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Academic literature on the topic 'Copyright'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Copyright"

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Rahman, Irsan, Sinintha Yuliansih Sibarani, Sandi Aprianto, Arman Paramansyah, and Ayu Citra Santyaningtyas. "Protecting Intellectual Property In The Digital Age With A Law." Journal of Research in Social Science and Humanities 4, no. 2 (2024): 49–60. http://dx.doi.org/10.47679/jrssh.v4i2.85.

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Life has changed with the development of science and technology. One technology that has a significant impact is the technology of the Internet world, the Internet introduces people to the digital world. Of course, this development also affects the law, especially copyright law. Copyrighted works that were still in a traditional form can now be converted to a digital form or digital copyrighted works can be created. In this case, copyright law, which previously protected traditional forms of copyrighted works, must evolve to include the protection of digital copyrighted works, one of which is

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Tuenbayeva, Kalima, and Danakul Seitimbetova. "Chronology of copyright development: the history of the formation of the foundations of copyright in the USA, England, France and the Republic of Kazakhstan." Journal of history 113, no. 2 (2024): 73–83. http://dx.doi.org/10.26577/jh.2024.v113i2-06.

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A thorough revision of copyright law is extremely necessary due to a significant increase in the material value of literary and artistic property, as well as serious problems with its protection. The copyright statute encompasses three main copyright policies: copyright must encourage learning to avoid copyright censorship; copyright must protect and expand the public domain; and copyright is to provide public access to copyrighted materials.The main purpose of this article is to study the development of copyright law, the general principles of this topic and the analysis of the sources of cop

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Nainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti, and Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)." HUKUM DAN DINAMIKA MASYARAKAT 20, no. 2 (2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.

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Copyright is a system of rights in the field of Intellectual Property Rights (IPR). In Indonesia, arrangements regarding Copyright are currently governed by Law Number 28 of 2014 Concerning Copyright. Regulates the scope and protection of a work which is the embodiment of human creativity, taste and initiative as God's creatures. Copyright which is an exclusive right attached to the Author in which there are Economic Rights and Moral Rights. Authors and other parties who receive Rights Related to Copyrights can receive economic benefits from an existing copyrighted work (Economic Rights). died

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MARGONO, Dr SUYUD. "DIGITAL COPYRIGHTS WORKS PROTECTION: DISCOURSE ON DECLARATIVE PRINCIPLES AND RECORDATION MECHANISM." INTERNATIONAL JOURNAL OF RESEARCH IN EDUCATION HUMANITIES AND COMMERCE 05, no. 03 (2024): 01–22. http://dx.doi.org/10.37602/ijrehc.2024.5301.

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The impact of development of information and technology in relation to digital works on the internet has indicated a contribute in the digital environment through duplication or copying under the copyright system. Duplication that only intended to read only, and there is permanent as intended to store information itself. Copyright protection on the Internet focuses to any attempt to restrict access and usage of the creation. Considered that violation in all activities that involve copying or making new digital activities either artistic or literary work available to the public without permissi

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Debora Febrilianti. "URGENSI PENGATURAN PRINSIP IKTIKAD TIDAK BAIK DALAM PENDAFTARAN DAN PEMBATALAN PENCATATAN HAK CIPTA DI INDONESIA BERDASARKAN UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA (PERKARA NOMOR: 49/PDT.SUS-HKI/HAK CIPTA/2020/PN NIAGA.JKT.PST)." Journal Transformation of Mandalika, e-ISSN: 2745-5882, p-ISSN: 2962-2956 5, no. 6 (2024): 309–18. https://doi.org/10.36312/jtm.v5i6.2951.

