Log in

Relevant bibliographies by topics / Contemporary drawing / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Contemporary drawing.

Dissertations / Theses on the topic 'Contemporary drawing'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Contemporary drawing.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Williamson, Naomi, and naomiruthwilliamson@mac com. "The Drawn Subject: Meaning and the Moving Drawing." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.142838.

Full text

Abstract:

Using the vehicle of hand drawn animation, this is an ongoing reflection of instances that repeat themselves to a point beyond the humorous and back. The Myth of Sisyphus 'The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back on its own weight. They had thought with some reason that there was no more dreadful punishment than futile and hopeless labour.' Albert Camus- The Myth of Sisyphus By observing and illustrating assiduous daily gestures and events our absurd hero is revealed: this protagonist, be it

APA, Harvard, Vancouver, ISO, and other styles

2

Grant, Jennifer. "Drawing and glass : integrating theoretical and contemporary drawing issues with studio glass practice." Thesis, University of Sunderland, 2012. http://sure.sunderland.ac.uk/6494/.

Full text

Abstract:

This research examines established and emerging practical methods and theoretical ideas in contemporary drawing in relation to studio glass. The Studio Glass Movement, encompassing both applied and fine art practice, originated in the 1950’s and, despite rapid advancements in the subject, glass is still considered an emergent material when compared to most other studio processes. For this reason existing and long established practices in drawing, developed in relation to other materials, may not be as effective in realising or exploring those qualities which are particular to glass, whether ae

APA, Harvard, Vancouver, ISO, and other styles

3

Casey, Sarah Marie. "Drawing the delicate : an investigation of values of delicacy in contemporary fine art drawing." Thesis, Lancaster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601347.

Full text

Abstract:

This thesis is part of a critical exploration of what it means to say a drawing is 'delicate' . Delicacy is one of the poetic, aesthetic and psychological qualities closely allied with the history and practice of drawing. Despite these widespread associations, and the increasing prominence of this sensibility in contemporary fin e art practice, delicacy as an aesthetic and critical phenomenon in drawing remains critically underexplored. The research project; of which this thesis is part, examines qualities of delicacy in detail through practice as research - the making of art works- and a scho

APA, Harvard, Vancouver, ISO, and other styles

4

Neal, Allison R. B. "An examination, through drawing, of the text of Gilgamesh, and how translation and transcription can inform contemporary drawing practice." Thesis, University of Gloucestershire, 2017. http://eprints.glos.ac.uk/6081/.

Full text

Abstract:

This PhD began by attempting to locate the Epic of Gilgamesh within a contemporary landscape and using a comparison of Michael Ayrton and Sidney Nolan as a means of creating a body of narrative based drawing. Initial work, however, illustrated rather than illuminated the text. As the research evolved, analysis of the text as a model for thinking and the different approaches to landscape from Ayrton and Nolan, clarified that the metaphorical journey of Gilgamesh required a different drawing practice. The Epic of Gilgamesh was written in cuneiform script on clay tablets some four thousand years

APA, Harvard, Vancouver, ISO, and other styles

5

Tian, Hengcun Joseph. "Forgiving the unrepentant a theological analysis drawing on classical and contemporary sources /." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p029-0650.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Blair, S. "The language of narrative drawing : a close reading of contemporary graphic novels." Thesis, University of the West of England, Bristol, 2013. http://eprints.uwe.ac.uk/22645/.

Full text

Abstract:

The study offers an alternative analytical framework for thinking about the contemporary graphic novel as a dynamic area of visual art practice. Graphic narratives are placed within the broad, open-ended territory of investigative drawing, rather than restricted to a special category of literature, as is more usually the case. The analysis considers how narrative ideas and energies are carried across specific examples of work graphically. Using analogies taken from recent academic debate around translation, aspects of Performance Studies, and, finally, common categories borrowed from linguisti

APA, Harvard, Vancouver, ISO, and other styles

7

Ellul, Hannah. "Picturing politics : drawing out the histories of collective political action in contemporary art." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20532/.

