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Journal articles on the topic 'Creator economy'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Boo, Chaeeun, Yeongseo Kim, and Ayoung Suh. "Segmenting Metaverse Creators: Exploring Creators’ Perceived Value and Creation Style in the Creator Economy." Asia Pacific Journal of Information Systems 34, no. 3 (2024): 876–902. http://dx.doi.org/10.14329/apjis.2024.34.3.876.

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2

Eisenbeis, Uwe, and Lars Rinsdorf. "Kreativindustrie und Creator Economy." MedienWirtschaft 20, no. 2 (2023): 54–55. http://dx.doi.org/10.15358/1613-0669-2023-2-54.

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In digitalen Umwelten verschwimmen zunehmend die Grenzen zwischen der Medienbranche im engeren Sinne und der Kreativindustrie im weiteren Sinne. Ein wesentlicher Treiber dieses Trends sind creators, die digitale Plattformen wie etwa TikTok dazu nutzen, sich als Personenmarke zu inszenieren und daraus tragfähige Geschäftsmodelle mit teilweise signifikanten Erlösströmen zu entwickeln. Diese creators können genuin journalistische Zielsetzungen verfolgen (Franke/Buschow/Kohlschreiber 2022), aber auch in anderen Bereichen der Kreativindustrie, wie etwa Design, Mode oder Architektur verortet sein. E

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Radionova, Iryna, and Iryna Trots. "“CREATOR ECONOMY”: THEORY AND ITS USE." ECONOMICS, FINANCE AND MANAGEMENT REVIEW, no. 3 (September 30, 2021): 48–58. http://dx.doi.org/10.36690/2674-5208-2021-3-48.

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4

Ankur Mehra. "Driving Growth in the Creator Economy through Strategic Content Partnerships." International Journal for Research Publication and Seminar 10, no. 2 (2019): 118–35. http://dx.doi.org/10.36676/jrps.v10.i2.1519.

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The creator economy has emerged as a significant force in the digital landscape, reshaping how content is produced, distributed, and monetized. This research paper examines the role of strategic content partnerships in driving growth within this ecosystem. By analysing various partnership models, technological enablers, and economic frameworks, we explore how collaborations between creators, brands, and platforms can enhance value creation and sustain long-term growth. The study synthesizes data from multiple sources to provide a comprehensive overview of the current state of the creator econo

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5

Dr., Sandip Bhausaheb Vanjari. "The Role of the Creator Economy in India's Economic Growth: A Study of the Last Five Years." International Journal of Advance and Applied Research S6, no. 13 (2025): 191–93. https://doi.org/10.5281/zenodo.14958907.

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<em>The creator economy has emerged as a transformative force in India's digital landscape, significantly contributing to the nation's economic growth in the last five years. This research paper explores the role of the creator economy in India's economic development, analyzing its impact on employment generation, digital entrepreneurship, and GDP contribution. The study delves into the rise of content creators, influencers, and independent digital entrepreneurs across platforms like YouTube, Facebook, Instagram, and regional social media networks, highlighting their influence on various indus

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6

Drenten, Jenna. "Editorial: Influencer Marketing and the Creator Economy." NIM Marketing Intelligence Review 17, no. 1 (2025): 3. https://doi.org/10.2478/nimmir-2025-0001.

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7

Sanyoura, Lana El, and Ashton Anderson. "Quantifying the Creator Economy: A Large-Scale Analysis of Patreon." Proceedings of the International AAAI Conference on Web and Social Media 16 (May 31, 2022): 829–40. http://dx.doi.org/10.1609/icwsm.v16i1.19338.

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In recent years, the “creator economy” has emerged as a disruptive force in creative industries. Independent creators can now reach large and diverse audiences through online platforms, and membership platforms have emerged to connect these creators with fans who are willing to financially support them. However, the structure and dynamics of how membership platforms function on a large scale remain poorly understood. In this work, we develop an analysis framework for the study of membership platforms and apply it to the complete set of Patreon pledges exceeding $2 billion since its inception i

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Wong, Lai-Wan, Garry Wei-Han Tan, Keng-Boon Ooi, Jun-Jie Hew, and Yogesh K. Dwivedi. "Editorial: Generative artificial intelligence in the creator economy." Online Information Review 48, no. 7 (2024): 1515–21. http://dx.doi.org/10.1108/oir-11-2024-694.

