Relevant bibliographies by topics / Costume design

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Costume design'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Costume design"

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Taylor, Madeline. "Fitting materials: Costume flows, intra-actions and agency in and around the fitting room." Scene 9, no. 1 (2021): 97–116. http://dx.doi.org/10.1386/scene_00039_1.

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The costume fitting room has long been considered an essential space in developing a character, with many actors crediting the fitting as a critical stage in creating or understanding their character. In these spaces, characters and costume designs emerge and evolve. This article argues that active in this emergence are actors, designers and costumers and the costume itself. This research explores the costume’s agentic nature in the performance-making process, using ethnographic observation of Australian theatre costume fitting rooms. It evidences the multiple, disparate and sometimes surprisi
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Pantouvaki, Sofia. "Transmedia Costume as 'Sustainable' Costume? Blending Physical and Virtual Bodily Materialities." International Journal of Film and Media Arts 9, no. 1 (2024): 32–46. https://doi.org/10.60543/ijfma.v9i1.9335.

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Combining tangible and digital means in costume design by merging live digital content with traditional costume materials opens new possibilities to create evolving performance dramaturgies and ‘unusual’ bodies. This article focuses on recent and ongoing explorations from the field of costume design for live and mediated performance that employ a combination of physical and virtual tools to design multi-layered characters and costumes. The study analyses experimental works that address questions of virtuality and materiality through the costumed body. Such works explore in practice
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Fadzili, Lini Lis Aisya, and Norhasheila Muharam. "Exploring Female Character Costumes and Representation in Cartoon Network's Adventure Time." International Journal of Art and Design 9, no. 1/SI (2025): 11–25. https://doi.org/10.24191/ijad.v9i1/si.2936.

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Costumes in animated TV series play a crucial role in visual storytelling, reflecting the characters' personalities and the narrative's setting. scholar emphasizes that costume design is a delicate balance between narrative and visual elements, using color, texture, and silhouette to enhance authenticity. In Adventure Time, the varied costumes of Princess Bubblegum and Marceline showcase their evolving personalities while challenging traditional female character stereotypes. This research explores how these designs communicate distinct identities and narratives, with the goal of advancing cost
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Helve, Tua. "Political by Design: Costume Design Strategies within the Finnish Contemporary Dance Productions AmazinGRace, Noir? and The Earth Song." Nordic Journal of Dance 9, no. 1 (2018): 14–31. http://dx.doi.org/10.2478/njd-2018-0003.

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Abstract This article examines costume design within three Finnish contemporary dance productions in the 2010s, AmazinGRace, Noir? and The Earth Song, by respective costume designers Soile Savela, Sanna Levo and Karoliina Koiso-Kanttila, to identify the ways in which costume works within performances with political themes through cases that make use of ‘everyday’ garments as costumes. Here, everyday garments as costume refers to identifiable forms, silhouettes and connotations, as opposed to fantasy or ‘abstract’ costumes. Political, as defined by the themes of these performances, means subjec
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WANG, Y., and R. KHYNEVYCH. "HISTORICAL EVOLUTION AND INNOVATIVE DESIGN OF QIANG COSTUMES." Art and Design, no. 1 (May 6, 2024): 46–55. http://dx.doi.org/10.30857/2617-0272.2024.1.4.

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Рurpose. This paper analyzes the evolution process and cultural connotation of Qiang costume form, discusses the application form of Qiang costume elements in modern clothing design, and provides a theoretical basis for the innovative design of national costumes. Methodology. The field research method, literature analysis method, and case study method are used to analyze the evolution process, cultural connotation, and design application of Qiang costumes. Results. By studying the development process and style design changes of the Qiang costumes, it is concluded that its unique cultural conno
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Kalmakurki, Maarit. "Snow White and the Seven Dwarfs, Cinderella and Sleeping Beauty: The Components of Costume Design in Disney’s Early Hand-Drawn Animated Feature Films." Animation 13, no. 1 (2018): 7–19. http://dx.doi.org/10.1177/1746847718754758.

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Costumes in feature films can be deliberately used for narrative purposes to reveal or conceal something related to the plot, functioning as a key element for cinematic storytelling. Costume design in animation is an integral part of character creation; however, relatively little is known about the design process. Previous research concentrates on either the history of hand-drawn animation, the principles of making animated films or character construction. This article presents several key components of the animators’ costume design process in Walt Disney’s animated feature films Snow White an
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Liu, Wen. "Discussion on the Green Design in Costumes." Advanced Materials Research 317-319 (August 2011): 393–96. http://dx.doi.org/10.4028/www.scientific.net/amr.317-319.393.