Full text

Abstract:

This project explores the appropriation of images of political upheaval in contemporary art, with a particular focus on artists who painstakingly draw from photographs. It is a project informed by contemporary debates on the convoluted temporality and performativity of the image, the aesthetic and affective dimensions of political subjectification, and forms of political agency. The drawings of artists including Andrea Bowers, Fernando Bryce and Olivia Plender, discussed here, elaborate a piecemeal, meticulously-drawn iconography of protest. Photographs and documents of emancipatory political

APA, Harvard, Vancouver, ISO, and other styles

8

Howell, Audrey. "The Biomorphic Grotesque in Modernist and Contemporary Painting." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/327.

Full text

Abstract:

This paper looks at the concepts of the biomorphic and grotesque in art from the start of the 20th century to the present with a focus on painting and drawing. Included in the discussion of the grotesque throughout history are the works of Dadaist Otto Dix, painter Georg Baselitz, and feminist artists Judy Chicago, Hannah Wilke, and Ana Mendieta. Each used grotesque imagery to comment or react to a larger sociopolitical issue. Biomorphic artworks from the 20th century are mentioned as well, with specific examples of work by Lee Krasner, Willem DeKooning, and Hans Bellmer. These artists togethe

APA, Harvard, Vancouver, ISO, and other styles

9

Maupoint, Micheline E. "'Un Bon Dessin Vaut Mieux Qu'un Long Discours' : the role and impact of cartoons in contemporary France." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/2369/.

Full text

Abstract:

Cartoons have traditionally occupied an important place in French visual culture, and are now a permanent feature in even the most prestigious publications, including Le Monde, where they appear on the front page. Moreover, there is a long tradition of political cartooning which is firmly situated within the historical context of caricature and lampooning, which over the years has contributed to public debates on key issues such as politics, religion and social change. In this thesis, I focus on political cartoons and argue that the political cartoon is still significant as a cultural product

APA, Harvard, Vancouver, ISO, and other styles

10

Alaluusua, Elisa. "Sketchbooks : a comparative analysis of the use of sketchbooks by contemporary artists." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12167/.

Full text

Abstract:

This qualitative research project aims to gain a theoretical and practical understanding of what role sketchbooks play in the creative practice of contemporary artists, and what their shared and individual sketchbook methods are. A comparative analysis of thirteen contemporary artists’ sketchbook practices is offered. During the course of the research the private and public nature of sketchbooks emerged as an important and engaging area of inquiry that helped narrow the focus of the research process and offered an entry point for the analysis. The methodology used was fundamentally that of art

APA, Harvard, Vancouver, ISO, and other styles

11

Li, Wenmin Art College of Fine Arts UNSW. "Reaching likeness through unlikeness: the interpretation and application of busi zhi si in contemporary drawing." Awarded By:University of New South Wales. Art, 2009. http://handle.unsw.edu.au/1959.4/44347.

Full text

Abstract:

This research started with the question of how a contemporary artist could draw an object with its form and essence in a similar way to that of Chinese traditional artists. It is based on the exploration of the interpretations of busi zhi si 不似之似 (likeness of unlikeness), which has searched for the answers to a question how it is possible to interpret and apply the concept of ??likeness?? and ??essence?? of an object as depicted by Chinese traditional artists. More importantly, it has led to a process in which a contemporary artist endeavours to apply a particularly traditional concept to cont

APA, Harvard, Vancouver, ISO, and other styles

12

Saorsa, Jac. "Drawing as a method of exploring and interpreting ordinary verbal interaction : an investigation through contemporary practice." Thesis, Loughborough University, 2004. https://dspace.lboro.ac.uk/2134/2805.

Full text

Abstract:

The primary research question for this project: whether drawing practice could be used as a method with which to explore and interpret ordinary verbal interaction, was derived from a philosophical concern as to the nature of the relation between our meaningful engagement with the art object, and our inherent predicament as human beings in a social world. The research was carried out in the manner of a reflexive exploration through drawing practice. Adhering to the principles of Grounded Theory, the research strategy was considered hermeneutic in that it was rooted in interpretative understandi

APA, Harvard, Vancouver, ISO, and other styles

13

Peyramayou, Virginie. "Dessiner : le geste, l'outil et le sujet dans le dessin contemporain." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20073.

