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Journal articles on the topic 'Contemporary drawing'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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1

Riley, Howard. "A contemporary pedagogy of drawing." Journal of Visual Art Practice 20, no. 4 (October 2, 2021): 323–49. http://dx.doi.org/10.1080/14702029.2021.1980278.

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Gramblička, Matúš, and Jozef Vaský. "Vectorization of Scanned Paper-Based Engineering Drawings – Contemporary Software Abilities." Applied Mechanics and Materials 693 (December 2014): 457–62. http://dx.doi.org/10.4028/www.scientific.net/amm.693.457.

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The contribution deals with the possibilities of the use of existing commercially available vectorization programs for recognition drawing entities in raster graphics format obtained by scanning of the engineering drawing. Drawing entities as a line (solid, dashed, dot-dashed etc.), dimension, hatch, various symbols, text, etc., have specific semantic for the designer defined by standards. Expert knows to interpret this graphic language and he knows to create a mental model of the real object. To be able interpret digital content of the engineering drawing obtained by scanning by the form of 3

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Levitt, Mairi. "Drawing Limits: contemporary views on biotechnology." Journal of Beliefs & Values 20, no. 1 (April 1999): 41–50. http://dx.doi.org/10.1080/1361767990200104.

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Paterson, Aaron, Sarosh Mulla, and Marian Macken. "Drawing the room | Drawing within the room." Drawing: Research, Theory, Practice 5, no. 2 (December 1, 2020): 261–75. http://dx.doi.org/10.1386/drtp_00036_1.

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This project report outlines ongoing collaborative design research that addresses aspects of architectural drawing, in particular scale and time. This project is discussed through the lens of the inhabitation of drawing: in both the making of, and encountering, drawing. ‘Drawing the Room | Drawing within the Room’ (2019) couples projective drawings with post factum documentation – or creative post-occupancy data – of built houses. Using motion capture technology, the movements of inhabitation are captured and translated to line work animations. The resulting drawings of inhabitation are projec

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Attard, Matthew. "Eye (re)drawing historical ship graffiti: Tracing ex-voto drawings with eye-tracking technology." Drawing: Research, Theory, Practice 7, no. 2 (October 1, 2022): 185–98. http://dx.doi.org/10.1386/drtp_00088_1.

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This paper describes the salient features of a hybrid drawing process driven by techno-human relations. The project consists in the tracing of historical ship graffiti with my eye movements while wearing a contemporary eye-tracking headset. It forms part of my ongoing artistic practice of drawing with my eyes with an eye-tracking device, adapting and adopting an attitude of drawing-with the technology. The practice takes shape by means of an interdisciplinary approach looking at the transformative capacities of human–nonhuman relations, as the agency of off-the-shelf technology contributes to

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Jana, I. Made, I. Wayan Sujana, and I. Ketut Muka. "Drawing Pattern On Novels In Contemporary Art." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 2, no. 1 (July 30, 2019): 40–47. http://dx.doi.org/10.31091/lekesan.v2i1.751.

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This study is prompted by the concern over stagnant rates of creation in producing contemporary statues in Bali, both in the northern and southern regions, by using stone, wood, and metal mediums. The technology of using gips (plaster of Paris) is easier in statue production, however dismisses innovation in the process. The researcher took interest in I Wayan Sujana’s 10 years long research (2007-2017) on transferring of the unconscious onto art from novels (books). Based on that research I Wayan Sujana produced thousands of drawings with rich periodicity patterns. Those patterns are reviewed

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Schmidt, Leoni. "Exposing Society: Contemporary Drawing as History Writing." International Journal of the Arts in Society: Annual Review 1, no. 3 (2007): 31–48. http://dx.doi.org/10.18848/1833-1866/cgp/v01i03/35839.

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Graham, Mark A. "Teaching Conversations, Contemporary Art, and Figure Drawing." Art Education 65, no. 3 (May 2012): 6–11. http://dx.doi.org/10.1080/00043125.2012.11519170.

