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Dissertations / Theses on the topic 'Costume design'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lebis, Evelyn. "Interactive Costume Design." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11182.

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Is improvisation during collaboration a design choice? What is the difference between responsive inspiration and collaboration? Who is in charge of the artistic end result? And what influences the designer’s mood? These questions come across when investigating how to present wearable technology and the role of performance.

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2

Borton, Lisa Kay. "Graduate costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2826.

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Hamlin, Gretchen Lapp. "Costume as art /." Online version of thesis, 1991. http://hdl.handle.net/1850/11870.

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Squitiere, Rita Noelle. "Costume Design for Rent." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/86601.

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Theater<br>M.F.A.<br>Rent is an extremely popular musical, recognizable across the globe. The iconic characters, images, and costumes from the original production have been copied and interpreted numerous times. I have chosen to reinterpret this script by examining the essence of each individual character. After researching magazines from the time period in which Rent was written and books containing information on AIDS and the East Village, all subject matter within Rent, I developed a design concept. Through a series of fourteen sketches I present my original concept for a very well known st

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Rigdon, Jessica. "THE STORY OF THE COSTUMES: A COSTUME DESIGN THESIS ON TUCK EVERLASTING: THE MUSICAL." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2850.

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This thesis document follows the costume design and production of Southern Illinois University’s February 2021 production of Tuck Everlasting: the Musical. This “earthbound fantasy” musical takes the audience along with the young protagonist on a life changing journey as she discovers a mysterious immortal family living in the wood near her home. The primary focus surrounds a costume designer’s role through analysis, the design process, the production process, and reflection as it applies to Tuck Everlasting: the Musical.

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Marchi, Tavares de Melo Isabela. "Threading Art: the dynamics of costume design and costume studies." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3380.

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The main objective of this research is to demonstrate the strong relationship between design and history in the process of studying and creating costumes for theatre. Costumes are considered an important area in the study of material culture, which has been given more visibility within academia. Over the past few decades, the number of museums and universities with collections dedicated exclusively to costumes and textiles has noticeably increased, recognizing them as works of art worthy of being preserved. Considering costumes’ ability to document time and space, and to visually tell stories,

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Khayat, Mia Tamar. "Realized works in costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2915.

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Ruiz, Emily Beth. "Costume design for the stage." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4740.

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Gilbert, Melissa Leigh. "Costume design for the theatre." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1608.

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Bodley, Brittany Dee. "Visual storytelling through costume design." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2825.

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Baker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse." OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.

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This thesis document is a presentation and exploration of the process involving the costume design for The Boys from Syracuse (music by Richard Rodgers, lyrics by Lorenz Hart, book by George Abbott) in the McLeod Theatre at Southern Illinois University Carbondale during February 2018. This light-hearted, farcical musical reminds us that life doesn’t have to be so serious. It explores our ability to be consumed by our own responsibilities, which causes us to escape to the theater and just enjoy a show. Chapter 1 contains the research, background information, and script analysis that was conduct

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Rocha, Rosane Muniz. "A trajetória de Gianni Ratto na indumentária." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13052009-161645/.

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Esta pesquisa registra e analisa as criações de figurinos, desde a Itália até o Brasil, de Gianni Ratto, diretor, cenógrafo, iluminador e figurinista, além de autor e importante figura no teatro italiano e brasileiro. A catalogação, organização e digitalização das imagens de seus trabalhos resgata parte da história do teatro. Somada à investigação em fontes bibliográficas, e levando em consideração a história oral nos depoimentos registrados, a análise do seu acervo torna-se não apenas histórica, mas também cultural. Um estudo comparativo de três montagens do mesmo espetáculo (Elixir de Amor)

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13

Grace-Duff, Jamie L. "A Costume Design for Pudd'nhead Wilson." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/199309.

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Theater<br>M.F.A.<br>This thesis describes the process I used to research, draw, paint and finally design the costumes for Temple University's theatrical production of Pudd'nhead Wilson written by Charles Smith. I present the differences between the novel by Mark Twain and the script by Charles Smith. The early design process is then described including meetings with the director Doug Wager, the scenic designer Ian P. Guzzone and the lighting designer Christopher Hetherington. My preliminary costume research is illustrated in the text and the accompanying appendices followed by full color goua

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14

Ryan, Hayley Melissa. "Creating character: a costume design portfolio." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6268.

