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Journal articles on the topic 'Copyright'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Rahman, Irsan, Sinintha Yuliansih Sibarani, Sandi Aprianto, Arman Paramansyah, and Ayu Citra Santyaningtyas. "Protecting Intellectual Property In The Digital Age With A Law." Journal of Research in Social Science and Humanities 4, no. 2 (2024): 49–60. http://dx.doi.org/10.47679/jrssh.v4i2.85.

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Life has changed with the development of science and technology. One technology that has a significant impact is the technology of the Internet world, the Internet introduces people to the digital world. Of course, this development also affects the law, especially copyright law. Copyrighted works that were still in a traditional form can now be converted to a digital form or digital copyrighted works can be created. In this case, copyright law, which previously protected traditional forms of copyrighted works, must evolve to include the protection of digital copyrighted works, one of which is

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2

Tuenbayeva, Kalima, and Danakul Seitimbetova. "Chronology of copyright development: the history of the formation of the foundations of copyright in the USA, England, France and the Republic of Kazakhstan." Journal of history 113, no. 2 (2024): 73–83. http://dx.doi.org/10.26577/jh.2024.v113i2-06.

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A thorough revision of copyright law is extremely necessary due to a significant increase in the material value of literary and artistic property, as well as serious problems with its protection. The copyright statute encompasses three main copyright policies: copyright must encourage learning to avoid copyright censorship; copyright must protect and expand the public domain; and copyright is to provide public access to copyrighted materials.The main purpose of this article is to study the development of copyright law, the general principles of this topic and the analysis of the sources of cop

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3

Nainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti, and Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)." HUKUM DAN DINAMIKA MASYARAKAT 20, no. 2 (2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.

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Copyright is a system of rights in the field of Intellectual Property Rights (IPR). In Indonesia, arrangements regarding Copyright are currently governed by Law Number 28 of 2014 Concerning Copyright. Regulates the scope and protection of a work which is the embodiment of human creativity, taste and initiative as God's creatures. Copyright which is an exclusive right attached to the Author in which there are Economic Rights and Moral Rights. Authors and other parties who receive Rights Related to Copyrights can receive economic benefits from an existing copyrighted work (Economic Rights). died

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4

MARGONO, Dr SUYUD. "DIGITAL COPYRIGHTS WORKS PROTECTION: DISCOURSE ON DECLARATIVE PRINCIPLES AND RECORDATION MECHANISM." INTERNATIONAL JOURNAL OF RESEARCH IN EDUCATION HUMANITIES AND COMMERCE 05, no. 03 (2024): 01–22. http://dx.doi.org/10.37602/ijrehc.2024.5301.

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The impact of development of information and technology in relation to digital works on the internet has indicated a contribute in the digital environment through duplication or copying under the copyright system. Duplication that only intended to read only, and there is permanent as intended to store information itself. Copyright protection on the Internet focuses to any attempt to restrict access and usage of the creation. Considered that violation in all activities that involve copying or making new digital activities either artistic or literary work available to the public without permissi

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5

Debora Febrilianti. "URGENSI PENGATURAN PRINSIP IKTIKAD TIDAK BAIK DALAM PENDAFTARAN DAN PEMBATALAN PENCATATAN HAK CIPTA DI INDONESIA BERDASARKAN UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA (PERKARA NOMOR: 49/PDT.SUS-HKI/HAK CIPTA/2020/PN NIAGA.JKT.PST)." Journal Transformation of Mandalika, e-ISSN: 2745-5882, p-ISSN: 2962-2956 5, no. 6 (2024): 309–18. https://doi.org/10.36312/jtm.v5i6.2951.

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The enactment of Law Number 28 of 2014 concerning Copyright determines that logos as an object of intellectual property cannot be registered as copyrighted works, thus logos can only be registered as Trademarks. PT. Lifere Agro Kapuas as the owner and registered Trademark holder filed a lawsuit against Dhanu Wijaya for registering his Trademark as a Copyrighted Work. PT. Lifere Agro Kapuas requested cancellation of the registration of Dhanu Wijaya's Copyrighted Work on the basis of bad faith. Bad faith itself has not been explicitly regulated in the Copyright Law. This research aims to legally

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6

Yakubova, Iroda. "CIVIL LEGAL ANALYSIS OF THE ORGANIZATIONAL AND LEGAL FORM OF COLLECTIVE MANAGEMENT OF PROPERTY RIGHTS IN COPYRIGHT." Review of Law Sciences 7, no. 1 (2023): 43–52. http://dx.doi.org/10.51788/tsul.rols.2023.7.1./kxtr9100.

