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Journal articles on the topic 'Creativity of actors'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Valeriani, Devi, Dian Prihardini Wibawa, Rendy Rendy, and Rianto Rianto. "Analysis of The Economic Impact of Covid 19 on Performance Tourism Business Personnel in Belitung District." TRJ Tourism Research Journal 7, no. 1 (2023): 33. http://dx.doi.org/10.30647/trj.v7i1.207.

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This study aims to determine the influence of marketing, finance, production, human resources, creativity, and innovation on the performance of tourism business actors. This research is a quantitative descriptive study using simple random sampling. The population consisted of 18,591 business actors in the Belitung Regency, with a sample size of 100 using the Slovin formula. The partial results show that marketing and production have no significant effect on tourism business actor performance, while finance, human resources, creativity, and innovation have a significant impact. Due to constrain

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Noh, Grimm. "Effects of Network Size, Diversity, and Interaction Frequency on Individual Creativity: A Study from South Korea." Social Sciences 11, no. 4 (2022): 170. http://dx.doi.org/10.3390/socsci11040170.

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Creativity is becoming a necessary core competence in nearly all businesses today, and firms are striving to find ways to promote the creativity of employees. This study aimed to analyze the relationships between an individual actor’s network characteristics and the actor’s creativity. More specifically, this study assumed that actors qualitatively differentiate between their global and local networks depending on whether they perceive the other actors in the network as mere acquaintances or trusted persons to discuss life’s important issues with. This study used large-scale survey data collec

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Karki Kshetri, Dibendra Bahadur. "Seeking Stanislavski Techniques of Actor Training in Nepalese Context from His Book An Actor Prepares." Journal of Development and Social Engineering 8, no. 01 (2022): 29–38. http://dx.doi.org/10.3126/jdse.v8i01.54265.

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This paper aims at searching for techniques of actor training in Nepal associating similarities (or differences if any) theorized by Constantin Stanislavski (1863-1938), a Russian theatre director in his book An Actor Prepares. The acting ‘system’ also known as ‘method’ is an approach to acting, developed in the 1920s to support actors in the process of embodying and enacting a role. Although acting may not be an exact science, there is a method to the madness as the package of three-month actor training in Nepali Acting Schools (Gurukul, Actor’s Studio, Mandala, and Sarwanam) like Stanislavsk

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Granzer, Susanne Valerie. "'The Shadow of One’s Own Head' or The Spectacle of Creativity." Performance Philosophy 3, no. 3 (2017): 685. http://dx.doi.org/10.21476/pp.2017.33151.

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When acting, the actor/actress experiences a complex regime of signs in his/her body, mind, mood and gender. These signs are both disturbing and promising. On the one hand, the act of creativity makes a wound obvious which has been incarnated within man. It tells him/her that he/she is not the sole actor of his/her actions. On the other hand, precisely this way acting on stage becomes an event. The act of this event reveals a way of be-coming in which one acts while at the same time being passive, in which the actor/actress is both agent and patient of his/her own performance. This complex art

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HRIB, Bogdan. "Actors of Creativity and Entrepreneurship in Romania." Management Dynamics in the Knowledge Economy 6, no. 4 (2013): 655–72. http://dx.doi.org/10.25019/mdke/6.4.10.

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Munro, Marth, Mariana Pretorius, and Allan Munro. "Creativity, emotional intelligence and emotional creativity in student actors: a pilot study." South African Theatre Journal 22, no. 1 (2008): 44–61. http://dx.doi.org/10.1080/10137548.2008.9687883.

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7

Hoff, Eva, and Ingegerd Carlsson. "She, You and They – More Actors on the Creativity Research Stage!" Creativity. Theories – Research - Applications 2, no. 1 (2015): 38–43. http://dx.doi.org/10.1515/ctra-2015-0005.

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AbstractThe commentary confirms and builds on Glăveanu’s critical scrutiny of the current stage of creativity research. The need for more actors, theories, methods and definitions will not be fulfilled until critical reflection concerning what has been done and synthesis between different research attempts are achieved. The authors first expand the creativity stage by discussing what will happen in creativity research attempts if we alternate with a “ she, you and they” perspective? They then present a new definition of creativity. Creativity is seen as a collective, generative, novel way of e

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Ettlinger, Nancy. "Bringing the Everyday into the Culture/ Creativity Discourse." Human Geography 3, no. 1 (2010): 49–59. http://dx.doi.org/10.1177/194277861000300104.

