced, irritative, and allergic form) and highlight recent publications in the field of contact dermatitis. Major topics are recent recommendations regarding testing for plant contact dermatitis, advances in understanding the immunological mechanisms of plant contact de

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IKRAMOV, Shahobiddin. "MUTUAL INTEGRATION OF DRAMATURGY AND DIRECTION IN VARIETY PERFORMANCES." Young Scholar's Academic Journal III, no. 2 (2024): 12–15. https://doi.org/10.5281/zenodo.11177035.

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<em>The article discusses the relationship between dramaturgy and directing in variety shows, and their importance in the quality production of stage works. Key aspects such as acting, stage, scenery, concerts and scripts are considered. </em> <em>This article also defines the points of contact between directing in mass performances and the potential that the audience represents. Since the dramaturgy of pop performances is always calculated and aimed at the mass audience, and this in turn gives rise to a certain specificity of interaction, the following points are highlighted.</em>

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Hu, Xiaojing, Hazlina Abdul Halim, and Zaid Mohd Zin. "Translation of Film Titles: A Pragmatic and Socio-Cultural Adaptation Perspective." World Journal of English Language 15, no. 7 (2025): 308. https://doi.org/10.5430/wjel.v15n7p308.

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Film titles serve as the initial point of contact for audiences and play a pivotal role in how films are promoted and to what extent they succeed. They carry distinct cultural meanings and linguistic characteristics that capture the film's essence, greatly affecting its reception by the audience. However, translating film titles can be challenging since translators need to keep the original meaning of the source text and consider the acceptance of the target potential audience. Given its importance, there is a need to explore the features of film titles and the translation strategies employed.

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Cooper, Timothy P. A. "The Kaččā and the Pakkā: Disenchanting the Film Event in Pakistan." Comparative Studies in Society and History 62, no. 2 (2020): 262–95. http://dx.doi.org/10.1017/s0010417520000055.

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AbstractFor many city dwellers in Pakistan the distant memory of outdoor cinemas in their ancestral villages rekindles the thrill of first contact with film exhibition. This paper considers attempts made in colonial British India and postcolonial Pakistan to understand, wield, and benefit from the staging of such memorable and affective filmic events. In its cultivation of “cinema-minded” subjects, the British Empire commissioned studies of audiences and their reactions to film exhibition in hopes of managing the unruly morality and materiality of the cinematic apparatus. After Partition and t

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Belliveau, George, Jennica Nichols, and Glen Lowry. "Audience responses to Contact!Unload: A Canadian research-based play about returning military veterans." Cogent Arts & Humanities 4, no. 1 (2017): 1351704. http://dx.doi.org/10.1080/23311983.2017.1351704.

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Aslam, Qistas. "Rise in Instagram Influencers: A Lahore based Survey." Global Multimedia Review I, no. I (2018): 23–34. http://dx.doi.org/10.31703/gmmr.2018(i-i).03.

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Influencers are someone who has bigger audience and influence the decision-making power of the people while buying things online or from the outlets of the different brands. Influencers promote content and give products reviews. Brands contact them on the basis of their position, audience, authority and activeness on the social media. Influencers gain audience usually through making entertaining and sometime informative content. Influencers are the marketers of social media. Influencers are also works as Bloggers, Youtubers and Podcasters, but not all bloggers are influencers. With the passage

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Nath, Sahajiya. "Thinking globally, composing locally." Communication Design Quarterly 7, no. 4 (2020): 37–38. http://dx.doi.org/10.1145/3363790.3363795.

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With the emergence of online media, as traditional boundaries are breaking in the field of communication and the notion of audience is changing, the necessity of reviewing the modes of writing becomes consequential. Thinking Globally, Composing Locally , an edited collection by Rich Rice and Kirk St. Amant, takes a kairotic approach and aims to offer a foundation for addressing the technical issues related to online writing in terms of composition and rhetoric. To address the new audience, the editors believe writers need to rethink their writing contexts, reassess their perception of global c

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Wang, Tianyi. "Research on Museum Brand Communication Strategy Based on AISAS Model." Advances in Economics, Management and Political Sciences 81, no. 1 (2024): 151–58. http://dx.doi.org/10.54254/2754-1169/81/20241357.