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Since a collective rights management organization is formed directly by right holders and acts within the framework of powers received from them under the contract, it can be said that the activities of such an organization are membership-based. In this case, we say that the association of entities to form a legal entity for the protection of copyright is expressed in the management of these rights on a collective basis. Membership of rights holders in the organization is one of the important elements characterizing collective management organization. These reforms are related to issues such a

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7

Tang, Xiyin. "Privatizing Copyright." Michigan Law Review, no. 121.5 (2023): 753. http://dx.doi.org/10.36644/mlr.121.5.privatizing.

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Much has been written, and much is understood, about how and why digital platforms regulate free expression on the internet. Much less has been written— and even much less is understood—about how and why digital platforms regulate creative expression on the internet—expression that makes use of others’ copyrighted content. While § 512 of the Digital Millennium Copyright Act regulates user-generated content incorporating copyrighted works, just as § 230 of the Communications Decency Act regulates other user speech on the internet, it is, in fact, rarely used by the largest internet platforms—Fa

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8

Gunawan, Heri, Joni Emirzon, and Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS." Jurnal Pembaharuan Hukum 8, no. 3 (2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.

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Intellectual Property Rights or what is often abbreviated as HAKI is a legal protection given by a certain country to a person or group of individuals who express their ideas in the form of works. This law is a state territory. This means that a work will only be protected by rights in the country where the work originated to obtain IPR. As stated in the Copyright Laws, Intellectual Property Rights are exclusive rights granted by a regulation to a person or group of people for their copyrighted works. This protected work is in the form of intangible objects such as copyrights, patents, and tra

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9

Ard, BJ. "Taking Access Seriously." Texas A&M Law Review 8, no. 2 (2021): 225–69. http://dx.doi.org/10.37419/lr.v8.i2.1.

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Copyright is conventionally understood as serving the dual purposes of providing incentives for the creation of new works and access to the resulting works. In most analysis of copyright, however, creation takes priority. When access is considered, it is often in the context of how access relates back to the creation of new works. Largely missing is an account of the value of access on its own terms. So what is the place of access in copyright law and policy? A set of cases dealing with copyright owners’ attempts to enjoin the markets created by new playback and distribution technologies is in

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10

Sastrawan, Gede, and Gede Sastrawan. "ANALISIS YURIDIS PELANGGARAN HAK CIPTA PADA PERBUATAN MEMFOTOKOPI BUKU ILMU PENGETAHUAN." Ganesha Law Review 3, no. 2 (2021): 111–24. http://dx.doi.org/10.23887/glr.v3i2.446.

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    This article discusses the Juridical Analysis of Copyright Infirigement On The Act Of Photocopying Books of Science. Copyright is a part of Intellectual Property Rights (HKI). The copyright phrase comes from a foreign term, namely Copyrights. The term Copyrights was first put forward in the Berne Comvertion (International Convention on Copyright concerning the protection of Art and Literature) which was held in 1886. According to Article 1 number (1) of Law Number 28 of 2014 concerning Copyright, it states that "Copyright is the right exclusive to the creator that a

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11

Ruhtiani, Maya, Yuris Tri Naili, Purwono Purwono, and Iin Dyah Indrawati. "Sosialisasi dan Pelatihan Pendaftaran Hak Cipta dengan Sistem POP HC di Kota Tasikmalaya." Jurnal Pengabdian Masyarakat - PIMAS 1, no. 3 (2022): 97–103. http://dx.doi.org/10.35960/pimas.v1i3.830.

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Someone's copyrighted work is the absolute right of the creator who is named with copyright. Basically, a copyrighted work can be used alone or transferred to others through a legal transition. The transition can be economically beneficial because the copyright holder must pay royalties to the owner. Basically, not everyone is aware of the existence of a transfer of rights that can be one of the protection of one's work can be done by means of copyright registration as evidenced by a certificate of copyright registration issued by the DGIP. The method used is by socialization and training dire

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12

Kadek Arya Oka Sumantara and I Wayan Novy Purwanto. "Pendaftaran Hak Cipta Lagu sebagai Objek Jaminan Fidusa." Aliansi: Jurnal Hukum, Pendidikan dan Sosial Humaniora 2, no. 1 (2024): 249–56. https://doi.org/10.62383/aliansi.v2i1.747.

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Song or Music Copyright with the provisions stipulated in Law Number 42 of 1999 concerning Fiduciary Guarantees, explains that "Song copyrights can be used as Fidusa Guarantees, however in practice, banks refuse to process loans originating from songs and music because so far there are no songs and music that are guaranteed to get a loan, as stipulated in Law Number 10 of 1998 concerning Banking. The purpose of this study is to (1) find out how the classification of song copyrights that can be registered as objects of fidusa guarantees, and (2) find out the model of legal arrangements for song

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13

Alawsi, Dr Husham. "The Role of Bahraini Law on Online Copyright Infringement." International Business & Economics Studies 2, no. 4 (2020): p23. http://dx.doi.org/10.22158/ibes.v2n4p23.