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This article critiques and offers an alternative conceptualization of ‘culture’ and ‘creativity’ using an actor-based and relational epistemology. ‘Culture’ and ‘creativity’ have been socially constructed in scale-specific terms that overlook everyday practices that can diverge from dominant patterns and suggest hopeful possibilities, which ironically are lost in many Left-leaning narratives. Hopeful possibilities are traceable analytically to circuits of material and discursive value, which are inextricably related but can entail different trajectories across scales. Tracing these trajectorie

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Mardjuni, Sukmawati, Thanwain, Indrayani Nur, Herminawaty Abubakar, Firman Menne, and Abdul Karim. "BUSINESS SUSTAINABILITY IN FOOD AND BEVERAGE PROCESSING INDUSTRY THROUGH INNOVATION IN MAROS REGENCY, INDONESIA." Journal of Southwest Jiaotong University 57, no. 6 (2022): 995–1003. http://dx.doi.org/10.35741/issn.0258-2724.57.6.85.

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Research to analyze the influence of the creativity and innovation of business actors on the sustainability of food and beverage processing business actors. This research analyzes the influence of creativity on business continuity through food and beverage processing business actors in the Maros Regency. This research is a quantitative research with the explanatory method. The population in the food and beverage processing industry in Maros Regency is 476. This study uses the Slovin formula so that the number of samples is 217 units or business actors in the food and beverage processing indust

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Hamka, Hamka, Sukmawati Marjuni, and Chahyono Chahyono. "PENGARUH KREATIVITAS DAN INOVASI TERHADAP KEBERLANGSUNGAN USAHA MELALUI PELAKU USAHA INDUSTRI PENGOLAHAN MAKANAN DAN MINUMAN DI KABUPATEN MAROS." Indonesian Journal of Business and Management 4, no. 1 (2021): 1–6. http://dx.doi.org/10.35965/jbm.v4i1.1190.

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Untuk menjaga keberlangsungan usaha seyogiaya dilakukan melalui pengembangan ekonomi kreatif. Pe-ngelolaan Usaha industri pengolahan makanan dan minuman melalui penerapan ekonomi kreatif sebagai wujud dari upaya untuk menjaga keberlangsungan usaha melalui kreativitas dan inovasi. Tujuan penelitian ini adalah untuk menganalisis pengaruh kreativitas dan inovasi terhadap pelaku usaha, pengaruh kreativitas, inovasi dan pelaku usaha terhadap keberlangsungan usaha, serta untuk menganalisis pengaruh kreativitas dan inovasi terhadap keberlangsungan usaha melalui pelaku usaha. Penelitian ini merupakan

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Armaković, Sanja. "Be creative - it helps." AIDASCO Reviews 1, no. 1 (2023): 2. https://doi.org/10.59783/aire.2023.20.

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People often talk about creativity, but I wonder what creativity really is. Some writers, actors, directors, etc., are creative. But, I wonder what is with the creativity of lawyers, scientists, teachers, store and corner workers. Creativity is the state of mind; your job doesn't predetermine it. Formal positions don't define your creativity. Be brave, try new things, and look at things from another angle.

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Brocco, Michele, Florian Forster, and Marc Frieß. "360° Open Creativity Support." JUCS - Journal of Universal Computer Science 17, no. (12) (2011): 1673–89. https://doi.org/10.3217/jucs-017-12-1673.

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Open Innovation is a new paradigm that suggests including actors from inside as well as outside a company's boundaries in the innovation process. Open creativity refers to the creative phase in this process. In this article we investigate on open creativity support. We conducted interviews within companies in the German ICT sector to analyze the status quo of open creativity and the tools currently used to support it. In a second step we derive design guidelines and an architecture for IT systems supporting open creativity that lead to a holistic, 360ffi support for open creativity.

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Morkina, Julia S. "Meaning-constitution Problems in the Digital Culture’s Horizon." Voprosy Filosofii, no. 12 (2021): 78–89. http://dx.doi.org/10.21146/0042-8744-2021-12-78-89.

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Meaning-constitution and creativity processes in contemporary culture have obviously been changed under the artificial intelligence’s conditions as “natural-artificial intelligence” system starts to contribute to creativity as meaning-constitution and creativity processes. Аrtificial intelligence seems to be a relatively young actor in the human culture. Its conceptual framing as well as its philosophical contribution to meaning-constitution processes requires special research efforts. Search for the new ways of meaning-constitution conceptual framing in conceptual culture’s horizon, is co

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Wylam, Lisa Wolford. "Devising Twenty-First Century Approaches to Actor Training in Central Canada." Canadian Theatre Review 135 (June 2008): 79–81. http://dx.doi.org/10.3138/ctr.135.020.

