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Journal articles on the topic 'Cultura xinesa'

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1

Scribano, Adrián, and Zhang Jingting. "Cos/emocions de les celebritats d'internet en la societat 4.0 a la Xina." Debats. Revista de cultura, poder i societat 133, no. 2 (2019): 117–29. http://dx.doi.org/10.28939/iam.debats.133-2.10.

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Les celebritats d'internet, com a grup d'estreles produïdes per l'economia de mercat i internet, mostren la transformació i la situació actual de la cultura d'internet i les xarxes socials a la xina. En el físic i la imatge que projecten aquestes celebritats, si bé són úniques, hi ha implícit un simbolisme cultural. La revolució 4.0 ens porta noves pràctiques socials i maneres d'interactuar amb les xarxes socials com a protagonistes. En aquest article investigarem les interseccions i ruptures entre cos-individu, cossubjectiu i cos-social (Scribano, 2007) de les estreles d’internet xineses, i l
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2

Wu, Lei, and Fengtian Zheng. "Material Cost Advantage and Development of Small Printing Industry: Based on the Case of Xinhua Phenomenon." MATEC Web of Conferences 228 (2018): 04001. http://dx.doi.org/10.1051/matecconf/201822804001.

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Based on the survey of small printing industry in Beijing, Xi’an and Zhengzhou, this paper analyses the development of Xinhua Phenomenon as one case of Rural Migration Entrepreneurship and find that group culture is an important factor to promote the development of Xinhua Phenomenon. Through the econometric analysis, the research finds that Xinhua printing group offers better services than non-Xinhua group to gain the material cost advantage and promote the development of Xinhua Phenomenon.
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3

Chen, Zenan, and Xiaoge Xu. "COVID-19 news reporting and engaging in the age of social media: Comparing Xinhua News Agency and The Paper." Global Media and China 6, no. 2 (2021): 152–70. http://dx.doi.org/10.1177/20594364211017364.

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“To follow and to be followed” has become the new normal in news communication in the age of social media. News audience follow news via social media while they are being followed by news anytime anywhere. This new normal has created a pressing need to investigate whether social media have brought any changes to both party-controlled and market-oriented news media in China in reporting crises. Comparing Xinhua News Agency (party-controlled) and The Paper (market-oriented), this study investigated how they reported COVID-19 and how their news consumers engaged with their COVID-19 news stories o
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4

Garver, John W. "Shi nian lunzhan, 1956–1966, Zhong Su guanxi huiyilu (Ten-Year War of Words, 1956–1966, a Memoir of Sino-Soviet Relations). By Wu Lengxi. [Beijing: Zhongyang wenxian chubanshe, 1999. Two volumes. 940 pp.]." China Quarterly 173 (March 2003): 197–213. http://dx.doi.org/10.1017/s0009443903000111.

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This is the most detailed account to date of Chinese decision-making during the deterioration of Sino-Soviet relations from 1956 to 1966. Wu Lengxi was head of Xinhua news agency from 1952 to 1966 and general editor of Renmin ribao from 1957 to the start of the Cultural Revolution.
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5

Xin, Xin. "Financialisation of news in China in the age of the Internet: the case of Xinhuanet." Media, Culture & Society 40, no. 7 (2017): 1039–54. http://dx.doi.org/10.1177/0163443717745121.

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This article discusses the recent development of Xinhuanet.com , a news website launched by Xinhua News Agency, one of China’s key central state-owned news organisations. Xinhuanet Co. Ltd, the business entity running the website, went public in October 2016 in Shanghai. This marked the first step in the state news agency’s financialisation. Two main questions are addressed. First, what were the main driving forces behind Xinhuanet’s transformation from a governmental cultural organisation to a publicly traded enterprise, the majority shareholder of which remains Xinhua? Second, how should the
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6

Jang, Won Yong, Junhao Hong, and Edward Frederick. "The Framing of the North Korean Six-Party Talks by Chinese and North Korean News Agencies: Communist Propaganda and National Interests." Media International Australia 154, no. 1 (2015): 42–52. http://dx.doi.org/10.1177/1329878x1515400107.

