Relevant bibliographies by topics / Czech composer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Czech composer'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Czech composer"

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Šustíková, Věra. "The Film Music of Luboš Fišer." Musicalia 12, no. 1-2 (2021): 110–39. http://dx.doi.org/10.37520/muscz.2020.004.

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Luboš Fišer (1935–1999) was a prominent and original composer of the twentieth century. All his life, he worked as a freelance composer of classical music and film music. He combined these two fields, and in both he won a number of Czech and international awards. The article surveys Fišer’s film music from four decades (1960s–1990s) in the context of the music of other Czech composers, and it relies on the collection of source material from Luboš Fišer’s estate kept at the Czech Museum of Music, which was subjected to continuous comparison with available film databases. Fišer collaborated with
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Martinek, Libor. "Literature reflecting on Frederic Chopin’s visits to the spa towns of western Czechia." Acta Universitatis Lodziensis. Folia Litteraria Polonica 52, no. 1 (2019): 325–44. http://dx.doi.org/10.18778/1505-9057.52.19.

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The composer Frederic Chopin is connected with Czechia through a number of visits (in Carlsbad, Prague, Děčín, Teplice, and Marienbad) which he spent joyfully meeting his family, who lived in the Russian-occupied Poland. In Czechia, he met and fell deeply in love with Maria Wodzińska, who, unfortunately, did not reciprocate his feelings. In Prague, he became acquainted with Czech national revivalists (Václav Hanka, among others) and with famous composers of the time. In Vienna, the centre of the Habsburg monarchy, he met many Czech composers and befriended the violinist Josef Slavík. Chopin wa
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Campo-Bowen, Christopher. "Bohemian Rhapsodist: Antonín Dvořák's Píseň bohatýrská and the Historiography of Czech Music." 19th-Century Music 40, no. 2 (2016): 159–81. http://dx.doi.org/10.1525/ncm.2016.40.2.159.

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Standard histories of Antonín Dvořák's life have largely ignored his output in the field of the symphonic poem, especially his final work in the genre, Píseň bohatýrská (Heroic Song). Composed in 1897 after four other tone poems explicitly based on poems by the Czech writer and ethnographer Karel Jaromír Erben, this piece features a much more abstract program and depicts the life, travails, and ultimate victory of a Slavonic bardic hero, assumed by many to be the composer himself. It premiered in late 1898 and early 1899 in Vienna and Prague, respectively, inviting mostly favorable reviews and
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Höstman, Anna K. "TUBER, RHIZOME, TENDRIL AND CORM: ON THE MUSIC OF MARTIN ARNOLD." Tempo 70, no. 277 (2016): 16–33. http://dx.doi.org/10.1017/s0040298216000164.

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AbstractMartin Arnold is an experimental composer currently residing in Toronto, Canada. His unique approach to composition originates in the close relationship that he developed with Czech-Canadian composer Rudolf Komorous while Arnold was a doctoral student at the University of Victoria. Martin Arnold's desire to create music both familiar and unfamiliar, known and unknown, generates paradoxical listening experiences that reside on the edges of things. In this article, the author explores a number of these edges and meeting places, especially as they occur within the composer's very singular
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Matthews, David. "Deal Festival: Pavel Novák." Tempo 58, no. 227 (2004): 59–60. http://dx.doi.org/10.1017/s0040298204250057.

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In describing the performance of three extraordinary pieces by the Czech composer Pavel Novák, I have to begin by declaring an interest in my capacity as Artistic Director of the Deal Summer Music Festival, at which he was a featured composer. Novák was born in Brno in 1957, and has achieved a high reputation in Moravia, where he is now acknowledged to be the leading composer of his generation. He is not yet well known outside the Czech Republic, although the Schubert Ensemble have commissioned three pieces from him – Lord, We Seek the Song of the Chosen for piano trio (1991); Royal Funeral Pr
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Locke, Brian. "Novák's Lucerna and the Historiographical Problem of "Czech Modernism"." Articles 26, no. 1 (2012): 86–112. http://dx.doi.org/10.7202/1013244ar.