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The main aim of this research paper is to look at the role of Bahraini law in copyright infringement. In Bahrain, many commercially pirated audio and video markets have been eliminated through various laws. However, video, software and audio piracy by end-users is still a huge problem. A copyright infringement is considered to be a violation of an organization or individual’s copyright. It describes the copyrighted material’s unauthorized use, such as images, text, videos, software, music and other original content. Copyright infringements have been formally addressed through various copyright

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14

Tarasenko, Leonid. "Inheritance of property copyrights: problems of legal regulation." Theory and Practice of Intellectual Property, no. 4 (December 10, 2024): 7–18. https://doi.org/10.33731/42024.317229.

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The article considers certain problematic aspects of the inheritance of property copyrights. It was established that the legislation on notary is not coordinated with the legislation on copyright in terms of the inheritance of property copyrights. It has been proven that notaries must have the professional courage to apply the presumption of authorship registering hereditary rights to works. It is proposed to supplement the legislation on notary and copyright with provisions that in the event of registration of an inheritance, which includes property copyrights to a work, the notary can apply

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15

Sayed, Qudrat Hashimy. "The Doctrine of Copyright Exhaustion in Software Under Indian Copyright Act: A Cursory Glance." Indian Journal of Law and Legal Research 4, no. 1 (2022): 1–18. https://doi.org/10.5281/zenodo.6673906.

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This study provides that copyright exhaustion serves an important social function of reducing the cost of information costs. Without it, buyers will be required to waste time and resources inquiring about their ability to resell copyrighted work. Because resale rights are generally regarded as desirable by society, the law should ordinarily grant them to buyers. There are costs associated with copyright exhaustion. The major drawbacks included a decline in the incentives to innovate as well as a regressive distributive effect as a result of copyright exhaustion’s restriction on some pric

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16

Rosen, Amy. "China vs. United States: A Cosmopolitan Copyright Comparison." Pittsburgh Journal of Technology Law and Policy 15, no. 1 (2015): 1–32. http://dx.doi.org/10.5195/tlp.2014.154.

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China has a notorious reputation for infringing on intellectual property, especially copyrights. Despite making substantial improvements in its copyright laws over the years, China continues to be haunted by this reputation. But is it really true? By analyzing China’s Copyright Law, this piece explores whether the assumption that China is a notorious infringer is valid. By comparing the copyright laws of the United States to those of China, and by comparing the number of litigated copyright cases that have recently occurred in both countries, this Article concludes that unfortunately Chinese c

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17

Matveev, A. "Principles of the continental copyright law." Bulletin of Science and Practice 456, no. 11 (12) (2016): 394–401. https://doi.org/10.5281/zenodo.167023.

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It is known that there are two key copyright law traditions: English–American and Roman–Germanic copyright laws. The French and German copyright law is in the vanguard of the continental copyright law, with the copyright law of Russia being among the others in this copyright law system. However, the Russian copyright law has some specific characteristics. Copyright law is based on the defined principles. The purpose of the present article is to define the principles Continental Copyright Law. Systematic structural and formal dogmatic methods are used in the analysis. We believe that the contin

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18

Park, Kyoung-Shin. "A Study on Appropriation Art and Application of Transformativeness under Fair Use Clause of the Korean Copyright Act - Focusing on the Implication of Andy Warhol Foundation v. Goldsmith." Korea Copyright Commission 144 (December 31, 2023): 297–342. http://dx.doi.org/10.30582/kdps.2023.36.4.297.

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Appropriation art borrowing or even directly copying other artists’ copyrighted works or other cultural materials is more likely to infringe copyrights under the current copyright system. In this regard, Andy Warhol Foundation v. Goldsmith, where the Supreme Court revisit its most salient fair use precedent which introduced the idea of a “transformative use”, provides some useful guidance to visual artists to avoid running foul of rights holders- even if it does leave many questions unanswered. The decision is notable for at least two reasons. First, it is the first time the Court has consider

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19

H., Rajendra Babu. "Awareness of Copyright and its Policies among the PG Teaching Faculty: A Study." Indian Journal of Information Sources and Services 8, no. 3 (2018): 26–32. http://dx.doi.org/10.51983/ijiss.2018.8.3.552.