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9

Jaeseok, Lee, and Ko Eunju. "VIP-MICRO INFLUENCERS: CREATOR ECONOMY IN LUXURY BUSINESS." Global Fashion Management Conference 2025 (July 31, 2025): 435. https://doi.org/10.15444/gmc2025.05.02.06.

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Huang, Der-Chen, Ling-Chun Liu, Yong-Yuan Deng, and Chin-Ling Chen. "A Digital Media Subscription Management System Combined with Blockchain and Proxy Re-encryption Mechanisms." Symmetry 14, no. 10 (2022): 2167. http://dx.doi.org/10.3390/sym14102167.

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The subscription economy was born because the relationship between creators and customers is different than it used to be. The era of the creator economy seems to be filled with boundless promise, but at the end of the day, creators are just slaves to tech giants. Neither the control of the content created, nor the money made in their pockets is in complete control of the creator. The blockchain can completely solve these injustices monopolized by enterprises. In the blockchain era, all kinds of creations from music, and video-to-text can be turned into assets that can be purchased and traded

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11

Artz, Matt. "DESIGN ANTHROPOLOGY, ALGORITHMIC BIAS, BEHAVIORAL CAPITAL, AND THE CREATOR ECONOMY." Practicing Anthropology 44, no. 2 (2022): 33–36. http://dx.doi.org/10.17730/0888-4552.44.2.33.

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Abstract As algorithms become increasingly responsible for discovering information, how we choose to design them will have a significant impact on our collective lived experience. One example is how algorithmic bias affects the estimated 50 million people that make up the creator economy. This group of independent creators is financially dependent on recommender systems to suggest their content. Currently, most recommender system designs produce rich-get-richer dynamics, resulting in structural inequalities that favor some over others. This article details a design anthropology approach for cr

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12

Harris, Camille, Amber Gayle Johnson, Sadie Palmer, Diyi Yang, and Amy Bruckman. ""Honestly, I Think TikTok has a Vendetta Against Black Creators": Understanding Black Content Creator Experiences on TikTok." Proceedings of the ACM on Human-Computer Interaction 7, CSCW2 (2023): 1–31. http://dx.doi.org/10.1145/3610169.

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As video-sharing social-media platforms have increased in popularity, a 'creator economy' has emerged in which platform users make online content to share with wide audiences, often for profit. As the creator economy has risen in popularity, so have concerns of racism and discrimination on social media. Black content creators across multiple platforms have identified challenges with racism and discrimination, perpetuated by platform users, companies that collaborate with creators for sponsored content, and the algorithms governing these platforms. In this work, we provide a qualitative study o

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13

Chauhan, Satyam. "Empowering the Creator Economy - A Revenue-Sharing Platform for Influencers and Investors." International Journal of Science and Research (IJSR) 13, no. 11 (2024): 1495–504. http://dx.doi.org/10.21275/ms241125090731.

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14

Pavlov, Michael. "Russian Political Economy Of The XXI Century: The Study Of The Induvidual’s Role." Obshchestvo i ekonomika, no. 11 (2022): 124. http://dx.doi.org/10.31857/s020736760023110-0.

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Исследование проблемы человека в политэкономических исследованиях XXI века в Российской Федерации позволило достичь значительных результатов, показывая новые качества человека, во-первых, как важнейшего компонента производительных сил, во-вторых, как основного актора экономики, и, в-третьих, как высшей ценности и основного средства экономического развития. Человек творческий (homo creator) ориентирован на развитие личности, прогресс культуры и решение задач в осуществление творческой деятельности, которая обладает свойством самомотивации. В отличие от homo creator, человек экономический (homo

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15

Jarrett, Kylie. "Showing off your best assets: Rethinking commodification in the online creator economy." SOCIOLOGIA DEL LAVORO, no. 163 (August 2022): 90–109. http://dx.doi.org/10.3280/sl2022-163005.