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In one of his final fully developed essays, “From the Theatre Company to Art as Vehicle,” Jerzy Grotowski suggests that theatre educators invested in the rhetoric and technique of Stanislavsky’s system of actor training do a terrible disservice to young actors by replicating within theatre schools the brief rehearsal times characteristic of commercial practice. “How is it possible to study Stanislavsky for two or three years and prepare an opening in four weeks …?” Grotowsk asks. “Stanislavsky would never have accepted it. For him, the minimum period of work on a performance was several months

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Gonçalves, Duarte. "Understanding Actors in Complex Security Problems." International Journal of Strategic Decision Sciences 9, no. 2 (2018): 1–18. http://dx.doi.org/10.4018/ijsds.2018040101.

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This article arose while working on the rhino poaching problem in South Africa and having to deal with the large number of stakeholders and complexity. The purpose of actor modelling is to develop a deeper understanding of how stakeholders and threats contribute to the complex security problems. This article is the author's reflection on two different attempts at modelling actors in the rhino problem. A framework is developed and a number of issues are raised with respect to actor modelling: First, values and perspectives are driven by actor needs. The knowledge acquired by actors is determine

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Klose, Stephan. "The emergence and evolution of an external actor’s regional role: An interactionist role theory perspective." Cooperation and Conflict 54, no. 3 (2018): 426–41. http://dx.doi.org/10.1177/0010836718774584.

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The regional roles external actors play, such as ‘China’s role in Africa’ or ‘the US role in East Asia’, have long been popular subjects of analysis in the international relations literature. Yet, the emergence and evolution of these roles remains remarkably under-theorized. While some ‘new regionalist’ scholars have discussed the dynamics of an external actor’s regional involvement by referring to the concepts of ‘penetration’ and ‘socialization’, neither concept, this article argues, is sufficiently equipped to capture how external actors come to aspire and realize their regional roles. To a

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Hasan, Muhammad, Annur Fitri Hayati, Miranda Miranda, Fira Ayu Sasmita, and Muh Rijal Shafar. "Ekonomi Kreatif di Masa Adaptasi Kebiasaan Baru: Kajian Kreativitas dan Inovasi Pada UMKM Subsektor Kuliner." Jurnal Inovasi Pendidikan Ekonomi (JIPE) 11, no. 2 (2021): 148. http://dx.doi.org/10.24036/011126360.

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This study aims to reveal the creativity and innovation of SMEs in the culinary sub-sector in Makassar City, when viewed from the perspective of the creative economy in the new adaptation period. This study is a study with a quantitative descriptive approach with survey techniques. There are four aspects measured in this study, namely the adaptation of new habits, the creativity of the culinary sub-sector MSME actors, the innovation of the culinary sub-sector MSME actors, and the marketing strategy carried out by the culinary sub-sector MSME actors. The data collection instrument used a questi

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Alfiyanti, Mufidha, Ayun Maduwinarti, and Ute Chairuz M. Nasution. "PENGARUH KREATIVITAS DAN MODAL USAHA TERHADAP KEBERLANGSUNGAN UMK DI SENTRA KULINER FOOD STREET SEMOLOWARU (JALUR GAZA) SURABAYA." Jurnal Dinamika Administrasi Bisnis 9, no. 2 (2024): 56–61. http://dx.doi.org/10.30996/jdab.v9i2.10520.

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Sentra Kuliner Food Street Semolowaru (Jalur Gaza) Surabaya is one of the Micro Small Enterprises in Surabaya. To maintain business continuity, business actors need creativity and sufficient capital to support business continuity. Creativity and Business Capital play an important role in a business. creativity is an effort to produce products to add high value to a business. on the other hand, capital is needed to support all business activities. with sufficient and adequate capital, of course, business actors do not experience difficulties in dealing with financial problems, so that the busin

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Fiaschini, Fabrizio. "Creativity and Scenic Presence: The Secrets of Disabled Actors." Dramatherapy 34, no. 1 (2012): 22–28. http://dx.doi.org/10.1080/02630672.2012.658207.

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Riana, Rida, and Abd Rasyid Syamsuri. "Empirical Study: Entrepreneurs Performance of Micro, Small and Medium Enterprises (MSMEs) in Tanjung Morawa A Village, Deli Serdang, North Sumatra, Indonesia." International Journal of Business, Technology and Organizational Behavior (IJBTOB) 2, no. 4 (2022): 333–45. http://dx.doi.org/10.52218/ijbtob.v2i4.208.