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This article examines the subtle differences in news coverage of the Six-Party Talks by China's Xinhua news agency and North Korea's Korean Central News Agency from 2003 to 2007. The news agencies are the targets of propaganda from the various interests involved in the North Korean nuclear issue. The focus is on how the agencies framed the issue and whether the frames adopted by each reflected its country's dominant ideology and national interests. It was found that the two news agencies adopted frames for the issue that were consistent with the dominant ideology in their respective nations.
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7

Qian, Nanxiu. "Cultural and ritual empowerment of women in the northern courts: Yu Xin’s epitaphic writings." Frontiers of Literary Studies in China 5, no. 4 (2011): 511–36. http://dx.doi.org/10.1007/s11702-011-0140-z.

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8

Chen, Lijuan, Danyang Zhang, Yingfei He, and Guoliang Zhang. "Transcultural political communication from the perspective of proximization theory: A comparative analysis on the corpuses of the Sino–US trade war." Discourse & Communication 14, no. 4 (2020): 341–61. http://dx.doi.org/10.1177/1750481320910519.

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Previous studies have shown the operational potential in political discourse analysis from the proximization perspective. This study adopts a cross-disciplinary approach to analyze political communication across transcultural contexts, especially in the cyber discourse space. Based on the spatial–temporal–axiological (STA) model, we compare the journalistic discourses on two social media platforms by China Xinhua News Agency (CXNA), an official speaker for China worldwide. The corpuses are constructed with microblogs on Weibo in Chinese and Twitter in English containing key words of Sino–US tr
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9

Hernández Navarro, Y., P. de Dato, and A. Langa Lahoz. "DISTURBANCES IN VERNACULAR ARCHITECTURE OF TOGO'S RURAL SETTLEMENTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 761–66. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-761-2020.

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Abstract. According to the United Nations (UN) Africa accounts for only 13% of the world's urban population and less than half of the inhabitants of this continent (43%) live in urban areas (Xinhua News Agency, 2017). Therefore, the cultural importance of rural architecture in this context is remarkable both locally for each society and generally for human knowledge. As Paul Oliver pointed out, vernacular architecture is the architectural language of people with their ethnic, regional and local dialects (Oliver, 1997), and it should be considered a treasure containing the knowledge, developmen
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10

CANUTI, Silvia. "Christian Faith in Bing Xin’s Early Life: Tradition and Western Values in the Early 20th Century China." Asian Studies, no. 2 (September 25, 2012): 47–64. http://dx.doi.org/10.4312/as.2012.-16.2.47-64.

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Among Chinese writers of the 20th century, Xie Wanying 谢婉莹 (1900–1999), known with her pen name Bing Xin 冰心, has been considered by literary critics as “the writer of love” and “the philosopher of love”. Nevertheless, this label seems to have ignored an element that could let us identify important conflicts within her works, that can be attributed to her contacts and relations with people and institutions linked to the Christian faith. Therefore, in the first period of Bing Xin’s literary production (1920–1930), this peculiar aspect of Western culture, the Christian belief, seems to be for her
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11

WANG, BIN. "Research on the Successors of Xinhua Shan Ge and its Repertories Handed Down Based on Protection of Intangible Cultural Heritage." Convergence of Humanities, Social Science an Art’s Academy 3, no. 2 (2019): 185–202. http://dx.doi.org/10.37846/soch.3.2.185.

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12

Sánchez González, Sebastián. "Resignificación e internacionalización de la medicina tradicional china: la comunicación estratégica de su uso contra el SARS y el COVID-19." Revista de Comunicación y Salud 10, no. 2 (2020): 431–59. http://dx.doi.org/10.35669/rcys.2020.10(2).431-459.

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La República Popular China (RPCh) es una potencia mundial que se ha reposicionado en el sistema internacional y en ese proceso ha buscado re-significar e internacionalizar su cultura milenaria. El objetivo de este artículo es comprender el proceso de resignificación e internacionalización de la Medicina Tradiciona China (MTC) como un elemento central de su cultura, a través del análisis de la comunicación estratégica que utiliza el gigante asiático para mostrar su uso en el combate contra la epidemia del SARS y la pandemia de COVID-19. Se utilizan fuentes periodísticas chinas como Xinhua, Peop
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13

Madrid-Morales, Dani. "Who set the narrative? Assessing the influence of Chinese global media on news coverage of COVID-19 in 30 African countries." Global Media and China 6, no. 2 (2021): 129–51. http://dx.doi.org/10.1177/20594364211013714.

