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Dissertations / Theses on the topic 'Daniel Gendre'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Owen, Craig. "Dancing gender : exploring embodied masculinities." Thesis, University of Bath, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636536.

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Within popular culture we have recently witnessed a proliferation of male dancers. This has been spear-headed by the success of the BBC television program Strictly Come Dancing. The current cultural fascination with dance provides a stark contrast to traditional discourses in England that position dance as a female activity, with men’s participation frequently associated with homophobic stigma. We therefore have a context in which multiple and contradictory discourses on masculinity are available for men to make sense of themselves. This thesis explores how young men negotiate these discourses

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2

DeLater, James Huet Pierre-Daniel Huet Pierre-Daniel. "The 1683 De optimo genere interpretandi (On the best kind of translating) of Pierre-Daniel Huet : introduction, English translation, notes, and commentaries /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9439.

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Boldrin, Beatrice. "La danse orientale entre stéréotypes et symboles : enjeux de "féminités contemporaines"." Thesis, Paris 5, 2014. http://www.theses.fr/2014PA05H018.

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Dans cette étude, nous analysons les évolutions des modèles contemporains de féminité dans le cadre des débats sur l’identité de genre à travers l’étude de la danse orientale. Nous envisageons la danse orientale à la fois comme un terrain de confrontation, de partage et d’hybridation de différentes conceptions et vécus du corps et comme une possibilité d’exploration empirique et conceptuelle de différentes identités de genre, culturelles et esthétiques. Ce sujet d’étude nous permet de réfléchir sur l’imaginaire du ventre féminin comme symbole genré, depuis les Orientalistes jusqu’à la pratique

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4

Guillen, Marissa E. "The Performance of Tango: Gender, Power and Role Playing." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1213208506.

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Hollander, Jocelyn A. "Discourses of danger : the construction of gender through talk about violence /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/8887.

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6

Whitehead, Anne. "Trauma, gender and performance : theorizing the body of the survivor." Thesis, University of Newcastle Upon Tyne, 1997. http://hdl.handle.net/10443/865.

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My thesis emerges out of the new disciplines of trauma studies and gender theory, both of which explore the coming into being of the subject. The traumatic event is that which overwhelms the subject and cannot be integrated into a sense of self Gender theory explores the ways in which woman is positioned as object in the patriarchal culture, and so cannot fully experience herself as subject. Both disciplines have mobilized narrative as a goal - narrative depends upon the adoption of a position as subject. I aim to theorize the body of the survivor of trauma and to explore the means by which th

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Shriver-Rice, Meryl. "Inclusion in New Danish Cinema: Gender, Sexuality, and Transnational Belonging." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/598.

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By examining the recent work by Danish writer-directors of both Dogme and New Danish Cinema from 1998 onward, this study pinpoints examples of film analysis that articulate the shared ethical themes of New Danish Cinema. These themes include Danish citizenship and identity, the reduction of family risk, negotiating prejudice and inclusion through desire, humility and empathy, and transnational belonging during a time of rising globalization. A number of the realistic fiction films of New Danish Cinema reflect Denmark’s preceding anti-Hollywood film movement dubbed Dogme 95. This movement first

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8

Chénetier, Marion. "L'oralité dans le théâtre contemporain : Herbert Achternbusch, Pierre Guyotat, Valère Novarina, Jon Fosse, Daniel Danis, Sarah Kane." Paris 3, 2004. http://www.theses.fr/2004PA030030.

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Quand la scène se vide de ses personnages, quand la fiction ne soutient plus l'action dramatique, que reste-t-il au théâtre ? L'oralité. Une parole qui déplace le drame pour le situer au cœur du langage et faire des lecteurs les acteurs du texte. Étudier les manifestations de l'oralité à travers six œuvres contemporaines - celles de H. Achternbusch, de P. Guyotat, de V. Novarina, de J. Fosse, de D. Danis et de S. Kane - c'est montrer comment un mode d'énonciation spécifique s'encode dans une écriture et se transmet au lecteur. Définie par ce qui demeure du corps dans la langue quand la voix s'

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9

Härtwig, Daniel [Verfasser], and Jens [Akademischer Betreuer] Werner. "Die Rolle von LGR6 in der Genese des humanen duktalen Pankreaskarzinoms (PDAC) / Daniel Härtwig ; Betreuer: Jens Werner." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1193924227/34.