Full text

Abstract:

Cette thèse est intitulée : « Dessiner : le geste, l'outil et le sujet dans le dessin contemporain ». Cette réflexion est liée à une pratique personnelle et à un questionnement sur le médium du dessin, particulièrement valorisé aujourd'hui dans l'art contemporain. Elle s'appuie sur une pratique artistique du dessin au fil représentant des espaces utopiques sur divers supports. Ma recherche théorique questionne la définition du dessin au vu de la pluralité des propositions actuelles. Ainsi, cette recherche analyse des pratiques bouleversant les limites de ce médium depuis les années 1960 à nos

APA, Harvard, Vancouver, ISO, and other styles

14

Teixeira, Guilherme Sertório. "Cartografia figurada - atlas e caderno de campo." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-08112010-121122/.

Full text

Abstract:

Cartografia figurada Atlas e Caderno de Campo é o resultado da pesquisa de Mestrado que tem por objeto a produção artística de Guilherme Teixeira entre os anos de 1999 e 2010. O projeto artístico equivalente a uma dissertação de mestrado apresenta-se em duas partes: Atlas e Caderno de Campo. O Atlas é um pôster em que estão reproduzidos 58 trabalhos, oferecendo ao leitor uma visão panorâmica da produção estudada. Cerca de uma centena de outras imagens estão impressas em cartões, organizados em seis bolsos transparentes. Caderno de Campo reúne textos, em forma de comentários, relacionados aos

APA, Harvard, Vancouver, ISO, and other styles

15

Marnewick, Benjamin Meiring. "Drawing on/from a mirror : a self-reflexive study of the representation and perception of violence in contemporary film." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6582.

Full text

Abstract:

Thesis (MA)--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: The cinematic communication process starts with the creative enunciation by the filmmaker and ends with the viewer's subjective perception of the film. This thesis represents a theoretical and experiential investigation of this process and entails critical and self-reflexive discussions of stylistic approaches to filmic representation. The focus of this representation falls on on-screen violence. This study is a practice-led process, and therefore the fields of research are applied to my own work, namely the filmmaking process

APA, Harvard, Vancouver, ISO, and other styles

16

Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

Full text

Abstract:

Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.

APA, Harvard, Vancouver, ISO, and other styles

17

Tuxill, Wendy Patricia. "A re-conceptualisation of contemporary sculptural ceramics practice from a post-minimalist perspective." Thesis, University of Hertfordshire, 2011. http://hdl.handle.net/2299/5333.

Full text

Abstract:

This thesis examines the extent to which the 1960s process art strand of post-Minimalism can provide an analytical template for critical writing around contemporary ceramic art. A dearth of critical writing is an acknowledged problem in all types of ceramics practice and some of the reasons for this situation will be explored. In the past decade frequent calls have been made by artists, critics, academics, and curators for a body of critical writing to underpin contemporary work and connect with wider cultural debates. During this period, artists have begun to use the process of making the wor

APA, Harvard, Vancouver, ISO, and other styles

18

Rezende, Luiza Crosman de. "Tudo é um: fluxo entre desenho e verbo." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8766.

Full text

Abstract:

Fundação Carlos Chagas Filho de Amparo a Pesquisa do Estado do Rio de Janeiro<br>Nesta Dissertação, investigo o conjunto de desenhos que denominei desenhos-conceitos e que constituem-se como uma prática processual da minha atuação enquanto artista. Tal investigação é percorrida através de seis tangentes transdisciplinares na tentativa de estabelecer pontos de contato entre a prática do Desenho e outras práticas contemporâneas investigativas do conhecimento humano. São elas: Tangente Diagramas, Tangente Cosmologia, Tangente Desenhos, Tangente Linguística, Tangente Lógica/Matemática e Tangente E

APA, Harvard, Vancouver, ISO, and other styles

19

Mayers, Jonathan. "Transmutational Harmony." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1328.

Full text

Abstract:

The work that I have produced during my graduate studies at the University of New Orleans addresses the impact that humans have on the environment in our contemporary world. A primary focus, but not exclusive, includes industrial materials or objects, their overwhelming presence that informs the juxtaposition of economic progress, and the reality of environmental disruption. Humor and metaphor are central themes of my work and reference my personal observations and experiences of living in the midst of these environments. Sources from Contemporary underground art have been filtered through my

APA, Harvard, Vancouver, ISO, and other styles

20

Guedes, Marina Valerio. "Apagamentos e contudências : desenho, fotografia e memória." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/87677.