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This study intends to examine how social capital, inventiveness, and product innovation impact the entrepreneurs performance of Micro, Small, and Medium-Sized Enterprises (MSMEs) in Tanjung Morawa A Village, Deli Serdang, North Sumatra, Indonseia. This study used a quantitative research design. The period of time for doing this research is from March to May 2022. Observation, study documentation, and questionnaires are the data collection methods used. Up to 65 UMKM offenders from Tanjung Morawa A Village make up the study's population. A quota sampling method was used to sample each populatio

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Sakharova, Anna V. "Creativity in science and the “creativity” of artificial intelligence. The question of real creativity." Digital Scholar: Philosopher`s Lab 7, no. 1 (2024): 22–31. https://doi.org/10.32326/2618-9267-2024-7-1-22-31.

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The paper presents a socio-historical approach to creativity applied to the problem of artificial intelligence (AI). Cases that demonstrate the possibility of interpreting a scientific result obtained by AI as creative are considered in a socio-historical context. It is indicated that in this case, an anthropocentric bias often arises, in which a person who has achieved similar results is instantly assigned the status of a creative subject. At the same time, much higher requirements are put forward for the result obtained by AI, regarding both the level of novelty and value of the result (the

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Mahendra, Yusril, Irwan Misbach, and Syaharuddin Syaharuddin. "Peran Moderasi Etika Kerja Islami pada Kreativitas terhadap Kinerja Usaha Pelaku UMK di Kabupaten Wajo." Ekonomis: Journal of Economics and Business 9, no. 1 (2025): 545. https://doi.org/10.33087/ekonomis.v9i1.2058.

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This study aims to examine the influence of creativity on business performance carried out by MSE actors in Wajo Regency. This is also done to test the effect of the application of Islamic work ethics in strengthening MSE actors to be more creative in improving their performance. This study uses an explanatory research design. Data collection was carried out using the field survey method. The sampling technique used purposive sampling with a sample of 244 MSE actors spread across 14 sub-districts in Wajo Regency. The sample in this study is business owners. This study also uses an analysis met

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Hoffmann, Thomas. "The 5C Model of Linguistic Creativity: Construction Grammar as a Cognitive Theory of Verbal Creativity." Journal of Foreign Languages and Cultures 8, no. 1 (2024): 139–54. http://dx.doi.org/10.53397/hunnu.jflc.202401011.

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Creativity is a design feature of human language. This paper presents a cognitive model of verbal creativity that draws on insights from the psychological research into creativity—particularly Glăveanu’s 5A model that distinguishes five crucial perspectives on a creative act (actors, audience, artefacts, actions and affordances). The paper will outline a linguistic version of this model that adopts Construction Grammar as its theoretical foundation. The resulting “5C model of constructional creativity” argues that the central elements of linguistic creativity are constructors, co-constructors,

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Kryvosheieva, Olha, and Galina Lokareva. "CREATIVE POTENTIAL AS A BASIC PROFESSIONAL CHARACTERISTICS OF A FUTURE ACTOR AND DIAGNOSTICS OF THE LEVEL OF ITS FORMATION." Review of Artistic Education 29 (May 30, 2025): 156–64. https://doi.org/10.35218/rae-2025-0021.

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Abstract: The aim of the article is to theoretically investigate the substantive characteristics of creative potential and to confirm that creative potential is a fundamental characteristic of the professional development of future actors. It is important for teachers to consider what students will begin studying and what they already have in their professional thesaurus. The analytical basis is a literary review of various studies in the fields of philosophy, psychology, and pedagogy. We have not found any scientific publications that present a definition of "actor’s creative potential." Addi

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Martin, Ellen, David Wiestner, Ralf Spiller, Ayoub Bouchedoub, and Mahir Hasan. "The use of AI in german design- and advertising agencies – the influence on the organizational structure and the actions of individual actors." Media, culture and public relations 15, no. 1 (2025): 53–66. https://doi.org/10.63191/mcpr.15.1.5.

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The advent of ChatGPT software has profound implications, permeating various industries in recent months as AI capabilities continue to evolve. The creative sector is no exception, with AI shaping human perspectives on creativity and the creative process. AI enhances innovation and automation in content creation, integrating diverse technological methods for more engaging output. Giddens' 'structuration theory' from 1997, posits that actions and structures interact, and actors influence social conditions through their actions. As AI transforms actions and knowledge about them, it prompts inter

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Ayu Effendi, Kharisya, Rima Rahmayanti, Neuneung Ratna Hayati,, Darwis Agustriyana, and Pipin Sukandi. "FINANCIAL LITERACY AS ONE OF THE STRENGTHENING OF ENTREPRENEURIAL COMPETENCIES IN PMI ON TAIWAN." International Journal of Education and Social Science Research 06, no. 06 (2023): 11–28. http://dx.doi.org/10.37500/ijessr.2023.6602.