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Copyright is a form of intellectual property protection granted under Copyright Act to the creators of original works of authorship. Libraries are the backbone of any organization or an institution. Alongside, libraries are also the torch bearers, in the creating awareness of the IPR aspects to its user community. A study on finding the awareness levels in the area of intellectual property rights in general and copyright in specific is the need of the hour in the universities, as they grooming the next generation of workers happens in there. Here is a study aimed at to see how the faculties in

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20

Seadle, Michael. "Copyright in the networked world: orphaned copyrights." Library Hi Tech 23, no. 3 (2005): 453–59. http://dx.doi.org/10.1108/07378830510621838.

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PurposeThis column aims to look at the results of the US Copyright Office's request for comments about orphan copyrights.Design/methodology/approachIt uses a form of Game Theory called the Prisoner's Dilemma Game to analyze the comments that are available on the Copyright Office web site.FindingsSome change seems likely, if only because the opponents of change may discover that they can gain more for themselves when they stop defending the interests of those who have abandoned their copyrights already.Practical implicationsIf some form of cooperation between intellectual property consumers and

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21

Rosta, Muzaki, Mukisa Ben Waibi, Biruma Ivan, et al. "Critical Examination of The Effectiveness of Uganda’s Copyright Law." IDOSR JOURNAL OF CURRENT ISSUES IN ARTS AND HUMANITIES 10, no. 1 (2024): 50–58. http://dx.doi.org/10.59298/idosrjciah/2024/101.5058004.

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This paper critically analyses the effectiveness of Uganda’s copyright law. Uganda's copyright legal regime is not elaborate enough and there is limited knowledge of its existence when it comes to authors of works in Uganda. Lack of proper enforcement of the existing laws is equally what has backtracked the protection of works resulting in widespread infringement and abuse of copyright-protected works under the guise of fair use. In this light, the study calls for an upgrade of technology to be done to help to collect societies execute the mandate efficiently because copyright infringement tod

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22

Emruli, Safet, Agim Nuhiu, and Besa Kadriu. "Copyright and Copyright Protection." European Journal of Interdisciplinary Studies 2, no. 4 (2016): 36. http://dx.doi.org/10.26417/ejis.v2i4.p36-40.

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One of the legal intellectual property disciplines are copyrights which concerns artistic and literary works. Copyright is: bundle of exclusive legal rights that has to do with protection of literary and artistic works. It is granted to authors and artists to protect expressive works against unauthorized reproduction or distribution by third parties. Copyright protect “works”, expression of thoughts and ideas. Literary, dramatic, musical and artistic works must be original, it means not to be a copy. Copyright covers two other types of right: economic rights, the right of the owner to benefit

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Emruli, Safet, Agim Nuhiu, and Besa Kadriu. "Copyright and Copyright Protection." European Journal of Interdisciplinary Studies 6, no. 1 (2016): 36. http://dx.doi.org/10.26417/ejis.v6i1.p36-40.

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One of the legal intellectual property disciplines are copyrights which concerns artistic and literary works. Copyright is: bundle of exclusive legal rights that has to do with protection of literary and artistic works. It is granted to authors and artists to protect expressive works against unauthorized reproduction or distribution by third parties. Copyright protect “works”, expression of thoughts and ideas. Literary, dramatic, musical and artistic works must be original, it means not to be a copy. Copyright covers two other types of right: economic rights, the right of the owner to benefit

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24

Maidanyk, Liubov. "NFT: a private law view through the link with copyright." Theory and Practice of Intellectual Property, no. 1 (June 3, 2022): 16–27. http://dx.doi.org/10.33731/12022.258183.

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Keywords: NFT, copyright, virtual assets, nonfungible tokens. This article is devoted to the study of non-fungible tokens (NFT) as a new tool, which due to its technical features is unique and unrepeatable and has recently been widely used by art collectors. This article attempts to define the legal understanding of nonfungible tokens from the perspective of civil law, as well as copyrights. In order to achieve this goal, the article identifies the main legally important components of theNFT creation process, which not least determine the place in the system of objects of law. This artic

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Sung, Huang-Chih. "Prospects and challenges posed by blockchain technology on the copyright legal system." Queen Mary Journal of Intellectual Property 9, no. 4 (2019): 430–51. http://dx.doi.org/10.4337/qmjip.2019.04.04.