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10

Mueller, Gavin. ""Straight up Detroit shit" genre, authenticity, and appropriation in Detroit ghettotech /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1182534766.

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11

Carter, Simon. "Risk, masculinity and modernity : understandings of gender and danger in the modern period." Thesis, Lancaster University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362625.

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McDonald, Caitlin. "Belly dance and glocalisation : constructing gender in Egypt and on the global stage." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/119585.

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This thesis is an ethnography of the global belly dance community with particular reference to the transmission of dance paradigms from Cairo to the international dance community. Key words describing my topic include dance, gender, performance, group dynamics, social norms and resistance, public vs. private, tourism, and globalisation. I hypothesize that social dancing is used in many parts of the world as a space outside ordinary life in which to demonstrate compliance with or to challenge prevailing social paradigms. The examination of dance as a globalised unit of cultural capital is an em

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Derambure, Angélique. "L'image et son empreinte dans les mises en scène de Daniel Benoin : Itinéraire et processus de création de la Comédie de Saint-Étienne au Théâtre National de Nice (1975-2010)." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2018.

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Metteur en scène contemporain dont l’itinéraire personnel est une conséquence de la décentralisation théâtrale, Daniel Benoin tire sa force de création du passage de l’image mentale à sa concrétisation dans le spectacle vivant par l’hybridation de savoirs multiples et de techniques artistiques. Cette étude d’un destin particulier dans un rapport holiste avec l’art dramatique permet une théorisation du processus de création dans lequel un regard croisé entre phénoménologie et pragmatique confirme l’hypothèse d’une empreinte matérielle et stylistique. L’approche comparative d’un grand nombre de

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Hersant, Céline. "Recyclage et fabrique continue du texte : Valère Novarina, Noëlle Renaude, Daniel Lemahieu." Paris 3, 2006. https://janus.bis-sorbonne.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-3619-2.

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L’ensemble de ces études propose de démêler l’écheveau de trois œuvres théâtrales contemporaines s’attachant notamment à mettre en scène le geste d’écriture et les conditions de production du texte au sein de la fiction théâtrale. En prenant la forme de petites enquêtes et de parcours parfois incertains dans les œuvres, ces études tentent de cerner les imageries développées par chaque auteur et plus particulièrement les métaphores se rapportant aux techniques de la couture. L’investigation porte donc sur le travail de reprisage ou de tramage intertextuel qui anime ces trois œuvres, mais cherch

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Ha, Steven Kyung-Gyoon. "Classicism and Romanticism in Three Ballets by Frederick Ashton." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1607420030830412.

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Walmsley, Walmsley. "Masculinity and Dance : Male Dancers, Gender and Society in Stockholm, Sweden." Thesis, Stockholms universitet, Socialantropologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-185745.

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This thesis examines the conditions for professional and aspiring professional male theatre dancers across two separate field sites in Stockholm, Sweden. By analysing these conditions I aim to discuss how hegemonic masculine social norms inform and affect the lives of these male dancers and the consequences of those norms for the wider male population. Through interview, unobtrusive observation and dance participation I will scrutinise the male experience of dance work and training in order to understand the lives of professional male dancers and their perception of themselves and their work,

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Hart, Alison. "Queering choreographic conventions| Concert dance as a site for engaging in gender and sexual identity politics." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527949.

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<p> Three dances, <i>On This Day, Panties and Pathologies </i>, and <i>Naked Spotlight Silver</i> were choreographed and performed in fulfillment of the requirements to complete an M.F.A. degree in dance. The performances took place at the Martha B. Knoebel Dance Theater located on the campus of California State University, Long Beach. <i> On This Day</i> premiered October 2012, <i>Panties and Pathologies </i> premiered March 2013, and Naked Spotlight Silver premiered October 2013. </p><p> This thesis examines how each project investigates choreographic approaches used in concert dance to co

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Aramphongphan, Paisid. "Inefficient Moves: Art, Dance, and Queer Bodies in the 1960s." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467507.

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This dissertation examines the intersection of art, dance, and queer sociality though Andy Warhol, Jack Smith, and their lesser-known contemporary, Fred Herko, a dancer and choreographer. Traversing art history, dance studies, and queer theory, this study uses analyses of movement, gestures, and embodiment as a bridge between the artistic and the social. In film, photography, and dance, these artists not only made art as queer artists, but their work stemmed from the form of sociality of their communities—the social and creative labor spent on seemingly unproductive ends, such as lounging toge

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Kallur, Martin. "Queer Love in Social Media Marketing : A Case Study of Same-Sex Couple Representations in Watch Brand Daniel Wellington’s Social Media Channels." Thesis, Linköpings universitet, Tema Genus, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-152000.