Full text

Abstract:

O presente trabalho é resultado de uma pesquisa de mestrado em poéticas visuais. Nele exponho depoimentos do processo de construção plástica e reflexiva, que se apoiam na busca por fotografias vernaculares para a elaboração de desenhos. Estabelecendo relações entre as duas linguagens, busquei tramar ambas de forma que constituíssem um pensar sobre a memória e seus caminhos narrativos através do ato de apagar, fazer e desfazer linhas traçadas pelo grafite.<br>The present work is a result of a master degree in visual arts. In which I bring up my testimonials about my reflective and plastic const

APA, Harvard, Vancouver, ISO, and other styles

21

Alkandari, Fahad A. H. H. "Islamic ceramic ornamentation and process : proposals for a new aesthetic vocabulary in contemporary architectural embellishment within kuwait." Thesis, University of Central Lancashire, 2011. http://clok.uclan.ac.uk/2800/.

Full text

Abstract:

Islamic architecture is arguably one of the greatest manifestations of Islamic visual culture. One of the defining aspects of the unique, aesthetic richness of traditional Islamic architecture has been the application of ceramic ornamentation or embellishment. There is a growing concern, however, that this legacy is being eroded. The diminishing identity of Islamic visual culture is particularly evident through current architectural developments occurring in the Arab states. The building revolution in the Gulf countries has dramatically increased momentum since the onset of the ‗oil economy‘,

APA, Harvard, Vancouver, ISO, and other styles

22

Fujimoto, Cesar Yoichi. "Do tijolo à paisagem: um estudo para a construção de um ponto de vista." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-12012016-113048/.

Full text

Abstract:

Nas páginas desta pesquisa aborda-se as características construtivas relacionadas à visualidade dos trabalhos desenvolvidos à partir de 2004 e estabelece intersecções entre arte, arquitetura e paisagem. Realizada em duas frentes, teórica e prática, a parte inicial da pesquisa destina-se a uma revisão de um modus operandi através de uma leitura crítica do contexto histórico, com especial destaque ao minimalismo. O conjunto de trabalhos visa articular a noção de lugar a partir de gestos construtivos, com a intenção de evocar formas poéticas que sugerem pontos de vista sobre uma paisagem.<br>The

APA, Harvard, Vancouver, ISO, and other styles

23

Herzog, Vivian. "Desenho : reservatório de vestígios." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/28888.

Full text

Abstract:

A presente pesquisa foi elaborada a partir da minha produção prática em desenho realizada no período de 2009 a 2011. Trata-se de uma reflexão, que busca abarcar a formação dos trabalhos, transcorridos por referências, tais como os documentos de trabalho que englobam as coleções de desenhos e os registros diários. O objeto de pesquisa refere-se à elaboração de reservatórios gráficos formados por múltiplos desenhos que condensam vestígios/experiências e materiais. A pesquisa reuniu considerações sobre as diversas instaurações que envolvem as escolhas materiais, as camadas do fazer e a montagem.<

APA, Harvard, Vancouver, ISO, and other styles

24

Schmidt, Mônica Sofia da Rosa. "O desenho como caminho." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/87673.

Full text

Abstract:

A presente pesquisa tem como ponto de partida minha produção em desenho desenvolvida a partir de 2009. Observando minhas estratégias de ação busco estabelecer relações entre desenho, documentos de trabalho e processo criativo, fundamentando-as sob as diretrizes de referenciais teóricos. Assim sendo, o objeto desta pesquisa está centrado no desenho e seu processo de criação. O estudo investigou desdobramentos como o conceito do gênero paisagem aqui definido como intervenção poética para uma crônica gráfica.<br>This present research has as starting point my production in drawing developed from 2

APA, Harvard, Vancouver, ISO, and other styles

25

Sousa, Márcia Regina Pereira de. "Reter o breve : de casas que brotam, desenhos que proliferam e coletas que tocam o tempo." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/158049.