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In the current copyright law and technology environment, two prominent problems must be considered when enforcing and executing copyrights: (i) the difficulty of proving authorship/ownership of a copyright; and (ii) the difficulty of conducting copyright transactions. The invention of blockchain technology has made it possible to solve these two issues. First, the use of blockchain technology with the InterPlanetary File System (IPFS) is an excellent mechanism for copyright authentication and document preservation. This mechanism allows authors (copyright owners) to prove authorship of their w

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Dewi Zion, Fransisca, Evita Isretno Israhadi, and Ahmad Redi. "Juridical Review of Criminal Sanctions Against Perpetrators of Intellectual Property Rights Violations." Edunity : Kajian Ilmu Sosial dan Pendidikan 2, no. 1 (2023): 63–69. http://dx.doi.org/10.57096/edunity.v1i05.37.

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Copyright is the exclusive right of the Creator or Copyright Holder to regulate the use of the results of casting specific ideas or information. Copyright applies to various types of works of art or copyrighted works. With the existence of Law Number 28 of 2014 concerning Copyright, it is hoped that it will facilitate proof in copyright disputes, especially in works of art, as well as the originality of ideas, content, and digital products.

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Happy Yulia Anggraeni. "Implementation of Legal Principles and Theories in the Reform of the Indonesia Copyright Law Related to Equity Ownership of Lecturers Works." Power System Technology 48, no. 1 (2024): 1968–92. https://doi.org/10.52783/pst.467.

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The Copyright Law stipulates different arrangements regarding copyright ownership between PTN lecturers (Article 35) and PTS lecturers (Article 36). The difference is basically that, in PTN, the ownership of the copyright is with the institution, while in PTS it is with the lecturer. The existence of different arrangements in the HC Law regarding ownership of book copyrights between PTN and PTS lecturers seems to discriminate against PTN lecturers compared to PTS lecturers. The problem that will be studied is the implementation of the alter ego principle and the principle of legal certainty in

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Diligenski, Andrej, and Dragan Prlja. "PROTECTION OF COPYRIGHT IN THE DIGITAL WORLD." Strani pravni život 61, no. 1 (2017): 35–49. http://dx.doi.org/10.56461/spz17103d.

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In today’s digital world, in which the copyrights and intellectual property (music, pictures, movies...) are copied and replicated free of charge and in excellent quality over the Internet with tremendous speed, is almost every one of us confronted every single day with a complicated issue of copyrights. The territorial jurisdiction of the copyright law is facing new challenges in the digital world and above all on the Internet. Court practice review of the European Court of Justice and the German courts indicates legal problems in practice. Besides that, courts through interpretation of the E

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Safarov, Azer Tofig. "Features of the legislation of the Republic of Azerbaijan in the sphere of copyright protection." Law Review of Kyiv University of Law, no. 1 (April 15, 2020): 243–49. http://dx.doi.org/10.36695/2219-5521.1.2020.49.

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Copyright protection is a priority orientation in the field of protection of intellectual property rights. Copyright does not allow other people to use the products of creative activity of authors without their permission. Copyright violaton causes the authors both material and moral damage. The copyright protecttion in jurisprudence implies the set of measures aimed at the restoration and recognition of copyright in case of their violation and also it protects the interests of the owner of these rights in violation or contestation of copyrights. The copyright protection is carried out in acco

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I Putu Yudha Wira Krisna, Heryanto Amalo, and Rudepel Petrus Leo. "Penegakan Hukum Terhadap Pelanggaran Hak Cipta yang Dilakukan oleh Penyanyi (Cover) di Media Sosial (Youtube) yang Mendapat Bayaran Kepada Pencipta Lagu Ditinjau dari Undang-Undang Hak Cipta." Birokrasi: JURNAL ILMU HUKUM DAN TATA NEGARA 1, no. 4 (2023): 213–26. http://dx.doi.org/10.55606/birokrasi.v1i4.744.

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The purpose of this research is to understand the substance of the regulation of copyrighted works in Indonesia, especially those related to cover versions and to find out more about the protection and legal remedies for copyright holders of copyrighted works regarding cover versions of songs that are sung again for commercial purposes based on Law Number 28 of 2014 concerning Rights. Create. This type of research is empirical juridical. There are seven factors that cause copyright infringement, namely economic, cultural, technological, law enforcement, education, unemployment and environmenta

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Prabowo, Akbar, and Ahdiana Yuni Lestari. "Kajian Yuridis Keabsahan Peralihan Wakaf Hak Cipta." Proceeding Legal Symposium 1 (April 14, 2023): 149–57. http://dx.doi.org/10.18196/pls.v1i1.95.

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This study aims to find out and it is hoped that readers can understand copyright waqf, especially in terms of its validity and legal consequences of copyright waqf for wakifs and copyright works that have been donated, which can become a problem in the future. The main problems in this research are; (1) how is the legitimacy of waqf implementation? and (2) what are the legal consequences of having a copyright waqf for a copyrighted work? This study uses normative juridical research by studying formal law regarding the juridical study of the transfer of waqf and copyright. From the results of

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Mastura Muhammad Arif, Afida. "An analysis of copyright protection in Saudi Arabia." International Journal of Law and Management 56, no. 1 (2014): 38–49. http://dx.doi.org/10.1108/ijlma-03-2012-0010.