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On Valentine’s day 2018, Swedish watchmaker Daniel Wellington posted a photo of a gay male couple followed by a caption celebrating the love between the two subjects. The photo was posted to the brand’s Instagram account reaching an audience of four million followers. The brand’s followers responded with great amounts of engagement ranging from excitement and support for featuring a same-sex couple, to almost equal amounts homophobic disapproval. This thesis, a case study of Daniel Wellington’s social media and social media staff, examines the effects of including same-sex couples in social me

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McLaren, Mary Gugu Tizita. "Dancing with dangerous desires : the performance of femininity and experiences of pleasure and danger by young black women within club spaces." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/14628.

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Includes bibliographical references (150-157).<br>This research was carried out in Langa Township, Cape Town and worked with 7 young black women, between the ages of 19 and 26 years old. The aim was to explore the fluidity of identity, in particular gender identity, by exploring the performance of 'normative' femininity and 'hidden/subversive' femininity performed in different spaces. The focus was on 'hidden/subversive' femininity and the experiences of pleasure and danger in clubs spaces in Cape Town. It was found that these experiences centre on appearance, use of alcohol and dancing and ex

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Morrissey, Sean Afnán. "Dancing around masculinity? : young men negotiating risk in the context of dance education /." Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=59614.

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Pettyjohn, Celine Lyn Doherty. "Swingers masculinities and male sexualities in ballroom dance /." abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1446434.

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Rosler, Julia. "Acting the part : gender and performance in contemporary plays by women." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/2399.

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Acknowledging performance as a process through which gender identities are constituted, the thesis explores attempts in women's theatre to subject these very constructs to creative deconstruction. It offers a study of plays by Caryl Churchill, Sarah Daniels and Timberlake Wertenbaker. Setting their work in the context of prevailing discourses of representation, the analysis delineates the ways in which plays by women interrogate the Western tradition of meaning and perception. The thesis proposes theatrical performance as a strategic engagement with the very means by which women's position is

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Mokrzycki, Bartosz Paul. "Stranger danger: the politics of child safety in the age of Reagan." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/6255.

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This dissertation centers on a perceived child safety crisis in the late twentieth century U.S. It charts the emergence of specific cultural anxieties regarding American childhood and the development of new mechanisms designed to safeguard young Americans from “moral threats” such as stranger abduction, exploitation, and pornography. “Stranger Danger” shows that the politics of child safety coincided with Reagan-era efforts to snip the social safety net, promote law and order, lionize the business sector, and shore up the “traditional” family. The study argues that, as the New Deal order crumb

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van, Dobben Danielle J. "Dancing Modernity: Gender, Sexuality and the State in the Late Ottoman Empire and Early Turkish Republic." Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/193284.

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Early Ottoman dance practices that took place in gender segregated spaces andallowed for a certain degree of sexual explicitness and expressions of homoerotic desirewere disavowed among Turkish elites in the eighteenth and nineteenth centuries. "Bellydance" became associated with non-Turkish performers, while the Tanzimat and YoungTurk state employed the theater to perform emerging ideas about 'Turkishness' and the'New Woman.' In the early Turkish Republic, the new cadre of Kemalist militaryofficers and bureaucrats altogether rejected its Ottoman heritage and danced the waltz ina close embrace

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Demenkoff, John Haynes. "Evolution and emergence of the masculinities| Epiphanies and epiphenomena of the male athlete and dancer." Thesis, Pacifica Graduate Institute, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3626049.

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<p> To say that the masculinities are woven into the fabric of a pre-existing culture is not enough. One must go further and explore how culture itself is constituted by, or more precisely, constituted through the masculinities. As William Doty notes in his <i>Myths of Masculinity</i> (1993), culture not only produces but also is produced by stories. Ancient legends and sagas, like myths, are, to a large degree, perpetuated by the modern male dancer and athlete. However, as contemporary iterations of the masculinities, male athletes and dancers have evolved beyond the scope of myths and into n

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Körnlein, Daniel [Verfasser], Ulrich [Akademischer Betreuer] Kohlenbach, Acedo Genaro [Akademischer Betreuer] López, and Thomas [Akademischer Betreuer] Streicher. "Quantitative Analysis of Iterative Algorithms in Fixed Point Theory and Convex Optimization / Daniel Körnlein. Betreuer: Ulrich Kohlenbach ; Genaro Lopez Acedo ; Thomas Streicher." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2016. http://nbn-resolving.de/urn:nbn:de:tuda-tuprints-54859.