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The enactment of Law Number 28 of 2014 concerning Copyright determines that logos as an object of intellectual property cannot be registered as copyrighted works, thus logos can only be registered as Trademarks. PT. Lifere Agro Kapuas as the owner and registered Trademark holder filed a lawsuit against Dhanu Wijaya for registering his Trademark as a Copyrighted Work. PT. Lifere Agro Kapuas requested cancellation of the registration of Dhanu Wijaya's Copyrighted Work on the basis of bad faith. Bad faith itself has not been explicitly regulated in the Copyright Law. This research aims to legally

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Yakubova, Iroda. "CIVIL LEGAL ANALYSIS OF THE ORGANIZATIONAL AND LEGAL FORM OF COLLECTIVE MANAGEMENT OF PROPERTY RIGHTS IN COPYRIGHT." Review of Law Sciences 7, no. 1 (2023): 43–52. http://dx.doi.org/10.51788/tsul.rols.2023.7.1./kxtr9100.

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Since a collective rights management organization is formed directly by right holders and acts within the framework of powers received from them under the contract, it can be said that the activities of such an organization are membership-based. In this case, we say that the association of entities to form a legal entity for the protection of copyright is expressed in the management of these rights on a collective basis. Membership of rights holders in the organization is one of the important elements characterizing collective management organization. These reforms are related to issues such a

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Tang, Xiyin. "Privatizing Copyright." Michigan Law Review, no. 121.5 (2023): 753. http://dx.doi.org/10.36644/mlr.121.5.privatizing.

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Much has been written, and much is understood, about how and why digital platforms regulate free expression on the internet. Much less has been written— and even much less is understood—about how and why digital platforms regulate creative expression on the internet—expression that makes use of others’ copyrighted content. While § 512 of the Digital Millennium Copyright Act regulates user-generated content incorporating copyrighted works, just as § 230 of the Communications Decency Act regulates other user speech on the internet, it is, in fact, rarely used by the largest internet platforms—Fa

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Gunawan, Heri, Joni Emirzon, and Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS." Jurnal Pembaharuan Hukum 8, no. 3 (2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.

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Intellectual Property Rights or what is often abbreviated as HAKI is a legal protection given by a certain country to a person or group of individuals who express their ideas in the form of works. This law is a state territory. This means that a work will only be protected by rights in the country where the work originated to obtain IPR. As stated in the Copyright Laws, Intellectual Property Rights are exclusive rights granted by a regulation to a person or group of people for their copyrighted works. This protected work is in the form of intangible objects such as copyrights, patents, and tra

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Ard, BJ. "Taking Access Seriously." Texas A&M Law Review 8, no. 2 (2021): 225–69. http://dx.doi.org/10.37419/lr.v8.i2.1.

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Copyright is conventionally understood as serving the dual purposes of providing incentives for the creation of new works and access to the resulting works. In most analysis of copyright, however, creation takes priority. When access is considered, it is often in the context of how access relates back to the creation of new works. Largely missing is an account of the value of access on its own terms. So what is the place of access in copyright law and policy? A set of cases dealing with copyright owners’ attempts to enjoin the markets created by new playback and distribution technologies is in

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Sastrawan, Gede, and Gede Sastrawan. "ANALISIS YURIDIS PELANGGARAN HAK CIPTA PADA PERBUATAN MEMFOTOKOPI BUKU ILMU PENGETAHUAN." Ganesha Law Review 3, no. 2 (2021): 111–24. http://dx.doi.org/10.23887/glr.v3i2.446.

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    This article discusses the Juridical Analysis of Copyright Infirigement On The Act Of Photocopying Books of Science. Copyright is a part of Intellectual Property Rights (HKI). The copyright phrase comes from a foreign term, namely Copyrights. The term Copyrights was first put forward in the Berne Comvertion (International Convention on Copyright concerning the protection of Art and Literature) which was held in 1886. According to Article 1 number (1) of Law Number 28 of 2014 concerning Copyright, it states that "Copyright is the right exclusive to the creator that a

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Dissertations / Theses on the topic "Copyright"

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Nuss, Sabine. "Copyright & Copyriot : Aneignungskonflikte um geistiges Eigentum im informationellen Kapitalismus /." Münster : Westfälisches Dampfboot, 2006. http://www.gbv.de/dms/spk/sbb/recht/toc/516811444.pdf.