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Starting from the problem of poverty that makes Indonesian people want to change their fate by becoming Indonesian Migrant Workers. Taiwan is one of the countries that is the destination of PMI. In this case, PMI must also be equipped with entrepreneurial skills to improve a better standard of living. Thus, the purpose of this study is to strengthen entrepreneurial competencies for Taiwanese PMI business actors through financial literacy and building creativity and innovation. This research is quantitative causal associative. Financial literacy, creativity and innovation are independent variab

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Trofimov, Andrii Yu, Hanna K. Yurchynska, Antonina M. Lovochkina, Nataliia I. Pohorilska, Ivanna V. Ananova, and Olga V. Drobot. "Forming of spontaneity and creativity during playback theater activities." Linguistics and Culture Review 5, S4 (2021): 431–41. http://dx.doi.org/10.21744/lingcure.v5ns4.1585.

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Finding the solution of many problems requires from person an ability of quick unconscious perception. Between spontaneity and creativity, there are both positive and negative relationships. In accordance with the authors’ forming program, the participants were equated with Playback actors with only difference that the actors aim to improve their skills while the participants develop their spontaneity. The authors have built the forming program which contained a set of training and developmental exercises and games aimed at developing spontaneity, attention and creative thinking. Six interconn

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Sobkin, Vladimir S., and Tatyana A. Lykova. "“On the Question of the Psychology of the Actor's Creativity” by L.S. Vygotsky: the Correlation of the Originality of Personal Characteristics and Professional Activity." Moscow University Psychology Bulletin 47, no. 4 (2024): 194–222. https://doi.org/10.11621/lpj-24-46.

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Background. There are very few modern studies on the psychology of the actor and they are mainly based on the study of individual personality traits of actors. The current article discusses L.S. Vygotsky's approach to the psychology of the actor and presents the results of a comprehensive study of the personal characteristics of student actors. Peculiarities of professional activity and the modern socio-cultural situation was taken into account in the interpretation. Objectives. The research is a complex analysis of personal characteristics of actors during the early stage of mastering their p

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Nursyirwan, Vivi Iswanti, Sasmita Sari Ardaninggar, and Nova Anggraini. "Peningkatan Kreatifitas dan Kompetensi Wirausaha Berbasis Edukasi Ekspor pada UMKM Kota Depok." Jurnal PKM Manajemen Bisnis 5, no. 2 (2025): 383–92. https://doi.org/10.37481/pkmb.v5i2.1332.

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The Community Service Program (PKM) focuses on Creativity and Entrepreneurial Competence in Micro, Small, and Medium Enterprises (MSMEs). MSMEs play a crucial role in Indonesia's economy, but the number of business actors is still low, around 3%, compared to developed countries with 10%. Creativity and entrepreneurial competence are essential for MSMEs to remain competitive in the global market. One of the main challenges is the low competence of human resources, which impacts creativity and business sustainability. This program aims to enhance knowledge of export processes, regulations, and p

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Eti Nurhayati and Abdus Salam Dz. "Developing Entrepreneurial Creativity through Creative Thinking Skills: Qualitative Study on Halal Industry SMEs in Pesantren." Eduprof : Islamic Education Journal 6, no. 2 (2025): 1–14. https://doi.org/10.47453/eduprof.v6i2.302.

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The halal industry in Indonesia is experiencing significant growth, with an increasing number of business actors involved, including within the pesantren environment. Pesantren have great potential to develop entrepreneurship through creative thinking skills. However, there are challenges in optimizing entrepreneurial creativity among santri. This study aims to explore the influence of creative thinking skills in developing entrepreneurial creativity in halal industry SMEs based in Bobos Cirebon Islamic boarding schools. This research provides novelty by examining the relationship between crea

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Aulia, Mahda Rida, Suparno, and Annisa Lutfia. "DEVELOPMENT OF MSMEs IN THE CREATIVE ECONOMY SECTOR." Jurnal Pendidikan Ekonomi, Perkantoran, dan Akuntansi 4, no. 3 (2023): 95–114. http://dx.doi.org/10.21009/jpepa.0403.10.

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The development of UMKM in the creative economy sector faces several challenges, especially the low use of digital technology and the creativity of enterprise for UMKM actors which can hinder the development of enterprises. This research aims to study and understand the role of financial technology, digital marketing, and business creativity on the development of MSMEs in the creative economy sector through a theoretical study approach. Various findings from previous research are used as references and theory development in this research. The qualitative approach method with literature studies

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Adams-Price, Carolyn E. "THE SOCIOCULTURAL MODEL OF CREATIVITY: HOW IT CAN EXPLAIN THE SIGNIFICANCE OF MULTIPLE FORMS OF LATE-LIFE CREATIVITY." Innovation in Aging 3, Supplement_1 (2019): S417. http://dx.doi.org/10.1093/geroni/igz038.1555.