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Purpose – This paper aims to explore the copyright laws of Saudi Arabia, illustrating the provisions governing the law. It seeks to outline Saudi Arabia copyright law within the framework of the international copyright protection, which include the Berne Convention and the TRIPS agreement. Design/methodology/approach – The paper is a thorough scrutinizing of the legal provisions of the Saudi Copyright Laws in regard to protected works, author's exclusive rights, lawful use of copyrighted works and the exceptions, mandatory licenses, duration of protection, provisions of infringements and penal

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Albarashdi, Saleh Hamed, and Muhammed Masum Billah. "Restrictive Conditions for Free Uses of Copyrighted Materials under Omani Law and Their Implications for Users’ of Copyrighted Materials." Journal of Arts and Social Sciences [JASS] 10, no. 3 (2019): 35. http://dx.doi.org/10.24200/jass.vol10iss3pp35-45.

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Omani Copyright and Neighboring Rights Law of 2008 contains a list of exceptions to the exclusive rights of copyright holders. These exceptions allow people to copy and use copyrighted materials in certain cases without paying any fees or obtaining any permission from the copyright holders. The exceptions cover free uses for purposes like teaching, education, quotation in another work, dissemination of news etc. However, the Omani Copyright and Neighboring Rights Law puts many conditions for such free uses. Some of these conditions mirror similar conditions under the Berne Convention and other

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Albarashdi, Saleh Hamed, and Muhammed Masum Billah. "Restrictive Conditions for Free Uses of Copyrighted Materials under Omani Law and Their Implications for Users’ of Copyrighted Materials." Journal of Arts and Social Sciences [JASS] 10, no. 3 (2019): 35–45. http://dx.doi.org/10.53542/jass.v10i3.3595.

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Omani Copyright and Neighboring Rights Law of 2008 contains a list of exceptions to the exclusive rights of copyright holders. These exceptions allow people to copy and use copyrighted materials in certain cases without paying any fees or obtaining any permission from the copyright holders. The exceptions cover free uses for purposes like teaching, education, quotation in another work, dissemination of news etc. However, the Omani Copyright and Neighboring Rights Law puts many conditions for such free uses. Some of these conditions mirror similar conditions under the Berne Convention and other

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Young, Victoria. "An Unauthorized Renaissance? An Analysis of Artists’ Claims for Copyright Infringement Against AI Generated Art and Possible Defenses." FIU Law Review 18, no. 2 (2024): 521–43. http://dx.doi.org/10.25148/lawrev.18.2.14.

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AI currently presents a novel issue in terms of copyright infringement, specifically AI generated art. Recently, a group of artists filed a class action lawsuit against several AI generated art companies. This comment evaluates the potential avenues the court may take. The artists allege these AI generated art companies directly infringed on their copyrighted works by making unauthorized copies of copyrighted works which they used to train their machine learning programs. A determination on whether AI generated art constitutes copyright infringement has not been made by the courts before. To b

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Susilo, Adhi Budi. "Renewal of Criminal Law Politics Relating to Justice Based On Justice." Walisongo Law Review (Walrev) 1, no. 2 (2019): 155. http://dx.doi.org/10.21580/walrev.2019.1.2.4803.

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<p>Copyright is a high reality of various values, including economic value, this is because copyright that is born of copyright, taste, and intention is able to color the development of human life through objects born from the copyright process. However, in its development various copyrights were not considered in this country. The rise of piracy on song copyrights for example, is only able to benefit the perpetrators of piracy of song copyright economically. The research method used is a juridical legal research method of analysis with the object of research studies aimed at the laws an

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Susilo, Adhi Budi. "Renewal of Criminal Law Politics Relating to Justice Based On Justice." Walisongo Law Review (Walrev) 1, no. 2 (2019): 157. http://dx.doi.org/10.21580/walrev.2019.2.2.4803.

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<p>Copyright is a high reality of various values, including economic value, this is because copyright that is born of copyright, taste, and intention is able to color the development of human life through objects born from the copyright process. However, in its development various copyrights were not considered in this country. The rise of piracy on song copyrights for example, is only able to benefit the perpetrators of piracy of song copyright economically. The research method used is a juridical legal research method of analysis with the object of research studies aimed at the laws an

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Pak, Yunseok, and Siyeol Kim. "A Review of Copyright License Issues and Fair Use in the Broadcasting Field: Focusing on broadcasting monitoring." Institute for Legal Studies Chonnam National University 43, no. 4 (2023): 181–210. http://dx.doi.org/10.38133/cnulawreview.2023.43.4.181.