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The opera Lucerna (premièred 1923) by the Czech composer Vitězslav Novák demonstrates the problematic position of Czech music in the historiography of the early twentieth century, since neither "avant-garde" nor "antimodernist" suffice for it as stylistic labels. A leader of Czech modernism during the fin de siècle, Novák's music embodies the aesthetic crisis his generation faced after 1918. Lucerna's score reveals a complex negotiation of multiple stylistic influences, including impressionism, folklore, and Strauss, paralleling the Czech community's hesitant acceptance of international modern
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Michálková Slimáčková, Jana. "The Organ Compositions of Bedřich Antonín Wiedermann." Musicological Annual 56, no. 1 (2020): 59–78. http://dx.doi.org/10.4312/mz.56.1.59-78.

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This article deals with the compositions of the Czech organist Bedřich Antonín Wiedermann (1883–1951), who, unlike his contemporaries, was also a composer. He wrote around 340 works, of which more than a quarter are for organ. Most survive in the collection of his manuscripts deposited at the Czech Museum of Music (České muzeum hudby) in Prague.
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Smaczny, Jan. "Alfred: Dvořák's First Operatic Endeavour Surveyed." Journal of the Royal Musical Association 115, no. 1 (1990): 80–106. http://dx.doi.org/10.1093/jrma/115.1.80.

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Alfred, Dvořåk's first opera, has long hovered at the edge of our awareness of the composer. If there are signs of a growing realization that opera was to Dvořåk quite as important as other areas of his output, the detail needed to flesh out the picture of ‘Dvořåk the opera composer’ is to a large extent lacking. In the case of the composer's first six operas the inaccessibility of material has meant that an assessment of his early work in the area is still very much the province of specialist scholars. Published vocal scores exist for only three of these early operas, and none of them are in
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Buchalcevova, Alena. "Methodology for ISO/IEC 29110 Profile Implementation in EPF Composer." International Journal of Information Technologies and Systems Approach 10, no. 1 (2017): 61–74. http://dx.doi.org/10.4018/ijitsa.2017010104.

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The article presents the ISO/IEC 29110 Profile Implementation Methodology that was developed to manage consistent implementation of individual ISO/IEC 29110 Profiles in the open-source content management tool Eclipse Process Framework Composer. Such an implementation enables effective managing of the standard and its publishing in the form of a web application that can be easily and efficiently used. This methodology represents an example of the usable outputs of the ISO/IEC 29110 standard being utilized in education and research in the Czech Republic. Its main elements described in this artic
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Spurný, Lubomír. "Pavel Haas: “Janáček’s Most Talented Student”." Musicological Annual 51, no. 2 (2015): 119–25. http://dx.doi.org/10.4312/mz.51.2.119-125.

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In the course of the 1920s and 30s Pavel Haas (1899–1944) earned a reputation for himself in broader cultural consciousness as an original composer and Janáček’s “most talented student”. In the specific context of Czech music he likewise has the reputation of an innovator but is considered to have been strongly rooted in tradition as well.
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Dissertations / Theses on the topic "Czech composer"

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Sehnal, Jiří. "Jiří Sehnal, Adam Michna of Otradovice - composer: perspectives on seventeenth-century sacred music in Czech lands. Transl. by Judith Fiehler. Olomouc,Palacký University 2016, 236 S. DOI 10.55607/ff.16.24449869. ISBN 978-80-244-4986-9. Summary." Gudrun Schröder Verlag, 2019. https://ul.qucosa.de/id/qucosa%3A70779.

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Adam Michna z Otradovic (Adam Michna of Otradovice, 1600–1676) was the most important figure of Bohemian music history of the mid-17th century. He lived in the time of the deep political and ecclesiastical changes, an aftermath, in the Bohemian Lands, of the 1620 White Mountain Battle. The events of the Thirty Years’ War have influenced the whole of the early 17th century; nevertheless, music development did not stop. The forcible re-Catholicisation, instigated by the Habsburgs aided in the arrival of new music trends from Italy to Bohemia.
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Simon, Robert C. "The Madrigal Compositions of Bohuslav Martinů." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1212767642.

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McDannald, Brandon K. "Performance Editions of Three Works for Winds by Gyorgy Druschetzky." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248398/.