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This theoretical paper critically explores digital labour in the online creator econo-my using OnlyFans sex workers as its core example. It critiques the description of the exploitation of self and embodiment in this work as a process of commodifica-tion. By reframing this activity in terms of human capital appreciation and by contrasting the specific economic logic of commodities and assets, it proposes in-stead the framework of assetisation to explain the economics of labour in this sec-tor. It then places online creator labour in a wider economic context to explore the greater utility of th

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16

Jung, Hee-Soon, and Hyung-Won Jung. "Case Study of Creator Economy : Focused on Game Companies in Korea." Journal of the Korea Entertainment Industry Association 17, no. 8 (2023): 591–603. http://dx.doi.org/10.21184/jkeia.2023.12.17.8.591.

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17

Reyhan, Achmad, and Ira Fachira. "Proposed Marketing Strategies To Achieved Target For The Indonesian Creator Economy." Competence : Journal of Management Studies 17, no. 2 (2023): 1–10. https://doi.org/10.21107/kompetensi.v17i2.22142.

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Micro, Small, and medium enterprises (MSMEs) are businesses that have the ability to develop and contribute to the country's economy. The number of MSMEs in Indonesia continues to increase and the government continues to push to join the digital ecosystem. Indonesia Creator Economy (ICE) is an influencer management in Indonesia. ICE aims at providing accurate, engaging and informative digital media content. This study uses a case study model with qualitative descriptive method, and the data collection used is observation, interviews, documentation. As a result of FDG (Focus Group Discussion),

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18

Buzgalin, Alexander V. "Creative [Post]Economy: from Sociophilosophical to Political Economy Reflection." Voprosy Filosofii, no. 6 (2023): 45–56. http://dx.doi.org/10.21146/0042-8744-2023-6-45-56.

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The article raises one of the most complex and urgent problems of the philosophy of the socio-economic development of modernity – qualitative changes due to the progress of creative activity and the transformation of homo creator into the highest value and the main means of progress. The methodological and theoretical basis of the article are the developments of Soviet creative Marxism, which are critically aligned with the developments of foreign economists and sociologists in the field of creative economy problems. Moving from sociophilosophical to political economy research, the author

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19

Hunt, Thomas E. "Paul M. Blowers, Drama of the Divine Economy: Creator and Creation in Early Christian Theology and Piety." Theology 117, no. 1 (2014): 57–58. http://dx.doi.org/10.1177/0040571x13511042q.

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20

Becker, Jessica. "Influencer sorgen für Konkurrenz." Lebensmittel Zeitung 73, no. 48 (2021): 39. http://dx.doi.org/10.51202/0947-7527-2021-48-039-1.

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21

Mattos, Gabriel. "AS LIVRARIAS FÍSICAS COMO TERRITÓRIOS CRIATIVOS DA CREATOR ECONOMY E DOS BOOKTOKERS." Brazilian Creative Industries Journal 4, no. 2 (2024): 112–31. https://doi.org/10.25112/bcij.v4i2.3730.

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O presente trabalho analisa como, na percepção de players do mercado, o TikTok e os seus criadores de conteúdo apresentam impacto direto na ressignificação das livrarias. Após analisar o conceito de territórios, aborda-se a criação de conteúdo literário e sua relação com livrarias, booktokers e creators. Após investigação no ainda restrito conteúdo disponível sobre o tema em publicações relevantes à área, realizou-se uma pesquisa Descritiva, de abordagem Qualitativa, com entrevistas em profundidade tendo ocorrido junto a acadêmicos e executivos atuantes no mercado. A análise dos resultados seg

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22

Vijay, Tapan. "Digital Payment Systems and Creator Monetization: Reshaping the Economics of Content Production." European Journal of Computer Science and Information Technology 13, no. 37 (2025): 66–74. https://doi.org/10.37745/ejcsit.2013/vol13n376674.