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Cooper, Elena Sophia Christina. "Art, photography, copyright : a history of photographic copyright, 1850-1911." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.

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Mazeh, Yo'av. "Originality in copyright." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402713.

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Adduono, Christopher. "Rebalancing copyright law." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/383136/.

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This research focuses on copyright law particularly its ability to provide for the competing needs of both the public and rights holders. The arrival of the internet has brought copyright to the forefront of legal, political and public discussion and has presented copyright law with a unique challenge. The internet although enabling creators to disseminate their works to a wider audience has also facilitated free illegal access to copyrighted materials. This has not only undermined copyright’s effectiveness and caused chaos but has questioned the very legitimacy of the entire concept of copyri

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Wei, Weixiao. "ISP copyright liability : towards an enhanced Chinese ISP copyright liability regime." Thesis, University of Strathclyde, 2009. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=11856.

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ISP copyright liability for copyright infringement over the Internet is a now widely adopted approach for tackling extensive online copyright piracy in various jurisdictions. However, in China, the inconsistent ISP knowledge standard and the lack of peer-to-peer file-sharing liability provisions in the existing legal framework are among the factors that impede effective copyright law enforcement on the Internet. The adoption of a broad knowledge standard and its application in case law, both in the U.S. and Germany, which have great influence on a Chinese ISP copyright liability system, are di

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Barr, Kenneth W. "Music copyright in the digital age : creators, commerce and copyright : an empirical study of the UK music copyright industries." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7752/.

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Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate investors over the interests of primary creators. However, little is known about popular music creators’ ‘lived experience’ of copyright. This thesis interrogates key aspects of copyright transactions between creators and investors operating in the UK music industries using analysis of various copyright related documents and semi-structured interviews with creators and investors. The research found considerable variety in the types of ‘deal’ creators enter into and considerable divergence in the

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Marais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law." Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.

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This thesis examines international approaches to musical work copyright infringement law for the purpose of establishing an approach that can be utilised effectively under the South African copyright infringement framework. In doing so, the importance of the various interactive elements of musical works is investigated as well as the modes of assessment in infringement scenarios. The findings are used to create a robust middle-ground approach to be adapted into the South African copyright infringement framework. Further considerations that impact infringement outcomes are addressed to the exte

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Daramaras, Konstantinos I. "Copyright and challenges to copyright : the case of 'piracy' and 'private copying'." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/34585.

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Copyright represents a constant and delicately poised balance among three, often competing interests: the author's and his/her rights in a protected work; the enterpreneur's who exploit such works and his/her own rights; and finally, the public who needs to have access to these works. However, especially since the mid-twentieth century, the system of copyright, and even its existence itself, has been seriously challenged. These challenges have come from the attitude of the 'developing countries', the advent of new technologies, and the consequent changing nature of piracy and private copying.

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Simone, Daniela Teresa. "Copyright and collective authorship." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fba5022d-8647-4deb-91f3-8cd8c536bcfa.

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Many scholars have suggested that current copyright law is ill-equipped to the challenges of determining the authorship of collaborative work. This thesis analyses four case studies of large scale collaboration (Wikipedia, Indigenous art, scientific collaborations and film) in order to consider how best to determine the authorship of the creative works that they produce for the purposes of copyright law. Current scholarship and much of the case law has tended to favour a restrictive approach to the grant of joint authorship status, in order to minimise the number of potential authors of a work

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Tilson, Koleta B. "Knowledge of and Response to Copyright Law, School Copyright Policy, and Copyright-related Issues: Survey of Secondary School Principals and Librarians." Digital Commons @ East Tennessee State University, 1990. https://dc.etsu.edu/etd/2810.

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The problem of this study was that, with the impact of new media and delivery systems, principals and librarians must respond to copyright issues in order to remain informed about the copyright law and the legal use of media. The purpose of this study was to gather and evaluate educator response to issues related to copyright. The study was conducted with a sample of regionally accredited secondary schools in the following states: Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. A total of 1008 question

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Books on the topic "Copyright"

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Institute, Pennsylvania Bar. Copyrights after the Digital Millennium Copyright Act. Pennsylvania Bar Institute, 1999.