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Abstract Creativity in later life comes in many forms, ranging from everyday creativity to genius-level creativity, and including both newly learned creative activities and life-long creative hobbies. Previous psychosocial models of creativity have had limited utility in explaining the significance of late life creativity. Glaveanu’s sociocultural model has not been previously applied to older adults, but its inclusiveness makes it supremely useful for describing the range of creative activities and products in context. Creativity, according to Glaveanu, involves five interconnected components

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Jabko, Nicolas, and Adam Sheingate. "Practices of Dynamic Order." Perspectives on Politics 16, no. 2 (2018): 312–27. http://dx.doi.org/10.1017/s1537592717004261.

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In accounting for the endurance of dysfunctional institutions, scholars often highlight the importance of path dependence or incremental change. Yet this fails to capture the creativity that actors deploy to reproduce order, particularly in times of crisis. We propose the concept of dynamic order, rooted in pragmatist theory, as an alternative way to think about institutional durability. Powerful actors reproduce order through creative adjustments to rules and routines that channel action into predictable and controllable behavior. We illustrate this dynamic with examples from the European Uni

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Ekomadyo, Agus S., Tyas Santri, and Andika Riyadi. "Reassembling Traditionality and Creativity: A Study of Place as Assemblage in Pasar Cihapit Bandung." SHS Web of Conferences 41 (2018): 07006. http://dx.doi.org/10.1051/shsconf/20184107006.

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There are many efforts to revitalize traditional market as urban economic and socio-cultural place. Several creative communities in Bandung have been trying to pep up the vitality of Pasar Cihapit Bandung through socio-cultural events. Through place as assemblage approach, this paper traces the actors involved and their relation in the place-making, and also to seek how the creative movement contribute to the traditional economic activities which have been taken place before. This creative movement has identified to be able to attract public attention to the market, signified in the media publ

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Dumas, Denis, Michael Doherty, and Peter Organisciak. "The psychology of professional and student actors: Creativity, personality, and motivation." PLOS ONE 15, no. 10 (2020): e0240728. http://dx.doi.org/10.1371/journal.pone.0240728.

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Jamaludin, Achmad, Toni Herlambang, and Wenny Murtaliningtyas. "Pengaruh Kreativitas, Media Sosial, dan Keterampilan Berwirausaha terhadap Keunggulan Bersaing UMKM Olahan Ikan Kecamatan Puger." Jurnal Ilmu Manajemen, Ekonomi dan Kewirausahaan 5, no. 2 (2025): 234–48. https://doi.org/10.55606/jimek.v5i2.6145.

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Fish processing MSMEs in Puger District, Jember Regency, have great potential to develop amidst the increasingly tight competition in the local food industry. However, many business actors still face challenges in maintaining and improving their competitiveness. This study aims to analyze the influence of creativity, social media, and entrepreneurial skills on the competitive advantage of fish processing MSMEs in the region. The research method used is a quantitative approach with multiple linear regression analysis techniques. Data were collected by distributing questionnaires to MSME actors

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Ovunda, Ihunwo Ph.D. "Innovations in Acting Pedagogy: Exploring Chorale Acting in the Experimental Production Scoops of Situationship: Lamentations from Za Oda Room." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) III, no. I (2025): 320–27. https://doi.org/10.5281/zenodo.14785112.

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<strong>Abstract</strong> <em>This article investigates the application of innovative acting techniques in the experimental production Scoops of Situationship: Lamentations from Za Oda Room, staged by acting students of the University of Port Harcourt. The play highlights societal issues surrounding sexual dissatisfaction, including erectile dysfunction, low libido, and the psychological toll of unfulfilled expectations, while cautioning against unhealthy practices such as reliance on sexual enhancers and the resulting health risks. The pedagogical challenge of accommodating a cast of 100 stud

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TURECKOVA, Kamila, Jan Nevima, Frantisek VARADZIN, et al. "Deployment of creative actors and varieties of their impact on the quaternary sector and regional growth: a case study of NUTS2 regions of the Czech Republic." Eastern Journal of European Studies 14, no. 1 (2023): 181–97. http://dx.doi.org/10.47743/ejes-2023-0109.