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This article examines the transformative role of digital payment technologies in the development and expansion of the creator economy. As traditional media distribution channels have been supplemented by direct creator-to-audience relationships, the underlying payment infrastructure has emerged as a critical enabler of new monetization pathways. The article analyzes how digital payment systems have reduced friction in financial transactions between creators and their audiences, thereby facilitating novel business models including membership subscriptions, microtransactions, and direct patronag

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23

Tafesse, Wondwesen, and Mumin Dayan. "Content creators' participation in the creator economy: Examining the effect of creators’ content sharing frequency on user engagement behavior on digital platforms." Journal of Retailing and Consumer Services 73 (July 2023): 103357. http://dx.doi.org/10.1016/j.jretconser.2023.103357.

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24

Sidaway, J. "Drama of the Divine Economy: Creator and Creation in Early Christian Theology and Piety. By PAUL M. BLOWERS." Journal of Theological Studies 64, no. 2 (2013): 715–17. http://dx.doi.org/10.1093/jts/flt133.

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25

O’Keefe, John J. "Drama of the Divine Economy: Creator and Creation in Early Christian Theology and Piety by Paul M. Blowers." Journal of Early Christian Studies 22, no. 3 (2014): 478–80. http://dx.doi.org/10.1353/earl.2014.0027.

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26

Basry, Mas'ud, and Imam Prayogo. "Exploring Non Fungible Tokens in the Digital Economy: Stakeholders, Ecosystem, Risks, and Opportunity." Journal Economic Business Innovation 1, no. 3 (2024): 352–65. https://doi.org/10.69725/jebi.v1i3.181.

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Purpose: In this research, we analyze what essentially drives the Non-Fungible Token (NFT) market, namely, NFT adoption, investor participation, content creator, technological infrastructure, market value and speculation.Method: A quantitative research approach was adopted, employing the blockchain transaction data, NFT marketplace indices, and investor behavior analysis. Hypotheses testing and relationships between variables were performed using descriptive and inferential statistical techniques, including regression models.Findings: The results indicate that NFT adoption has a positive effec

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27

Buzgalin, A. V. "Creative Person in the Economy of the Future." Economic Revival of Russia, no. 1 (71) (2022): 48–57. http://dx.doi.org/10.37930/1990-9780-2022-1-71-48-57.

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The article shows that in the economy of the future, the dominant position of creative activity will be more and more prominent. The attributes of creative activity are highlighted. Moreover, the author argues the thesis about the need of developing a space in which intellectual private property is initially supplemented, and then replaced by the everyone’s ownership of everything; equal access to personal development resources (education, etc.), cultural benefits is ensured; the idea of the importance of advancing the development of the public sector is being elaborated on. The author also sh

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28

Northcott, Michael S. "Planetary Moral Economy and Creaturely Redemption in Laudato Si’." Theological Studies 77, no. 4 (2016): 886–904. http://dx.doi.org/10.1177/0040563916666820.

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In Laudato Si’, Pope Francis indicates that climate change, and other kinds of ecological destruction, are moral wrongs because they deny the fruits of the earth to the poor and to future generations, and they fail to honor the place of other creatures in Christ’s redemption of creation. LS sets climate change and the environmental crisis firmly in the context of two established features of Catholic social teaching: the dignity of poor and indigenous people and the intrinsic value of creatures to the Creator and their inclusion in the redemption of all things in Christ.

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Ramakrishnan, Mr R. ""Decentralized Media: Ensuring Secure Content Sharing and NFT Minting Through Blockchain and User Validation"." International Scientific Journal of Engineering and Management 04, no. 06 (2025): 1–9. https://doi.org/10.55041/isjem04507.

