Academic literature on the topic 'Cultura xinesa'

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Journal articles on the topic "Cultura xinesa"

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Scribano, Adrián, and Zhang Jingting. "Cos/emocions de les celebritats d'internet en la societat 4.0 a la Xina." Debats. Revista de cultura, poder i societat 133, no. 2 (2019): 117–29. http://dx.doi.org/10.28939/iam.debats.133-2.10.

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Les celebritats d'internet, com a grup d'estreles produïdes per l'economia de mercat i internet, mostren la transformació i la situació actual de la cultura d'internet i les xarxes socials a la xina. En el físic i la imatge que projecten aquestes celebritats, si bé són úniques, hi ha implícit un simbolisme cultural. La revolució 4.0 ens porta noves pràctiques socials i maneres d'interactuar amb les xarxes socials com a protagonistes. En aquest article investigarem les interseccions i ruptures entre cos-individu, cossubjectiu i cos-social (Scribano, 2007) de les estreles d’internet xineses, i l
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Wu, Lei, and Fengtian Zheng. "Material Cost Advantage and Development of Small Printing Industry: Based on the Case of Xinhua Phenomenon." MATEC Web of Conferences 228 (2018): 04001. http://dx.doi.org/10.1051/matecconf/201822804001.

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Based on the survey of small printing industry in Beijing, Xi’an and Zhengzhou, this paper analyses the development of Xinhua Phenomenon as one case of Rural Migration Entrepreneurship and find that group culture is an important factor to promote the development of Xinhua Phenomenon. Through the econometric analysis, the research finds that Xinhua printing group offers better services than non-Xinhua group to gain the material cost advantage and promote the development of Xinhua Phenomenon.
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Chen, Zenan, and Xiaoge Xu. "COVID-19 news reporting and engaging in the age of social media: Comparing Xinhua News Agency and The Paper." Global Media and China 6, no. 2 (2021): 152–70. http://dx.doi.org/10.1177/20594364211017364.

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“To follow and to be followed” has become the new normal in news communication in the age of social media. News audience follow news via social media while they are being followed by news anytime anywhere. This new normal has created a pressing need to investigate whether social media have brought any changes to both party-controlled and market-oriented news media in China in reporting crises. Comparing Xinhua News Agency (party-controlled) and The Paper (market-oriented), this study investigated how they reported COVID-19 and how their news consumers engaged with their COVID-19 news stories o
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Garver, John W. "Shi nian lunzhan, 1956–1966, Zhong Su guanxi huiyilu (Ten-Year War of Words, 1956–1966, a Memoir of Sino-Soviet Relations). By Wu Lengxi. [Beijing: Zhongyang wenxian chubanshe, 1999. Two volumes. 940 pp.]." China Quarterly 173 (March 2003): 197–213. http://dx.doi.org/10.1017/s0009443903000111.

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This is the most detailed account to date of Chinese decision-making during the deterioration of Sino-Soviet relations from 1956 to 1966. Wu Lengxi was head of Xinhua news agency from 1952 to 1966 and general editor of Renmin ribao from 1957 to the start of the Cultural Revolution.
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Xin, Xin. "Financialisation of news in China in the age of the Internet: the case of Xinhuanet." Media, Culture & Society 40, no. 7 (2017): 1039–54. http://dx.doi.org/10.1177/0163443717745121.

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This article discusses the recent development of Xinhuanet.com , a news website launched by Xinhua News Agency, one of China’s key central state-owned news organisations. Xinhuanet Co. Ltd, the business entity running the website, went public in October 2016 in Shanghai. This marked the first step in the state news agency’s financialisation. Two main questions are addressed. First, what were the main driving forces behind Xinhuanet’s transformation from a governmental cultural organisation to a publicly traded enterprise, the majority shareholder of which remains Xinhua? Second, how should the
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Jang, Won Yong, Junhao Hong, and Edward Frederick. "The Framing of the North Korean Six-Party Talks by Chinese and North Korean News Agencies: Communist Propaganda and National Interests." Media International Australia 154, no. 1 (2015): 42–52. http://dx.doi.org/10.1177/1329878x1515400107.

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This article examines the subtle differences in news coverage of the Six-Party Talks by China's Xinhua news agency and North Korea's Korean Central News Agency from 2003 to 2007. The news agencies are the targets of propaganda from the various interests involved in the North Korean nuclear issue. The focus is on how the agencies framed the issue and whether the frames adopted by each reflected its country's dominant ideology and national interests. It was found that the two news agencies adopted frames for the issue that were consistent with the dominant ideology in their respective nations.
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Qian, Nanxiu. "Cultural and ritual empowerment of women in the northern courts: Yu Xin’s epitaphic writings." Frontiers of Literary Studies in China 5, no. 4 (2011): 511–36. http://dx.doi.org/10.1007/s11702-011-0140-z.