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In recent years, the consumers’ demand for costumes tends to become environmental protection, security and health from traditional utility, beauty and durability, and the costumes tend to be more comfortable, simple and natural. The idea of green design in costumes shall become dominant in costume designing. The article mainly elaborates the green designing idea and its necessity of application in the costume from surface materials, color, structure, production and marketing.
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Dean, Sally E. "Somatic costumes™: Traversing multi-sensorial landscapes." Scene 2, no. 1 (2014): 81–87. http://dx.doi.org/10.1386/scene.2.1-2.81_1.

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This article introduces Sally E. Dean’s ‘Somatic Movement & Costume Project’ by presenting examples of the ‘somatic costumes’ created and the costume design, choreographic and pedagogic methodologies applied. ‘Somatic costumes’ aim to facilitate multi-sensorial experiences that change our relationships to ourselves, others and the environment. Although costume has been incorporated in performance for centuries, this project argues for a critical social–cultural paradigm shift: the aesthetic and movement of the performance work comes from the somatic experiences (kinaesthetic and sensorial)
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Olapeju, Shuaib Shadiat, and Olanrewaju Itunuoluwa Tolulope. "An Assessment of the Costume Design of Yolanda Okereke in Craig Freimond’s Blood Sisters." Cognizance Journal of Multidisciplinary Studies 5, no. 4 (2025): 1105–22. https://doi.org/10.47760/cognizance.2025.v05i04.037.

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Costume design is a pivotal visual element in a cinematic narrative. It serves as a visual language that communicates character traits, thematic concerns, and cultural nuances to the audience. Thus, costume represents the artistic and visual interpretation of a film. As one of the most noticeable elements on screen, it offers the audience a direct connection to the characters role in a film. To this end, this paper critically examines the costume designs of Yolanda Okereke in Blood Sisters in order to uncover the creative and technical techniques that she used to shape the visual identities of
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Shuaib, Shadiat Olapeju, and Itunuoluwa Tolulope Olanrewaju. "An Assessment of the Costume Design of Yolanda Okereke in Craig Freimond's Blood Sisters." Cognizance Journal of Multidisciplinary Studies (CJMS) 5, no. 4 (2025): 1105–22. https://doi.org/10.47760/cognizance.2025.v05i04.037.

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<strong>Costume design is a pivotal visual element in a cinematic narrative. It serves as a visual language that communicates character traits, thematic concerns, and cultural nuances to the audience. Thus, costume represents the artistic and visual interpretation of a film. As one of the most noticeable elements on screen, it offers the audience a direct connection to the characters role in a film. To this end, this paper critically examines the costume designs of Yolanda Okereke in Blood Sisters in order to uncover the creative and technical techniques that she used to shape the visual ident
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Dissertations / Theses on the topic "Costume design"

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Lebis, Evelyn. "Interactive Costume Design." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11182.

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Is improvisation during collaboration a design choice? What is the difference between responsive inspiration and collaboration? Who is in charge of the artistic end result? And what influences the designer’s mood? These questions come across when investigating how to present wearable technology and the role of performance.
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Borton, Lisa Kay. "Graduate costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2826.

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Hamlin, Gretchen Lapp. "Costume as art /." Online version of thesis, 1991. http://hdl.handle.net/1850/11870.

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Squitiere, Rita Noelle. "Costume Design for Rent." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/86601.

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Theater<br>M.F.A.<br>Rent is an extremely popular musical, recognizable across the globe. The iconic characters, images, and costumes from the original production have been copied and interpreted numerous times. I have chosen to reinterpret this script by examining the essence of each individual character. After researching magazines from the time period in which Rent was written and books containing information on AIDS and the East Village, all subject matter within Rent, I developed a design concept. Through a series of fourteen sketches I present my original concept for a very well known st
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Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

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This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.
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Marchi, Tavares de Melo Isabela. "Threading Art: the dynamics of costume design and costume studies." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3380.

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The main objective of this research is to demonstrate the strong relationship between design and history in the process of studying and creating costumes for theatre. Costumes are considered an important area in the study of material culture, which has been given more visibility within academia. Over the past few decades, the number of museums and universities with collections dedicated exclusively to costumes and textiles has noticeably increased, recognizing them as works of art worthy of being preserved. Considering costumes’ ability to document time and space, and to visually tell stories,
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Khayat, Mia Tamar. "Realized works in costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2915.

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Ruiz, Emily Beth. "Costume design for the stage." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4740.