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Abstract: Decentralized Media: Ensuring Secure Content Sharing and NFT Minting Through Blockchain and User Validation. is a decentralized Web3 platform designed to transform how communities engage with media, culture, and entertainment. It fosters an inclusive digital environment where creators, fans, and curators can share and celebrate content without platform-imposed restrictions. By leveraging NFT-based memberships, users gain access to curated experiences, exclusive drops, and content governance, enabling community-led decision- making in media discovery. The platform is developed using t

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30

Robo, Salahudin, Rasna, and Siti Marwa. "Perancangan Aplikasi Penyedia Produk Digital Berbasis Website." JSAI (Journal Scientific and Applied Informatics) 5, no. 2 (2022): 93–105. http://dx.doi.org/10.36085/jsai.v5i2.3438.

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Media pemasaran yang khusus memasarkan produk digital di kota Jayapura terbilang masih sangat minim untuk freelance, sehingga produk digital dari creator-creator di Jayapura tidak menjangkau target pasar yang semestinya dan menyebabkan minimnya hasil implementasi teknis dari creator-creator tersebut. Penelitian ini menggunakan metode analisis pieces yang dilakukan untuk menganalisa perbedaan dan pengaruh yang diberikan oleh hasil usulan sistem yang telah dirancang. Dengan 6 indikator yaitu performance, information and data, economy, control and security, efficiency, dan service.  H

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31

Pangaribuan, Freddy Leonardo, Anshari Ritonga, and Henry Soelistyo Budi. "ACHIEVING THE LEGAL OBJECTIVE OF WITHHOLDING INCOME TAX ON FOREIGN YOUTUBE VIDEO CREATORS FOR VIDEO UTILIZATION INCOME SOURCED IN INDONESIA." Global Legal Review 4, no. 2 (2024): 90. http://dx.doi.org/10.19166/glr.v4i2.8327.

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<p>One of the digital economy transactions is the transaction on YouTube monetization received by video creators based on viewers in a source country. Overseas video creators do not pay Income Tax (PPh) in Indonesia on income from Youtube videos sourced in Indonesia because there is no physical presence of the video creator in Indonesia and no identified income as a tax object on which the Indonesian tax authorities impose PPh on the overseas video creator. This condition creates legal uncertainty, injustice, and loss of benefit for Indonesia as a source country due to the loss of potent

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32

Yi, Wang, and Ko Eunju. "GENERATIVE AI IN THE CREATOR ECONOMY: EXPLORING CONSUMER ATTITUDES TOWARD AI-GENERATED FASHION CONTENT." Global Fashion Management Conference 2025 (July 31, 2025): 459. https://doi.org/10.15444/gmc2025.05.07.05.

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33

Totev, Hristo. "PROBLEMS OF THE MODERNIZATION OF THE ECONOMY OF BULGARIA." Journal scientific and applied research 5, no. 1 (2014): 121–25. http://dx.doi.org/10.46687/jsar.v5i1.119.

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Innovation and modernization of the economy "We do not like the traditions -Henry Ford said - we want to live now and the only history that means something - this is what we are doing at that moment." For the creator of one of the largest markets in the world, man and businessman who lived in the time of the birth of the " American miracle " was easily and naturally to ignore the history. Today there are no such individuals nor in America or the world. In many countries facing the dilemma of restructuring the economy , debate on economic policy lead to the question , how to build a competitive

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34

Rajeev, Mishra, Gupta Mayank, and Gupta Sandeep. "Use of Sisal Fibre in Flexible Pavement for Reducing of Soil Settlement Effect." Journal of Earthquake Science and Soil Dynamics Engineering 2, no. 3 (2020): 1–5. https://doi.org/10.5281/zenodo.3609532.

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Different tests were performed to choose the ideal amount of strands on fortified and unreinforced, for example, compaction tests, CBR tests, and so on. Soil adjustment is the better alternative regarding economy just as vitality somewhat diving for deep establishment or pontoon establishment, which relies upon creator.