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Körnlein, Daniel Verfasser], Ulrich [Akademischer Betreuer] [Kohlenbach, Acedo Genaro [Akademischer Betreuer] López, and Thomas [Akademischer Betreuer] Streicher. "Quantitative Analysis of Iterative Algorithms in Fixed Point Theory and Convex Optimization / Daniel Körnlein. Betreuer: Ulrich Kohlenbach ; Genaro Lopez Acedo ; Thomas Streicher." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2016. http://d-nb.info/1112269401/34.

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Leissner, Debra Holt. "The Gender of Time in the Eighteenth-century English Novel." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278321/.

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This study takes a structuralist approach to the development of the novel, arguing that eighteenth-century writers build progressive narrative by rendering abstract, then conflating, literary theories of gendered time that originate in the Renaissance with seventeenth-century scientific theories of motion. I argue that writers from the Renaissance through the eighteenth century generate and regulate progress-as-product in their narratives through gendered constructions of time that corresponded to the generation and regulation of economic, political, and social progress brought about by develo

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Webb, Brock F. "This side of midnight: Recovering a queer politics of disco club culture." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363615857.

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Morrissey, Sean Afnán. "Dancing around masculinity? : young men negotiating risk in the context of dance education." Thesis, University of Aberdeen, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=59614.

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This thesis examines the intersection between masculinity and risk in educational settings. It draws on an intensive examination of the field of dance-education in Scotland and an extended period of research with YDance, Scotland’s only state-funded dance education company. Data was gleaned from a combination of qualitative and ethnographic methods including unstructured interviews, planned discussion groups and participant observation. The thesis synthesises the work of Ulrich Beck and with micro-level approaches popular in studies of gender and education through Bourdieu’s meso-level theorie

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Denney, Karson B. "Real Men Can Dance, But Not in That Costume: Latter-day Saints' Perception of Gender Roles Portrayed on Dancing with the Stars." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2615.

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This thesis attempts to better understand gender roles portrayed in the media. By using Stuart Hall's theory of audience reception (Hall, 1980) the researcher looks into dance and gender in the media to indicate whether or not LDS participants believe stereotypical gender roles are portrayed on Dancing with the Stars." Through four focus groups containing a total of 30 participants, the researcher analyzed costuming, choreography, and judges' comments through the viewer's eyes. From participant responses, the conclusion was made that audience members do perceive stereotypical gender roles on "

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Boivineau, Pauline. "Danse contemporaine, genre et féminisme en France (1968-2015)." Thesis, Angers, 2015. http://www.theses.fr/2015ANGE0034/document.

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Cette thèse porte sur un objet complexe liant danse contemporaine, genre et féminisme dans l’espace français de 1968 à 2015. La danse partage les préoccupations des militantes féministes à l’égard des problématiques d’identité, de sexualité, d’émancipation,de déconstruction du genre et des binarismes, de recherche universaliste ou de féminitude. Nous analysons comment le féminisme informe les artistes qui, quelle que soit l’époque, peinent à se dire féministes ou à penser leur art comme l’expression de leur engagement. Considérer le potentiel subversif de la danse implique une analyse de son r

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Keenan, Sharon M. "A Choreographic Exploration of Race and Gender Representation in Film and Dance." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1002.

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Through extensive research which culminates in a choreographic component, this thesis explores the lack of diverse representation within artistic and entertainment industries in regards to race and gender. In pursuit of a concise argument, most of the focus is on race and the conditioned view of gender as binary. Looking specifically at dance and film, it considers and analyzes why this absence persists, along with ways to ensure progress. The analysis and exploration unfolds in five central chapters: Research, Conception of the Dance, One and the Same, and Try It On Make It Fit. By detailing

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Kosstrin, Hannah Joy. "Honest Bodies: Jewishness, Radicalism, and Modernism in Anna Sokolow's Choreography from 1927-1961." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1300761075.