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Gyorgy Druschetzky was a noted Czech composer of Harmoniemusik, who wrote more than 150 partitas and serenades, along with at least thirty-two other selections for larger wind groups. This is in addition to twenty-seven symphonies, eleven concertos (most for wind instruments), two fantasias, forty-seven string quartets, two operas, a ballet that is lost, and other miscellaneous chamber music for various combinations of wind/string instruments. Three of his works for winds have existed only in manuscript form since their composition: Concerto in E-flat pour 2 clarinett en B, 2 cors en E-flat, 2
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Derby, McDermott Dennette. "Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc279144/.

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The Czechoslovakian composer Jindrich Feld (b.1925) composed Introduzione, Toccata e Fuga per Flauto Solo, for the Italian flutist Roberto Frabbriciani. Feld's Introduzione is from his third style period. This work may be labeled as a synthesis of the experiments and experiences that have enabled him to create his own mature style of expression.
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Glaserová, Iva. "Sborová tvorba Jana Bernátka." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338272.

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The thesis focuses on the personality and composer work of the contemporary Czech composer Jan Bernatek. The life and professional career of the composer are introduced; a large part of the thesis is dedicated to the author's compositions focusing on pieces meant for vocal ensembles. Essential pieces of his work were chosen from a complete list of all choir pieces, and these are introduced to a deeper extent. The most space is given to the choral piece Missa brevis and the folk cycle Mezi dvěma vinohrady. Musical analyses of these compositions contain the complete text documents and are accomp
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"Notes from the Underground: Explorations of Dissent in the Music of Czech-born Composers Marek Kopelent and Petr Kotík." Master's thesis, 2015. http://hdl.handle.net/2286/R.I.36428.

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abstract: Since the collapse of the Soviet Union, musicologists have been delving into formerly inaccessible archives and publishing new research on Eastern Bloc composers. Much of the English-language scholarship, however, has focused on already well-known composers from Russia or Poland. In contrast, composers from smaller countries such as the Czech Republic (formerly Czechoslovakia) have been neglected. In this thesis, I shed light on the new music scene in Czechoslovakia from 1948–1989, specifically during the period of “Normalization” (1969–1989). The period of Normalization followed a
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Lochovský, Martin. "Hanuš Bartoň jako skladatel, klavírista a hudební pedagog." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-411856.

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The author of this thesis endeavours to create a comprehensive portrait of Hanuš Bartoň, a Czech contemporary composer, pianist, and academic educator. The thesis is focused on his compositions and his contribution as a pianist and a teacher with the aim to establish a practical source of information. This source ought to fulfil both its musicological potential, especially concerning the analysis of Czech classical music of the end of the 20th century up till now, as well as its potential in the field of education, noting Bartoň's works for children and his academic pedagogical contribution. T
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Zdichová, Lucie. "Přínos současných českých skladatelů-pedagogů pro rozvoj dětské hudebnosti." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-372554.

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This dissertation deals with the contribution of contemporary composer educators to the development of childrenʼs musicality. In the first chapter it touches on the theme of important pedagogical representatives in Bohemia, Moravia and Silesia in the 17th to 19th centuries, and briefly stops at our nation's teacher, Jan Ámos Komenský. The following chapters contain a questionnaire and the treatise on the life and educational activity of contemporary Czech composers and educators Eduard Douša, Emil Hradecký, Milan Dvořák, Jiří Pazour and Tomáš Sýkora. The main source of my information was a per
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Dlouhý, Radek. "Sólová akordeonová literatura českých autorů vzniklá po roce 1960 a její pedagogické vyústění." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-370456.

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This dissertation work is concerned with Czech composers who composed for the solo accordion. These composers cover a range of individual generations of composition from the earliest born through to the youngest. There is a brief introduction to each composer along with their compositions for solo accordion including the characteristics of each individual composition and the circumstances of their creation. The dissertation work then presents the chronological development of Czech compositions for the solo accordion from the very beginning up to the present. It is also focuses on the teaching
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Soustružník, Leoš. "Slovinská hudba v Praze. Recepce slovinských skladatelů, dirigentů a interpretů mezi lety 1900 - 1939." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-343721.

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(in English): The goal of the master's thesis is to monitor the reception of compositions composed by Slovenian composers, by Slovenian students studying music and by Slovenian performers in Czech musical environment during the years 1848 - 1918 and 1919 - 1939. The thesis is divided into eight parts. The two main parts (Period 1848 - 1919 and Period 1919 - 1939) consist of subchapters and ends with the final summarizing of results. In additional part you can find a Dictionary of Slovenian and Yugoslav musicians and music ensembles referred in the thesis. The final part consists of poster copi
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Books on the topic "Czech composer"

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Fischmann, Zdenka E. Essays on Czech music. Czechoslovak Society of Arts and Sciences, 2002.