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Chen, Lijuan, Danyang Zhang, Yingfei He, and Guoliang Zhang. "Transcultural political communication from the perspective of proximization theory: A comparative analysis on the corpuses of the Sino–US trade war." Discourse & Communication 14, no. 4 (2020): 341–61. http://dx.doi.org/10.1177/1750481320910519.

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Previous studies have shown the operational potential in political discourse analysis from the proximization perspective. This study adopts a cross-disciplinary approach to analyze political communication across transcultural contexts, especially in the cyber discourse space. Based on the spatial–temporal–axiological (STA) model, we compare the journalistic discourses on two social media platforms by China Xinhua News Agency (CXNA), an official speaker for China worldwide. The corpuses are constructed with microblogs on Weibo in Chinese and Twitter in English containing key words of Sino–US tr
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Hernández Navarro, Y., P. de Dato, and A. Langa Lahoz. "DISTURBANCES IN VERNACULAR ARCHITECTURE OF TOGO'S RURAL SETTLEMENTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 761–66. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-761-2020.

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Abstract. According to the United Nations (UN) Africa accounts for only 13% of the world's urban population and less than half of the inhabitants of this continent (43%) live in urban areas (Xinhua News Agency, 2017). Therefore, the cultural importance of rural architecture in this context is remarkable both locally for each society and generally for human knowledge. As Paul Oliver pointed out, vernacular architecture is the architectural language of people with their ethnic, regional and local dialects (Oliver, 1997), and it should be considered a treasure containing the knowledge, developmen
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CANUTI, Silvia. "Christian Faith in Bing Xin’s Early Life: Tradition and Western Values in the Early 20th Century China." Asian Studies, no. 2 (September 25, 2012): 47–64. http://dx.doi.org/10.4312/as.2012.-16.2.47-64.

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Among Chinese writers of the 20th century, Xie Wanying 谢婉莹 (1900–1999), known with her pen name Bing Xin 冰心, has been considered by literary critics as “the writer of love” and “the philosopher of love”. Nevertheless, this label seems to have ignored an element that could let us identify important conflicts within her works, that can be attributed to her contacts and relations with people and institutions linked to the Christian faith. Therefore, in the first period of Bing Xin’s literary production (1920–1930), this peculiar aspect of Western culture, the Christian belief, seems to be for her
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Dissertations / Theses on the topic "Cultura xinesa"

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Guarde, Paz César. "Virtud y consecuencia en la literatura histórica y filosófica pre-Han y Han: el dilema ético en la filosofía y sociedad china." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/81958.

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La presente tesis tiene como objetivo exponer las diferentes conceptualizaciones de la noción de “virtud” en el pensamiento chino antiguo (770 a.C.–220 d.C.) en relación a los motivos de “elección”, “dilema ético” y “consecuencia”, a través de tres momentos discursivos interrelacionados: los textos poético-literarios, filosóficos e históricos. Con tal fin, este estudio se estructura a través de un capítulo introductorio que recoge el estado de la cuestión dilemática, tanto en la filosofía occidental como en China y, especialmente, en el confucianismo. A partir de aquí, y una vez han sido discu
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Chieh, Wang. "La ilustración del libro chino: de la xilografía tradicional a las nuevas técnicas occidentales." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/384237.

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Desde el punto de vista temático, la investigación aborda la ilustración del libro chino de un modo general, si bien tratando la influencia entre las relaciones con los ámbitos literario, pictórico, cultural, social y técnico. A pesar de su vasta amplitud, se profundiza en las tipologías y características formales, estéticas y técnicas de la xilografía por antonomasia de la ilustración del libro chino. Dicha temática está plenamente justificada por los conocimientos y la producción ilustrativa del autor de la tesis y, asimismo, por la proximidad de las fuentes documentales existentes, que se h
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Sayols, Lara Jesús. "La traducció de la interculturalitat. Anàlisi dels elements interculturals a Weicheng i la seva traducció a diferents entorns culturals europeus." Doctoral thesis, Universitat Autònoma de Barcelona, 2010. http://hdl.handle.net/10803/32129.

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En el camp dels estudis de la traducció és comuna la distinció entre el codi lingüístic— el text— i els elements culturals que apareixen en el text. El problema, doncs, ha estat fonamentalment trobar la forma lingüística més adequada —manlleus, calcs, amplificacions— de transferir aquests elements perquè el lector comprengui el text en tota la seva dimensió. Consegüentment, ha calgut catalogar de manera inequívoca tots aquests elements en funció de diferents categories. Tanmateix, ningú mai no s’ha plantejat el perquè d’aquesta distinció, ni tampoc si és precisa científicament, ni les
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Yi, Xinfa [Verfasser]. "Creativity, efficacy and their organizational, cultural influences / Xinfa Yi." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/102316986X/34.

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Ginés, Blasi Mònica. "El col·leccionisme entre Catalunya i la Xina (1876-1895)." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/130925.