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Oliver, Kristi, Maureen P. Hall, Jane Dalton, Libby Falk Jones, Vajra Watson, Catherine Hoyser, and Nicholas Santavicca. "Drawing out the soul: Contemporary arts integration." International Journal of Education Through Art 15, no. 2 (June 1, 2019): 165–81. http://dx.doi.org/10.1386/eta.15.2.165_1.

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Turpie, Edward Jonathan. "Drawing Ed Ruscha." Drawing: Research, Theory, Practice 5, no. 2 (December 1, 2020): 291–303. http://dx.doi.org/10.1386/drtp_00038_1.

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This project aims to discuss drawing as a method of bridging the void between digital imaging technologies and physical drawing in the fine art domain. It does so by investigating the role of drawing and printing in contemporary portraiture. Drawn and printed silkscreen portraits are made from a synthesis of graphite marks, digital pixels and water-based ink deposited on paper surfaces. The practice-led research described here explores the materiality of the emergent image when drawing is impressed on an electronic media trace. This investigation is timely in the context of the unprecedented i

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Wittmann, Barbara. "Outlining Species: Drawing as a Research Technique in Contemporary Biology." Science in Context 26, no. 2 (April 30, 2013): 363–91. http://dx.doi.org/10.1017/s0269889713000094.

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ArgumentBiological drawings of newly described or revised species are expected to represent the type specimen with greatest possible accuracy. In taxonomic practice, illustrations assume the function of mobile representatives of relatively immobile specimens. In other words, such illustrations serve as “immutable mobiles” in the Latourian sense. However, the significance of drawing in the context of first descriptions goes far beyond that of illustration in the conventional sense. Not only does it synthesize the verbal catalogue of the type's morphological characteristics: it also enables the

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Farthing, Stephen. "A case study, Eric Hebborn, Rome Scholar 1959‐61: The art and craft of forging a drawing." Drawing: Research, Theory, Practice 5, no. 1 (April 1, 2020): 73–83. http://dx.doi.org/10.1386/drtp_00021_1.

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An exploration of forgery and drawing that focuses on a twentieth-century practitioner, his art education, motivation and methodology, this critical article was inspired by a meeting that took place in a village near Rome during the autumn of 1976 between the author and Eric Hebborn (1934‐96). Written some forty years later, this article has two goals; first to contribute to the debate that now circles the role of drawing within the contemporary fine art curriculum and then to question the nature of the biographical information Ruskin suggested was embedded in artists drawings. Hebborn, a skil

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Graham, Mark, and Fidalis Buehler. "Figure drawing and alternate narratives of artistic mastery." Drawing: Research, Theory, Practice 6, no. 1 (April 1, 2021): 171–87. http://dx.doi.org/10.1386/drtp_00058_1.

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Figure drawing is a rich and problematic context for exploring drawing conventions with many connections to contemporary art and visual culture. The human figure can inspire students to more fully develop their own artistic practice and to critically engage with contemporary art and visual culture. Representations of the human body in art and visual culture are also relevant to important issues in the lives of students. Figure drawing has a long history associated with technical skills, ideas about mastery and the artist’s training. Skill, knowledge and drawing techniques, when combined with c

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Bowen, Siân. "Sensing and Presencing Rare Plants through Contemporary Drawing Practice." Drawing: Research, Theory, Practice 5, no. 1 (April 1, 2020): 139–46. http://dx.doi.org/10.1386/drtp_00027_1.

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Navigating through three distinct sites of knowledge ‐ the seventeenth-century treatise on Malabar’s plants, Hortus Malabaricus; historical herbaria; and protected areas of remote forests and coastal regions of Kerala ‐ the project will stimulate innovative modes of drawing through considerations relating to the collection and preservation of rare plants. Generating a distinctive body of artworks at world-leading plant science research facilities and in the bio-diverse South Indian rainforest, the research asks: can drawing represent the vulnerabilities and resilience of rare plants, not throu

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Dyer, Suzette. "Critical Reflections: Making Sense of Career." Australian Journal of Career Development 15, no. 1 (April 2006): 28–36. http://dx.doi.org/10.1177/103841620601500106.