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Disputes related to copyright frequently arise in the broadcasting and OTT services. There are three types of disputes. The first is disputes between broadcasters and collective management organizations regarding trust agreements for phonogram incorperated in audiovisual works. The second issue is related to broadcasting remuneration for using audiovisual works and phonograms in broadcasting, and the last is the the application of broadcasting remuneration claims according to international treaties. Some legislative proposals were announced to solve these problems. However, these proposals als

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Wicaksono, Galih Wahyu. "TINDAKAN SAMPLING PADA KARYA CIPTA MUSIK DALAM PERSPEKTIF UNDANG–UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA." Jurnal Privat Law 11, no. 1 (2023): 72. http://dx.doi.org/10.20961/privat.v11i1.44806.

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<p><em>This article was conducted to find out the views on sampling action in terms of Law No. 28 of 2014 concerning Copyright and to find out how legal protection can be carried out by an Author or Copyright Holder. Sampling is an act of taking or using a part of the copyrighted work of an Author or Copyright Holder which will later be used in a new composition. The method in this research uses empirical writing methods and uses a qualitative approach. The results of the research show that sampling is not an infringement of Copyright if it is not carried out for commercial activit

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Shtefan, Olena. "The concept infringement of subjective copyright: a theoretical aspect." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 15–23. http://dx.doi.org/10.33731/62020.233859.

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Shtefan O. The concept infringement of subjective copyright: a theoreticalaspect. The article examines the problem of protection of subjective copyright at the doctrinal level. The source base analyzed in the article revealed the lack of a unified approach to the definition of copyright infringement, the criteria for classifying infringements and their characteristics. The author 's approach to the solution of the outlined problem is offered in the article.In particular, the proposed following definition of copyright infringement is a culpable, unlawful, punishable act (action or omission) tha

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Leistner, Matthias. "Copyright law in the EC: Status quo, recent case law and policy perspectives." Common Market Law Review 46, Issue 3 (2009): 847–84. http://dx.doi.org/10.54648/cola2009035.

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The paper gives a topical overview of copyright law in the EC. Firstly, the remarkably comprehensive acquis communautaire in copyright law (with seven specific Directives in the field to date) is briefly outlined. Secondly, the growing body of ECJ case law, referring to the provisions of the Directives’ copyright acquis communautaire, is described and discussed in detail. Thirdly, recent policy initiatives of the Commission, such as the planned extension of the protection term for performing artists and producers of sound recordings as well as the recent Green Book on Copyright in the Knowledg

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Ziółkowska-Majkowska, Aleksandra. "Photographs as a subject of copyright protection." Kwartalnik Prawa Międzynarodowego IV, no. IV (2024): 253–66. http://dx.doi.org/10.5604/01.3001.0054.4289.

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In the era of rapid technological advancement and the mass production of photographs, there is an increasing likelihood of their use by third parties, in some cases involving the infringement of copyright. Not every photograph is automatically protected by copyright. The criteria for recognizing a work as covered by copyright derive from the law, and when establishing the factual situation and issuing a verdict, courts decide whether to consider a particular photograph as a copyrighted work. Extensive application of the criterion “manifestation of individual character” would result in every ph

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Iskierka, Iwona, and Sławomir Iskierka. "Prawnoautorska ochrona programów i gier komputerowych." Dydaktyka Informatyki 16 (2021): 28–40. http://dx.doi.org/10.15584/di.2021.16.4.

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The article reviews issues related to the copyright protection of computer programs and games. Attention was paid to the concept of intellectual property and legal issues related to the management of collective copyrights and related rights. Selected issues related to the history and development of copyright are presented. The history of computer games and issues related to the status of a computer game in the context of copyright were also discussed.

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Erniyanti, Erniyanti. "The Legal Protection of Copyrighted Musical Works Used for Commercial Purposes." International Journal of Law Reconstruction 7, no. 2 (2023): 164. http://dx.doi.org/10.26532/ijlr.v7i2.32633.