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The current era acknowledges the immense impact of creativity on economic growth and regional development. There is an ongoing debate about the position of creativity and its sources and implications in regional economies when thorougly examining regional disparities. We contribute to the debate by piloting an investigation of five groups of creative actors whose links and consequences for regional growth and the quaternary sector were explored. As a case study, the NUTS2 regions of the Czech Republic were selected for analysis (2015-2017). Given the nature of selected indicators, the causalit

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Alfadri, Ferri. "Peran Quadruple Helix Dalam Meningkatkan Kreatifitas Dan Inovasi Industri Kreatif Berbasis Syariah." Jurnal Ilmiah Ekonomi Islam 9, no. 2 (2023): 1859. http://dx.doi.org/10.29040/jiei.v9i2.8324.

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The purpose of this study to find out how the role of each Quadruple Helix party is in increasing the performance of creativity and innovation in creative industry players in Padangsidimpuan City. This research is a field research with a qualitative method approach with Miles and Huberman descriptive analysis. Data collection techniques were carried out by direct observation and interviews with each of the helix actors. The Result in this study provide a conceptual framework for how creativity can be enhanced through the four helix approaches and interactions to enhance innovation performance.

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Shibaeva, Mikhalina M. "Russian Culture Actors on the Subject of Artistic Creation ." Observatory of Culture, no. 2 (April 28, 2015): 92–96. http://dx.doi.org/10.25281/2072-3156-2015-0-2-92-96.

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Addresses the polemical nature of the Russian experience in understanding the key problems related to the notion of “a subject of artistic creativity.” The emphasis is put on the interdetermination between shifts in artist’s worldview attitudes and renewals in language of arts that the author believes specific to Russian culture.

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Hachmann, Gundela. "Network Analysis in Literature and the Arts: Rethinking Agency and Creativity." Journal of Literary Theory 17, no. 2 (2023): 221–40. http://dx.doi.org/10.1515/jlt-2023-2010.

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Abstract The essay proposes to think of the creative subject as an actor in a network, that is, following Bruno Latour, as a »moving target of a vast array of entities swarming toward it« (Latour 2005, 46). It explores what it means to bring a network analysis to lectures on poetics by employing both a structuralist visualization informed by a computational method and a sociological method according to Latour’s Actor-Network-Theory (ANT). ANT is used to make traceable what with Hugh Kenner is called »elsewhere communities« consisting of spirits and minds along with objects and spaces. This ser

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Sakharova, Anna V. "Hunting for Creativity." Epistemology & Philosophy of Science 61, no. 2 (2024): 175–89. http://dx.doi.org/10.5840/eps202461232.

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Science communicators, including journalists and experts in the field of public relations in science, are often seen as an external and optional addition to the scientific community. Their influence on scientific practices and public perception of science is often underestimated, and their role is understood as a technical one: as a simple retelling of scientific research in a language understandable to the public. In this paper, using the example of such a criterion as “creativity”, we propose to reconsider the role of science communicators more broadly. The paper shows that it is science com

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Santoso, Sugeng, Antonius Setyadi, Muhammad Ramadhani Marfatah, Juli Simon Macariola, Jehan Reza Ananda, and Nurahma Sabila. "Increased Addes Value Msmes Through Innovation Management in Entrepreneurship." DIKDIMAS : Jurnal Pengabdian Kepada Masyarakat 3, no. 1 (2024): 57–67. http://dx.doi.org/10.58723/dikdimas.v3i1.262.

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The existence of a community among MSMEs/creative economy actors is an important thing that needs to be considered in innovation, to meet consumer needs. This Community Service aims to strengthen the capacity of MSMEs in understanding innovation management in entrepreneurship. The scope of PkM is intermediation with MSMEs/creative economy actors for the products/services produced to be accepted by users, understanding, knowledge of creativity and innovation management are needed. The method used uses a qualitative approach through participatory discussions during the implementation of PkM, pre

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Phonethibsavads, Anthony, Sophia Bender, and Kylie Peppler. "Utilizing the Consensual Assessment Technique to Compare Creativity in Drama Spaces." Creativity. Theories – Research - Applications 6, no. 1 (2019): 4–19. http://dx.doi.org/10.1515/ctra-2019-0001.

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AbstractObjective: This study examines the validity of Amabile’s (1982) consensual assessment technique in measuring creativity in a warm-up activity in fourth-grade drama classrooms and compares the scores between warm-ups occurring in a blackbox theater setting (experimental) vs. a traditional classroom (control). Method: Four professional actors viewed 60 clips of children’s drama warm-ups and scored for creativity, using a 5-point scale. After establishing sufficient inter-rater reliability (IRR), we used the average scores of the raters to compare creativity between the experimental and c

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Fredriksson, Martin. "Authors, Inventors and Entrepreneurs: Intellectual Property and Actors of Extraction." Open Cultural Studies 2, no. 1 (2018): 319–29. http://dx.doi.org/10.1515/culture-2018-0029.