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In this article the five career narratives of three siblings and two unemployed men are drawn upon to critically examine the use of contemporary career discourse as a means to negotiate changes to work since the 1980s and to the present time. A critical analysis enables contemporary career discourse and workplace change to be located within the historic, sociopolitical, and economic context. The five career narratives could be described by drawing upon various contemporary career models. However, these models failed to account for the participants' less optimistic experiences. Their experience

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Korolainen, Kari Tapio. "The Handwork of Folkloristic-Ethnological Knowledge." Ethnologia Fennica 44 (December 31, 2017): 35–51. http://dx.doi.org/10.23991/ef.v44i0.59693.

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Drawing is discussed here, both from the historical and from the contemporary folklore and material culture stance. Folklore collector Samuli Paulaharju’s (1875–1944) drawings serve as a point of departure; again, cultural studies constitute the background, as the notion of representation and the construction of folkloristic-ethnologic knowledge are stressed. Material and visual culture comprises yet other central viewpoints. The research material consists of Paulaharju’s folkloristic descriptions (at the SKS) of the interlacements, as knots and lattices. The materials are discussed in the con

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Bowen, Tracey, and M. Max Evans. "What does knowledge look like? Interpreting diagrams as contemporary hieroglyphics." Visual Communication 18, no. 4 (May 20, 2018): 475–505. http://dx.doi.org/10.1177/1470357218775127.

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A significant challenge in interpreting and analyzing graphic representations is to understand the many reference points a graphically depicted object may have across its producer’s personal and cultural experiences. An individual’s exposure to socially constructed representations drives his or her propensity to use specific shared graphic objects, especially when attempting to articulate complex or abstract concepts. This multidisciplinary research study focuses on interpreting graphic representation types and analyzing the graphic objects individuals use to depict the abstract concept of kno

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Flavel, Sarah, and Robert Luzar. "Drawing the Dao: Reflections on the application of Daoist theory of action in contemporary drawing practice." Drawing: Research, Theory, Practice 4, no. 1 (April 1, 2019): 11–27. http://dx.doi.org/10.1386/drtp.4.1.11_1.

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Brown, William. "Tachyons, tactility, drawing and withdrawing: cinema at the speed of darkness." Panoptikum, no. 26 (October 19, 2021): 19–38. http://dx.doi.org/10.26881/pan.2021.26.01.

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Longitudinal, quantitative analyses of cinema have established how Hollywood is getting ‘quicker, faster, darker’. While in some senses the ‘intensified continuity’ of contemporary Hollywood narration is a given, the increased darkness of contemporary mainstream cinema remains unexplored – especially with regard to how its speed and its darkness might be inter-related. If to darken the majority of the screen during a film helps to draw our attention to the salient aspects of the image that are better illuminated, then of course this also allows for a faster cutting rate: in principle, there is

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Alekseeva, S. O., and V. I. Lukyanchikov. "THE AESTHETICS OF ACADEMIC DRAWING IN THE CONTEMPORARY ARTPEDAGOGICAL EDUCATION." Historical and social-educational ideas 8, no. 3/1 (June 30, 2016): 153–55. http://dx.doi.org/10.17748/2075-9908-2016-8-3/1-153-155.

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Baffelli, Erica. "Drawing on Tradition: Manga, Anime and Religion in Contemporary Japan." Nova Religio 18, no. 1 (February 2013): 105–7. http://dx.doi.org/10.1525/nr.2014.18.1.105.

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Kerman, Monique. "Drawing maps: history and geography in contemporary black British art." African and Black Diaspora: An International Journal 8, no. 1 (December 22, 2014): 15–24. http://dx.doi.org/10.1080/17528631.2014.966957.

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Kabalek, Kobi. "Special Section: Drawing Holocaust Memory in Contemporary Cartoons and Comics." Journal of Holocaust Research 33, no. 3 (May 30, 2019): 212–13. http://dx.doi.org/10.1080/25785648.2019.1640498.

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Platz, William. "Drawing with numb hands: Dexterity and draughtspuppets." Drawing: Research, Theory, Practice 6, no. 1 (April 1, 2021): 69–81. http://dx.doi.org/10.1386/drtp_00051_3.