Full text

Abstract:

Estas pesquisa em poéticas visuais orienta-se para o campo de estudos Arte e Natureza relacionando desenho, gravura, fotografia e elementos naturais organizados em instalações efêmeras. Os tabalhos poéticos realizados estão relacionados à observação de formas orgânicas presentes na natureza, à coleta de elementos vegetais e especialmente ao surpreendente encontro com casas e lugares que brotam. A investigação detém-se sobre conceitos como a organicidade, a efemeridade, a fragilidade e a lentidão, propondo a delicadeza como resistência a um entorno acelerado e por vezes pouco sensível. Os traba

APA, Harvard, Vancouver, ISO, and other styles

26

Gomes, Noémia Herdade. "Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge." Doctoral thesis, Universitat de Barcelona, 2011. http://hdl.handle.net/10803/403711.

Full text

Abstract:

Este título está constituido por dos partes que se integran en una sola. La primera - Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística – y la segunda - la obra del artista WK como estudio de caso. Invirtiendo este orden, WK tiene como punto de salida en su proceso creativo el uso del dibujo, que trabaja de forma abierta e incierta. El dibujo es usado para pensar, para representar y para leer las imágenes en un orden que el propio proceso establece. Es en esta red de asociaciones anacrónicas que se establecen las interacciones produciendo extensiones del proceso crea

APA, Harvard, Vancouver, ISO, and other styles

27

Polidoro, Marina Bortoluz. "Capturar, acumular, recombinar : sobre a espessura da imagem instaurada a partir de camadas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/22817.

Full text

Abstract:

Esta dissertação realiza uma pesquisa em artes visuais, na área de poéticas visuais e, como tal, a produção artística da autora é o ponto de partida. Os procedimentos empregados na construção dos trabalhos são revisitados, procurando compreender o processo de trabalho, as referências mais recorrentes (como documentos de trabalho) e suas implicações conceituais. O objeto de estudo desta pesquisa refere-se a espessura, física e conceitual, de imagens instauradas a partir da acumulação e sobreposição de fragmentos capturados. A pesquisa desencadeou reflexões acerca da apropriação e a conseqüente

APA, Harvard, Vancouver, ISO, and other styles

28

González, Vera Francisco Daniel. "El dibujo, Génesis y Elucidación." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/315464.

Full text

Abstract:

La estructura de esta tesis presenta ciertas particularidades que quisiera enumerar y aunar a la manera de una guía para su lectura, colocando en distancia y en escena los pormenores de un proceso que presentó altos y bajos en su elaboración, tanto conceptual como formalmente antes de constituirse en su forma definitiva. He establecido un eje principal en el cual se sostienen los cuatro capítulos que conforman el total de ella. Presentando “los textos acopiados y escritos en la diversidad del tiempo de cimentación”. Un tiempo cronológico y un tempo de elaboración de las obras de dibujo per

APA, Harvard, Vancouver, ISO, and other styles

29

León, Luque José Ignacio. "Recorrido y conquista. Registros de una experiencia extranjera en la ciudad de Barcelona, 2016-2018." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/667095.

Full text

Abstract:

Se trata de una investigación que se desarrolla a partir de la práctica del dibujo a mano alzada in situ y su reflexión procedimental y funcional, considerados desde el punto de vista de la experiencia del autor, asumiendo así un enfoque subjetivo o desde una psicología respecto del habitar temporalmente en tanto extranjero la ciudad de Barcelona. Sobre esta experiencia en una ciudad extranjera, para comprenderla y comprenderse en ella, se siguió una metodología que consideró la reflexión práctica y teórica a partir del trabajo de campo y de revisión/reflexión de bibliografía pertinente, c

APA, Harvard, Vancouver, ISO, and other styles

30

Rama, Jander Luiz. "(Im)prováveis : processos híbridos envolvendo o desenho técnico e a gravura na construção da metáfora do homem-máquina." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/79584.

Full text

Abstract:

Nesta pesquisa, proponho trabalhos que consistem em desenhos de híbridos entre homens e máquinas, utilizando o desenho técnico e a figura do pós-humano como suporte para reflexão, metaforizando as relações entre o homem e sua tecnologia, e a substituição de parte das experiências cotidianas pelo uso da máquina. Tratam-se de imagens digitais e linoleogravuras que apresentam diálogos e tensões entre o artesanal e o tecnológico, bem como entre a figura humana e a figura mecânica. O embasamento teórico é estabelecido a partir de definições da filosofia da técnica de Gilbert Simondon em diálogo com

APA, Harvard, Vancouver, ISO, and other styles

31

Zurita, Rita Cássia Ribeiro. "Impressões da luz = articulações da luz, da cor e da forma no espaço." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284461.