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Són diversos els autors que han posat de manifest com l’interès per l’art de la Xina i del Japó es traça a Espanya des del s.XVI, estimulant la tendència decorativa chinoiserie, que derivà a mitjans del s.XIX en el gust per tot allò procedent del Japó, moda denominada japonisme. A la segona meitat del s.XIX el govern japonès va emprendre una forta modernització establint intenses relacions comercials amb països europeus, esperonant l’interès per l’art japonès en vàries ciutats-centre europees. En canvi, l’interès que durant el barroc i el rococó havia suscitat l’art procedent de l’Imperi xinès
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Jinjing, Shen. "Caminos sagrados-comerciales y turismo chino. Estudio comparativo del Camino de Santiago y la ruta antigua de té y caballos (Chama gudao, 茶马古道)". Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/664351.

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El objetivo de esta tesis es el análisis comparativo de dos fenómenos paralelos de turismo cultural, en concreto de itinerarios culturales, centrados en caminos sagrados, rutas de peregrinación o comerciales con una larga historia: el Camino de Santiago de España y la Ruta Antigua de Té y Caballos de China. Estos caminos sagrados-comerciales se han convertido desde la década de 1990 en focos de atracción para el turismo cultural con un alcance local y global. Por otra parte, China ha entrado en la escena mundial desde hace poco tiempo como origen para el turismo internacional pasando a ocupar
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Barbazán, Capeáns Dolores. "Percepciones de estudiantes chinos sobre las mujeres españolas, en el cine. Cultura en la clase de ELE." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/287218.

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El tema principal que estudiamos es la situación de las mujeres españolas, y en especial, las mujeres españolas en el cine español. A partir de un plan de acción basado en la metodología cualitativa interpretativa, observaremos y analizaremos las percepciones de tres grupos de estudiantes sobre las mujeres españolas del cine español: antes de realizar una unidad didáctica, durante la unidad didáctica y después de la unidad didáctica. Observaremos si hay cambios o evoluciona el discurso de los estudiantes y si el material utilizado resulta motivador para el aprendizaje; para acercar la cultu
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Gao, Qian. "World Heritage, Archaeological Tourism and Social Value in China." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/401428.

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This doctoral thesis explores the relationship between archaeological tourism, World Heritage and social value in contemporary China. It intends to provide an innovative insight into such connections by scrutinizing the impact of archaeological tourism on the social values that local communities attribute to archaeological sites that are either inscribed as UNESCO World Heritage Sites or in the process of becoming one. Archaeological tourism refers to people’s activity of consuming the past through visiting places of archaeological significance. In this doctoral thesis, the discussion concerni
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Mir, Gual Andreu. "Els nous illencs. La identitat dels adolescents d'origen immigrant a la ciutat de Palma: els casos marroquí i xinès." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/298306.

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La tesi que es presenta pretén oferir un anàlisi entorn del procés de construcció identitària dels adolescents nouvinguts a la ciutat de Palma. Es proposa una primera fase de revisió/reflexió del marc teòric ja existent, en concret, es pretén treballar en tres fenòmens que esdevenen centrals en la recerca: la identitat, l’adolescència i la immigració. És a partir d’aquí des d’on emergeixen uns objectius generals: (1) establir una proposta de components identitaris pels adolescents d’origen marroquí i xinès a la ciutat de Palma i (2) concretar uns models teòrics de perfils identitaris per aques
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Ren, Le. "Los manuales de confesión en la China de las dinastías Ming y Qing (1580-1780): Un caso de la traducción transcultural." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670772.

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La tesi examina el corpus de manuals confessionals produïts en el territori xinès pels missioners europeus durant la dinastia Ming tardana i la Qing primerenca (aprox. 1580-1780). L'objectiu de la tesi consisteix, d'una banda, en dur a terme l'examen de les modificacions que va patir la normativa (la doctrina i la litúrgia) de la confessió al ser adaptada a les circumstàncies culturals, espirituals i socials de l'Imperi del Mig, procés que hem anomenat ""traducció transcultural"". En concret, pretén desentranyar les estratègies discursives i els recursos d'adaptació cultural als que van recórr
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Books on the topic "Cultura xinesa"

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Taiwan yerabook 2007. Goverment Information Office, 2007.

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Centre d'Art Santa Mònica (Barcelona, Spain) and Catalonia (Spain). Departament de Cultura., eds. Xina, mil anys d'art i de cultura: [exposició] Centre d'Art Santa Mònica, Barcelona, 23 d'abril-24 de juny de 1991. Generalitat de Catalunya, Departament de Cultura, 1991.

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Conference papers on the topic "Cultura xinesa"

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Zhou, Mengmeng. "A Study on the Influence of Yu Xin's qBu Xu Ciq on Literati Taoist Literary Creation." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.67.

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Li, Juan. "Research on Applying Red Culture in Teaching Practice of Course on “Situation and Policy” - Take Xinhua College of Ningxia University as an Example." In 2020 International Conference on Social Sciences and Big Data Application (ICSSBDA 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201030.034.

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