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The role of a costume designer in a theatrical production is influential in creating character, time, and space. Costumes are the way in which a costume designer expresses a character’s personality, emotions, social status, and other personal idiosyncrasies. The job of a costume designer is to know how a character’s identity influences how they dress themselves. As a character develops throughout the performance, so must their clothing. Costumes show how a character ages, transforms, or regresses over the arc of a production. Not only do costumes show character details, they help clue the audi

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15

Edelson, Kate Elizabeth. "Costume Designs for Divine Words." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/84203.

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Theater<br>M.F.A.<br>Divine Words is an adaptation of the play Divinas Palabras by Ramon del Valle- Inclan. In this paper, I hope to outline my design process as well as give insight into the development of a new theatrical work. I want to outline my journey from the beginning with the development of the script, the process of designing the show, and then implementing that design. Designing the costumes for this production required creating characters that both aided in telling the story as well as reflected individual character. I designed twenty-eight looks for fourteen actors that took into

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Patton, Michael Graham. "The house of Atreus : set design and costume design." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/7630.

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The purpose of this paper is to describe the creation and implementation of the set and costume design for The University of British Columbia’s production of The House of Atreus at the Fredric Wood Theatre in September of 2005. These designs were the thesis project for my Master of Fine Arts Degree. The House of Atreus is John Lewin’s adaptation of Aeschylus’ The Oresteia. New York based director KJ Sanchez directed the play, and the lighting design was created by Gillian Wolpert. Annabell Woods assisted with the costume design and Ian Giles assisted with the set design. The scenic carpenters

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Fickling, Sarah. "Costume Design and Production of An Enemy of the People." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461090962.

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Alatorre, Carmen. "A costume design for The Learned Ladies." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/24220.

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The purpose of this thesis is to document and describe the costume design project behind the University of British Columbia (UBC) production of The Learned Ladies. This comedy, written by seventeenth century French playwright Molière (Jean Baptiste de Poquelin) in 1672, is a five -act play composed in verse. Our Production ran from February 7-16, 2008 in the Frederic Wood Theatre and was performed by students in the Bachelor of Fine Arts Acting Program. MFA candidate Patrick Gauthier directed the production and the creative team included Stephania Schwartz (Set Designer), Kristin Robinson (L

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Lahoda, Oksana, and Yanwen Lin. "Men's costume and "masculine shaping" in design." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17899.

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The authors propose to consider the problem of gender identity, which in male fashion can be identified by means of "masculinity". The aim of the study is to determine the constants of a man's suit that are associated with exclusively masculine qualities in clothing and constitute the meaning of the category "masculinity", its gender subtext. It has been established that in its historical and socio-cultural development, the design of a man's suit and trends in men's fashion are closely related to socio-psychological types, their style of life, and the ideology of subcultures.

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Bush, J. Theresa. "Shockheaded Peter: a junk opera. Costume Design." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3107.

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My concept is rooted in the fairy tail land of the dark woods like so many other terrifying fairy tails from my youth. Shockheaded Peter, our boogie man, is of the trees. The blood of the rotten children feeds the trees in this concept for the marbles that fall from our children literally representing blood will flow down the rake, across tin gutters, and into a huge tin washbasin out of which grows our gnarly set tree, a gnarly knobby willow. Peter comes from this tree that is fed by the blood of children. I set my costumes in the Regency period and located it in Germany, which gives my

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Sivigny, Debra Kim. "A costume design for Bill Irwin's Scapin." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1768.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Biehl, Jennifer N. Ms. "Hoping for Chekhov costume design for Three sisters /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1236874515.

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Thesis (M.F.A.)--Kent State University, 2009.<br>Title from PDF t.p. (viewed Nov. 30, 2009). Advisor: Sharron Campbell. Keywords: costume design; Three Sisters; Chekhov Includes bibliographical references (p. 94-95).

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Feickert, Kabrina Lee. "Costume Design for "The Matchmaker", A Reflection on Process." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/314340.

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Theater<br>M.F.A.<br>This paper recounts and reflects upon the costume design process for Temple Theaters' 2015 production of "The Matchmaker" by Thorton Wilder. Each major step and phase of the process will be discussed. This includes the script analysis, period fashion research, rendering, and implementation of design choices made by the designer. In addition, the paper will explore the designer's training and goals leading up to this production as a culmination of her post-graduate education with Temple University.<br>Temple University--Theses

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Johnson, Virginia Bristol. "Costume designs for Macbeth by William Shakespeare." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=2962.