Full text

Abstract:

Orientador:Luise Weiss<br>Acompanha 1 CD-ROM e 1 Livro-objeto liluminado [14 f. de laminas]<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T10:28:31Z (GMT). No. of bitstreams: 1 Zurita_RitaCassiaRibeiro_D.pdf: 7902085 bytes, checksum: 752053fb512965e8ed1e19b298e5cd4c (MD5) Previous issue date: 2010<br>Resumo: A presente pesquisa, Impressões da Luz, tendo como foco a construção de objetos artísticos a partir da relação entre matéria e luz, procurou responder à seguinte questão: como elaborar um livro-objeto iluminado? O tra

APA, Harvard, Vancouver, ISO, and other styles

32

Whearty, Lauren Ann. "Making Space: Language, Painting, Poem." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307394266.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Marchese, Carolina Moraes, and Carolina Moraes Marchese. "Uma intenção [além do visível]: desenho." Universidade Federal de Pelotas, 2014. http://repositorio.ufpel.edu.br/handle/ri/2773.

Full text

Abstract:

Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T14:18:20Z No. of bitstreams: 2 Uma intenção [além do visível].pdf: 154871384 bytes, checksum: ed190359c2115e43149f1a4f26474681 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-03-04T14:26:10Z (GMT) No. of bitstreams: 2 Uma intenção [além do visível].pdf: 154871384 bytes, checksum: ed190359c2115e43149f1a4f26474681 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved fo

APA, Harvard, Vancouver, ISO, and other styles

34

Fries, Katherine. "Ariadne’s Thread - memory, interconnection and the poetic in contemporary art." University of Sydney, 2008. http://hdl.handle.net/2123/5709.

Full text

Abstract:

Master of Visual Arts<br>This Dissertation explores the metaphor of Ariadne’s thread in terms of interconnection, when an element from the everyday is used as a locus linking broader concepts of time and space. Such experiences and associations are reflected in the work of Louise Bourgeois, Eva Hesse, Doris Salcedo, Lucio Fontana, Richard Tuttle, Mona Hatoum, Simone Mangos, Anya Gallaccio and Yoshihiro Suda. In relation to my own work, the metaphor of interconnecting thread allows a sense of freedom and journey of discovery. My studio and related research are closely aligned in developing my u

APA, Harvard, Vancouver, ISO, and other styles

35

Pedrosa, Nuno. "Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010563/document.

Full text

Abstract:

Cette thèse, qui met en relation réflexion théorique et création artistique, entend comprendre pourquoi au cours de la contemplation d’une oeuvre d’art notre attention dépasse rarement ses qualités formelles, esthétiques ou conceptuelles.Contrairement à d’autres artefacts que nous rencontrons au quotidien, nous identifions les œuvres d’art au fait qu’elles ne satisfont pas des fins utilitaires. Leur place dans le musée ou la galerie en atteste et conduit à faire en sorte qu'elles n’ont pas d'autre rôle que d’attirer notre attention sur leurs caractéristiques propres. Cette thèse oppose à ce co

APA, Harvard, Vancouver, ISO, and other styles

36

Schütz, Marine. "Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975)." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3104.

Full text

Abstract:

Dès l’apparition du Pop art autour de 1962, l’iconographie de l’illustration et de la publicité indique l’émergence d’une véritable esthétique graphique. La rencontre du Pop art et du dessin se révèle particulièrement intéressante car suivre les productions réalisées dans cette discipline éminemment manuelle permet de réexaminer les différentes positions des artistes vis-à-vis de la culture de masse et d’aborder des questions tant matérielles qu’iconographiques. Partant du constat que les formations artistiques sont à l’origine du va-et-vient entre options manuelles et mécaniques dans l’économ

APA, Harvard, Vancouver, ISO, and other styles

37

Skaggs, Meredith L. "Fluidity and Transformation: Positioning the Art of Cai Guo-Qiang." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1338435148.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Hewitt, William John. "True stories drawn from life : a critical and cultural reflection on courtroom drawings in contemporary English national daily newspapers." Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479173.