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The purpose of writing this journal is to know the legal arrangement of copyright protection of musical works used for commercial purposes, and know the legal protection of copyrighted musical works used for commercial purposes. The author is interested in further research where the research aims to analyze Legal Arrangements for Copyright Protection of Musical Works Used for Commercial Purposes and Legal Protection of Copyrighted Musical Works Used for Commercial Purposes. The method used is a nomative approach through literature study, and empirical approach through field research by conduct

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Hadiwibowo, Yoga Teguh, H. Umar Hasan, and Rosmidah Rosmidah. "Perlindungan Hukum Karya Cipta dengan Teknologi Blockchain dalam Kerangka Hukum Hak Kekayaan Intelektual di Indonesia." ARBITER: Jurnal Ilmiah Magister Hukum 6, no. 2 (2024): 209–18. https://doi.org/10.31289/arbiter.v6i2.4198.

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This study aims to analyze the effectiveness of legal protection for copyrighted works in Indonesia through the application of blockchain technology. The research method used is normative juridical with a regulatory approach and conceptual approach. The findings show that blockchain technology can enhance transparency and legal certainty in copyright protection. The implementation of blockchain allows for permanent and tamper-proof recording of ownership of copyrighted works, making it easier to prove ownership and usage, while reducing copyright infringements. However, despite its great poten

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Nurhayati, Siti, and Dina Andiza. "Legal Review of the Publication of Song Covers to Youtube without the Creator's Permission is Reviewed from Law No. 28 of 2014 on Copyright." International Journal of Research and Review 9, no. 3 (2022): 48–59. http://dx.doi.org/10.52403/ijrr.20220307.

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Copyright in the field of music and songs has been supported by technological advances one of which is Youtube, with this technological advancement many things can be done by irresponsible people so that it can harm others such as making a cover version of other people's songs and uploading them to Youtube media without getting permission from copyright holders and not infrequently today many become famous and benefit more than creating songs. The collection and collection of data in this study was carried out by document study (Library Research) using skunder data that includes primary, skund

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Morgunova, E. A. "Copyright under Russian and Chinese Law." Legal Science in China and Russia, no. 7 (March 14, 2025): 120–25. https://doi.org/10.17803/2587-9723.2024.7.120-125.

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This article presents the main provisions of the copyright institution in Russia and China. A comparative analysis of copyright objects and the conditions of their protectability under the legislation of Russia and China is carried out, the types of copyright, their content and validity periods are considered, as well as issues of disposal of property copyrights and their protection. The article presents an analysis of a Chinese court decision on the protection of copyright on a financial report generated by a computer program, which became the subject of discussion at the WIPO Intellectual Pr

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Ibe, Ikenna U., and Noel N. Udeoji. "THE CHALLENGES AND PROSPECTS OF NIGERIA COPYRIGHT ADMINISTRATION IN A DIGITAL ARTIFICIAL INTELLIGENCE AGE." ABUAD Private and Business Law Journal 3, no. 1 (2019): 110–32. http://dx.doi.org/10.53982/apblj.2019.0301.06-j.

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Copyright is one of the several existent intellectual property rights which seek to protect original works of authorship fixed in any medium of expression known or later to be developed. While this form of protection exists, the influx of digital revolution also persists to cause a strain in copyright administration and protection due to evolution in means of replication, manipulation, reproduction, dissemination, access to copyrighted materials, etc. This work aimed at examining the approach of the Nigerian copyright system and her administrative structure in the face of digital and internet

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Kim, Kyungsuk. "Generative AI and Copyright Issues : Cases and Analysis of Copyright Infringement and Copyrightability." Korea Copyright Commission 150 (June 30, 2025): 5–54. https://doi.org/10.30582/kdps.2025.38.2.5.

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With the rapid advancement of generative AI, anyone can easily produce creative works in fields such as literature, music, and visual art. In particular, deep learning-based generative AI systems that generate content by training on large volumes of existing copyrighted works pose a significant challenge to the existing copyright framework. Based on selected copyright litigation cases related to generative AI, this paper analyzes and examines two major legal issues under copyright law: (1) Copyright infringement during the training and use of AI models, and (2) The copyrightability of AI-gener

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Mueller, Felix B., Rebekka Görge, Anna K. Bernzen, Janna C. Pirk, and Maximilian Poretschkin. "LLMs and Memorization: On Quality and Specificity of Copyright Compliance." Proceedings of the AAAI/ACM Conference on AI, Ethics, and Society 7 (October 16, 2024): 984–96. http://dx.doi.org/10.1609/aies.v7i1.31697.

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Memorization in large language models (LLMs) is a growing concern. LLMs have been shown to easily reproduce parts of their training data, including copyrighted work. This is an important problem to solve, as it may violate existing copyright laws as well as the European AI Act. In this work, we propose a systematic analysis to quantify the extent of potential copyright infringements in LLMs using European law as an example. Unlike previous work, we evaluate instruction-finetuned models in a realistic end-user scenario. Our analysis builds on a proposed threshold of 160 characters, which we bor

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