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Yoo, Christopher S. Copyright. Edward Elgar Pub., 2011.

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Green, Bruce M. Copyright. Continuing Legal Education, 1987.

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Bonn, Moritz J. Copyright. 2nd ed. Edited by Born Sigrid and Germany. Inter Nationes, 1998.

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Witkowski, Michał. Copyright. Wydawn. Zielona Sowa, 2001.

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Olsson, Agne Henry. Copyright. 3rd ed. Allmänna förlaget, 1987.

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Prado, Nadia. Copyright. LOM Ediciones, 2003.

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Library of Congress. Copyright Office., ed. Copyright. U.S. Copyright Office, 2004.

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María, Pescetti Luis, and Pescetti Luis María author, eds. Copyright. Aguilar, Alatea, Taurus, Alfaguara, 2010.

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Drassinower, Abraham. Copyright: Supplement. 2nd ed. Faculty of Law, University of Toronto, 2012.

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Book chapters on the topic "Copyright"

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Ploman, Edward W., and L. Clark Hamilton. "Policies for the information age." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-8.

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Ploman, Edward W., and L. Clark Hamilton. "The outer limits of copyright." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-7.

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Ploman, Edward W., and L. Clark Hamilton. "Origins and early development." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-2.

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Ploman, Edward W., and L. Clark Hamilton. "Modern systems and principles of copyright." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-3.

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Ploman, Edward W., and L. Clark Hamilton. "Challenges to copyright: new technologies and media." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-6.

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Ploman, Edward W., and L. Clark Hamilton. "International agreements and structures." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-4.

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Ploman, Edward W., and L. Clark Hamilton. "Introduction." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-1.

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Ploman, Edward W., and L. Clark Hamilton. "Representative national copyright systems." In Copyright. Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-5.

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Atkinson, Benedict. "Address of Victor Hugo to the International Literary Congress." In Copyright Perspectives. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_1.

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Foong, Cheryl. "Open Content Licensing of Public Sector Information and the Risk of Tortious Liability for Australian Governments." In Copyright Perspectives. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_10.

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Conference papers on the topic "Copyright"

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Alparslan, Gulde. "COPYRIGHT ISSUE IN ARTIFICIAL INTELLIGENCE APPLICATIONS OF SMART PRODUCTION AND AUTONOMOUS SYSTEMS." In BuPol London 2024–International Conference on Business, Economics & Policy, 20-21 February. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.196201.

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Background: In recent years, the use of artificial intelligence in the field of production and design has increased. As a result, in smart production and autonomous systems, the concepts of copyright and rights ownership on the works produced have become increasingly complex. In addition, there is no sufficient legal regulation regarding the rights of the software side of the system, the content providers and the commercial parties with whom they have agreements, in the productions made by autonomous systems through artificial intelligence software. In addition to the ownership of the work, th

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Saxena, Dr Niti Nipuna. "Copyright: Legal and Technological Challenges." In Intellectual Property Rights: Issues and Challenges. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/c250620.

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Enforcing copyright laws in the digital age presents significant challenges for India. The ease of copying and distributing copyrighted material online has made it difficult to protect the rights of creators. While the Copyright Act of 1957 provides legal protection, its implementation is hindered by factors such as outdated provisions, difficulties in identifying online pirates, and the global nature of the internet. This research explores the legal and technological challenges of enforcing copyright laws in India's digital landscape. It examines the limitations of existing legal frameworks a

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Popović, Dušan. "Ograničenja autorskog i srodnih prava: prepreka ili podsticaj razvoju veštačke inteligencije." In Veštačka inteligencija: izazovi u poslovnom pravu. Univerzitet u Beogradu – Pravni fakultet, 2024. http://dx.doi.org/10.51204/internet_dijalog_2402a.