Full text

Abstract:

The central subject of this thesis is the practice of contemporary English courtroom drawing. Its outcome in daily newspapers constitutes the sole application of eyewitness drawing as a regular means of reporting hard news within the mass media. Courtroom drawing - or sketching - is a long-established, culturally pervasive but critically neglected form of visual journalism. Its antecedents and characteristics have been associated with the generic imagery of broadsides, and it is possible that its future will be curtailed by the use of photo-digital technologies. The survival of courtroom drawi

APA, Harvard, Vancouver, ISO, and other styles

39

Pereira, Marcelo Eugênio Soares. "Acumular tesouros : um olhar sobre os cadernos de desenho." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131745.

Full text

Abstract:

A pesquisa intitulada Acumular tesouros: um olhar sobre os cadernos de desenho analisa um conjunto de cadernos de desenho, elaborados por mim, entre 2006 e 2015. O objetivo desse estudo é investigar de que modo a utilização frequente dos cadernos de desenho constitui uma poética e de que forma os cadernos são abordados na história da arte. A metodologia, de ordem qualitativa, possui por principal ação a continuidade da produção prática, assim como as relações estabelecidas entre os meus cadernos e os de outros artistas. Neste estudo, evidencio o aspecto heterogêneo dos cadernos, já que estes c

APA, Harvard, Vancouver, ISO, and other styles

40

Tai, Lin-Chih. "Floraison fuyante : le processus de transformation dans le dessin contemporain." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010504.

Full text

Abstract:

Cette recherche met en relation un travail de création artistique par le dessin et une réflexion sur le notion de transformation dans l'imaginaire taïwanais. Il s'agit de penser artistiquement les processus de reconstruction d'une identité, pendant la compréhension et l'adaptation à une culture différente. L'accent est mis sur le processus qui transforme des sentiments inhibés en expériences d'images. Ces images dont la composition peut rappeler les technique surréalistes ou de l'art fantastiques renvoient au rêve construit à partir d'un imaginaire vernaculaire propre à la culture Taïwanaise:

APA, Harvard, Vancouver, ISO, and other styles

41

Proszek, James Michael. "Drawn Apart: Visual Representations of the Persian Wars in Contemporary Graphic Novels and Film." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/theses/1833.

Full text

Abstract:

Over the past two millennia, dominant Western narratives of the Persian Wars have established a problematic East-West binary in which Greece is represented as a defender of democracy whose improbable victory over the Persians laid the foundation for the development of Western civilization and the Persians are represented as a power hungry, totalitarian “Other” determined to subjugate all whom they encounter. Frank Miller’s graphic novel, 300, and its subsequent film adaptations, 300, and 300: Rise of an Empire (collectively referred to as the 300 franchise) have reinforced and contributed new

APA, Harvard, Vancouver, ISO, and other styles

42

Scheibe, Marit [UNESP]. "Thinking being an artist: a lousa como objeto artístico na obra de Joseph Beuys." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/153968.

Full text

Abstract:

Submitted by MARIT SCHEIBE null (esculturas_marit@yahoo.de) on 2018-05-08T15:39:08Z No. of bitstreams: 1 dissertacao_marit_scheibe .pdf: 2836472 bytes, checksum: 0be11988aca0266be275135fab0ca9ad (MD5)<br>Approved for entry into archive by Laura Mariane de Andrade null (laura.andrade@ia.unesp.br) on 2018-05-14T19:46:20Z (GMT) No. of bitstreams: 1 scheibe _m_me_ia.pdf: 2836472 bytes, checksum: 0be11988aca0266be275135fab0ca9ad (MD5)<br>Made available in DSpace on 2018-05-14T19:46:20Z (GMT). No. of bitstreams: 1 scheibe _m_me_ia.pdf: 2836472 bytes, checksum: 0be11988aca0266be275135fab0ca9ad (M

APA, Harvard, Vancouver, ISO, and other styles

43

Salamanca, Angarita Óscar Mauricio. "Memoria del "Goldfish": Presentación y Representación del animal en el dibujo occidental de finales del siglo XX, La." Doctoral thesis, Universitat de Barcelona, 2005. http://hdl.handle.net/10803/2560.