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Gilbert, Melissa Leigh. "Costume design for the theatre." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1608.

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Bodley, Brittany Dee. "Visual storytelling through costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2825.

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Books on the topic "Costume design"

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Cletus, Anderson, ed. Costume design. 2nd ed. Harcourt Brace College Publishers, 1999.

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Politismou, Greece Hypourgeio. Metzikōph: Costume design. Ekdoseis Philippotē, 2007.

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Dearing, Shirley. Elegantly frugal costumes: The poor man's do-it-yourself costume maker's guide. Meriwether Pub. Co., 1992.

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KOZLOVA, TAT'YaNA. Fundamentals of costume design theory. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1079849.

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Theoretical questions of costume shaping, periodicity of its forms and cyclical structure development are presented. The process of creating industrial clothing collections is considered. The principles of designing individual parts of the costume are given.&#x0D; &#x0D; For students studying in the direction of training 54.03.03 art of costume and textiles"."
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Athaiya, Bhanu. The art of costume design. Collins, 2010.

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Athaiya, Bhanu. The art of costume design. Collins, an imprint of HarperCollins Publishers India, a joint venture with the India Today Group, 2010.

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Holdridge, Barbara C. The Chinese cut-out design book: Designs of costumes. Stemmer House Publishers, 1989.

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Tilke, Max. Costume patterns and designs. Magna Books, 1990.

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Asher, Jane. Jane Asher's costume book. Open Chain Pub., 1991.

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Phōtopoulos, Dionysēs. Costume design in the Greek theatre. Published by the Commercial Bank of Greece, 1986.

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Book chapters on the topic "Costume design"

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Malloy, Kaoiṁe E. "Costume Design." In The Art of Theatrical Design, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003023142-30.

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Delligatti, T. M. "Introduction." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-1.

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Delligatti, T. M. "Text Analysis and Research." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-2.

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Delligatti, T. M. "Beginning the Design Process." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-3.

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Delligatti, T. M. "Development of the Design, Sketching, and Painting a RENDERING." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-4.

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Delligatti, T. M. "Preparing for Construction." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-5.

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Delligatti, T. M. "The Build Process." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-6.

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Delligatti, T. M. "Tech, Dress, and Opening Night." In Costume Design. Routledge, 2020. http://dx.doi.org/10.4324/9780429354304-7.

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Adams, Jennifer Flitton. "Costume Design Projects." In Teaching Costume Design and Costume Rendering. Routledge, 2023. http://dx.doi.org/10.4324/9781003102502-4.

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Horvath, Joan, Lyn Hoge, and Rich Cameron. "Practical Costume Design." In Practical Fashion Tech. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1662-0_2.

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Conference papers on the topic "Costume design"

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Zheng, Hao. "Design of Costume Matching System for Movie Film Based on Deep Learning Algorithm." In 2024 3rd International Conference for Advancement in Technology (ICONAT). IEEE, 2024. https://doi.org/10.1109/iconat61936.2024.10774709.

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Wu, Yen-I., and Sheng-Ming Wang. "Fusion of Participatory Design and Digital Learning with Artificial Intelligence-Generated Content for Costume Art and Craft Education." In International Symposium on Grids & Clouds (ISGC) 2024. Sissa Medialab, 2024. http://dx.doi.org/10.22323/1.458.0019.

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Bhagya, K. P. N., P. V. M. Karunaratne, G. M. Ranathunga, and H. R. A. T. Ranaweera. "Investigating the design process of traditional costume penetrating a niche market." In Engineering Research Unit Symposium 2023. Engineering Research Unit, 2023. http://dx.doi.org/10.31705/eru.2023.1.

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The design process defines each market segment in the apparel sector. Traditional costumes of Sri Lanka gained a long historical and cultural demand among Sri Lankan consumers. The most demanding costumes are "Nilame" costumes (male costume) and "Ohoriya" (female costume). This research identifies that traditional costume has become an emerging and demanding market segment today. The market segment is evident in Sri Lanka's suburbs in Colombo, Kandy, Galle, Rathnapura, and Kurunegala. The researcher predicts that the market meets niche market parameters
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Ilić, Tamara, Bojan Banjanin, and Ivan Pinćjer. "FROM SKETCH TO ANIMATED 3D MODEL: THEATRICAL COSTUME DESIGN." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p30.