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This essay is part of a wider research project that has introduced puppets into the drawing studio. Puppets are odd operators, and this is an unorthodox approach to drawing research. In this case, eccentricity is appropriate given that orthodoxies of skilfulness and good drawing are the subject of investigation. Unlike other contemporary practices that utilize puppetry as subject matter, motif and narrative device, this project invites draughtspuppets to make drawings. These draughtspuppets are distinct from automata and other drawing machines, and these distinctions are outlined. The paper fo

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Tomaž Pipan, Tomaž Pipan, Mateja Kregar Tršar, Filipa Valenčić, Tilen Tamše, Magda Merhar, Ana Benedik, Luka Jaušovec, Kristina Oražem, and Nejc Florjanc. "Cross-scale drawings of hidden landscape dynamics." SPOOL 9, no. 3 (September 1, 2022): 43–56. http://dx.doi.org/10.47982/spool.2022.3.03.

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The question of how to show processes that are by definition time-based has been one of the more intriguing ones in the field of landscape representation. With ever-greater importance being given to values of space that can be measured, we ask if new approaches to the drawing of space are needed to unveil these measured, sometimes hidden landscapes. With this in mind, students in the Department of Landscape Architecture at the University of Ljubljana undertaking the Visual Communication course were tasked with developing new techniques of data visualization focusing on (1) the spatial dynamics

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Gould, Polly. "Model interpretations of archival drawings." Architectural Research Quarterly 23, no. 2 (June 2019): 100–104. http://dx.doi.org/10.1017/s1359135519000241.

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The exhibition ‘Alternative Histories’ was a collaboration between the Architectural Foundation, the Drawing Matter archive, and curators Jantje Engels and Marius Grootveld, in which over eighty contemporary architectural practices were invited to make an architectural model in response to an historical architectural drawing.

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Rose, Richard. "Introduction: Lesson-Drawing across Nations." Journal of Public Policy 11, no. 1 (January 1991): 1–2. http://dx.doi.org/10.1017/s0143814x00004906.

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Undertaking cross-national research in order to improve national policy is an idea that goes back centuries. Aristotle examined the constitutions of city-states for the sake of civic betterment. The American Founding Fathers studied the English Constitution to avoid its presumed defects. In turn, Tocqueville examined democracy in America because, as he explained to his French readers, ‘My wish has been to find there instruction by which we may ourselves profit’ (1954 ed.: vol. 1, 14). In the contemporary world, policymakers in every society constantly cite the lessons that they draw from their

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Côrte-Real, Eduardo. "Arachne’s Loom: A public art drawing for Porto Design Biennale 2019." Drawing: Research, Theory, Practice 5, no. 1 (April 1, 2020): 147–64. http://dx.doi.org/10.1386/drtp_00028_1.

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The essay claims that a substantial part of contemporary drawing research has worked on the conceptual boundaries of what drawing is or when it takes place. It reports on a piece of public art on the limits of drawing that illustrates contemporary research issues based on drawings as elements or substantial parts of installations, public art, urban interventions, performances, unconventional media and materials. The piece ‐ Arachne’s Loom ‐ was an installation of 1500 m of black fibre-optic cable displayed across an artificial lake connecting a public library building to five computer heads. I

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Sagasti Alegria, Ione, Maitane Echevarria Aguirre, Alfonso Berroya Elosua, and José Antonio Morlesín Mellado. "Drawing, performativity and virtual reality in art: Identifying connections and creative possibilities." Drawing: Research, Theory, Practice 7, no. 1 (April 1, 2022): 99–117. http://dx.doi.org/10.1386/drtp_00081_7.

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This paper explores the connections between drawing, the body and technology, relating them to the notions of the cyborg-body, the transhuman and performance art, looking for a phenomenological approach to virtual reality technology in drawing experience. Recent developments in virtual reality oriented to visual creativity offer new ways of approaching drawing. In this regard, virtual reality users can experience its practice by expanding their movements through both artificial and physical spaces, in contrast to more traditional seated postures that limit the whole body’s expressivity. Such a

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Vaský, Jozef, and Matúš Gramblička. "Experimental Evaluation of Integral Transformations for Engineering Drawings Vectorization." Research Papers Faculty of Materials Science and Technology Slovak University of Technology 22, no. 35 (December 1, 2014): 49–56. http://dx.doi.org/10.2478/rput-2014-0034.