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AbstractThe ideas and ideals of authorship and the discourse on property rights that emerged in parallel since the 18thcentury have come to form the bedrock of copyright law. Critical copyright scholars argue that this construction of authorship and ownership contributes to individualisation and privatisation of artistic works that disregards the collective aspects of creativity. It also embodies a certain kind of authorial character-or “author function” as Michel Foucault puts it-imbued with racial and gendered powers and privileges. While the gendered and racialised biases of intellectual pr

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SCHMIDT, SERJE, DUSAN SCHREIBER, CRISTIANO MAX PEREIRA PINHEIRO, and MARIA CRISTINA BOHNENBERGER. "THE MODERATING ROLE OF CREATIVITY IN THE RELATION BETWEEN COLLABORATION AND PERFORMANCE." International Journal of Innovation Management 24, no. 06 (2019): 2050051. http://dx.doi.org/10.1142/s1363919620500516.

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Within the dynamic environment of the recent creative industries, collaboration performs a central role. The literature has consistently explored the interaction between creative professionals with three types of actors: (1) the clients or public; (2) co-workers and; (3) business agents. The relative importance of each actor in the face of creative activities, however, remains theoretically fragmented and empirically under-researched. Therefore, this study aims to address the following question: what is the role of creativity in the relation between the type of partner to which the collaborati

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Azzahra, Cika Irlia, Suyanto Suyanto, and Elmira Febri Darmayanti. "PENGARUH KREATIVITAS, MODAL USAHA, DIVERSIFIKASI PRODUK DAN KEBIJAKAN PEMERINTAH TERHADAP KEBERLANJUTAN BISNIS UMKM (STUDI PADA UMKM BIDANG PERDAGANGAN DI KELURAHAN IRINGMULYO KOTA METRO)." Jurnal Akuntansi AKTIVA 2, no. 1 (2021): 104–12. http://dx.doi.org/10.24127/akuntansi.v2i1.903.

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This study aimed to examine the influence of creativity, business capital, product diversification and government policies on business sustainability in the Trade Sector UMKM in Iringmulyo Village, Metro City. The sampling method used was convenience sampling, until a total sample of 86 business actors was obtained. This study used a quantitative approach. The data used are primary data from the results of distributing questionnaires. The data were then processed with IBM Statistics SPSS 24. The results of this study indicated that partially creativity had an effect on business sustainability,

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Soda, Giuseppe, Diego Stea, and Torben Pedersen. "Network Structure, Collaborative Context, and Individual Creativity." Journal of Management 45, no. 4 (2017): 1739–65. http://dx.doi.org/10.1177/0149206317724509.

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The debate on whether bonding or bridging ties are more beneficial for acquiring knowledge that is conducive to individual creativity has mostly overlooked the context in which such ties are formed. We challenge the widespread assumption that closed, heavily bonded networks imply a collaborative attitude on the part of the embedded actors and propose that the level of collaboration in a network can be independent from that network’s structural characteristics, such that it moderates the effects of closed and brokering network positions on the acquisition of knowledge that supports creativity.

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Cynthia, Cindy Anisya, Devania Widya, et al. "Implementasi Strategi CRM dan Penggunaan Digital Marketing pada UMKM di Credit Union Madani Kotabumi Tangerang." Abdi Dharma 2, no. 2 (2022): 89–92. http://dx.doi.org/10.31253/ad.v2i2.1732.

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This student creativity development activity was carried out based on the collaboration between the Faculty of Business, Buddhi Dharma University and KSP Madani which was held at KSP Madani Credit Union Kotabumi, Tangerang City. Banten Province. The training participants are UMKM members of cooperatives, and the activities are carried out within a period of three months, with training activities planned in the form of focus group discussions, material presentations and interactive question-and-answer between the giver of materials and training and mentoring participants. The material pro

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Mróz, Barbara. "Can an artist be mature? Rorschach studies of prominent Polish actors." Current Problems of Psychiatry 25 (April 17, 2024): 61–67. http://dx.doi.org/10.12923/2353-8627/2024-0006.

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Introduction: The peculiarities of being a prominent actor - the unity of the person and the work, recognition and significance - have made possible new and relevant from the point of view of personality and creativity psychology to analyze using the Rorschach method. Objective: The purpose of the study was to assess the personality maturity, type of experiencing, social contacts of prominent Polish actors by means of a qualitative method. Method: The Rorschach Test according to the American signing system of Z. Piotrowski. The study group consisted of 120 Polish actors: 40 outstanding Polish

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