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Médiathèque de la communauté française de Belgique. A la rencontre de la musique Tchèque =: A profile of Czech music. Médiathèque, 1998.

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Médiathèque de la communauté française de Belgique. A la rencontre de la musique Tchèque =: A profile of Czech music. Médiathèque, 1998.

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Český muzikant Jan Václav Stamic, 1717-1757: Vzpomínková studie k výročí narození a úmrtí. Východočeské muzeum, 1997.

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Plná náruč vzpomínek: Celý život s hudbou, divadlem a filmem. G & W, 2002.

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Dvořák, Otakar. Antonín Dvořák, my father. Czech Historical Research Center, 1993.

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Lebrecht, Norman. Mahler remembered. Faber, 1987.

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Mahler remembered. Faber and Faber, 1987.

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Mahler remembered. Norton, 1988.

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Snyder, Jean E. Introducing Antonín Dvořák to African American Music. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0005.

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This chapter focuses on how Harry T. Burleigh, during his study at the National Conservatory of Music, became Czech composer Antonín Dvořák's most direct link to the African American music traditions in which he was keenly interested. Burleigh's second year at the conservatory would be a momentous one not only for him but also for the conservatory and for American music when Dvořák was appointed director. By the end of the academic year, Dvořák would complete the composition of his most famous American work, Symphony No. 9 in E Minor, “From the New World.” Burleigh would be intimately involved
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Book chapters on the topic "Czech composer"

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Čada, Karel, and Karina Hoření. "Governing Through Rituals: Regulatory Ritualism in Czech Migration and Integration Policy." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67284-3_6.

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AbstractThe Czech Republic has become the target of immigration over only the last three decades; currently, migrants compose 4.5% of the population. Governments in the previous decade have supported the vision of short-term labour migration, and foreigners face many administrative obstacles given the difficult legislation. We employ the concept of regulatory ritualism to grasp the distinctive features of the Czech system. Following Power (The audit society. Oxford University Press, Oxford, 1997) and Braithwaite (Regulatory capitalism: how it works, ideas for making it work better. Edward Elgar, Cheltenham/Northampton, 2008), we see regulation as a ritualised practice that comforts the public and cements the dominant normative order of migration policy. In this chapter, we introduce the historical and political context of migration policy, its institutional design, the Act on Residence of Foreign Nationals in the Czech Republic, the position of foreigners in Czech labour law, Czech integration policy and the consequences of recent institutional design for migrants. The main barriers of integration are difficult administration, poor knowledge of the language and precarious working conditions. Regulatory ritualism, a result of chaotic and unsystematic legislative work, is characterized by losing focus on achieving the goals or outcomes themselves, it establishes a climate of mutual distrust among those actors involved and places obstacles to collaboration between public authorities and migrants themselves.
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Manning, Jane. "KAREL HUSA (1921–2016)Twelve Moravian Songs (1957)." In Vocal Repertoire for the Twenty-First Century, Volume 1. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199391028.003.0040.

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This chapter presents folk songs from Czech-born composer and conductor Karel Husa. These folk songs demonstrate Husa’s unfailing sensitivity and expertise when confronted by a modest canvas. The twelve songs provide plenty of contrast in mood and style, despite the overall simplicity of the vocal lines. The composer states that he has barely altered the original melodies, and certain idiomatic inflections are reflected in the judicious use of grace notes. Here, the composer skilfully blends traditional and modern elements. With such plain, exposed lines, often in mid-voice, purity of tone is essential to convey the words clearly. Piano parts are, however, more elaborate, transforming the pieces into high-quality ‘art songs’.
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Buchalcevova, Alena. "Methodology for ISO/IEC 29110 Profile Implementation in EPF Composer." In Research Anthology on Recent Trends, Tools, and Implications of Computer Programming. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3016-0.ch019.