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The size of China’s State-owned media’s operations in Africa has grown significantly since the early 2000s. Previous research on the impact of increased Sino-African mediated engagements has been inconclusive. Some researchers hold that public opinion toward China in African nations has been improving because of the increased media presence. Others argue that the impact is rather limited, particularly when it comes to affecting how African media cover China-related stories. This article contributes to this debate by exploring the extent to which news media in 30 African countries relied on Chi
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14

He, Qiliang. "Xingsu "xinren": Zhonggong xuanchuan yu Sulian jingyan by Yu Miin-Ling, and: China's Soviet Dream: Propaganda, Culture, and Popular Imagination by Yan Li." Journal of World History 29, no. 4 (2018): 566–71. http://dx.doi.org/10.1353/jwh.2018.0056.

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15

Elia, Gina. "Looking Beyond the Social: Religion as a Solution to Alienation in Xu Dishan’s, Bing Xin’s, and Su Xuelin’s Republican Era Literature." Religions 10, no. 12 (2019): 664. http://dx.doi.org/10.3390/rel10120664.

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I argue that by participating in religious cultural phenomena, the protagonists of Xu Dishan’s and Su Xuelin’s fiction cultivate values that allow them to overcome their sense of social alienation by making them feel more confident about their ability to strengthen their relationships with others. These values include selflessness in the literature of both authors, as well as compassion in Su Xuelin’s literature. I further argue that these two authors’ literary narratives use the category of religion to label these values as existing outside of the space of human social interactions. This then
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16

Zhang, Yingjin. "Between Shanghai and Hong Kong: The Politics of Chinese Cinemas. By Poshek Fu. [Stanford, CA: Stanford University Press, 2003. 288 pp. £14.95. ISBN 0804745188.]." China Quarterly 180 (December 2004): 1111–12. http://dx.doi.org/10.1017/s030574100432076x.

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Despite its short length (152 pages excluding reference matters), this pioneering study in English of “the Shanghai–Hong Kong nexus” in Chinese cinema succeeds in placing wartime Shanghai and Hong Kong cinemas in specific (albeit not always “proper” as Poshek Fu claims (p. xvi)) institutional and industrial contexts, bringing to light the “humanity” of the filmmakers, the “multiplicity of the historical situations,” and the “complexity of the cultural politics” of filmmaking and film criticism (p. xv). Most impressive of all is Fu's dedication to primary research, reading hard-to-find print ma
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17

Guo, Yixiao. "Beijing Subway and the Political and Economic Development of China." Public Administration Research 8, no. 1 (2019): 23. http://dx.doi.org/10.5539/par.v8n1p23.

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This research paper analyses the main purposes the Beijing subway system, which served from 1969 to now as a tool of political defense as well as a transportation system. The notion to construct the system arose in 1953, but the first section of today’s Line 1 did not open until September 1969.  Today, the Beijing subway system is the world’s busiest in terms of annual ridership and the world’s second longest subway system, ranking only behind Shanghai’s. (Xinhua News Agency, 2017, http://www.xinhuanet.com/politics/2017-12/30/c_1122188643.htm.)
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18

Vampelj Suhadolnik, Nataša. "Han Mural Tombs: Reflection of Correlative Cosmology through Mural Paintings." Asian Studies, no. 1 (December 1, 2011): 19–48. http://dx.doi.org/10.4312/as.2011.-15.1.19-48.

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The main research materials of this study were tombs with murals from the Han Dynasty (206 B.C.–220 A.D.). The article deals with the issue of the reflection of ancient Chinesecosmologic concepts in the iconographic design of Han mural paintings. A thorough analysis of the iconographic design of murals shows that they possessed not only a decorative function, but together with the architectural structure and other burial objects reflected the entire cosmic image. The analysis of tomb paintings reveals a developed correlative cosmology yin-yang wuxing which manifests its concrete image in symbo
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19

Osorio Figueroa, Cristian David. "Apuntes iniciales sobre la epistemología maya guatemalteca y sus implicaciones en el modelo de atención para Guatemala." JMPHC | Journal of Management & Primary Health Care | ISSN 2179-6750 12, spec (2021): 1–2. http://dx.doi.org/10.14295/jmphc.v12.1067.