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López, Rodriguez Fernando. "Mutations du désir en danse : tablao et flamenco contemporain : genre, contextes de production et catégories esthétiques (Espagne 1808-2018)." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080037.

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Cette thèse s’interroge sur le surgissement de la danse flamenca contemporaine en Espagne dans les an-nées 1990-2000. Cette danse est ici analysée comme un phénomène artistique qui naît en réaction à la danse flamenca dite traditionnelle produite dans des tablaos à partir des années 1950. Les tablaos, qui offrent des spectacles de flamenco pour des touristes, sont analysés depuis le moment de sa création jusqu’à l’actualité ainsi qu’en rapport avec le café chantant, son ancêtre esthétique (1850-1920), ayant comme perspective principale d’analyse celle des études de genre.Dans un premier moment

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Caltabiano, Pamela Ann. "Embodied Identities: Negotiating the Self through Flamenco Dance." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/anthro_theses/33.

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Drawing on ethnographic research conducted in Atlanta, this study analyzes how transnational practices of, and discourse about, flamenco dance contribute to the performance and embodiment of gender, ethnic, and national identities. It argues that, in the context of the flamenco studio, women dancers renegotiate authenticity and hybridity against the backdrop of an embodied “exot-ic” passion.

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Pereira, Germana Cleide. "Dois pra lÃ, dois pra cÃ: a construÃÃo dos modelos de masculinidade e feminilidade na academia de danÃa de salÃo." Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=9797.

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Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgico<br>O objetivo dessa pesquisa Ã analisar a construÃÃo dos papÃis masculinos e femininos na academia de danÃa de salÃo. Para isso, foram tomados os espaÃos do salÃo de danÃa do Projeto DanÃar Faz Bem, o processo de ensino-aprendizagem dessa atividade, as normas da academia e especialmente as disposiÃÃes tÃcnicas e estÃticas dos danÃarinos para a produÃÃo de um corpo-danÃa apropriado a damas e cavalheiros. Desse modo, foram analisados corpos, gestos e performances de professores e alunos, durante as aulas, as interaÃÃes entre homens e

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Merritt, Carolyn P. "Locating the Tango: Place and the Nuevo Social Dance Community." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/13758.

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Anthropology<br>Ph.D.<br>In this dissertation, I examine the impact of globalizing processes upon the contemporary Argentine tango scene in Buenos Aires. Focusing on a contested trend referred to as tango nuevo, I engage debates surrounding: authenticity and cultural ownership; the performance of gender and sexuality; generational conflict in human movement practice; the enduring significance of place in an era of heightened globalization; the role of place and global economics in shaping transnational cultural formations; community as a site of anxiety, hierarchy and conflict; the tension bet

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Richard, Byron Marvin. ""DADDY, ROOT ME IN": TETHERING YOUNG SONS IN THE CONTEXT OF MALE, INTER-GENERATIONAL, CHILD-CENTERED, DANCE EDUCATION." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/37316.

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Dance<br>Ph.D.<br>This study of the dance experiences of related men and boys pursues overlapping and related research goals. It is an investigation about reflective teaching practice in the process of developing an emergent curriculum for this multi-generational group of men and boys. It is an investigation about the communicative moments between participants through which members expressed their pedagogical regard for each other, their needs, desires and their dance learning. And it is an investigation about this group of men and boys as an example of aesthetic community, a community engaged

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Nance, Curtis Kemal. "Brothers of the 'Bah Yah!': The Pursuit of Maleness in the Umfundalai Tradition of African Dance." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/291024.

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Dance<br>Ph.D.<br>Inaugurated by Kariamu Welsh in 1970, Umfundalai is an evolving contemporary African dance technique that draws movements from African and Diasporan dances. As one of the first of thirteen men to study and perform the technique, Umfundalai reified a North American African male identity, empowering me to navigate American and African American social scripts that posit dancing as a non-masculine activity. This study employs an autoethnographic lens to illuminate men's constructions of gender in Umfundalai. Specifically, the research explores maleness, an experienced gendered ag

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De, Boer Kyle Dylan. "Queer transgressions : the choreographing of a male homosexual presence with reference to selected choreographers." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1009442.