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In recent years, the AI-based services have increasingly become part of our everyday life. The AI systems are trained on third party’s copyrighted works and subject-matter of related rights, particularly on databases. This fact leads intellectual property lawyers to examine the legality of such use of third party’s protected works and subject-matter of related rights. The first question to be answered is whether the access, analysis and mining may infringe copyright and related rights. The second question logically follows and leads us to examine whether such uses may be permitted under copyri

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Novaković, Olivera. "Povreda autorskog prava na internetu – naknada ili prevencija štete?" In Prouzrokovanje štete, naknada štete i osiguranje. Institut za uporedno pravo, Udruženje za odštetno pravo, Pravosudna akademija, 2023. http://dx.doi.org/10.56461/zr_23.ons.18.

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The availability of technology and the spread of the Internet has led to a huge transition: people have gone from being consumers of content to being creators of content. However, the speed of technological progress, the ease of publishing and sharing content with a wide audience raises the question of whether the existing norms in the field of copyright keep pace with the development of technology, as well as whether they adequately protect the author from the damage that may be caused to him by infringing the copyrighted work. In the first part of the paper, the author analyzes the differenc

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"Copyright [Copyright notice]." In 2012 Seventh International Conference on Digital Information Management (ICDIM 2012). IEEE, 2012. http://dx.doi.org/10.1109/icdim.2012.6360150.

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"Copyright [copyright notice]." In 2012 5th International Symposium on Communications, Control and Signal Processing (ISCCSP). IEEE, 2012. http://dx.doi.org/10.1109/isccsp.2012.6217883.

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Shrayberg, Yakov L., and Ksenia Y. Volkova. "The copyright: Privileges for the libraries." In NAFL Standing School “The libraries – path to knowledge”. Russian National Public Library for Science and Technology, 2024. http://dx.doi.org/10.33186/978-5-85638-277-7-42-49.

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The authors refer to the concepts of intellectual property and copyright and define copyright types and scope. They emphasize that with evolving new technologies and digital forms of works, the copyright laws have had to be revised. The authors review the vectors of copyright legislation transformation in several world countries. The focus is made on limitations of and exceptions from the copyright offered to the libraries, in particular on the doctrine of fair use. The examples of basic principles and most recent legal amendments evidence on the acknowledgement of the libraries’ mission by th

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Sharma, Mr Rohit, and Ms Diksha Grewal Das. "Critical Analysis of Indian Copyright Law." In Intellectual Property Rights: Issues and Challenges. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/c250612.

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Law is a response to social changes and challenges. In this developing phase and building a relationship between society, law, and technology, copyright is the best and finest example through which these social challenges and issues can be called upon. Copyright law in India has been developing slowly and gradually. The law has seen many amendments during the years. This paper will deal with the current problem in copyright laws, in India and internationally. The scope of Indian copyright in the future, its applications, its competency with international treaties, and the amendments that are r

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Нинциева, Тамила Магомедовна, and Селима Тимуровна Исламова. "ON THE ORIGIN OF COPYRIGHT." In Высокие технологии и инновации в науке: сборник избранных статей Международной научной конференции (Санкт-Петербург, Ноябрь 2020). Crossref, 2020. http://dx.doi.org/10.37539/vt188.2020.34.92.008.

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В статье рассматриваются проблемы возникновения авторского права, как российского, так и зарубежного. Основной акцент делается на международные нормы в сфере авторского права, а также на российское авторское право в дореволюционный период. The article deals with the problems of the emergence of copyright, both in Russia and abroad. The main focus is on international norms in the field of copyright and on Russian copyright of the pre-revolutionary period.

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Ahuja, Ms Nikhita. "IPR: Copyright Infringement in Bollywood." In Intellectual Property Rights: Issues and Challenges. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/c250610.