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With the continuous development of the economy and the improvement of cultural confidence, the cultural demand and consumption scale represented by museum visits are growing rapidly. This study takes Dentsu's AISAS (Attention-Interest-Search-Action-Share) model as the theoretical analysis framework to analyze museum users' consumption behaviors in the Internet era, to explore museum brand communication strategies adapted to the new era. A total of 209 valid questionnaires were received in this study. The research finds that in the new media era with the popularization of the Internet, the beha

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Djonnaidi, Silvia, Difiani Apriyanti, and Fitri Handayani. "Analyzing the Improvement of Students’ Public Speaking Skills Through Interactive Live Audience Feedback Strategies." Ta'dib 28, no. 1 (2025): 263. https://doi.org/10.31958/jt.v28i1.15304.

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This qualitative case study investigated the impact of Interactive Live Audience Feedback (LAF) on the development of students’ public speaking skills. Conducted in a Public Speaking course involving 60 undergraduate students from the English for Business and Professional Communication program, the study used purposeful sampling and involved two stages: an initial presentation without feedback and a re-presentation following structured verbal and nonverbal feedback from the audience. Data were collected through audience comments, reflective journals, and field notes, and then analyzed thematic

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Dewi, Shella Puspita. "VERBAL AND VISUAL SIGNS OF INTERACTIVE PARTICIPANTS IN SPIDER-MAN MOVIE POSTERS." PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan 22, no. 2 (2022): 171–85. http://dx.doi.org/10.30996/parafrase.v22i2.7041.

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Advertisements contain a variety of visual and verbal signs that have their own meaning. The study aims to investigate more about Multimodal Discourse Analysis related to Spider-Man movie posters. To this end, researchers conducted a review of the relation of visual and verbal signs with interactive participants (audiences) with nine (9) posters from the superhero movie "Spider-Man" which are taken from the Internet Movie Database (IMDb). Method of qualitative descriptive analysis are written in accordance with the Royce Intersemiotic Framework (2001). The findings show that in the "Spider-Man

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Minaeva, Lyudmila. "Functions of Expressivity in Corporate Media." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 2 (June 2023): 140–51. http://dx.doi.org/10.15688/jvolsu2.2023.2.11.

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To fill the research gap and expand the body of knowledge on the category of expressivity in modern language, the current study investigates the effect of expressive linguistic and paralinguistic means on target audiences of corporate press of different types: clients, business partners and employees. Drawing on insights from approach to expressive means in texts in different functional styles, this article demonstrates how expressive linguistic and paralinguistic means are employed in order to establish a contact with a target audience and facilitate the positive corporate image of the enterp

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Veemees, Kristina. "Social Dance (shakō dansu) in Japan: Between Sociability and Sport." Vienna Journal of East Asian Studies 1, no. 1 (2011): 123–45. http://dx.doi.org/10.2478/vjeas-2011-0005.

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Abstract Since the film Shall We Dansu? (1996) and many TV shows, social dance has become known to a wider audience in Japan. Nevertheless, prejudices such as „That doesn‟t suit the Japanese‟ continue to exist, because the intimate body contact in ballroom dancing is hard to accept in a culture where „skinship‟ (body contact) is only important during childhood. For this reason, dance schools were under the law controlling Japanese entertainment and the sex industry until 1998. This article deals with the historical situation and cultural issues of social dance in Japan.

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Harris, Jarmichael R., and Kristine De Jesus. "Social Media: The Meeting Before the Meeting." Journal of Recovery Science 1, no. 2 (2018): 12. http://dx.doi.org/10.31886/jors.12.2018.32.

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Now, more than ever, many students' first contact with your program very well could be from your social media presence. This roundtable will explore helpful communicating tips and tools to bridge the intergenerational gap between staff and students that will help participants engage students and introduce their program to a broader audience.

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Kuzmina, A. M. "Modern Marketing and Involvement of the Audience of Non-Profit Organizations in Communication in Social Networks." Economics and Management 26, no. 12 (2021): 1349–54. http://dx.doi.org/10.35854/1998-1627-2020-12-1349-1354.