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Queer Transgressions: The choreographing of a male homosexual presence with reference to selected choreographers explores queer identity and in particular representations of a male homosexual presence in dance. Within the methodological framework of dance studies and queer theory I explore the ―self fashioning‖ of my male homosexual presence in dance. This is achieved by critically deconstructing my choreographic process when making choreography. Therefore this thesis is informed by both academic research and my self-reflexive experience of choreography and dance performance. The deconstructio

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Lee, Deng-Huei. "The Evolution of Yeats's Dance Imagery: The Body, Gender, and Nationalism." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4312/.

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Tracing the development of his dance imagery, this dissertation argues that Yeats's collaborations with various early modern dancers influenced his conceptions of the body, gender, and Irish nationalism. The critical tendency to read Yeats's dance emblems in light of symbolist-decadent portrayals of Salome has led to exaggerated charges of misogyny, and to neglect of these emblems' relationship to the poet's nationalism. Drawing on body criticism, dance theory, and postcolonialism, this project rereads the politics that underpin Yeats's idea of the dance, calling attention to its evolution and

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Béhar, Pierre. ""Silesia Tragica" : épanouissement et fin de l'école dramatique silésienne dans l'oeuvre tragique de Daniel Casper von Lohenstein (1635-1683)." Paris 4, 1985. http://www.theses.fr/1985PA040002.

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Hopkin, Rachel Claire. "Argentine Tango in Cincinnati: An Ethnographic Study of Ethos, Affect, Gender, and Ageing in a Midwestern Dance Community." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574766653540698.

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Greenberg, Maximanova O. "“Am I Sexy Yet?”: Contextualizing the Movement of Exotic Dance and Its Effects on Female Dancers’ Self-image and Sexual Expression." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/352.

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“‘Am I Sexy Yet?’: Contextualizing the Movement of Exotic Dance and Its Effects on Female Dancers’ Self-image and Sexual Expression” looks at exotic dancing in three contexts––a pole fitness studio, a strip club, and a college dance concert––and how the movement is experienced by the dancers in each space. It questions how the movement changes meaning for the dancers, audience, and mainstream culture based on the context and location, even with similar content. Specifically, it analyzes how the experiences of the dancers affect their self confidence, sexuality, and sexual expression. Then, it

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Svensson, Sara, and Ida Nordmark. "”Alla kan dansa!” : Synen på rörelse till musik samt dans i ämnet idrott och hälsa ur ett genusperspektiv." Thesis, Linnéuniversitetet, Institutionen för idrottsvetenskap (ID), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27632.

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Dansen har funnits länge i människans närhet och den har olika betydelser beroende på vad individen har för uppfattning om dansens normer och uppbyggnad. Syftet med vår empiriska studie är att undersöka om pojkar och flickor har en liknande syn på ämnesområdet rörelse till musik samt dans i gymnasieskolan och i så fall varför eller varför inte de har det. Vi har utgångspunkt i genusperspektivet och därmed Hirdmans (2001) teorier om genuskontraktet. Metoden vi har använt oss av är den kvantitativa undersökningsmetoden. Inom ramen för den kvantitativa undersökningsmetoden valde vi enkäter efters

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Barwick, Emily Moran. "Layers of the LapDance Scholarship: conception & foundational thought processes, history, development, & issues inherent therein and arising therefrom." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3563.

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The LapDance Scholarship was conceived in November of 2009, opened for applications in December 2010, and awarded its final scholarship in October 2012. The Scholarship has been awarded to ten recipients for the funding of their art projects. The total monies awarded totals $2,886. The Scholarship was created by Hailey Jude Minder and administered by Emily Moran Barwick. Part of its inspiration was the idea of funding something as decidedly "high brow" as fine art with something as decidedly "low brow" as lap dancing (to borrow from the chosen vernacular of the high court justices of New York

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Frankel, Tara Maylyn. "Weaving Through Reality: Dance as an Active Emblem of Fantasy in Performance Literature." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/37.

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Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic so

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Trygged, Sofia. "In Danger or Dangerous? : A discourse analysis of representations of Swedish women and children affiliated with ISIS after the breakdown of the 'caliphate'." Thesis, Uppsala universitet, Statsvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403386.

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After the fall of ISIS ‘caliphate’, Sweden and other European countries are struggling with how to handle the group of people who left Europe to join the terrorist organisation and now seek to return. In traditional narratives of gender and war, women and children are commonly perceived as innocent victims in need of protection. This narrative now seems to be challenged by European countries hesitation to repatriate, not only men, but also women and children affiliated with ISIS. Drawing on securitization, feminist and postcolonial theory, this thesis examines political discourses surrounding

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