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This study examines the widespread problem of copyright infringement in the Bollywood sector, examining its various facets, effects, and possible remedies. Based on an extensive analysis of extant literature, court rulings, and business publications, the study investigates the several types of copyright violations that are common in Bollywood, such as the unapproved duplication, modification, and dissemination of works protected by copyright. It also examines the ethical, creative, and financial ramifications of such violations for artists, rights holders, and the industry at large. This artic

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Reports on the topic "Copyright"

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Brianne, Selman, Brian Fauteux, and Andrew deWaard. A User-Centric Case for Rights Reversions and Other Mitigations: The Cultural Capital Project Submission to ISED Consultation on Term Extension. University of Winnipeg Library, 2021. http://dx.doi.org/10.36939/ir.202103091613.

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Term extension is unlikely to benefit any but the largest of rightsholders, and indeed, in general independent creators typically do not benefit greatly from the promised financial exploitation promised by copyrights. This has been made even more evident by the COVID pandemic - while copyrighted works are consumed more than ever, independent creators have sunk further into poverty. We propose mitigation strategies for term extension that would help the people who are creating Canada’s cultural landscape, as well as additional actions that would alleviate additional current copyright losses.

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Newman, M. C., K. D. Greene, and P. M. Dixon. UnCensor{copyright} v4.0. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/90171.

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Okediji, Ruth L. The International Copyright System. International Centre for Trade and Sustainable Development, 2006. http://dx.doi.org/10.7215/ip_ip_20060601.

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Abramovsky, Laura, A. Lopez, and Daniel Chudnovsky. Copyright industries in Argentina. The IFS, 2001. http://dx.doi.org/10.1920/re.ifs.2024.0885.

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Danaher, Brett, Michael Smith, and Rahul Telang. Piracy and Copyright Enforcement Mechanisms. National Bureau of Economic Research, 2013. http://dx.doi.org/10.3386/w19150.

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Band, Jonathan. Justice Breyer, Copyright, and Libraries. Association of Research Libraries, 2022. http://dx.doi.org/10.29242/breyercopyright2022.

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On the occasion of Associate Justice Stephen Breyer retiring at the end of this US Supreme Court term, Jonathan Band, who represents and advises the Association of Research Libraries (ARL) on copyright issues, wrote a reflection on Breyer’s impact on the application of copyright law to libraries. In this brief paper, Band reviews Breyer’s majority opinion in Kirtsaeng v. Wiley (2013), which clarified that the first-sale doctrine applied to copies manufactured abroad, and the dissenting opinion Breyer wrote in Golan v. Holder (2012), in which the associate justice drew heavily on amicus briefs

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editorial team, 360info. Test story for copyright box. Monash University, 2024. http://dx.doi.org/10.54377/9568-4b62.

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Van Maldeghem, Paul E. Software Developer's Guide to Copyright Limitations. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada328023.

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Gledhill, Igle, Richard Goldstone, Sanya Samtani, Keyan Tomaselli, and Klaus Beiter. Copyright Amendment Bill Workshop Proceedings Report. Academy of Science of South Africa (ASSAf), 2022. http://dx.doi.org/10.17159/assaf.2022/0078.

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The genesis of the Copyright Amendment Bill was in 2009, when the Department of Trade and Industry (DTI) initiated various studies and impact assessments. In July 2015, the DTI published a Draft Copyright Amendment Bill for public comment. The final 2017 version of the Bill was approved by Parliament in 2019 and it was sent to President Cyril Ramaphosa for action in terms of Section 79(1) of the Constitution. Section 79(1) states that “The President must either assent to and sign a Bill passed in terms of this Chapter or, if the President has reservations about the constitutionality of the Bil

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Klosek, Katherine. Copyright and Contracts: Issues and Strategies. Association of Research Libraries, 2022. http://dx.doi.org/10.29242/report.copyrightandcontracts2022.

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In 2020, ARL’s Advocacy and Public Policy Committee launched a digital rights initiative focused on understanding and safeguarding the full stack of research libraries’ rights: to acquire and lend digital content to fulfill libraries’ functions in research, teaching, and learning; to provide accessible works to people with print disabilities; and to fulfill libraries’ collective preservation function for enduring access to scholarly and cultural works. Our objective is to make sure that these rights are well understood by research libraries, by Congress, by the US Copyright Office, and by the

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