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Guatemala es el país más grande de América Central, el cual se conforma por cuatro pueblos: maya, xinka, garífuna y mestizo. La diversidad de pueblos permite que en diferentes regiones del país se hablen 25 idiomas, siendo el castellano el oficial. Posee altas tasas de desnutrición que reflejan las diferentes inequidades socioeconómicas, inclusive en áreas rurales la pobreza multidimensional alcanza valores de 80 y 90%. Las inequidades se encuentran atravesadas por género y etnia, ya que la población mayormente afectada es la población maya y mujeres cis y trans. Mientras tanto, la población u
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20

Chiu, Ling-Ting. "A New Page of Literati Painting from Singapore and Malaysia: A Study of Chen Wen Hsi and Chung Chen Sun." Translocal Chinese: East Asian Perspectives 15, no. 1 (2021): 93–130. http://dx.doi.org/10.1163/24522015-15010006.

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Abstract In the early twentieth century, Chinese literati painting was embroiled in arguments on the relationship between ancient and modern or east and west. Therefore, the artistic practices of Wu Changshuo, Chen Shizeng, Qi Baishi, Xu Beihong and so on, were in response to this development. However, with the occurrence of World War ii and changes in the post-war situation, literati painting underwent further, new changes in different regions. This article intends to discuss the overseas Chinese painters Chen Wen Hsi and Chung Chen Sun as examples in exploring the new development of literati
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21

Zhu, Chengyun, Xingqiao Liu, Hailei Chen, and Xiang Tian. "Prediction model of pH value in mitten crab culture." Indian Journal of Fisheries 64, no. 3 (2017). http://dx.doi.org/10.21077/ijf.2017.64.3.57740-06.

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The pH of water directly affects growth of mitten crab (Eriocheir sinensis H. Milne-Edwards, 1853) in aquaculture. A prediction model was set up to determine the changing trend of pH value during culture of mitten crabs. The model would help the farmer to take measures in advance to maintain the safety of cultured crabs, when the predicted value of pH is found to cross beyond safe levels. Prediction model of pH is based on the least squares support vector regression (LSSVR) model with chaotic mutation to improve the estimation of the distribution algorithm (CMEDA) to find optimal parameters (γ
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22

Mariana Delgado Morales. "Saneamiento territorial y Seguridad: Grandes pendientes en las acciones institucionales a 10 años del proceso de lucha por la recuperación del territorio de Salitre." Revista Rupturas, December 13, 2019, 201–2017. http://dx.doi.org/10.22458/rr.v10i1.2755.

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Esta ponencia de Mariana Delgado Morales, investigadora bribri del Centro de Investigación en Cultura y Desarrollo, de la Universidad Estatal a Distancia (UNED), mujer bribri recuperadora de territorio, integrante del Consejo Ditsö Iriria Ajkunuk Wakpa de Salitre, se realizó en el panel: Territorio y violencia en Salitre: Diez años de luchas indígenas y acciones institucionales, organizado por el CICDE y realizado el día miércoles 28 agosto en el Paraninfo Daniel Oduber en la Sede Central, en Mercedes de Montes de Oca. 
 Este panel es parte de un proyecto de reflexión más amplio del CICDE
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23

Wang, Jing. "The Coffee/Café-Scape in Chinese Urban Cities." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.468.

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IntroductionIn this article, I set out to accomplish two tasks. The first is to map coffee and cafés in Mainland China in different historical periods. The second is to focus on coffee and cafés in the socio-cultural milieu of contemporary China in order to understand the symbolic value of the emerging coffee/café-scape. Cafés, rather than coffee, are at the centre of this current trend in contemporary Chinese cities. With instant coffee dominating as a drink, the Chinese have developed a cultural and social demand for cafés, but have not yet developed coffee palates. Historical Coffee Map In
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24

Gao, Xiang. "‘Staying in the Nationalist Bubble’." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2745.

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Introduction The highly contagious COVID-19 virus has presented particularly difficult public policy challenges. The relatively late emergence of an effective treatments and vaccines, the structural stresses on health care systems, the lockdowns and the economic dislocations, the evident structural inequalities in effected societies, as well as the difficulty of prevention have tested social and political cohesion. Moreover, the intrusive nature of many prophylactic measures have led to individual liberty and human rights concerns. As noted by the Victorian (Australia) Ombudsman Report on the
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