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Aim. The presented study aims to describe the process of involving the target audience of nonprofit organizations in communication in social networks from the perspective of modern marketing goals.Tasks. The author conceptualizes the notions of “involvement” and “engagement” as mechanisms of marketing communications; determines the range of methods and tools used by non-profit organizations in their marketing practices to enhance the engagement of the target audience in communication in social networks; assesses the degree of engagement of the target audience of nonprofit organizations (NPOs)

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Sznycer, Daniel, Dimitris Xygalatas, Elizabeth Agey, et al. "Cross-cultural invariances in the architecture of shame." Proceedings of the National Academy of Sciences 115, no. 39 (2018): 9702–7. http://dx.doi.org/10.1073/pnas.1805016115.

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Human foragers are obligately group-living, and their high dependence on mutual aid is believed to have characterized our species’ social evolution. It was therefore a central adaptive problem for our ancestors to avoid damaging the willingness of other group members to render them assistance. Cognitively, this requires a predictive map of the degree to which others would devalue the individual based on each of various possible acts. With such a map, an individual can avoid socially costly behaviors by anticipating how much audience devaluation a potential action (e.g., stealing) would cause a

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Yulanda, Novia. "THE IMPLEMENTATION OF THE EFFECTIVE STRATEGY FOR PRACTICING EXTEMPORANEOUS SPEECH STYLE IN PUBLIC SPEAKING." ELTALL: English Language Teaching, Applied Linguistic and Literature 2, no. 2 (2021): 63. http://dx.doi.org/10.21154/eltall.v2i2.3209.

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This research deals with public speaking class, especially in extemporaneous speech. The purpose of the research was to find out how was the effective strategy for practicing an impromptu speech in public speaking. The researcher applied a qualitative research approach. The technique of data collection was note-taking by collected data on books and journals. The data were analyzed using data reduction, data display, and drawing the conclusion. The results revealed that there are some effective strategies for practicing extemporaneous speech in public speaking. The introduction of the speech st

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Honcharenko, Maksym. "COMMUNICATION OF POLITICIANS WITH THE AUDIENCE: TOOLS AND SPECIFIC APPLICATIONS." Journal of V. N. Karazin Kharkov National University. Issues of Political Science, no. 41 (July 15, 2022): 52–58. http://dx.doi.org/10.26565/2220-8089-2022-41-07.

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The process and mechanisms of communication between the politician and the audience, the role of external and conjunctural factors, their influence on the effectiveness of communication and the expediency of using certain means of interaction are studied. Factors that directly affect the quality of a political actor's contact with voters are considered, as well as those that indirectly affect the relevance of political statements. Formulated principles of evaluating the effectiveness of communication with a certain audience. Actual problems of communication between the politician and the audie

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Fan, Xiaofei. "Research on audience psychological communication in the era of new media--taking the MBTI phenomenon as an example." SHS Web of Conferences 199 (2024): 02018. http://dx.doi.org/10.1051/shsconf/202419902018.

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This article adopts a literature analysis method, taking the popular phenomenon of MBTI（Myers Briggs Type Indicator） in the current era of new media as the background, aiming to study the emergence and development process of MBTI from the perspective of audience psychology. The author conducts analytical research on communication psychology-related theories such as usage and satisfaction, selective contact hypothesis, and interest groups, deeply explores the application of MBTI in audience psychology research, analyzes its value in understanding audience behavior and psychological characterist

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Levin, Laura, Marlis Schweitzer, Kim Solga, Jenn Stephenson, and Belarie Zatzman. "Performing Outside of the Box." Canadian Theatre Review 137 (January 2009): 61–67. http://dx.doi.org/10.3138/ctr.137.011.

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Intimate and emotional as a confessional, a doctor’s office or a romantic table for two, Theatre Replacement’s installation, BioBoxes, radically reduces the space of theatrical performance to its absolute minimum. Each ten-minute performance piece is housed in a miniature theatre, with a single chair for the lone audience member and a box resting on the shoulders of the performer forming the stage. The visceral experience of sitting knee-to-knee, making direct eye contact, in shared isolation fosters a unique communion between actor and audience. Some boxes also invite active participation; au

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Hansen, Kai Arne. "Personal Storyworlds." Persona Studies 10, no. 1 (2024): 7–21. http://dx.doi.org/10.21153/psj2024vol10no1art1865.