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35

Dhanar Intan Surya Saputra, Anwar Budhi Dharmawan, Didit Suhartono, Doni Fajar Ramadan, Ikhwan Fahrial Selofianto, and Argiyan Dwi Pritama. "Perancangan dan Pengembangan Video Katalog Film Animasi Indonesia." Formosa Journal of Computer and Information Science 1, no. 1 (2022): 1–12. http://dx.doi.org/10.55927/fjcis.v1i1.478.

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Many Indonesian animations on YouTube are not directly proportional to the National Gross Domestic Product for the Creative Economy sub-sector data. The film, animation, and video sub-sector still considered low and has not contributed much and, caused by many factors, such as not being correctly recorded by animation creators. There are many efforts to record the content creators, such as government involvement, the Associations (AINAKI), stakeholders, and academics. Seeing these problems, we conducted a data through YouTube scraping to be able to find content creator channels of animations.

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36

Yin, Huaijin. "From Virality to Engagement: Examining the Transformative Impact of Social Media, Short Video Platforms, and Live Streaming on Information Dissemination and Audience Behavior in the Digital Age." Advances in Social Behavior Research 14, no. 1 (2024): 10–14. https://doi.org/10.54254/2753-7102/2024.18644.

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The digital world has changed the way we share and consume information through the adoption of social media, short-form video and live streaming. These tools changed how virality works, how audiences act and how content gets created. This article takes a closer look at the dynamics of virality, and how algorithms and crowdsourcing facilitate quick sharing of information while driving the development of misinformation and echo chambers. Likewise, it explores how users interact with content rather than consume it, and explores engagement metrics, gamification and interactivity. The paper also ex

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Dwiyanisa, Ashila. "Dukungan Bandung Creative City Forum Terhadap Rintisan Usaha Baru Generasi Muda Kota Bandung." Jurnal Ekonomi, Bisnis & Entrepreneurship 11, no. 2 (2017): 113–22. https://doi.org/10.55208/8gan1683.

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Bandung is known as a creative city and created a community of creative communities called Bandung Creative City Forum (BCCF). BCCF as a hub organization, BCCF is founded largely by Community, Individual, Creative Entrepreneur, Nonprofit and Creativity Creator in Bandung or whose field of work or activity intersect very closely with the world of creativity and innovation. BCCF provides opportunities to maximize their potentials, gain resources and support young entrepreneurs through networking and partnerships established by BCCF and NGADUide communities to create creative entrepreneurs, wheth

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38

Ihsan Aditya Saputra, Nida Shabirah, Sofiya Romadlon, et al. "Perilaku Prososial Pada Content Creator : Bentuk Bantuan Yang Nyata Kah?" Proceeding Conference On Psychology and Behavioral Sciences 1, no. 1 (2022): 34–41. http://dx.doi.org/10.61994/cpbs.v1i1.9.

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After the Covid-19 outbreak, many people have changed professions to become creators. Not a few of them show us a high level of prosocial behavior. The objective of this study is to find out the existence of prosocial behavior carried out by creators in providing assistance. The research method of gathering data is by using interviews and online documentation assisted by the Google Form platform. This type of research is qualitative one with a descriptive design. The subjects in this study by using purposive sampling techniques are 4 creators who give help to the people whose economy level is

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Purnomo, Didit, and Devi Istiqomah. "ANALISIS PERANAN SEKTOR INDUSTRI TERHADAP PEREKONOMIAN JAWA TENGAH TAHUN 2000 DAN TAHUN 2004 (ANALISIS INPUT OUTPUT)." Jurnal Ekonomi Pembangunan: Kajian Masalah Ekonomi dan Pembangunan 9, no. 2 (2008): 137. http://dx.doi.org/10.23917/jep.v9i2.1021.

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This research aim to analyse role of industrial sector to other economy sectors in Central Java and the role in Central Java economy. Research method, which applied that, is Input Output Analysis Model (Analysis I-O), accompanied by analysis of role of production sector and output creator of Central Java economy, backward and forward linkage index analysis, and key sector analysis. Data which used that is I-O table of Central Java year 2000 and year 2004 with classification 19 sector is obtained from Central Java BPS. Research result indicate that industrial sector role is seen enough dominant

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40

Subiyatningsih, Foriyani. "Principles of Textual Rhetoric in CakCuk Discourse." Jurnal Humaniora 30, no. 3 (2018): 279. http://dx.doi.org/10.22146/jh.22580.