Full text

Abstract:

El animal ha estado presente en el laboratorio a partir del siglo xx. Ya sea en la investigación científica, en el debate político o en la exploración artística, el animal ha carecido de refugio, es la víctima propiciatoria de todos los sacrificios contemporáneos.<br/><br/>Sin la función exploratoria que las vanguardias adjudicaron al arte poco o nada habría que documentar de tales operaciones. La figuración plástica, por otro lado, ha afianzado su proximidad en los diseños derivados del industrialismo tardío. El pop como escuela última del siglo pasado ha visto explotar las hibridaciones entr

APA, Harvard, Vancouver, ISO, and other styles

44

Jung, Chang Sung. "Agencification and quangocratisation of cultural organisations in the U.K. and South Korea : theory and policy." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/15930.

Full text

Abstract:

This research focuses on agencification and quangocratisation (AQ) through a comparison of the experiences of South Korea and the UK. Although a number of studies of AQ have been produced recently, these reforms remain inadequately understood. Since AQ involves the structural disaggregation of administrative units from existing departments, executive agencies and quangos have distinct characteristics which are quite different from ordinary core departments. There are a number of factors which influence these changes; and this thesis explores nine existing theories which are available to explai

APA, Harvard, Vancouver, ISO, and other styles

45

Travis, Sarah Teresa. "Portraits of Young Artists: Artworlds, In/Equity, and Dis/Identification in Post-Katrina New Orleans." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157583/.

Full text

Abstract:

Using portraiture methodology and social practice theory, this study examined the identity work of young people engaged in a teen arts internship program at a contemporary arts center in post-Katrina New Orleans. This research asked four interrelated questions. Through the lens of a teen arts internship at a contemporary arts center in post-Katrina New Orleans, 1) How do contextual figured worlds influence artist identity work? 2) How does artist identity work manifest through personal narratives? 3) How does artist identity work manifest in activities? 4) What are the consequences of artist

APA, Harvard, Vancouver, ISO, and other styles

46

Meade, Phillip L. "Civil disobedience as a pro-life tactic a consensus approach to its justification and parameters as drawn from three contemporary evangelical thinkers /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Glikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.

Full text

Abstract:

Towards a peripatetic practice: negotiating journey through painting investigates painting as a way of comprehending lived experience of travel. The project develops from curiosity about journeys and their potential for bringing the artist into encounters with the world, and proximate to its issues and concerns. Aims of the project focused on peripatetic practice as a means of redirecting a personal experience of rootlessness towards connecting with others, and considering and communicating the complexity of cross-cultural experience through painting. Objectives as such were to investigate thr

APA, Harvard, Vancouver, ISO, and other styles

48

Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

Full text

Abstract:

És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit

APA, Harvard, Vancouver, ISO, and other styles

49

Køhlert, Frederik Byrn. "Drawing in the margins : identity and subjectivity in contemporary autobiographical comics." Thèse, 2014. http://hdl.handle.net/1866/12014.

Full text

Abstract:

Mon projet de thèse démontre comment le genre de la bande dessinée peut être mobilisé de façon à déstabiliser les idéologies identitaires dominantes dans un contexte autobiographique. À partir de théories contemporaines de récits de vie et de leurs emphase sur la construction du sujet au travers du processus autobiographique, j’explore les façons par lesquelles les propriétés formelles de la bande dessinée permettent aux artistes féminines et minoritaires d’affirmer leurs subjectivités et de s’opposer aux idéaux hégémoniques reliés à la représentation du genre, du traumatisme, de la sexualité,

APA, Harvard, Vancouver, ISO, and other styles

50

Morgan, Carl. "Hand rendering in contemporary visual communication." Thesis, 2015. http://hdl.handle.net/1959.13/1305623.

Full text

Abstract:

Masters Research - Masters of Philosophy (MPhil)<br>Drawing and hand rendering was once at the heart of the graphic design process. It was recognized as the fundamental industry skill that would be used to conceptualize an idea and in many cases, develop the idea into a finished design. The resulting intimacy between designer and their design revealed an appreciation and understanding of the crafting of materials and surfaces. This form of tactile tacit knowledge often foreshadowed a profound understanding of the relationship between eye, hand and the designers thought process. This ‘practice

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!