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Thesis (M.F.A.)--West Virginia University, 2003.<br>Title from document title page. Document formatted into pages; contains vi, 100 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 34-35).

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Russell, Sarah. "Capturing a classic costume design for Jane Eyre /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1240343022.

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Sturdivant, Jr Jeffrey A. "COSTUME DESIGN OF “THE TWO GENTLEMEN OF VERONA”." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/388813.

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Theater<br>M.F.A.<br>This paper is meant to serve as a reflection and observation of the author's work costume designing Temple University's production of The Two Gentlemen of Verona by William Shakespeare. The paper will walk the reader through the design process of the production from inception, through execution and to the final product. The paper will also reflect on the author's personal goals during the three years spent pursing Master of Fine Arts in Theatre.<br>Temple University--Theses

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Russell, Sarah Roseanne. "Capturing a Classic: Costume Design for Jane Eyre." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1240343022.

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Nicks, Andie. "Recreating Creation: Designing the Costumes for Children of Eden." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2133.

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Southern Illinois University’s Department of Theater presented Children of Eden on the McLeod Theater stage in October of 2016. This Thesis is an examination of the process of designing the costumes for the production from the early play analysis, through the design, to the performances. Stephen Schwartz and John Caird’s Children of Eden is a musical exploration of the first nine chapters of the book of “Genesis.” Our production of Children of Eden focused on creating a global exploration of the familial themes. The first chapter of this document contains an in-depth analysis of this scr

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Chavez, Angela M. "A costume design for Duke Ellington's Sophisticated ladies." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1445.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Stamoolis, Leslie Anne Wise. "The Body Underneath: A Method of Costume Design." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1177096688.

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Quander, Kenann. "The Grapes of Wrath; A Costume Design Thesis." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2176.

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In this thesis, I intend to present an original costume design for John Steinbeck's The Grapes of Wrath. This production is the first full collaboration of its kind between Virginia Commonwealth University’s Theatre Department and Barksdale Theatre. This thesis will be a complete account of my entire design process from the design concept to the finished, realized production. I will be examining my design choices and finished production photos, including color photographs of my original renderings, fabric swatches and research. Throughout my thesis, I will be researching ways to accurately r

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Lujan, Marisa Anne, and Marisa Anne Lujan. "Hands on a Hardbody: Costume Design and Stereotypes." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625074.

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This thesis combines the work I did for my Senior Capstone, costume design for Arizona Repertory Theatre's production of Hands on a Hardbody, with the research I did on the stereotypes present in the show and throughout the history of theatre. While working on the production I noticed that there was a very fine line between authentic costumes or satire with designing these characters' costumes. The show tackles identities as one of its themes, and the characters use stereotypes to attack each other or use as a façade. After completing the production, I decided to research the inception o

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Clark, Elizabeth N. "LACED IN: THE COSTUME DESIGN FOR INTIMATE APPAREL." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/404.

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This thesis presents the written documentation and evaluation of the costume design of Southern Illinois University Carbondale’s production of Intimate Apparel.Chapter One is a detailed analysis of the script, including the historical background of the main character and the time period in which the play is set. The second chapter discusses my design process and collaboration with the director and other designers. Chapter Three is a description of the build for the show as well as problems that arose during the process and the resulting solutions. The final chapter is a self evaluation of my d

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Kuhn, Lindsey LaRissa. "Character in cloth and concrete: a costume and scenic design portfolio." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6785.

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Crocker-Aulenback, Heather Lee. "Dressing cultures costume designs for Pericles /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/369/.

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Winton, Anna F. "Creative clothing design inspired by descriptions of Cinderella's clothing recorded in 322 Cinderella story variants." Online version, 2000. http://www.uwstout.edu/lib/thesis/2000/2000wintona.pdf.

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37

Johnson, Jerry L. "Costuming It's a wonderful life." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2446.

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Thesis (M.F.A.)--West Virginia University, 2002.<br>Title from document title page. Document formatted into pages; contains vi, 61 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 61).

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Hao, Priscilla Ruth. "An Interpretation of Modern: Costume Designs for An Adaptation of Shakespeare's The Two Gentlemen of Verona." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1486.pdf.