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The article presents the ISO/IEC 29110 Profile Implementation Methodology that was developed to manage consistent implementation of individual ISO/IEC 29110 Profiles in the open-source content management tool Eclipse Process Framework Composer. Such an implementation enables effective managing of the standard and its publishing in the form of a web application that can be easily and efficiently used. This methodology represents an example of the usable outputs of the ISO/IEC 29110 standard being utilized in education and research in the Czech Republic. Its main elements described in this article can be also used for implementation purposes in other countries. First, the methodology structure is presented, followed by its individual elements, i.e. General Principles, Profile Structure, Profile Element Mapping, Implementation Conventions, EPF Composer Usage Guidelines, and Implementation Process. The evaluation of this methodology was performed during the implementation of the Entry Profile.
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Bonds, Mark Evan. "Conclusion." In The Beethoven Syndrome. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190068479.003.0010.

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In his 1845 memoirs, the Czech composer Wenzel Johann Tomaschek compared Beethoven to a comet, an omen of the future whose unusual path that had attracted “superstitious” interpretations. As Thomas Kuhn argued in his classic study The Structure of Scientific Revolutions (1962), prevailing paradigms of thought are rejected when they can no longer explain significant anomalies. And the orbits of comets were among the unusual and seemingly inexplicable phenomena that had led Isaac Newton to develop the theories he would set down in his paradigm-shifting Principia of 1687. In similar fashion, Beethoven’s works provoked the kind of cognitive crisis that precipitates the overthrow of an existing paradigm. Unable to accommodate his instrumental music within the prevailing paradigm of expressive objectivity, listeners began to regard expression as self-expression, and they began to perceive all new music (and some old) from the perspective: that of the composer.
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Stavělová, Daniela. "5. The Polka as a Czech National Symbol." In Waltzing Through Europe. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.05.

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Stavělová (Czech Republic) discusses how the Polka was established as a Czech national symbol during the middle of the nineteenth century. She analyses a large number of sources that discuss the Polka, tracing the dance from its appearance in Czech national circles in the 1830s to its success in Paris in the 1840s. She discusses its consolidation as a Czech symbol through the work of music composers such as Bedřich Smetana in the second part of the century, arguing that it was first and foremost the name of the dance that carried political meaning: Polka as a cultural product fulfilled this goal to a lesser extent. In this way, Stavělová offers a detailed discussion of how the myth of the Polka became a significant aspect of Czech national culture.
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Conference papers on the topic "Czech composer"

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Demjancukova, Katerina, and Dana Prochazkova. "Probabilistic Seismic Hazard Assessment in Countries With Low Seismicity." In ASME 2014 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/pvp2014-28937.

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The region of the Czech Republic is mostly composed of the Bohemian Massif which is considered as a geological unit with low seismic activity. Nevertheless, all critical objects as the nuclear power plants, big dams etc. are built as aseismic structures. The nuclear installations have to satisfy the IAEA safety standards and requirements. One of important phenomena that have to be involved in the PSHA process is the diffuse seismicity. In 2010 International Atomic Energy Agency issued a specific safety guide SSG-9 Seismic Hazards in Site Evaluation for Nuclear Installations. The key chapters a
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Kozłowski, Aleksander, Tomasz W. Siwowski, and Tomasz Kozłowski. "Low-cost affordable single family housing in Poland. Light steel frame as an alternative construction solution." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0228.

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<p>Conventional single family houses in Poland are being built in the improved traditional construction technology with massive load-bearing structure created by masonry walls made of ceramic , silicate or aerated concrete blocks, concrete foundations, concrete rib-and-slab floor and pitched timber or concrete flat roof. Expanded polystyrene and mineral wool are being used as thermal insulation. Such solution is very time- consuming and costly due to more and more expensive manpower. The change in economy from communism to free market caused the beginning of modern thinking about constru
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Lepicovsky, Jan, Martin Luxa, and David Simurda. "Effects of Flow Distortion on Clarity of Interferometer Data." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-14378.

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Abstract The goal of the paper is to propose modifications to tested flat cascades that will suppress partial distortions of acquired interferograms in the region of blade leading edges. This improvement will allow more accurate determination of actual flow incidence angles of tested blade cascades, in particular for transonic or supersonic inlet flows. Application of physical probes for such tasks is always in question in transonic or supersonic flows. The paper is composed of three main sections: (a) introduction of the test facility, (b) presentation of the problem with examples, and (c) de
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