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This research aims to study how the creator of CakCuk creates language based on the principles and maxims of textual rhetoric in CakCuk designs. The data was collected using a method of observation, with a basic technique of recording followed by a technique of note-taking. The data analysis used a method of distribution, comparison, and contextual identity. The results of this study show that CakCuk discourse is a product of the language creativity of its creator through the utilization of principles or maxims of textual rhetoric. The key to this creativity is the creator’s ability to use max

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Subiyatningsih, Foriyani. "Principles of Textual Rhetoric in CakCuk Discourse." Jurnal Humaniora 30, no. 3 (2018): 279. http://dx.doi.org/10.22146/jh.v30i3.22580.

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This research aims to study how the creator of CakCuk creates language based on the principles and maxims of textual rhetoric in CakCuk designs. The data was collected using a method of observation, with a basic technique of recording followed by a technique of note-taking. The data analysis used a method of distribution, comparison, and contextual identity. The results of this study show that CakCuk discourse is a product of the language creativity of its creator through the utilization of principles or maxims of textual rhetoric. The key to this creativity is the creator’s ability to use max

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Hernawati, Elly. "Peran Lembaga Manajemen Kolektif Sebagai Bentuk Perlindungan Hukum Pencipta Lagu Dan Pemilik Hak Terkait." JURNAL YUSTIKA: MEDIA HUKUM DAN KEADILAN 22, no. 01 (2019): 37–54. http://dx.doi.org/10.24123/yustika.v22i01.1997.

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Copyright is one of the Intellectual Property Rights components and should be paid attention to. Even more in technology era that developing, copyright protection needed to be enhanced, so that the right of creator, Copyright holder or owner of relevant rights can be protected and urge people to create. Indirectly, good and healthy business climate could be fostered. Not all people have skill to create, that is why those people who have skill to create must be protected and even awarded, hoping that people urged to create. One of the creations that protected are song and music. In creating son

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Mao, Yining. "Research on the Development Dilemma of “Creator Economy” on Social Media Applications among Chinese University Students." SHS Web of Conferences 207 (2024): 04012. https://doi.org/10.1051/shsconf/202420704012.

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This paper focuses on a blank in the research on the development dilemma of social media creators’ economy mainly targeting current college students, presents interviews with college student content creators, analyzes the reasons, discusses the potential impact of future technological factors and policy support which has important practical significance for the full employment and industry development of future college student creators. In response to the difficulty of achieving equal rewards, the original author’s copyright protection and the platform’s discourse power summarize the ways to s

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Dressler, Wolfram H., Fikret Berkes, and Jack Mathias. "Beluga hunters in a mixed economy: managing the impacts of nature-based tourism in the Canadian western Arctic." Polar Record 37, no. 200 (2001): 35–48. http://dx.doi.org/10.1017/s0032247400026735.

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AbstractThe Inuvialuit Region of the Canadian western Arctic continues to support a variety of land-based activities as part of the regional mixed economy. Tourism development, one of the newer elements of the mixed economy, has potential to conflict with beluga whale hunting, one of the traditional activities. The paper asks the question: can local employment be created through nature-based tourism development in Inuvik, Aklavik, and Tuktoyaktuk in the Inuvialuit Region in ways that support the local mixed economy and minimize conflict with the traditional sector? Results of interviews with I

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Paata Koghuashvili, Paata Koghuashvili, and Nato Koridze Nato Koridze. "The Importance of Small and Medium - sized Business for the Country’s Economy." Economics 105, no. 4-5 (2022): 67–78. http://dx.doi.org/10.36962/ecs105/4-5/2022-67.