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Abstract The concept of digital manufacturing supposes application of digital technologies in the whole product life cycle. Direct digital manufacturing includes such information technology processes, where products are directly manufactured from 3D CAD model. In digital manufacturing, engineering drawing is replaced by CAD product model. In the contemporary practice, lots of engineering paper-based drawings are still archived. They could be digitalized by scanner and stored to one of the raster graphics format and after that vectorized for interactive editing in the specific software system f

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Swartz, Amy. "Thoughts to draw upon." Visual Inquiry 2, no. 1 (March 1, 2013): 87–96. http://dx.doi.org/10.1386/vi.2.1.87_1.

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In our modern world filled with exacting information and result-oriented activities, drawing is both a process and product that feeds the imagination, rescues the mind from literal explanation and builds a connection between emotion and rational thought. The drawn mark can transform into a plethora of optical possibilities, creating visual poetry and free association of ideas. This article is based on my own thoughts about the mark marking process and the wide-ranging, inventive and unexpected ways students' create complex, personally relevant contemporary drawing.

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Ryan, Stephen D. "The Deuterocanonical Books in Contemporary Catholic Liturgy." Interpretation: A Journal of Bible and Theology 72, no. 4 (September 13, 2018): 418–29. http://dx.doi.org/10.1177/0020964318784245.

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This essay considers the recent reception and use of the deuterocanonical books in contemporary Catholic liturgy, drawing on Tobit 12, Esther 14 (Esther C), and Sirach 3 to illustrate the ways these texts function as Scripture in the teaching of the church and in liturgical contexts.

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Kostic, Milos, and Vladimir Milenkovic. "Contemporary detail in zoom-in-zoom-out technique: God and scale." Facta universitatis - series: Architecture and Civil Engineering 15, no. 3 (2017): 307–16. http://dx.doi.org/10.2298/fuace160712027k.

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Considering both the visual and narrative character of architectural discourse it is possible to examine the capacity of a drawing as an autonomous form, but also as one assigned to it throughout the course of creation of new architecture. This paper's intent is to examine the place and the role of the architectural drawing of the detail within design research. Thematically different, the narratives are instruments used for creating a relationship between the project as a whole and its parts, while the detail defines the path from an idea to the realization of architecture, that is, from abstr

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Ravindran, Yamuna. "Outset study at drawing room: the first year." Art Libraries Journal 41, no. 1 (January 2016): 49–55. http://dx.doi.org/10.1017/alj.2015.8.

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What led to the establishment of a new library space in London specializing in international contemporary drawing? Beyond providing access to collections, how will this research hub support artists practice and scholarship, and encourage deeper engagement from exhibition audiences? This article looks at the development of Outset Study's collections, audiences and events programme, and reflects on successes and challenges faced in the first year.

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Marshall, David R. "A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2." Papers of the British School at Rome 88 (May 11, 2020): 237–58. http://dx.doi.org/10.1017/s0068246220000021.

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This paper discusses a drawing in the Lanciani collection representing the excavations of a tomb at the Vigna Casali in 1871–2. This tomb had a rich collection of antiquities, including important sarcophagi now in the J. Paul Getty Museum, the Nelson-Atkins Museum and the Ny Carlsberg Glyptothek. The drawing, which is wrongly catalogued as depicting the Vigna Casati, has not hitherto been connected with these finds. It was made on site by Francesco Patrizi (1826–1905), a supporter of contemporary painting, amateur artist, and owner of the Villa Patrizi not far away. This article correlates the

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Rohr, Doris. "Good art, bad art – what is a ‘good’ drawing?" Visual Inquiry 2, no. 1 (March 1, 2013): 11–26. http://dx.doi.org/10.1386/vi.2.1.11_1.