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Theatre costume design is a demanding process that requires the collaboration of the play's creative team, including the director and performers. Traditionally, the process involved phases such as sketching, tailoring, sewing, and fitting. Nowadays, these phases have been transformed through digital reconstruction, clothing simulation, and motion-tracking tools. This paper aims to illustrate the theatrical costume design process using Tibor Vajda's play Pygmalion as a case study and to explore how modern technology can breathe new life into the process. The study examines the costume design wo
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Cabral, Alexandra, and Carlos Manuel Figueiredo. "Costume Design: Ergonomics in Performance Art." In Applied Human Factors and Ergonomics Conference. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100820.

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The human body, in contemporary art, is used as a means, as it also is in fashion design practices applied to the art field, that explore the alteration of the anatomic perimeter in its impact on the user’s self-image, expression and transformation. Costumes that defy gesture bear a reflection on dress over body and we question how functionality (or the lack of it) can influence cognition – mostly when we expect a performer to feel and express the same way a character does and when the audience aims to feel the same way the character feels. Does the performer become a more reactive user toward
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Liang, Jun, and Tian chang Li. "Stitching in Costume Design." In 2nd International Conference on Education, Management and Social Science (ICEMSS 2014). Atlantis Press, 2014. http://dx.doi.org/10.2991/icemss-14.2014.103.

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Zhanguzhinova, Meruyert, Bagdat Akylbekova, Sabit Kurmanbekov, Nazerke Kumargaliyeva, and Nazerke Kairbekkyzy. "Innovative Trends in Ethno-Costumology in the Modern Theater Process." In 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.023.

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This article examines the topicality of ethno-costumes in the context of the modern theatrical process. The aim of the study is to conduct a theoretical and methodological study of the problems of ethno-costumeology in the context of the modern theatrical process. The scientific and theoretical methodology of the research include the theoretical foundations of ethno-costumes, concepts of the modern theatrical process, methodological aspects of ethno-costumes, innovative directions of ethno-costumes, artistic principles of creating an ethnocostume. Scientific and theoretical methods were used:
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Demenkova, A. B., and E. N. Sorokotyagina. "CURRENTTOPICSOFFINALQUALIFYINGWORKSAREAS OF TRAINING COSTUME DESIGN." In Построение систем управления устойчивым развитием территории: аспекты цифровизации. Ивановский государственный политехнический университет, 2021. http://dx.doi.org/10.47367/978-5-88954-515-6_2021_1_3.

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Wang, Yunyun. "Methods of Innovative Application of Miao Costume Elements in Modern Costume." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.98.

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Olga Nikolaevna, Danilova, Yipeng Yang, and Ismaeva Alina Nikolaevna. "Glocalization Trends in Costume Design Fashion Design." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.103.

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Reports on the topic "Costume design"

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Jablon-Roberts, Sara, and Eulanda Sanders. Historical Accuracy in Costume Design: Experiences and Perceptions of Broadway Costume Designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1745.

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Van Wyk, Lindsey. Communication and its importance in costume design. Iowa State University, 2013. http://dx.doi.org/10.31274/cc-20240624-386.

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Rhee, Jongeun, and Susanna Bordelon. �Choli�: Re-Design and Engineering Functional Belly Dancing Costume. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8283.

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Orzada, Belinda T. Ballet Costume Design: the Ultimate Challenge in Function and Sustainability. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-469.

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Kwon, Yumi, and Sook Jin Kim. Study on Development of Convergence Subjects for Software Education in Fashion Design: Convergence Education of Western Costume History and 3D Virtual Costume Programs. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1698.

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Plummer, Brianna, Eulanda A. Sanders, and Fatma Baytar. The Rise of Online Digital Textile Printing Services and its Impact on Costume Design Practice. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1900.

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Cho, Seunghye. Exploring Theatrical Costume Design in Fashion: an Interdisciplinary Production of Shakespeare's A Midsummer Night's Dream. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-71.

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Hall, Martha L., Belinda T. Orzada, and Dilia Lopez-Gydosh. Visual Characterizations of “Gowns by Adrian”: Documentation of the Costume Design Aesthetic of Gilbert Adrian, 1928-1941. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-613.

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Martin, Kathi, Nick Jushchyshyn, and Daniel Caulfield-Sriklad. 3D Interactive Panorama Jessie Franklin Turner Evening Gown c. 1932. Drexel Digital Museum, 2015. http://dx.doi.org/10.17918/9zd6-2x15.

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The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.
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Plummer, Brianna, Eulanda A. Sanders, and Fatma Baytar. Developing a Trend Analysis Instrument to Establish a Taxonomy of Digital Textile Printing Attributes for Costume and Theatrical Fashion Design Use. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1899.

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