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Chen, Yu-Chieh. "Versatile bridal wear." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1345.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010<br>In the 19th and 20th Century, products were manufactured with little concerns for the environment. The result of this was an over flowing of low quality products and a high elimination rate, especially in the fashion industry where constant change is the nature of the business. Particularly in bridal wears, the sustainability is deficient and practicality is limited. bridal garments would only be worn once and are usually highly priced. The purpose of this research is to explore whether consumers are willing

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Booysen, Eileen Eleanor. "Challenging tradition through sustainable bridal wear for a contemporary South African market." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1349.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010<br>This research was conducted to find a natural and functional alternative to commercialised bridal wear in South Africa, for a South African market base, which is holistically sustainable in light of the global paradigm shift towards sustainability. In order to find what the alternative would be I have questioned the symbolic meaning behind the product being presented to the South African bridal apparel market, and the bridal apparel consumer's views and attitudes towards commercialised bridal wear. For the

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41

Françozo, Laura de Campos. "Lume teatro: trajes de cena e processo de criação." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-13112015-101124/.

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O objetivo deste trabalho é analisar o processo de criação dos figurinos dos espetáculos do grupo Lume Teatro. Já que este grupo é, antes de tudo, um núcleo de pesquisa, o presente trabalho busca então compreender de que forma as linhas de pesquisa do Lume Teatro influenciam ou modificam o modo de produção dos trajes de cena. Para atingir essa meta, analisamos o pensamento acerca dos figurinos dos mestres teatrais que foram a base do trabalho desenvolvido pelo Lume. A seguir, foram entrevistados os sete atores-pesquisadores do Lume e dois figurinistas que trabalham com frequência com o grupo.

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Schmeal-Swope, Catherine Isabel. "Costume Design and Production for Othello, by William Shakespeare." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306343922.

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43

Green, Melanie Fisher. "Come Look At The Freaks: Costume Designs for Temple University's Production of Side Show." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/542013.

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Theater<br>M.F.A.<br>The purpose of this thesis is to recount the creative process used when designing the costumes for Temple University’s Fall 2018 production of Side Show. The process is chronicled from the first assignment of the production, to reading the play, then through the process of gathering research, the initial design process and subsequent revisions, the final renderings, and into the process of building and implementing the author’s designs into a fully realized production. Subjects include the historical life of the Hilton Twins, the realities of side show performers, the chan

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Esposito, Angelina Sara. "A pictoral journey of theatrical costume and light design 2013-2016." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3079.

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Salamat, Ana Marie Aguilar. "A costume design of Carlo Gozzi's (The Green Bird)." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7151.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Lynch, Julie. "FROM CHARACTER TO CLOTH: Analysing Costume Design on Screen." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/9955.

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From Character to Cloth: Analysing Costume Design on Screen examines five key components in costume design for screen. The five chapters include: Observation: Analyses how designers make appropriate and balanced design choices by utilising accurate and curious observation methods. It explores how rigorous observation can enrich research outcomes, textual comprehension and design interpretation. Collaboration: Considers and evaluates director and designer practices and relationships. The study focuses on four internationally recognised creative partnerships including: Baz

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Goeres, Sharon Tobin. "Costume designs for An ideal husband by Oscar Wilde." Morgantown, W. Va. : [West Virginia University Libraries], 2002. http://etd.wvu.edu/templates/showETD.cfm?recnum=2395.

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Thesis (M.F.A.)--West Virginia University, 2002.<br>Title from document title page. Document formatted into pages; contains iv, 152 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 130).

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Ishikawa, Reiko. "Costume design for The Ice wolf by Joanna Halpert Kraus." Morgantown, W. Va. : [West Virginia University Libraries], 2007. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5144.

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Thesis (M.F.A.)--West Virginia University, 2007.<br>Title from document title page. Document formatted into pages; contains vii, 95 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 45).

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Lan, Xiaolin. "The Exploration of Development of the Costume Design for Musical Urinetown." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4161.

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The purpose of this thesis is to explain my process in the development of the costume design for Urinetown: The Musical as my last mainstage design project for the Virginia Commonwealth University Department of Theatre. Included is the concept, analysis and design process that went into creating effective costumes for the production for the stage.

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Barford, Katie Elizabeth. "Drawing, interpretation and costume design : a study of the costumed body informed by watching 'Tanztheater Wuppertal' in rehearsal and performance." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12001/.

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This practice-led study contributes new methods of practice and applications of theory to record and analyse the costumed body in performance. While costume scholarship has gained momentum in recent years, this is the first research project to fully explore the application of drawing blind as a means of documenting a researcher’s response to the costumed body. This study contributes to existing knowledge of drawing practice as a method of costume research,through its development of a specific methodology of blind drawing used to record observations while watching video, rehearsals and performa

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