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By combining perspectives from transmedial narratology and musicology, this article explores how the notion of a “personal storyworld” can offer new opportunities for understanding the transmedial processes whereby pop artists’ personas are continually (re-)constructed and (re-)negotiated through and across myriad points of contact between artists and audiences. Emphasis is placed on the performative potential of audiovisual aesthetics and public posturing, on the one hand, and on audiences’ interpretive flexibility, on the other. These related themes are addressed through a case study of an a

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Ovruckiy, Aleksandr, and Gul'nora Ovruckaya. "Forms and Content of Social Advertising: Raising Risk Awareness and Alert Behavior Patterns in Online Communication." Virtual Communication and Social Networks 3, no. 4 (2024): 382–94. https://doi.org/10.21603/2782-4799-2024-3-4-382-394.

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As teenagers and young people grow more and more dependent on online communication, they become more psychologically vulnerable to numerous potential threats that thrive on the Internet. Social advertising may help to develop the necessary risk awareness and alert behavior patterns. The article describes six Safe Internet Advertising Campaigns that popularize risk awareness in online communication. The authors conducted a comparative analysis of the verbal and visual elements to identify the target audiences. The review covered publications connected with online communication risks, safe behav

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Gibson, K. Jane. "Seeing Double: The Map-Making Process of Robert Lepage." Canadian Theatre Review 97 (December 1998): 18–23. http://dx.doi.org/10.3138/ctr.97.004.

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In defining theatre, Robert Lepage returns to its mythic origins. To him theatre is “man in contact with gods and devils.” He wants actors to “transfigure” themselves in performance, and he wants the audience to come out of the theatre “cleansed and empowered” from experiencing that transformation. Lepage’s work is mythic. Poetic. Healing. And he has a process to make it so.

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Noor, Muaz Mohd, S. Salahudin Suyurno, and Faridah Mohd Sairi. "Badiuzzaman Said Nursi's Approach to Effective Da'wah Management: The Role of Eye Contact, Facial Expressions and Body Gestures in Information Delivery." Information Management and Business Review 16, no. 4(S)I (2024): 207–15. https://doi.org/10.22610/imbr.v16i4(s)i.4306.

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Effective communication information is essential today. In the field of da'wah management, the mastery and skills of non-verbal communication by the da’i, such as eye contact, facial expressions, and body language management, can enhance the effective delivery of da’wah messages. In the 21st century, among the successful da’i is Badiuzzaman Said Nursi, whose approach integrates both verbal and non-verbal communication techniques to ensure information reaches its intended audience effectively. This study focuses on the three elements of non-verbal communication contained in Badiuzzaman Said Nur

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Smith, Rachel A., and Ruth A. Osoro. "Character Perceptions of Storytellers: Investigating the Mediated Contact Hypothesis and Stories About Living With HIV." AIDS Education and Prevention 35, no. 1 (2023): 69–84. http://dx.doi.org/10.1521/aeap.2023.35.1.69.

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Research into mediated contact hypothesis shows that exposure to people sharing their stories of living with a stigmatized condition can decrease negative stereotypes and improve willingness to engage in future interpersonal contact, but results are inconsistent. In this study, we offer novel reasons for why mediated intergroup contact can facilitate positive inter-group outcomes, by focusing on audience members’ perceptions of the storyteller's character (i.e., perceptions of attributes or features that make up an individual). Our model was tested (N = 369, U.S. adults) with video-recorded st

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Kwon, Youngju. "Reimagining the Same yet Different Gospel Accounts in Light of Orality and Memory Studies." Neotestamentica 57, no. 2 (2023): 325–44. http://dx.doi.org/10.1353/neo.2023.a943180.

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Abstract: This article starts with a complaint about the traditional literary models that focus almost solely on the writing stage of the Jesus tradition when explaining the same yet different gospel accounts (SDGA). To fill this gap, this article identifies diverse factors in the first two stages (the initial and transmission stages) of the Jesus tradition. Orality studies provide useful insights about diverse performance factors that may result in the SDGA such as direct contact with the audience, knowledge of the audience about the subject, responsiveness of the audience, the active role of

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