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The article talks about small and medium-sized business and its importance in the development of the economy. Small and medium-sized enterprises play an important role in the economies of most countries, especially developing countries. Small and medium-sized companies are a major part of world businesses and make a huge contribution to job creation and the development of the global economy. They account for about 90% of world production, 60% -70% of jobs and 55% of GDP. In developing economies, small and medium-sized businesses provide almost 40% of national income. They are a necessary and i

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Zhou, Chujie. "Research on the Development Trends of Enterprise Accounting in the Knowledge Economy Era." Yixin Publisher 2, no. 4 (2024): 73–78. http://dx.doi.org/10.59825/jcs.2024.2.4.73.

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With the profound changes in the global economic landscape, the knowledge economy era has arrived and gradually become the main driving force for global economic development. In this major era, enterprise accounting, as an important recording and management tool for economic activities, is also facing unprecedented challenges and opportunities in its development trend. The unique resource attributes, value creation methods, and competitive environment of the knowledge economy era have put forward new requirements for the functions, accounting objects, and management objectives of enterprise ac

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Ulya, Himmatul. "KOMODIFIKASI PEKERJA PADA YOUTUBER PEMULA DAN UNDERRATED (Studi Kasus YouTube Indonesia)." Interaksi: Jurnal Ilmu Komunikasi 8, no. 2 (2019): 1. http://dx.doi.org/10.14710/interaksi.8.2.1-12.

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The purpose of this research is to reveal commodification form and process which experienced by beginner and underrated YouTuber in Indonesia. This research uses a critical paradigm with qualitative approach through observation and indepth interview by developing political economy communication through especially commodification of labor as a theoritical framework. The development of new media especially YouTube, became on of the attractions for the community to plunge as creative workers in the digital world. YouTuber also known as content creator is profession that is in great demand by the

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Balalaev, A. S. "A PERSON IN THE RIGHT PLACE." World of Transport and Transportation 16, no. 1 (2018): 260–64. http://dx.doi.org/10.30932/1992-3252-2018-16-1-22.

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[For the English abstract and full text of the article please see the attached PDF-File (English version follows Russian version)].Review of the book: Levin, D. Yu. Witte S. Yu. - an Outstanding Railway Worker. Moscow: Infra-M publ., 2018, 418 p. + electronic application. ABSTRACT The monograph is devoted primarily to railway works and worthiness of Sergey Yulyevich Witte, a prominent statesman, diplomat, economist, financier, a reformer. Count Witte was Minister of Railways, Minister of Finance, Chairman of the Council of Ministers of the Russian Empire. He is the author of the first Charter

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Yi, Huiran, and Lu Xian. "The Informal Labor in Creator Economy: The Making of Key Opinion Consumers From Ordinary Users on Xiaohongshu." Proceedings of the ACM on Human-Computer Interaction 9, no. 2 (2025): 1–26. https://doi.org/10.1145/3711086.

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This paper critically examines flexible content creation conducted by Key Opinion Consumers (KOCs) on a prominent social media and e-commerce platform in China, Xiaohongshu (RED). Drawing on nine-month ethnographic work conducted online, we find that the production of the KOC role on RED is predicated on the interactions and negotiations among multiple stakeholders---content creators, marketers, consumer brands (corporations), and the platform. KOCs are instrumental in RED influencer marketing tactics and amplify the mundane and daily life content popular on the platform. They navigate the dyn

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Rajapandiyan, Mr P. ""Intellect Chain: Decentralized IP Trading and Licensing via Blockchain and Tokenization"." International Scientific Journal of Engineering and Management 04, no. 06 (2025): 1–9. https://doi.org/10.55041/isjem04508.

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Abstract: Intellect Chain: Decentralized IP Trading and Licensing via Blockchain and Tokenization. is a Web3 platform designed to revolutionize the intellectual property (IP) ecosystem. By utilizing blockchain technology, the platform enables the secure tokenization, licensing, and trading of IP assets such as books, films, music, and digital media. It creates an inclusive environment where creators can directly control, validate, and monetize their IP without relying on intermediaries, empowering them to retain ownership and earn royalties in a transparent and secure manner. Developed using t

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