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The article addresses subjectivity in relation to assessment of drawing as fine art practice within higher education contexts. How can we measure the quality of a drawing in contemporary fine art? What standards can one take recourse to, or use, to define boundaries and definitions for excellence? The role of outsider art, and of art not produced or valorized within institutional norms, is an area of tension within academic contexts. Do we overly valorize rejection of norms and traditions, or to the contrary, do we create neo-conformism in the way we teach drawing within fine art? This article

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Hanisha, Febrina, and Yusuf Affendi Djalari. "Bahasa Visual , Gambar Anak, dan Ilustrasi Pada Buku Cergam Anak." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 1, no. 1 (November 1, 2018): 63. http://dx.doi.org/10.25105/jsrr.v1i1.3878.

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<em>Abstract</em><br />Visual Language, Children’s Drawing, and Illustration of Children’s Picture Book. To create illustrations that can encourage children to interact with books is by applying visual approach appropriate to the children’s imagination and development. To understand the children’s imagination can be done by observing their drawings. Children’s drawing is the result of senses what they felt. This phenomenon is called the children’s visual language. The application of children’s visual language to illustrations can be found in contemporary children’s picture bo

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Anning, Stephen, Toby Fenton, Julia Muraszkiewicz, and Hayley Watson. "Operationalising Human Security in the Contemporary Operating Environment." Journal of Intelligence, Conflict, and Warfare 4, no. 3 (January 31, 2022): 30–61. http://dx.doi.org/10.21810/jicw.v4i3.3802.

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Drawing upon primary research funded by the UK Defence and Security Accelerator (DASA), this article is about using data analytics and artificial intelligence (AI) for operationalising human security in the contemporary operating environment. The idea of human security has gained much traction in the international community since its introduction in a 1994 United Nations Development Programme (UNDP) report and has more recently become a military concern. Yet, the core tenets of this idea remain contested, and the military role in support of human security remains an open question. Nonetheless,

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Oliver, Marilène, and Francis Wells. "Resurrecting Leonardo's Great Lady: A Collaboration." Leonardo 41, no. 5 (October 2008): 500–505. http://dx.doi.org/10.1162/leon.2008.41.5.500.

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Sculptor Marilène Oliver and cardiothoracic surgeon Francis Wells collaborated to deconstruct Leonardo da Vinci's drawing The Great Lady in order to reconstruct it as a three-dimensional sculpture. Employing lessons learned from contemporary radiology, they simulated cross sections of The Great Lady that were drawn in pen and ink onto a stack of acrylic sheets. Here Oliver and Wells give independent accounts of the project, not only sharing how their relationship with Leonardo's drawing evolved over the course of the project but also exposing the differences in approach by the scientist and th

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Weida, Courtney Lee. "Frederick Froebel’s philosophies of drawing: Play, representation and invention." Visual Inquiry 2, no. 1 (March 1, 2013): 43–54. http://dx.doi.org/10.1386/vi.2.1.43_1.

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This article explores the drawing practice within the educational philosophies of Frederick Froebel. Froebel offers art education and studio practice a great deal of influential approaches, unique media inspirations and enduring philosophical contexts for drawing. Froebel introduced exercises in linear drawing with horizontal and vertical lines, outline drawing of contours, free-hand and nature drawing, circular drawing and drawing from memory. Froebel also suggested more exploratory drawing activities in the service of observing, connecting and evoking form. His approaches towards drawing as

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김승호. "The Value and Aesthetic Norm of Evaluation of Drawing in Contemporary Art." Korean Journal of Art and Media 15, no. 4 (November 2016): 75–104. http://dx.doi.org/10.36726/cammp.2016.15.4.75.

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Pérez-Agote, Alfonso. "The notion of secularization: Drawing the boundaries of its contemporary scientific validity." Current Sociology 62, no. 6 (May 30, 2014): 886–904. http://dx.doi.org/10.1177/0011392114533333.

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Ruh, Brian. "Book review: Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan." Animation 9, no. 1 (March 2014): 103–5. http://dx.doi.org/10.1177/1746847713518463.

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Brice, Sage. "Situating skill: contemporary observational drawing as a spatial method in geographical research." cultural geographies 25, no. 1 (April 29, 2017): 135–58. http://dx.doi.org/10.1177/1474474017702513.

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English, Richard, Richard Hayton, and Michael Kenny. "Englishness and the Union in Contemporary Conservative Thought." Government and Opposition 44, no. 4 (2009): 343–65. http://dx.doi.org/10.1111/j.1477-7053.2009.01292.x.

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AbstractThis article analyses the importance of arguments developed since 1997 by influential right-wing commentators concerning Englishness and the United Kingdom. Drawing on historical, cultural and political themes, public intellectuals and commentators of the right have variously addressed the constitutional structure of the UK, the politics of devolved government in Wales and Scotland, and the emergence of a more salient contemporary English sensibility. This article offers case studies of the arguments of Simon Heffer, Peter Hitchens and Roger Scruton, all of whom have made controversial

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Horton, Paul, and Helle Rydstrom. "Heterosexual Masculinity in Contemporary Vietnam." Men and Masculinities 14, no. 5 (June 17, 2011): 542–64. http://dx.doi.org/10.1177/1097184x11409362.

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By drawing on ethnographic data collected in two different settings in northern Vietnam, this article considers the ways in which heterosexual masculinity is configured by younger men. The intersection between heterosexuality and masculinity, the article argues, epitomizes a site of contestations between moral ideals, expectations about gendered support, and sexual pleasures disguised as protests. In introducing into a Southeast Asian context, the Latin American term machismo, understood as an expression of male-centered privileges and the ways in which they foster men’s chauvinism against wom

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Hewison, Kevin. "Weber, Marx and Contemporary Thailand." TRaNS: Trans -Regional and -National Studies of Southeast Asia 1, no. 2 (July 2013): 177–98. http://dx.doi.org/10.1017/trn.2013.2.

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AbstractThailand's on-going political crisis began with agitation against the Thaksin Shinawatra-led government, saw a military coup and a spate of street-based protest and violence. Drawing on Marx and Weber and using the categories of class, status and party, it is argued that Thailand has reached a political turning point. Subaltern challenges to the hierarchical institutions of military, monarchy and bureaucracy appear to have resulted in political patterns of the past being set on a new trajectory. The social forces that congregate around old ideas associated with status honour – hierarch

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O’Donnell, Lucy. "The partly present mother." Drawing: Research, Theory, Practice 7, no. 2 (October 1, 2022): 199–212. http://dx.doi.org/10.1386/drtp_00089_1.

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This paper makes critical reflections on a performance titled The Partly Present Mother, which traced acts of nurturing and loss at the Kosar Contemporary Gallery, Bristol, in 2019. The research reflects upon the silence of pregnancy without birth or ‘miscarriage’ as a Matrixial space, where the union of both mother and other are in flux. This changeableness or uncertainty embedded within the maternal is critiqued by making parallels between the becomings of drawing and mothering by positioning them both as verbs or acts. Derrida’s Memoirs of the Blind and the Greek myth of Pliny’s shadow are

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Hubbard, Phil, Alan Collins, and Andrew Gorman-Murray. "Introduction: Sex, consumption and commerce in the contemporary city." Urban Studies 54, no. 3 (December 6, 2016): 567–81. http://dx.doi.org/10.1177/0042098016682685.

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Recent accounts of sexual commerce have drawn attention to the proliferation of online and sexual consumption. Yet the mediated exchange of sexual images and content folds into the spaces of the city in a variety of complex ways. Drawing on a variety of social science perspectives, this paper provides an introductory overview of a collection of papers exploring the changing contours of sexual consumption in the city and the distribution of sexual commerce across – and between – private, domestic and public, commercial spaces. Exploring the ways in which diverse LGBT and heterosexual identities

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Tong, Darlene. "Contemporary art and fashion: from Pop to Populist." Art Libraries Journal 14, no. 4 (1989): 17–21. http://dx.doi.org/10.1017/s0307472200006477.

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During the 1970s and 1980s, a number of American artists have made use of clothing as an art medium. Their work constitutes a new art movement, drawing on, and straddling divisions between, Pop Art, performing arts, popular culture, and fashion; it merits more thorough and accessible documentation, and there is a need for art libraries to make available the elusive information which does exist.

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